Tagged: British

Garth Ennis on “Battlefields”

Garth Ennis on “Battlefields”

Over at CBR, Kiel Phegley has provided the highlights of a nice conversation with writer Garth Ennis (Preacher, The Boys) about Dynamite Entertainment’s upcoming "Garth Ennis Month," which will feature the debut issue of a nine-part limited series titled Garth Ennis’ Battlefields. The World War II-themed series will unfold in three connected stories this October, the first of which will be titled The Night Witches and feature art by Russ Braun.

Here, Ennis explains the ties that bind the three stories together:

“If there is an element that unites the three stories — this is something I like to leave up to the reader, so I’ll keep it vague — it might be a look at various ways of approaching conflict, depending on who you are, where you come from, what you’re up against,” Ennis said. “How the Russians fought the Germans was not quite like how the British fought them, for instance, and how the British in turn fought the Japanese was different again.”

It would seem that the subject is a near and dear one to Ennis, as the writer offers up quite a few thoughts about his plans for the series, his creative process with regard to the each story’s schedule and the artists with whom he’ll share creative credit. He also gives credit where it’s due with respect to the subjects of the stories.

“If nothing else, the stories in Battlefields highlight the courage of people whose time has almost passed and whose stories are fading. ‘The Night Witches,’ for instance: young women in their teens and early twenties, flying obsolete biplanes at night against the most lethal military machine in the world, facing potentially catastrophic consequences should they be captured alive. Or ‘The Tankies,’ men going into battle against heavy odds, knowing beyond a shadow of a doubt that the enemy has them outmatched and outgunned on every level, but doing it anyway. That, to me, is heroism, and that deserves to be acknowledged.”

For more on Battlefields, including some art from the series and the cover to issue #1 of Night Witches (a small version of which is posted here), head over to CBR.

SDCC Interview: Mike Mignola on the Hellboy Universe

Mike Mignola, creator of Hellboy has certainly been a star in the comics scene for some years but the spotlight must be shining a little brighter now that his franchise  includes two hit movies.  We were lucky to get a chance to talk to him briefly at the show this year about the future of his book, the impact of the movies on his own storytelling, and the difficulties of letting go of the art chores on the book.

“If I get hit by a bus tomorrow, I don’t know what’s going to happen to the book,” said Mignola about the notion of passing the book off to other creators.  He said he couldn’t imagine letting go of the character the way Todd McFarlane has let other people work on his most popular creation, Spawn.

When asked if, given that, it was hard to stop being the artist on the book, Mignola said it was at first — but he really likes the look of the book these days and he’s fond of the work Duncan Fegredo has done for the book.  “Besides,” said Mignola, “if I was still doing the art it would take forever.”

Readers of Hellboy are undoubtedly aware of the way Mignola uses real-world mythology, so we asked him what we should be brushing up on for his upcoming books.  He said they were going to be doing a take on some British mythology and that the content would be similar to the second film in a few ways.

We also asked if he was concerned that Guillermo del Toro’s film franchise seems to be building to a very different conclusion than his comics are. “The only thing that worries me is that the third movie will come out too soon,” said Mignola. Adding that he had a very firm plan for the comics and that this plan might take 15 years to be realized in the comics.

The Question Spotted… at Wimbledon?

The Question Spotted… at Wimbledon?

The online edition of the British newspaper The Daily Mail is reporting sightings throughout the country of faceless, well-dressed people at events like Wimbledon.

Comic fans might suspect that DC Comics’ The Question, investigator of social corruption, has crossed over to our universe. Not really, but we really wish that would happen.

Instead it’s creative marketing from car manufacturer Lotus.

That is, unless car manufacturers are up to something evil… Hmm.

Darth Vader Gets Drunk, Attacks Jedi Church

Darth Vader Gets Drunk, Attacks Jedi Church

To be filed under "Sometimes This Stuff Really Writes Itself," Newsweek.com is reporting that a 27-year-old man who dressed up as Star Wars villain Darth Vader (complete with garbage-bag cape)  and attacked members of a British group calling itself the Jedi Church, has been officially spared any time in jail.

According to reports, Arwel Wynne Hughes attacked church founders Barney Jones (a.k.a. "Master Jonba Hehol") and Michael Jones (a.k.a. "Master Mormi Hehol") with a metal crutch two months ago. The cousins created the "Jedi Church" after a 2001 U.K. census reported 390,000 people (0.7 percent of the country’s population) who claimed "Jedi" as their religion.

Here’s the best part, though:

Hughes claimed he couldn’t remember the incident, having drunk the better part of a 2 1/2-gallon (10-liter) box of wine beforehand.

Seriously, there’s nothing worse than a drunk guy who can control The Force. If I had a nickel for every party that ended when someone force-pushed another guest through a wall…

Review: Three Pieces of Middle

Review: Three Pieces of Middle

These three books have almost nothing in common – they’re from three different publishers, in entirely different genres, and by very different creators. But they all are middle chapters in long-running series, so they raise similar questions about maintaining interest in a serialized story – when the beginning was years ago, and there’s no real end in sight, either, what makes this piece of the story special? (Besides the fact that it’s printed on nice paper and shoved between cardboard covers.)

Ex Machina, Vol. 6: Power Down
By Brian K. Vaughan, Tony Harris, Jim Clark, and JD Mettler
DC Comics/Wildstorm, 2008, $12.99

Ex Machina gets to go first, since it’s the shortest and it’s also the closest to the beginning of the series. (Both in that it’s volume 6 and because all of the [[[Ex Machina]]] collections are so short – this one collects issues 26 to 29 of the series, so we’re only into the third year of publication.) The premise is still the same – an unknown artifact/item gave then-civil engineer Mitchell Hundred the power to hear and command all kinds of machines, which he used to first become a costumed superhero (stopping the second plane on 9-11, among other things) and then successfully ran for mayor in the delayed election of 2001-2002.

This storyline begins in the summer of 2003, and provides a secret-historical reason for the blackout of that year. (This is too cute a touch for my taste – Hundred’s world is different enough from our own that this “explanation” couldn’t be true in our real world, and so the fact that both worlds had identical-seeming massive blackouts, on the same day, from different causes, stretches suspension of disbelief much too far.)

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On This Day: Simon Bisley and Milt Gross

On This Day: Simon Bisley and Milt Gross

Simon Bisley, British comic book artist, was born in 1962. Bisley is best known for his work on the British series ABC Warriors, Sláine, and Heavy Metal Dredd, and the DC comic Lobo. His style uses paints and airbrushing as well as inks, and shows strong influences from both Frank Frazetta and Bill Sienkiewicz. Bisley also combined design elements from rock album covers and graffiti.

Milt Gross, an American comic book writer, illustrator, animator, was born in 1895. He wrote his comics in a Yiddish-inflected English. Gross is best known for his comic Gross Exaggerations and the woodcut novel He Done Her Wrong: The Great American Novel and Not a Word in It.

 

Review: ‘Confessions of a Blabbermouth’

Review: ‘Confessions of a Blabbermouth’

Mike Carey is a noted writer of both comics and prose – Lucifer, The X-Men, the “[[[Felix Castor]]]” novels – but, one might ask, what does he know about being a teenage girl? Probably not a lot…but he does have a secret weapon on his side: his daughter Louise is a teenage girl, and she’s the co-writer of this particular project.

Confessions of a Blabbermouth is the most recent publication of DC Comics’ Minx arm, which aims squarely at teenage and tween girls. (You remember: the audience that never, ever would read comics, so it was no use ever trying to get them interested – no, really, it’s just not worth it…until Sailor Moon ignited the manga boom and suddenly American comics companies were sitting on the sidelines watching those girls buy billions of dollars of Japanese comics? That audience.)

I’ve reviewed Minx comics twice before for ComicMixRe-Gifters and Clubbing last August, and The Plain Janes and Good As Lilly in September. And the book that was most successful out of those four was Re-Gifters, written by one Mike Carey (without any assistance from anyone in the target audience), so I had high hopes for [[[Blabbermouth]]].

 

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Fan Comics Celebrate ‘Doctor Who’, ‘Torchwood’

Fan Comics Celebrate ‘Doctor Who’, ‘Torchwood’

Pia Guerra may have her work cut out for her.  While Guerra’s first issue of IDW’s Doctor Who comic book series is scheduled to come out in July, fan-drawn strips about the British sci-fi phenomenon and its spinoffs are already well underway.

Pseudonymous LiveJournal bloggers calling themselves spastasmagoria and jigglykat have created Torchwood Babiez, which is so unbearably adorable it could give Cute Overload a run for its money.  So far the ladies are up to Page 10, and they’re just getting rolling.

Meanwhile, Rich Morris is currently up to Page 81 of his wonderful strip The Ten Doctors, which can be enjoyed by casual viewers of the show but is really designed for the more fanatic trivia buff who remembers over a quarter century of Doctors, companions, villains and planets.  Only three of the story pages have been inked and colored so far, but Rich’s art is worthwhile even in pencil form.

Doubtless there are a ton of other fan-based comics making the rounds; we’d be especially interested to see any paying tribute to the kid-friendly "Sarah Jane Chronicles."

Tolkien Estate, Publisher Sue New Line Over ‘Lord of the Rings’

Tolkien Estate, Publisher Sue New Line Over ‘Lord of the Rings’

Variety reports that publisher HarperCollins and the British charity that oversees the estate of Lord of the Rings author J.R.R. Tolkien have filed a lawsuit against New Line Cinema, the studio responsible for the "Lord of the Rings" film trilogy.

The suit was filed today in Los Angeles Superior Court and alledges that New Line Cinema neglected to provide either plaintiff with contractually obligated "gross profit participation" payment for the phenomenally successful films. The claim seeks $150 million from New Line, as well as a variety of other damages, including the right to terminate New Line’s license to the Tolkien properties.

If the studio loses the Tolkien license, it could end fans’ hopes for a Guillermo del Toro-helmed film based on The Hobbit, a widely speculated possibility.

 

‘Manga Bible’ Makes Jesus a Superhero

‘Manga Bible’ Makes Jesus a Superhero

Turning water into wine: superpower or blessed miracle?

The recently released Manga Bible presents it as a little bit of both, apparently. Illustrated by British-born Nigerian illustrator Ajibayo Akinsiku (a.k.a. Siku) and written by Akin Akinsiku, the 200-page book claims to be the "first ever Manga adaptation of the world’s bestselling book."

According to a report in The Plain Dealer, the book doesn’t shy away from applying modern-day vernacular to Old and New Testament tales:

In one panel, for example, the prodigal son leaves his father with the words, "See ya! Don’t wait up." In the next panel, he’s surrounded by women and booze.

Much of the book is dedicated to the Old Testament, of course – a discrepancy Siku claimed was as much due to the more colorful storytelling of the Old Testament as it was to the difficulty of navigating the conflicting gospels of the New Testament.