Tagged: IDW

Ovie Mughelli To Make Comics

Ovie Mughelli To Make Comics

FLOWERY BRANCH, GA - CIRCA 2010: In this hando...

Image by Getty Images via @daylife

Ovie Mughelli knows how to keep busy during the NFL Players Strike.

The Pro Bowl fullback for the Atlanta Falcons, will be announcing his own comics property in the coming weeks. The project is being developed in conjunction with writer Clifford Meth (Snaked from IDW) and artist Michael Netzer (Batman, Superboy, Web of Spider-Man). Mughelli, who had a breakout 2010 Pro Bowl season, signed a six-year, $18 million contract with a $5 million signing bonus in 2007 with the Falcons, the largest contract given to a fullback in NFL history at the time.

I suspect a lot of comics stores will be carrying his book– after all, do you want to tell this guy no?

Here are your 2011 Harvey Award nominees

harvey_winner_logo-300x294-4733029Well, we know who we’re voting for and ComicMix will be on hand, covering events and news happening at next month’s Baltimore Comic-Con.

BALTIMORE, MD (July 5, 2011) — The 2011 Harvey Awards Nominees have been announced with the release of the final ballot, presented by the Executive Committees of the Harvey Awards and the Baltimore Comic-Con.  Named in honor of the late Harvey Kurtzman, one of the industry’s most innovative talents, the Harvey Awards recognize outstanding work in comics and sequential art. They will be presented August 20, 2011 in Baltimore, MD, in conjunction with the Baltimore Comic-Con.

Nominations for the Harvey Awards are selected exclusively by creators – those who write, draw, ink, letter, color, design, edit or are otherwise involved in a creative capacity in the comics field.  They are the only industry awards both nominated and selected by the full body of comic book professionals.  Thank you to all that have already participated by submitting a nomination ballot.

Final ballots are due to the Harvey Awards by Saturday, August 6, 2011.  Full details for submission of completed ballots can be found on the final ballot.  Voting is open to anyone professionally involved in a creative capacity within the comics field.  Final ballots are available for download at www.harveyawards.org.  Those without Internet access may request that paper ballots be sent to them via mail or fax by calling the Baltimore Comic-Con (410-526-7410) or e-mailing baltimorecomiccon@yahoo.com.

This will be the sixth year for the Harvey Awards in Baltimore, MD.  Our Master of Ceremonies this year for the 3rd year in a row will be Scott Kurtz (www.pvponline.com).

This year’s Baltimore Comic-Con will be held August 20-21, 2011.  The ceremony and banquet for the 2011 Harvey Awards will be held Saturday night, August 20.

Without further delay, the 2011 Harvey Award Nominees: (more…)

Here Comes Speed Racer Back To Comics

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As we hinted earlier today, Speed Racer is returning to comics, with new stories by Len Wein (Human Target, Swamp Thing, X-Men, Wolverine), Tommy Yune, Robby Musso, Lee Kohse, and James Rochelle.

[[[Speed Racer]]] is an English adaptation name of the Japanese manga and anime, Mach Go Go Go, but is best known in the US from the 60s television series translation and the 2008 film. Selected chapters of the manga were released by NOW Comics in the 1990s under the title Speed Racer Classics, later released by the DC Comics division, Wildstorm Productions under the title Speed Racer: The Original Manga, then collected by IDW.

The release date of the new series has yet to be announced. Maybe in this new series, the Mach 5 will actually have a trunk lock? Or is that too much to hope for?

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Review: ‘Dark of the Sun’

Given the unrest across Africa today, it’s easy to forget that there was similar troubles as country after country gained their independence from colonization in the 1950s and 1960s. The Congo crisis, in particular, lasted from 1960-66 as it struggled to establish itself after Belgian rule. Over 100,000 people died during the ordeal and it inspired a 1965 novel, [[[The Dark of the Sun]]], by Wilbur Smith.

The novel, rather than the actual events, led to the 1968 MGM film adaptation which is finally available on DVD from Warner Archive. The film has been a favorite of directors including Martin Scorsese and Quentin Tarantino who lifted some of the score, and its lead Rod Taylor, for use in last year’s [[[Inglorious Basterds]]].

Taylor plays mercenary Bruce Curry who is hired by the iron-fisted president Ubi (Calvin Lockhart) to retrieve $50 million in diamonds from the northern country. Accompanied by his Congolese friend Ruffo (Jim Brown), Curry extracts a fat pay day and agrees to rescue the “unfortunate Europeans” stuck in a town about to be assaulted by the rebel Simbas. Curry and Ruffo are longtime allies and their equal partnership is a rarity in its day and about the only good thing to come from the flat script by Ranald MacDougall (as Quentin Werty) and Adrien Spies.

In the hands of the acclaimed cinematographer turned director Jack Cardiff, the movie has a roughhewn feel, matching the African land (although it was shot in Jamaica). Unfortunately, the script and performances don’t live up to the potential. Curry is a dull hero and every obstacle in his path feels perfunctory. There are complications from the former Nazi Henlein (Peter Carsten) who wants the diamonds for himself and chafes under Curry’s orders, a safe on a timer, UN peacekeeper fire, and reluctant-to-flee nuns.

Even Jacques Loussier’s score feels familiar. One of the first acts Curry performs is rescuing Claire (Yvette Mimieux) from her burned out home, but then there’s nothing for her to do but look pretty and concerned for the rest of the film. There’s also the alcoholic Doctor Wreid (Kenneth More) who gets his one moment to shine and that’s it.

The best moments, although they feel forced watching it today, as the conversations about race and life between Curry and Ruffo about midway through the movie before the action ignites and remains a relentless presence until the end credits. Much was made of the violence when the film was released because such brutality had rarely been seen on the screen at the time. Beyond the usual shoot ‘em up stuff, the Simbas invade the town, raping and pillaging with wild abandon. It’s perhaps the truest depiction of what must have happened across the land and continues to this day.

The 101 minutes plod along until we get a fairly predictable ending.  The transfer holds up and film students will probably enjoy studying this. The rest of you have to be truly interested in the subject matter or cast to bother sitting through this.

BookExpo America, Day 0

BookExpo America is in town, and there are a few obvious themes, but a lot of it seems to be “more of the same”. Sales efforts seem to be going to the same old licensed properties and celebrity products– I was surprised that IDW didn’t even have any of Darwyn Cooke’s Parker adaptations on display, for example. (And don’t tell me it’s not because the next one is a while off, there’s a nice omnibus edition coming, it’s still one of the more prestigious properties they publish, and there’s a decent amount of backlist titles on display, although not complete by any means.)

E-pub  and blogging seems to be a much bigger deal here, with healthy showings from Google, Overdrive, and Amazon (both Kindle and their new print line) and the concurrent BlogWorld convention going on downstairs. Somehow, I think a lot more people are going to being migrating there over the course of the show.

We expect to be at the CBLDF party later tonight, and we hope to see you there.

Jeffrey Catherine Jones, 1944 – 2011

Noted illustrator and sometime comics artist Jeffrey Catherine Jones died yesterday of complications from emphysema.

In comics, her work appeared in Heavy Metal, the various Warren magazines, Epic Illustrated, and many, many others. Committing herself to illustration in general and expressionism in specific, she was a member of the legendary Studio along with Michael Kaluta, Barry Windsor-Smith and Bernie Wrightson. Jones’ illustrations graced a great many science fantasy novels (Michael Moorcock, Dean Koontz, Fritz Lieber, Andre Norton, and others) and magazines as well as publications such as The National Lampoon.

Her work has been reprinted in a number of albums, most recently IDW’s [[[Jeffrey Jones: A Life In Art]]]. This ironically titled tome was released at the beginning of this year.

Jones married Mary Louise Alexander (now Louise Simonson) in 1966 and had a daughter, Julianna, the following year. In 2001 Jeffrey had gender reassignment surgery. In recent years she suffered from numerous ailments, but had made a sadly brief return to the drawing board last month.

In one of the highest compliments imaginable, illustrator Frank Frazetta called Jones “the greatest living painter.”

‘Human Target’ cancelled, ‘Wonder Woman’ and ‘Locke & Key’ not picked up for TV

This has not been a good week for comics on TV.

On Tuesday, Fox announced that it was canceling [[[Human Target]]] (starring Mark Valley, Chi McBride, and Jackie Earl Haley and based on the DC Comics character created by Len Wein, Carmine Infantino, and Dick Giordano) after two seasons, and also declined to pick up Locke & Key, the pilot from Roberto Orci and Alex Kurtzman (the minds behind Fringe and the Star Trek reboot) based on the IDW comic from Joe Hill.

Now word has come from Deadline Hollywood that NBC will not be picking up [[[Wonder Woman]]], the series that would have been produced by David E. Kelley and starred Adrianne Palacki as the amazing Amazon.

Between these developments, and Smallville ending its decade long run tonight, we are suddenly going from a lot of comics adaptations in broadcast prime time to none at all for the first time since 1996– and that was when Sabrina the Teenage Witch first aired.

Right now, all eyes are on whether Disney’s fabled corporate synergy will mean sister companies Marvel and ABC will go ahead with a new version of Hulk with Guillermo del Toro and David Eick, and/or AKA Jessica Jones with Melissa Rosenberg– or whether they’ll be shunted to ABC Family or some such solution.

Read “Hammer Of The Gods: Back From The Dead”!

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With all the interest in Norse sagas because of that movie opening today, we would be remiss if we didn’t remind you about you Hammer Of The Gods, the series from Michael Avon Oeming (Powers) and Mark Wheatley (EZ Street)!

This is the saga of Modi, a young Viking who was given amazing powers from the Norse Gods, literally carrying the power of Mjollnir, the hammer of Thorr… and a destiny to shake the world.


In the original 2004 graphic novel (which was recently reprinted by ComicMix and IDW, and is available for sale now) Modi came to terms with his strengths and weaknesses, fell in love with the Valkyrie, Skogul, and became a hero. As the new series starts, Odin, the king of the Gods, decides to peek in on the world of men. He travels to China, and soon Modi and his men must follow.

In addition to Oeming and Wheatley, there are contributions from John Staton, Neil Vokes, Guy Davis, Matt Plog, Tim Wallace, Brian Quinn, Scott Morse, Ethan Beavers, David Beck and others.

Read the series online now— or buy Hammer Of The Gods Volume 1: Mortal Enemy from your local comic book store or from Amazon!

‘Mortal Kombat’ is now a Download and YOU Can Win a Copy

‘Mortal Kombat’ is now a Download and YOU Can Win a Copy

In 1992, there may have been nothing bigger and more exciting than the video game [[[Mortal Kombat]]].  Wisely, Midway Games created their own universe with six realms which have unique backstories, all created by the Elder Gods. Players could manipulate their favorite surviving warrior — Johnny Cage, Sonya Blade, Liu Kang, and Jax, — and fight for survival in do-or-die tournaments.

The phenomenon was huge, spawning follow-up games, merchandise, and, of course, movies. Now available for download this week is the first Mortal Kombat film from 1995. The movie can be downloaded from iTunes and played on your iPod, phone, or tablet.

Released on August 18, it grossed $23 million and was proven critic proof. After earning over $70 million, it gave birth to 1997’s [[[Mortal Kombat: Annihilation]]]. The first film had the benefit of Paul W. S. Anderson’s early work, showing us what the director can do with action and other realities.

Warner Digital describes the movie this way: For nine generations an evil sorcerer has been victorious in hand-to-hand battle against his mortal enemies. If he wins a tenth Mortal Kombat tournament, desolation and evil will reign over the multiverse forever. To save Earth, three warriors must overcome seemingly insurmountable odds, their own inner demons, and superhuman foes in this action/adventure movie based on one of the most popular video games of all time. Starring Christopher Lambert (Highlander, Greystoke: The Legend of Tarzan), Bridgette Wilson (Shopgirl, The Wedding Planner), Linden Ashby (Prom Night, Resident Evil: Extinction), Robin Shou (Street Fighter: The Legend of Chun-Li, Death Race) and Talisa Soto (Don Juan DeMarco, License to Kill). Directed by Paul Anderson (AVP: Alien vs. Predator, Death Race).

Here’s a link to see the film’s trailer and remind yourself of the fun and excitement.

Meantime, ComicMix has one free digital download to give away. Tell us who your favorite character from the film is and why. The best answer received by Sunday at 11:59 p.m., as determined by our esteemed panel of judges, will win the download. Good luck.

MOONSTONE MONDAY-CLIFFHANGER FICTION, CHICKS IN CAPE PART TWO!

MOONSTONE CLIFFHANGER FICTION

This week we bring you the second half of a SUPER HEROINE story appearing in the recently released Moonstone collection, CHICKS IN CAPES!  The staff behind this project, from editors through the writers, artists, and all others involved are women and put together not only super hero fiction from a feminine perspective, but also produce some of the best action, drama, and adventure you’ve read anywhere in a long time!  Enjoy Elaine Lee’s tale, MISCHIEF, this week on CLIFFHANGER FICTION!

PART TWO
“The road to hell is paved with good intentions,” Mischief mumbled, thinking mainly, but not entirely, of the vow she’d made to confess all to Theo.
Now the SUV was weaving in and out of the oncoming lane, as though thinking about passing, then thinking better of it. There were too many curves in the road, hills and dense foliage, so the occasional car appeared from the fog, seemingly out of nowhere, making the prospect of passing on a double-yellow line a daunting prospect even for this guy.
But the jerk kept thinking about it.
She fantasized allowing herself to die in a fiery crash. Who would even miss her?
Okay, maybe the tabloids would miss her. The fat photo taken at the Empire State Building that was splashed across the cover of the National Pursuer under the clever headline MUCHO MISCHIEF should have taken the all-time record for embarrassing moments. Should have. But that was not the worst of it. And it did get worse. Lots worse.
“Where am I?” Wendy asked, coming to in her own bed.
“You don’t know?” Theo said, answering a question with a question, though it sounded as though he were being rhetorical, so she didn’t bother to answer.
Instead, she felt gingerly for the source of her monster headache. It was a lump the size of an eggplant just behind her left temple. Closing her eyes and engaging Mischief’s power, Wendy slightly reduced the swelling in the lump, and the throbbing calmed a bit.
“How… how did I get here?”
“Two weird guys brought you here,” Theo said. “One of them was glowing purple all over and the other one needs to call his doctor, because he’s definitely had an erection for more than four hours. And, oh yeah, he said he was your ex-boyfriend and, oh yeah, so did the purple guy. But I don’t think that could possibly be true because you’ve never said a word about the fact you were involved with two different guys who run around in Spandex fighting crime.”
Here Theo stopped and made the same face he made whenever she’d drunk the last beer; eyes very large, lips very thin, disappointment strained through a filter of disapproval.
“Is there anything else you’d like to tell me?” he asked, sounding not at all rhetorical.
“I was going to tell you,” Wendy started.
“When?” Theo said. “After I had moved in?”
“I guess so, since you’re, you know…” Wendy fumbled, “… pretty much in already.”
“What does that mean?”
“Awww, come on Theo!”
“No, what is that supposed to mean?”
“Your clothes are here, your bicycle’s here, your toothbrush is here…”
“I have a lot more stuff than that.”
“Are you talking about that box of records at Zach’s place? Because, once that box makes the trip here, that’s pretty much it.”
After a long pause for drama, Theo said quietly, “I’m not the one with a secret identity that I kept secret from you, so how did all of this become about me?”
Wendy took a deep breath and tried not to say what she was thinking, which was “It’s always about you.” Instead, she sat up in bed and realized, for the first time, that she was naked.
“Crap,” Wendy said, beginning to remember.
“Tell me about it,” Theo said.
He stood up and, holding his laptop, walked over to the bed.
“Here. You may want to look at these,” he said, handing her the computer.
“They started appearing online just before your friends showed up.”
The pictures were truly shudder-worthy: Mischief and a visibly excited Amp on the rooftop, Mischief falling through the air in what appeared to be an embrace with Amp, incredibly fat Mischief in a tangle with Amp, Mischief pointing her breasts at The Vibe in a provocative manner, and, finally, a series of at least eighteen photos of Mischief transforming into naked Wendy while seeming to writhe on the ground in some sort of ecstatic state, breasts large, then small, the really large, then tiny. Even more shudder-worthy was the fact that Theo had collected, arranged and rearranged these images into a photo story, then posted it in an album on his Facebook page labeled: “50 Things You’d Never Expect to See Your Girlfriend Do.”
“I guess I should say thanks for covering the, um… naughty bits with little black bars,” Wendy offered.
“I didn’t want to get kicked off Facebook,” Theo replied.
“So, I guess this means we’re breaking up,” Wendy said.
“Oh, no!” Theo said. “You don’t get to break up with me!”
Mischief had slowed way down and was hugging the right edge of the road, hoping beyond hope that the SUV would pass. He pulled into the oncoming lane, sped up, beeped his horn and…
Headlights appeared out of nowhere, as a Ford pickup topped a hill on a curve and broke through the curtain of fog. Horns blared and rubber burned. The Civic’s right-hand tires were halfway in a ditch, making the car impossible to steer. Mischief focused her power on the left side of the car, greatly increasing it’s weight. The right wheels lifted and she jerked back into the road. The SUV was still behind her.
She was starting to hate this guy as much as she hated camera phones.
Theo had taken the whole lies-and-secrets thing really badly. She’d been unable to convince him that she’d planned all along to tell him the truth. It was like some bad soap opera in which the errant wife cheated on the faithful husband. But she hadn’t cheated. Had she? It hadn’t felt like cheating at the time.
Of course, she had found the perfect way to make things even worse.
It had, after all, been her idea to go into couples counseling.
The therapist removed her trendy glasses, leaned across the polished mahogany desk, rested her chin on her perfectly manicured fingertips, and addressed Theo.
“How does that make you feel?”
She looked like she could eat him with a spoon.
Mischief glanced down at her own half-gnawed nails then slid her hands into her sleeves, surreptitiously repairing them with her matter-altering ability.
“I guess I feel betrayed,” Theo said, doing his best impression of Tobey Maguire in anything starring Tobey Maguire. “I guess I feel…you know, betrayed.”
He looked self-consciously downward now, his thick lashes casting a shadow over the tops of his cheekbones. Did he practice that in a mirror?
Mischief sighed.
“Is that sigh a way of showing your contempt for Theo?” the therapist asked.
“No!”
“It felt like contempt,” Theo said.
“Perhaps the contempt is for me then, or for therapy in general.”
“No! It was my idea!”
Theo shrugged and rolled his eyes toward the therapist, as if to say, See? What did I tell you?
“I’m just frustrated!” Mischief said, trying very hard not to scream.
“I can’t just run around telling everybody about my secret identity. I…
“Everybody? Everybody!”
“I had to be sure we were going somewhere before I took thechance.”
“You had me opening cans, for Chrissakes! I was opening cans for you!”
“What does that mean to you, opening cans?” the therapist asked.
Before he could answer, Mischief interrupted, saying, “Actually, it was jars, I was going to open a jar, and he took the jar and opened it for me. I didn’t know what to do. Of course I could open the jar. I could melt the jar. But maybe that’s something boyfriends are supposed to do for you, and, if I didn’t let him, that would open up a whole can of worms.”
“Jar of worms…” Theo muttered under his breath, which certainly sounded contemptuous to Mischief, but the therapist remained silent.
Mischief took a deep breath, swallowed her witty retort, and continued, “It’s not like I have any experience with this keeping a secret identity…um… secret. Before Theo, I only dated superheroes, so it nevercame up.”
“Oh, okay! Here it comes!”
“What?”
“Here’s where I get compared to guys who can leap over buildings and blow up planets with their heat vision. How do I compete with that?”
The therapist looked at Mischief, as though waiting for an answer, but Theo continued…
“It makes me feel…” and here Theo stopped for a moment, as though searching for the right word. “It makes me feel impotent.”
Mischief tried hard not to sigh again. “I didn’t notice you having that problem with Natalie Portman.”
The twin suns went nova, collapsed into themselves, went nova, and collapsed again.
The SUV was blinking its lights now, turning her mirrors into strobes. Pain shot through Mischief’s head. Was this a seizure coming on?  She vaguely remembered something about seizures and blinking
lights. Theo had told her something about that.
Why was she obsessing about Theo? Had he ever given a damn about her? They had seen that damned therapist for seventeen weeks and sixteen of those weeks had been spent talking about Natalie Portman.
“It wasn’t always Natalie Portman. At first, he just wanted me to change into Mischief.”
“But aren’t you Mischief?” the therapist asked, tucking a strand of auburn hair behind her shell-like ear.
Mischief, or Wendy, or whomever she was supposed to be at the moment, suppressed yet another sigh. How many weeks had they been in therapy? Seventeen? It felt like eons.
“Well, yes and no. I guess it would be more correct to say that I create Mischief out of Wendy-stuff. So maybe Mischief is Wendy, but Wendy isn’t Mischief.”
“How is using your power to enhance your appearance any different from putting on make-up or dying your hair?”
“Hmm… yeah. Well, it’s…Ookay. I’m going to give you Mischief, even though it was pretty disheartening to realize that I hadn’t…Wendy hadn’t…been getting Theo’s…” She stopped here, trying to think how to phrase this.
“Had not been getting Theo’s full attention.”
“That’s not true!” Theo said.
“C’mon!” Mischief said, “Are you really trying to tell me that your response to Wendy was as ‘energetic’ as your response to…”
Suddenly realizing she was talking about both of her identities in third person, Mischief, or maybe it was Wendy, buried her face in her hands.
“I think I’m going crazy,” she murmured.
“How do you think I felt?” Theo asked.
It now dawned on Wendy/Mischief/Wendy that Theo didn’t give a rat’s ass what she thought about his feelings, or felt about his thoughts, or felt and/or thought about anything, for that matter. She cleared her throat.
“I think you felt like screwing Mischief, then felt like screwing Scarlet Johanssen, then felt like screwing Kate Beckinsale, then felt like
screwing…”
“Hey!”
“…the ever-popular Natalie Portman, over and over and over again!”
“You lied to me. You let me make a fool of myself by opening cans,” Theo said, sounding like one of his skipping vinyl records. “I thought what we had was real.”
“So, opening jars unnecessarily is betrayal. Me as Natalie Portman, tied up and helpless, pretending you can ravish me against my will is real?”
“…I really like Natalie Portman.”
Here the therapist interrupted. “I think what Theo is trying to say is that his ego had been bruised and Natalie Portman was his way of putting the relationship back on what felt like equal footing.”
“Wow! Is that what Theo said?”
“Yes,” Theo said.
Wendy/Mischief took a deep breath to calm herself and decided to change tacks.
“You know what?” she began. “We’ve spent so much time on my failings, why don’t we talk about something else? Let’s see. We could talk about the fact that Theo has never made a living, that he pretends not to live with me while living with me in order to not pay rent, that he thinks he’s a musician, when he really answers phones at a music studio, part-time. We could talk about the fact that his name is really Tommy, or that I’ve paid for every date we’ve ever had and half of his crappy vinyl records.”
“Maybe we should talk about your anger,” the therapist said.
“I’m not angry!” Mischief screamed.
Mischief (for Wendy was gone now) only realized what had happened when her head cracked the ceiling.
“Oww!” she said, as a new lump began to rise. “Sorry…I, umm… seem to have lost control of my…umm…size?”
She looked down past her own giant knees, to see their two small, white faces staring up at her in horror.
Mischief giggled oddly, “Guess this was my way of putting the relationship back on equal footing.”
It was true. She had been angry. And things had only gotten worse.
Theo had left her, was living with the therapist, and had written a best selling tell-all book about his painful relationship with a female superhero.  Currently making the rounds of all the talk shows, he had finally found a way to make a living—at Mischief’s expense.
Her life, in the meantime, had become a living hell. Between Theo’s book and the embarrassing photos on the Internet, neither Mischief nor Wendy could walk down the street without being noticed. Men stared,women whispered, and little kids moved closer to their moms. Everywhere she went, cells phones clicked and the pictures—never flattering—shot around the globe.
Like the gunslinger in an old western, she began to be challenged by upstart superpunks, out to make reps for themselves. Fending them off without doing them permanent damage had become an exhausting enterprise.
What if she got careless and killed one of these kids? She’d be dodging a murder rap, instead of cell phone paparazzi. At this point, the thought of a public trial was almost worse than the thought of twenty-five to life.
The civil suits were bad enough. She’d been slapped with three separate lawsuits by the City of New York for damage to the Brooklyn Bridge, damage to the Empire State Building, and there was that big battle during the World Series that demolished the new Yankee Stadium. Taxpayers were up in arms. Sports fans were homicidal.
And all this had happened because she’d wanted something normal.
God, how she now hated normal! All the super villains she’d defeated, all the superheroes she’d dated, and the one who’d finally done her in was a normal, human guy. She cursed herself for a chump.
What was it that man-filching therapist had said?
“You don’t really like people, do you?”
She’d denied it at the time, but was it true? In the seven years she’d been Mischief, had she stopped caring about her fellow human beings?
The fog kept getting thicker and the SUV was still behind her, blinking its dreadful lights. One hand on the steering wheel, the other distractedly twisting her hair, Mischief briefly considered stomping on the brakes and letting the SOB plow into her, then decided that was crazy.  Could she have seen her reflection in the Civic’s blazing mirrors, she would’ve seen a multicolored tangle sprouting from her head. Yes, crazy.
Then the guy in the SUV honked his 200-decibel horn, laid on it really, and Mischief lost her mind.
Yanking the wheel sharply with her left hand, she swerved across the narrow road, pushing the fingers of her right through the glass of the windshield, so that the cool night air ran over them. Changing its nature at her command, the air became a field of force that surrounded the Civic, just as the SUV hit her left rear end.
The Civic spun forward, bounced off a roadside tree, hit the guardrail on the opposite side, and ended sitting sideways across the double yellow line.  Hand glued to horn, the SOB in the SUV had swerved in the opposite direction, smashing both the guardrail and his monster car.
Mischief rolled down the window, touched her fingers to the outside of her door and smiled, as the color of the Civic changed from violet-gray to red and the exterior of the car crumpled, giving it that “totaled” look.
The SUV’s driver was outside the car now, waving his hands and yelling obscenities. Focused on the damage to his own vehicle, he had not even glanced at Mischief.
“There was a deer,” said Mischief said, stepping out of the car. “Didn’t you see the deer?”
As she slammed the door and turned to face the behemoth embedded in the guardrail, she allowed her left hand to slide along the dented surface of the Civic’s body and felt the black numbers on the white license plates rearrange themselves into another configuration.
The driver didn’t see the numbers change. He was too busy staring at Natalie Portman, mouth hanging open.
“Aren’t you…? No! Why would…? What would…?”
“To answer your questions,” said Mischief, as she walked toward the stunned driver’s ruined SUV, “Yes. Oh, yes! Visiting a friend upstate. And, as to what I would be doing here, I would be crushing your car.”
“I don’t suppose you would consider going out with me?” asked the driver asked.
She placed her hands on the SUV and, though keeping its shape and color, it instantly organized its structure into something resembling tinfoil. Closing her fingers, Mischief began to scrunch and rumple and crease, while the shocked driver stared in amazement, as his car was crushed and rolled into a wrinkled ball by none other than Natalie Portman.
“No, I wouldn’t,” said Mischief, returning the car’s fabric to its former weight so that it hit the road with a resounding thwunk.
She turned to face the driver only to see him lifting his cell phone into camera position.
“Give me that!” she demanded, grabbing the phone from his hand. The phone melted, oozing between her fingers to drip onto the asphalt. Mischief looked at the silvery goop covering her hand, glanced around for something to clean it, and quickly settled on the driver’s white shirt. She took three steps toward him, wiped her hand down the front of his shirt, and then grabbed his tie to clean between her fingers.
The driver just stood there.
“Look what you did,” said Mischief said, “You made me crush your car and now you’ve got phone all over your tie.”
As she sped away in her dented red Civic, leaving the driver staring dumbly at a ball of car, Mischief felt almost happy. This had been much better therapy than couples counseling. Shedding Natalie Portman like an outgrown skin, she checked her reflection in the rearview mirror and spied, for the first time, her crazy multi-colored hair. Deciding she liked it, she morphed her car into a green VW and sped toward the turnoff to the thruway north.
Montreal was a straight five-hour shot up I-87. She’d always wanted to live in a city where people spoke French, and Canada had national healthcare. Getting a Canadian ID would be no problem for someone who could alter matter with the power of her mind.
As she entered the traffic circle and picked up her ticket at the tollbooth, she made a silent decision that things were going to change. No more dysfunctional relationships, no giving her power away for free, in fact, no more Ms. Nice Gal.
“I wonder what death rays are going for on eBay?”
She laughed at her own joke. Perhaps “Mischief” would prove to be the right name after all!
Elaine Lee
Elaine Lee is an EMMY nominated actress turned comic book, animation
and game writer. As a comics writer, she is best known for her
sexy vampire series, Vamps, and her science fiction series, Starstruck,
which is being reprinted in 2009-2010 by IDW.