Tagged: animation

Goofy is Back With a New Animated Short

In his first theatrical appearance in nearly 50 years, Disney has brought back Goofy for an all new animated short. Much like others in the "How To" series (such as How to Ride a Horse, How to Play Football, and The Art of Skiing), Goofy learns how to hook up a home theater in How to Hook Up Your Home Theater, released in theaters last Christmas.

Directed and co-written by Kevin Deters in his debut, the short was also voiced by Disney veterens Corey Burton and Bill Farmer with music by Michael Giacchino (Lost, The Incredibles). There are lots of nods to previous Disney favorites and it will bring you back to the last Goofy short you saw in theaters in Aquamania in 1961.

The short was partially produced using a new "paperless" production pipeline for Disney, the first major change in production technique for hand-drawn animation at Disney since the introduction of CAPS, and was also an attempt to see if the new digital animation tools could be used to produce a short with the same graphic look as that of a 1940s cartoon.

It was attached to last year’s National Treasure 2, and was also released with the DVD. As mentioned, this is the first theatrical release of a classic Disney character in years. Enjoy as Goofy goes through the same troubles that many of us go through when trying to buy and/or install our brand new, state of the art, home theater set up.

Check out the video below, thanks to our friends at JoBlo, or you can purchase the video for multiple viewings through iTunes for $1.99. Enjoy!

 

Depp and Verbinski Reteam for ‘Rango’

Depp and Verbinski Reteam for ‘Rango’

Rango is a new CG-animated feature film from Paramount Pictures, set to begin production in January.  It is being directed by Gore Verbinski, making his animated debut, and he’s being joined by his Pirates of the Caribbean star Johnny Depp as the lead voice, that for a pet that goes on an adventure. The script is from John Logan (Star Trek: Nemesis) using an idea by Verbinski.  Industrial Light & Magic will handle the actual animation chores.

The studio has staked a March 2011 release date.

The ambitious method of animation, Verbinski told Variety "will allow us to capture and translate every aspect of Johnny’s performance, using it to drive the computer-generated character in a way that has yet to be seen in an animated feature."

According to the trade, Verbinski and Logan have are also collaborating on Bioshock, a video game adaptation for Universal Studios.
 

Review: ‘Red Colored Elegy’ by Seiichi Hayashi

Review: ‘Red Colored Elegy’ by Seiichi Hayashi

Red Colored Elegy
By Seiichi Hayashi
Drawn & Quarterly, July 2008, $24.95

[[[Red Colored Elegy]]] is like no other manga you’ve ever seen, a blast of pop art- and film-inspired storytelling from 1971 that was hugely influential to a generation of Japanese youth but has never been published in English until now. It’s like the American underground comics of the same era in being a break from the mainstream comics of its place and era, but unlike them – and unlike anything else I’ve seen before [[[RAW]]] in the ‘80s – in its style and visual language.

Sachiko Yamaguchi and Ichiro Nishimoto are a young couple, both connected to the manga/anime world, living together in Tokyo but unsure of what to do with their lives, in the way of all restless young people everywhere. Ichiro wants to be an artist of some kind: he abandoned painting when he couldn’t make a living at it, and quits an animation job to work on a graphic novel that he can’t sell. Sachiko is a tracer for another animation company; she has only the ambitions of a girl in a story by a man: to get married, to have kids, to run a house, to have a life.

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Online Animation: An Olympic Train Wreck?

Online Animation: An Olympic Train Wreck?

Cartoonist / animator / musician Joe Fournier has been doing some sweet stuff online, including this clever black-and-white cartoon about Chicago’s bid for the 2016 Olympics… something about a… train wreck?

Joe’s illustrations have appeared in all sorts of places – Playboy, Forbes, Premiere, and all sorts of newspapers – and he plays a vital role in the burgeoning online animation field. His cartoons have been seen on the Sci-Fi Channel, at the 2005 Cannes Film Festival, and the National Gallery of Art.

It’s good stuff. Check him out. 

Stan Lee and Hioryuki Takei’s “ULTIMO” Manga

Stan Lee and Hioryuki Takei’s “ULTIMO” Manga

Attention, true believers! Next month’s issue of manga magazine Shonen Jump will feature the premiere of Stan Lee and Hioryuki Takei’s Ultimo, which was announced back in April during New York Comic Con.

While the series is old news for readers in Japan (the issue has already been out for a few months over there), North American readers will get their chance to pick up a copy of the debut story in September.

Here’s what to expect from the series, according to the press release (which is posted after the jump):

High above Farmless City, citizens are stunned by the sudden appearance of two floating figures. Are they human boys, monolithic robots, or something much more strange? As the battle ensues between them, destruction and devastation falls on the hapless city. One figure is Vice, and seems to be as evil as his name implies. The other is Ultimo, intent on trying to stop Vice from wreaking more havoc. But who are Vice and Ultimo really? Where did they come from? A new mystery begins with the fate of the world possibly hanging in the balance!

My favorite part of the PR? The quote from Stan Lee about the project that is so very, well… Stan Lee. Check it out:

“Wow! This is just what I’ve been waiting for!” says an excited Stan Lee. “For the very first time I’m able to create superheroes in the fantastic Japanese manga style thanks to my lucky partnership with the great Hiroyuki Takei. What a kick it’ll be to join Hiroyuki-san in offering brand new, action packed stories to an army of readers in both the Eastern and Western worlds!”

Can’t you just hear him saying it in your head? Keep an eye out for the September 2008 issue of Shonen Jump for the first chapter of Ultimo.

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Foo Fighters to Develop ‘The Amazing Joy Buzzards’ Music?

Foo Fighters to Develop ‘The Amazing Joy Buzzards’ Music?

The Amazing Joy Buzzards has been an under-the-radar favorite of mine for quite a while now, so it was nice to see the series’ name appear on this week’s list of releases. Apparently, Image Comics is publishing a new "director’s cut" of the first volume of the superhero rock band’s adventures, titled "Here Come the Spiders."

Matt Brady has posted an interview with Mark Andrew Smith and Dan Hipp, who write and provide the art for the series, respectively.

During the interview, Smith drops this piece of information that made me even more fond of the series — and its (potential) future:

We’re always quiet on what the Amazing Joy Buzzards sound like because every reader plugs their own favorite band into the spot. But soon we might have an Amazing Joy Buzzards cartoon in the works with the Foo Fighters involved developing their sound so eventually for film and animation they will actually have a sound if all goes well.

Foo Fighters, eh? Here’s the part when I say, "Rock on."

For the rest of the interview, head over to Brady’s website.

[UPDATE – June 19, 2008: Mark Andrew Smith recently contacted ComicMix to clarify that nothing is finalized regarding the Foo Fighters or the band’s involvement with anything related to Amazing Joy Buzzards. The text of the interview on Matt Brady’s website has been edited to remove any reference to the band’s involvement, as the terms of any agreement with Foo Fighters or other entities are still under discussion. We have preserved the excerpt of the original interview here, in the interest of maintaining transparency. -RM]

Review: ‘Popeye’ on DVD

Next January, E.C. Segar’s cartoon creation Popeye turns 80. That’s a good run, especially for a character who still wasn’t showing many signs of his age in the 2004 TV special Popeye’s Voyage: The Quest for Pappy.

While Popeye might not have aged over the years, he certainly has changed, which is clearly evident in the contrast between two new DVD collections of [[[Popeye]]] cartoons recently released from Warner Bros. Video.

The first, as mentioned in Michael H. Price’s latest column here at ComicMix is Popeye the Sailor 1938-1940 Vol. 2 ($34.98), which contains 31 remastered theater shorts. Created by the Fleischer family’s studio, these are some of the earliest animated Popeye adventures.

One can quickly see why the shorts became a phenomenon, as big or bigger than Disney’s toons (pointed out in an excellent documentary on the Fleischers that’s included). Popeye and the gang are essentially Vaudevillians, pinwheeling through one pratfall after another.

While that means there’s not much narrative richness and little language-based humor (most the characters are unintelligible), the Fleischers were masters of the gags, setting them up as curvaceous rows of dominoes, one slapping down another in orchestrated patterns.

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‘Batman: Gotham Knight’ Trailer Posted

‘Batman: Gotham Knight’ Trailer Posted

A trailer just came online for this summer’s Batman: Gotham Knight, the animated DVD accompanying the Dark Knight release. It’ll be released on July 8.

In short, it looks amazing, with some intense action and very slick animation. But don’t take my word for it, watch for yourself.

(via Blog@)

$100 Million Earmarked for Chinese Comics/Animation

$100 Million Earmarked for Chinese Comics/Animation

The People’s Daily Online is reporting that the Chinese province of Guangzhou has announced plans to spend nearly $100 million over the next four years on developing the local comics and animation industry.

According to the report, more than 120 comics and animation companies are located in Guangzhou, generating nearly a fifth of the nation’s total revenue in these industries. The plan would devote 180 million yuan (approx. $24.9 million) each of four years to development of domestic comics and animation projects, with 50 million yuan directed toward nurturing, recognizing and promoting new talent, and the rest toward new "development parks" for companies.

"There is a promising market for the comics and animation industry as the city has introduced a series of preferential policies to support and develop the industry," Fan Xu, director of the Guangzhou press, publication, and radio and television (copyright) bureau, said earlier this week.

 

Slightly Belated 110th Birthday, Hans und Fritz

Slightly Belated 110th Birthday, Hans und Fritz

Our favorite role models, The Katzenjammer Kids, turned 110 years old yesterday. In case you weren’t aware, the newspapter strip is still being published each Sunday.

Created by Rudolph Dirks and first appearing in William Randolph Hearst’s New York Journal on December 12, 1897, the strip was among the very first to be regularly published and endure. It also helped establish the language and format of the comic strip and, therefore, the comic book.

The Katzenjammers also helped establish intellectual property copyright and trademark law. Dirks left Hearst to work for the even-scivvier Joe Pulitzer and his New York World, taking his characters with him. Hearst sued. The courts ultimatey ruled that Dirks had the right to continue his feature, but so did Hearst. However, only Hearst owned the name "The Katzenjammer Kids."

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