Author: Tommy Hancock

It’s a Family Affair at IDEAS LIKE BULLETS!!

This is going to be one of those rapid fire Tommygun columns for ILB today.   Got a lot going on, but had this idea that I know I’m not likely to get to anytime soon and that just won’t leave me alone.   Now, of course, all the usual copyright stuff applies..this is my idea and all that as of today, so if you want to write it, then holler at me and we’ll discuss details.  This idea has enough legs that once the deluge I’m currently suffering under passes, I will probably pick up and do something with unless someone’s already gotten me to agree to let them have it:)

THE FAMILY MYSTERY
Although the time frame for this idea could be changed, my thought right now is that this is set in the late 1940s-early to mid 1950s.  It centers around a family, the Dentsons.  The five members of the Dentson family are your stereotypical Father Knows Best TV Family on the surface, but they share something other than DNA and a last name.

They share a secret identity.

In the metropolitan city the Dentsons live in, there is a problem.  A major problem.  And that is crime. Crime runs rampant, everything from street level muggings to maniacal super geniuses hellbent on world domination.  Although others in the past have stood against the rising tide, those myths and legends, the handful there were, hung up their masks or faded away following the Second World War.  But another stepped up to fill the void.  One who seemed to be everywhere at once, to know everything, to even master a variety of skills no one person could master, including changing physical size and appearance tor almost any situation.  This hero, this bastion of justice and truth, wraps himself in the shadows of the city he swears to protect.  Cloaked, masked, hidden from view, THE MYSTERY does all one man can do to protect the decent denizens of his city.

Of course, it’s easier when THE MYSTERY is really five people…Meet the Dentsons!

OK, looks like this will be a two part column!  For character descriptions of the Dentsons and some of the other principals, tune back to ALL PULP this weekend as I’ll be finishing this up from WINDY CITY!

PULP ARK ROOM RATE DEADLINE MIDNIGHT TONIGHT!

From Tommy Hancock-Pulp Ark Coordinator-

If you have not gotten your room for PULP ARK yet, today is the last day you can get it at the con rate of 79.00 a night.  Rooms will still be available, but they will go up to the 100 or so nightly rate.   Email here before midnight tonight! That is Debbie, the manager, and she will take your reservations!!  Do it now!  If you don’t, there are other hotels and rates range from 80-110 bucks, so you could get a room somewhere else, but several of us will be at Debbie’s hotel!!

ALL PULP SITE SPOTLIGHT-THE FERGUSON THEATER IS OPEN!

https://derricklferguson.wordpress.com/about/

From the site-

The Ferguson Theater is open for business

Greetings and Salutations.  Welcome to The Ferguson Theater.  So glad you could make it.  Sit down, make yourself comfortable.  Rest your coat.  Hopefully you’ll stay here for a while while I give you the obligatory explanation as to why I’m taking up valuable time and space here.

You guys already know I’m into movies.  Big time.  On a good day I watch at least one movie, either a new one I’ve never seen before or an old favorite.  On a really good day I watch four.  And then every so often, usually during the summer months my wife Patricia and I will have all-night movie marathons at home.  So yeah, I guess you could say I like movies.  A lot.

That love of movies prompted me to start up a Live Journal where I wrote movie reviews.  That proved successful enough that eventually I ended up with enough movie reviews to fill two books (which are available from Amazon.com and the handy dandy link is to your right) with a third book sitting on my hard drive giving me dirty looks because it feels neglected.  It also led to my co-hosting Better In The Dark with Thomas Deja.  The movie review themed podcast has also enjoyed a good bit of success.  Since it’s lasted five years now, I have no choice but to accept that people actually think that I know what I’m talking about when it comes to movies.

And that leads us to The Ferguson Theater.  Over the years people have emailed me asking why don’t I put all my movie reviews on one website, blog, whatever since they’ve been scattered over three or four different websites over the years.  And as part of my mandate to become more organized when it comes to my online footprints, I’ve finally buckled down and put this together.

What does this mean for my Live Journal?  Oh, it’ll still be there but I’ll no longer be posting movie reviews there.  Anything that has to do with movies or TV will be posted right here from now on.  So you won’t have to go scrambling through three or four different websites to find a review of mine.  I’ll also continue posting reviews over at the Better In The Dark message board so if you don’t get ‘em there, you’ll get ‘em here.  Makes it simpler all way round, I think.

So that’s the dilly-o.  Thanks for listening and by all means, please feel free to come back soon and often.  Rest assured that the older reviews you may have read before aren’t just copied and pasted here from other sites.  Most reviews are rewritten to reflect my new views/sensibilities on the movie so you’re just not getting the same ol’ crap from me you’ve read elsewhere.  I value your time just as much as I value mine.  I don’t waste my time and I won’t waste yours and anytime you feel that I am, call me on it.

I also urge you to check out the links on the right.  Some of those sites contain content written or presented by friends of mine, some of them really excellent writers.  I visit their websites on a regular basis because they know what they’re talking about, they’re entertaining and they’re simply just a whole lotta fun to read.

Okay, I’ve run my mouth enough.  Time for the reviews.  Thank you for coming to The Ferguson Theater.  Sit back and relax, enjoy the show.

ALL PULP ON THE WAY TO WINDY CITY!

ALL PULP ON THE WAY TO WINDY CITY!

From Tommy Hancock, sorta EIC, ALL PULP-
Hello, All Pulp fans, just a quick note to let you go that ALL PULP is going to the Windy City Pulp and Paper Convention!  I’m actually going as a partner in my production company, PRO SE PRODUCTIONS, but while there I’ll be doing double duty and will be sending out reports whenever possible on the news at WINDY CITY, including the mysterious announcement Will Murray is planning to make and The Pulp Factory Awards!  Stay tuned! (Well, later tonight at least…the drive is a LONG ONE!)

Tommy

From Pro Se Press-

YESTERYEAR, the debut novel from Tommy Hancock as well as Pro Se Press’ first foray into the field of novels and anthologies, is now for sale!  Printed via Createspace, YESTERYEAR, 190 pages, can be purchased for $12.00 here.  In the next 1-3 weeks, it will be available via Amazon and after that available via online at other markets as well!

The following is taken from the Estore Page-

YesterYear

YesterYear by Tommy Hancock, Published by Pro Se Press. Cover Art by Jay Piscopo, Interior art by Peter Cooper, Format and Design by Sean Ali.

A world where heroes and villains existed since the day the market crashed and the world almost collapsed. Common people granted great powers and awesome responsibility. A world where one of them knew all the secrets, good and bad, and put them down in a book. A world where that man and that manuscript disappeared.

Until now.

YESTERYEAR is the first book in an epic series chronicling the adventures of Heroes and Villains, both in the Heroic Age of the 1920s-1950s and in the modern day. Centered around a missing manuscript that might hold information that could literally change history and even mean the end of the world, YESTERYEAR alternates between a fast paced modern storyline about the man who ends up with the legendary book and excerpts from the mythic tome itself. Marvel to pulp like adventures of glory and adrenaline and become engrossed in the humanity and horror of being a Hero.

YESTERYEAR by Tommy Hancock-Sometimes the Greatest Mystery of Tomorrow happened Yesterday!

As an added bonus, Pro Se is proud to share with ALL PULP readers the Introduction to YESTERYEAR, written by noted Pulp Author Derrick Ferguson!  Enjoy and remember go buy YESTERYEAR TODAY!


Harlan Ellison has this classic answer he gives to people who ask the question that I suppose every writer gets asked at one time or another.  Here’s how the scenario goes:

“Where do you get your ideas?”
“There’s this Idea Factory in Schenectady.  You send them twenty-five bucks  and they’ll send you six ideas.”

It’s a lot funnier than it reads, trust me.  You have to see and hear Harlan Ellison do the routine to appreciate the gag (as I did twice) but this whole set-up is just to get to the meat and potatoes of this intro.

See, I used to think that Harlan Ellison was just making up the Idea Factory, that it was just a smart-assed way to get a laugh and get out of answering a question he no doubt got tired of answering.  But that was before I met Tommy Hancock.

And when I say ‘met’ I mean online.  Tommy is one of at least a dozen talented writers who have become good friends of mine but have never met in person.  Which makes it all the more remarkable when I realize that Tommy and I have been associated on a variety of projects for going on fifteen years now.  And even when we weren’t working on something we were staying in touch by email and Instant Messaging, keeping each other up to date on our lives and our writings.

And in all that time, I’ve come to realize that Tommy Hancock IS the Idea Factory.  Truly.  I’ve worked with the man so I know whereof I speak.  Tommy just isn’t satisfied with creating characters.  He creates entire universes.  Complete with history, mythology, technology.  Ask Tommy how SovereignCity works and he can tell you each and every inch of the city right down to the working of its waste disposal management system in such detail that by the time he’s finished he’ll have you convinced the damn place is real.  Ask him about a character he’s created.  Doesn’t matter.  Any character.  Tommy can not only tell you that character’s background but he’ll go on to talk about that character’s family tree.

Right about the time he’s telling you about that character’s great-grandmother you’ll start to get a little nervous.  Because you’ll now be getting the notion that our Mr. Hancock must be talking about real people.  He has to be.  Nobody puts that much creativity and thought and caring into characters that don’t even exist.

Do they?

Tommy Hancock does.  Because these characters do exist to him on a very real level.  Because Tommy Hancock simply doesn’t know any other way to do it.  For him to convince you of the reality of his characters and his universes he has to know it intimately.  Right down to the very last atom.

Tommy is an inexhaustible Idea Factory.  I’ve been on the receiving end of his output.  The man comes up with more ideas in a day than I can in a week.  And they’re GOOD ideas.  That’s the frightening thing.  I could easily take any one of Tommy’s ideas and get a trilogy of novels outta ‘em.  That’s how good and how detailed they are.

And at last with this book you’re holding in your trembling hands, you’re going to see what Tommy does with his ideas in a novel.  And I envy you if this is the first time you’re reading Tommy Hancock.  YESTERYEAR is truly a marvelous work that I’ve been privileged to read bits and pieces of over the years.  It’s an event that this work is at last being presented.  Especially in light of the New Pulp Renaissance going on right now.  Tommy has been out there on the front lines, getting the word out there about pulp and I’m delighted to see that he’s not only championing the works of others but now he’s got one of his own.

That’s enough of me running my mouth.  I’ve done my warm-up bit and now it’s time for the main attraction.  Dim the lights, make sure your favorite snacks and beverage of choice are within easy reach.  Put on the appropriate mood music and let Tommy Hancock take you into his universe.  He may call it YESTERYEAR but trust me, it’s as fresh and bright and exciting as all our unborn tomorrows.


                                                             Derrick Ferguson
                                                             Brooklyn, NY
                                                            February, 2011   
GUEST REVIEW-DOC HERMES BRINGS MIKE SHAYNE REVIEW TO ALL PULP!

GUEST REVIEW-DOC HERMES BRINGS MIKE SHAYNE REVIEW TO ALL PULP!

From our recurring guest, DOC HERMES
 
BLOOD ON THE BLACK MARKET  

Known by the blah generic title HEADS YOU LOSE in later paperback editions, this 1943 book is a perfectly enjoyable little mystery with two added points of interest. It deals with the rationing system used during WW II and it briefly touches on Mike Shayne coping immediately after the death of his wife Phyllis.

According to Davis Dresser (the original “Brett Halliday”), a movie studio was interested in Shayne but didn’t want him with a wife in tow, so the author reluctantly dispatched her between books. After MURDER WEARS A MUMMER’S MASK, poor Phyllis died offstage in childbirth (and evidently the baby did, also). I really disliked this development, partly because I am just so sick of the hero’s wife or girlfriend getting bumped off for plot purposes but also because Phyllis was a perfect counterbalance to Shayne’s grim surliness. Bubbly, energetic, a bit vacant, she brightened up the stories and gave them some levity.

None of this is explained in BLOOD ON THE BLACK MARKET. We simply find out that she’s gone. Shayne is now staying in his office in the same building, but he seems to be still keeping up the rent on the apartment on the floor above, where he and his wife lived. During the course of this case, trying to shake two police detectives who are cramping his style, the big redhead returns briefly to his old flat. (“….he turned on the lights and stood looking about the beautifully appointed and restful living room with an expression of acute sorrow tightening his face. Everything reminded him of Phyllis. Never would there be a wife like her again.”)

Maybe he had a longterm lease on the apartment with time to run before it would be rented to someone else or maybe he’s still renting it to possibly refurnish at some point, but it’s evident Mike Shayne is in serious denial. He comes from the old cowboy school of the stony face and unflinching suffering in silence; it’s hard to imagine him crying openly, even at her funeral. But when he has to break bad news to a pregnant young wife, it hits him hard again. (“He slumped low under the wheel. He had inured himself against hurt. Sorrow and grief were for lesser men than he, but as he drove toward Miami in the bright moonlight an acute pain gripped him…. Shayne suffered the agony of the damned, remembering his own slender, darkeyed wife who had not been so fortunate as the humble wife of Joe Wilson.”)

All of this is only found in a few references here and there in the story. From the moment a desperate phone call from a man about to murdered wakes him, Shayne is just too busy to brood. A gas station owner he knew and liked is shot dead, and as our shamus investigates (for once, without even a chance at collecting a fee) he begins to uncover something bigger than the usual murders based on jealousy or greed.

Determined to find out who killed the station owner and also motivated by a genuine patriotism, Shayne lets it be known that he was told who was behind the killing. This makes him a walking target to the gang, of course, but it’s a time honored way detectives and spies in pulp fiction entice their enemies out into the open (Just let them take a few shots at you so you can identify them.. this requires a bit of nerve, true.)

The investigation moves at a brisk clip (I read the book pretty much in one sitting, with no feeling of hitting any slack areas), and before you know it, Shayne is dodging rifle bullets and being slightly seduced by a woman lawyer (she snatches a gun from his hand and shoots a suspect dead right in the doorway, a startling moment for a first date). Hardly slowing to eat or sleep or change his shirt, Shayne is violently intimidating shysters and trading snappy banter with Police Chief Gentry (“This time you’re going to have to put your cards on the table, Mike. Four men have died while you horsed around and acted mysterious”). Our boy takes a good amount of physical wear and tear, ending up in the ER getting broken ribs taped and putting salve on his bruised mouth for the rest of the case.

As a private eye, Michael Shayne does all right. He’s tough enough; two goons take him for a ride at gunpoint and, without giving too much away, he’s around for the rest of the book. Shayne is not a deductive artist anywhere near the Ellery Queen or Nero Wolfe level, but he understands human nature and can puzzle through alibis. At one point, he realizes one suspect knew something before the papers printed it and therefore is the guilty party; this is a fair clue an alert reader could have picked up on. He even assembles a dozen suspects and the police in one room to give the clarifying speech where all the loose ends are tied up.

The racket being busted this time seems to be a shady way of getting around gas rationing. (Starting in 1942, Americans were issued ration books limiting how much of some items they could buy, most importantly gasoline. This was evidently a way of conserving tires, as rubber was increasingly hard to get, due to the war in the Pacific.) Shayne is outraged by this scheme to beat the rations system, and he makes some pointed speeches about hoarders and black market operators. He may feel he can do more good work in a belted trenchcoat than an Army uniform, but the redhead’s patriotism is genuine.
(In fact, he has a contact in Captain Ott of Military Intelligence and there’s a reference to his having helped them before. (“Anytime you want a commission, Shayne….”)

I like the details in this story about driving with dim headlights at twenty miles per hour during a dimout, everyone walking a lot more than usual, even the comments about how precious coffee is becoming. A casual reference to a zoot suit with brown and purple stripes is another reason why books should not be updated with topical references removed; little images like that, or Shayne crumpling his soft felt hat suddenly set the stories in their era and make them seem much more real. It’s your nickel, start talking.

YESTERYEAR ON SALE NOW!

YESTERYEAR ON SALE NOW!

From Pro Se Press-

YESTERYEAR, the debut novel from Tommy Hancock as well as Pro Se Press’ first foray into the field of novels and anthologies, is now for sale!  Printed via Createspace, YESTERYEAR, 190 pages, can be purchased for $12.00 here.  In the next 1-3 weeks, it will be available via Amazon and after that available via online at other markets as well!

The following is taken from the Estore Page-

YesterYear

YesterYear by Tommy Hancock, Published by Pro Se Press. Cover Art by Jay Piscopo, Interior art by Peter Cooper, Format and Design by Sean Ali.

A world where heroes and villains existed since the day the market crashed and the world almost collapsed. Common people granted great powers and awesome responsibility. A world where one of them knew all the secrets, good and bad, and put them down in a book. A world where that man and that manuscript disappeared.

Until now.

YESTERYEAR is the first book in an epic series chronicling the adventures of Heroes and Villains, both in the Heroic Age of the 1920s-1950s and in the modern day. Centered around a missing manuscript that might hold information that could literally change history and even mean the end of the world, YESTERYEAR alternates between a fast paced modern storyline about the man who ends up with the legendary book and excerpts from the mythic tome itself. Marvel to pulp like adventures of glory and adrenaline and become engrossed in the humanity and horror of being a Hero.

YESTERYEAR by Tommy Hancock-Sometimes the Greatest Mystery of Tomorrow happened Yesterday!

As an added bonus, Pro Se is proud to share with ALL PULP readers the Introduction to YESTERYEAR, written by noted Pulp Author Derrick Ferguson!  Enjoy and remember go buy YESTERYEAR TODAY!

Harlan Ellison has this classic answer he gives to people who ask the question that I suppose every writer gets asked at one time or another.  Here’s how the scenario goes:

“Where do you get your ideas?”
“There’s this Idea Factory in Schenectady.  You send them twenty-five bucks  and they’ll send you six ideas.”

It’s a lot funnier than it reads, trust me.  You have to see and hear Harlan Ellison do the routine to appreciate the gag (as I did twice) but this whole set-up is just to get to the meat and potatoes of this intro.

See, I used to think that Harlan Ellison was just making up the Idea Factory, that it was just a smart-assed way to get a laugh and get out of answering a question he no doubt got tired of answering.  But that was before I met Tommy Hancock.

And when I say ‘met’ I mean online.  Tommy is one of at least a dozen talented writers who have become good friends of mine but have never met in person.  Which makes it all the more remarkable when I realize that Tommy and I have been associated on a variety of projects for going on fifteen years now.  And even when we weren’t working on something we were staying in touch by email and Instant Messaging, keeping each other up to date on our lives and our writings.

And in all that time, I’ve come to realize that Tommy Hancock IS the Idea Factory.  Truly.  I’ve worked with the man so I know whereof I speak.  Tommy just isn’t satisfied with creating characters.  He creates entire universes.  Complete with history, mythology, technology.  Ask Tommy how SovereignCity works and he can tell you each and every inch of the city right down to the working of its waste disposal management system in such detail that by the time he’s finished he’ll have you convinced the damn place is real.  Ask him about a character he’s created.  Doesn’t matter.  Any character.  Tommy can not only tell you that character’s background but he’ll go on to talk about that character’s family tree.

Right about the time he’s telling you about that character’s great-grandmother you’ll start to get a little nervous.  Because you’ll now be getting the notion that our Mr. Hancock must be talking about real people.  He has to be.  Nobody puts that much creativity and thought and caring into characters that don’t even exist.

Do they?

Tommy Hancock does.  Because these characters do exist to him on a very real level.  Because Tommy Hancock simply doesn’t know any other way to do it.  For him to convince you of the reality of his characters and his universes he has to know it intimately.  Right down to the very last atom.

Tommy is an inexhaustible Idea Factory.  I’ve been on the receiving end of his output.  The man comes up with more ideas in a day than I can in a week.  And they’re GOOD ideas.  That’s the frightening thing.  I could easily take any one of Tommy’s ideas and get a trilogy of novels outta ‘em.  That’s how good and how detailed they are.

And at last with this book you’re holding in your trembling hands, you’re going to see what Tommy does with his ideas in a novel.  And I envy you if this is the first time you’re reading Tommy Hancock.  YESTERYEAR is truly a marvelous work that I’ve been privileged to read bits and pieces of over the years.  It’s an event that this work is at last being presented.  Especially in light of the New Pulp Renaissance going on right now.  Tommy has been out there on the front lines, getting the word out there about pulp and I’m delighted to see that he’s not only championing the works of others but now he’s got one of his own.

That’s enough of me running my mouth.  I’ve done my warm-up bit and now it’s time for the main attraction.  Dim the lights, make sure your favorite snacks and beverage of choice are within easy reach.  Put on the appropriate mood music and let Tommy Hancock take you into his universe.  He may call it YESTERYEAR but trust me, it’s as fresh and bright and exciting as all our unborn tomorrows.


                                                             Derrick Ferguson
                                                             Brooklyn, NY
                                                            February, 2011   

FORTIER REVIEWS MODERN FORGOTTEN PULP CLASSIC!

REVIEW FOR ALL PULP
By Ron Fortier
IMARO :The Naama War
By Charles Saunders
Sword & Soul Media
331 pages
Available Only at (www.Lulu.com)
There are times when a review must, by necessity, become more than mere words praising or critiquing a literary work.  When a reviewer recognizes a monumental injustice, then there arises a moral obligation to sound a clarion call in the hopes of shedding light on the issue.  This is such a case.  Read on.
Over twenty-five years ago, writer Charles Saunders created a new sword and sorcery hero whose roots and adventures were set in the mythological past of the African continent.  For the first time ever, a writer had eschewed the dominant overshadowing umbrella of Western-European culture for an untapped history that was totally unique to its corner of the world.  From this unbelievably rich untapped mythological tapestry came  Imaro, a mixed blood outcast raised by the grasslands warrior people known as the Ilyassai after his mother abandoned him.  He grows up bitter and resentful, his own salvation being that he is bigger, stronger and faster than anyone in the village. Once having achieved manhood, he leaves the tribe to seek out his destiny and perhaps learn the reasons why his mother gave him up as a child.
In the subsequent short stories and novels, Saunders took us on a fantastic journey through this rich and original African landscape.  Along the way we discovered Imaro was in fact an unwilling pawn in a cosmic struggle between the forces of good, represented by the Cloud Striders, and evil, alien beings known as the Mashtaan.  For centuries, the Mashtaan had been manipulating their earthly agents, wizards known as the Erriten, towards their ultimate goal of ripping apart the dimensional barrier between their world and ours, thus allowing them access to invade Earth.  To stop them, the Cloud Striders set in play two remarkable humans, both touched by their celestial powers while still in the womb; the first was the sorceress queen Kandisa and the second, Imaro. 
As he states in his afterword, Saunders initially planned to tell this saga as a trilogy, but the more he wrote of Imaro’s travels and adventures, the more the epic scope of his story continued to swell until he had no recourse but to continue on to a fourth, concluding chapter.  This writer is damn happy he did.  At the end of book three, “Imaro – The Trail of Bohu,” Imaro’s wife and young son had been brutally murdered by the demigod fiend, Bohu, working as an agent of the Eritten.  Incensed by the crime, Imaro, along with a few loyal allies, sets out to hunt down Bohu and destroy him.
It was then that Kandisa revealed to him that all the hardships of his life had been orchestrated by the Mashtaan because of their fear of him.  A war was coming that would encompass all the known kingdoms in a final contest between to the gods with Imaro being the deciding factor.  Imaro’s anger was only increased by this revelation that he had been manipulated as a mere pawn, that he was not the true master of his own fate.  It was only Kandisa’s heartfelt persuasions that convinced him to reluctantly accept his role in the coming conflagration. Still he continued his hunt for Bohu.  By the end of this third volume, he and his party found themselves in the land of Maguvurunde ruled by the powerful  knosi (king) Mkwayo and his beautiful queen, Katisa.  It is then revealed that they are Imaro’s parents.  Talk about a cliffhanger ending.
“IMARO – The Naama War,”  picks up where the last book ended and quickly begins the final events of this ground-breaking epic.  Coming to grips with his new found family and heritage, the stoic Imaro begins to accept the supernatural abilities the Cloud Striders had bestowed upon him. He gradually assumes responsibility befitting his new role as a prince.  With each new conflict he is drawn like a magnet to the cataclysmic confrontation Kandisa had predicted between the great armies and the Northern Highland and those of the Eritten controlled lowlands.  Imaro takes his place alongside his father, warrior-chieftain uncle and courageous cousin to lead their forces and in doing so accepts his destiny.
Saunders writes the most gripping, complex and thrilling battles sequences since Homer’s tales of the Trojan War.  His pen wields legions of humans and their nightmarish creature allies with a feverish skill that is unequalled in fantasy adventure and in the middle of it all, is Imaro, the greatest warrior ever to take up spear and shield and pit himself against the forces of the evil.  But like all great stories, Imaro’s victory comes with a price that cuts deep into his soul and leaves him spiritually wounded.  Though he saves mankind, he ironically remains the fates’ most tragic victim.
Charles Saunders is Robert E. Howard’s one true literary heir.  He is the finest fantasy adventure writer of the past twenty-five years.  This is no exaggeration.  No other fantasist on the bestseller lists today, Robert Jordan, David Eddings, George R.R. Martin, etc. etc. comes close to equaling the raw power of his stories, his sweeping imagination and the grace and grandeur of his tales.  And yet he is relegated to self-publishing his own material because no publisher in either America or Canada has been smart enough to sign him to a contract.  Rather it is his hundreds of fans, on-line reviewers and true aficionados of the genre who recognize his greatness and continue to support his career.
When Saunders first created Imaro, his earlier books were published by DAW paperbacks.  This was the early mid 70s and sadly the books, for whatever reason, failed to find a large audience.  Maybe readers simply weren’t ready for a black fantasy hero. It is this reviewer’s hope that today that is no longer the issue, but rather the world at large is simply not aware of this magnificent epic and it has gotten lost on the larger digital stage.  It is high time it was rediscovered.  Both “Imaro – the Trail of Bohu” and “Imaro – The Naama War” are available at (www.Lulu.com).  I would urge my readers not only to purchase both immediately, but to also tell all their friends and associates who love great fantasy adventure.  Maybe together we can bring Imaro back to the prominence he and his creator truly deserve.

MOONSTONE MONDAY-CLIFFHANGER FICTION, CHICKS IN CAPE PART TWO!

MOONSTONE CLIFFHANGER FICTION

This week we bring you the second half of a SUPER HEROINE story appearing in the recently released Moonstone collection, CHICKS IN CAPES!  The staff behind this project, from editors through the writers, artists, and all others involved are women and put together not only super hero fiction from a feminine perspective, but also produce some of the best action, drama, and adventure you’ve read anywhere in a long time!  Enjoy Elaine Lee’s tale, MISCHIEF, this week on CLIFFHANGER FICTION!

PART TWO
“The road to hell is paved with good intentions,” Mischief mumbled, thinking mainly, but not entirely, of the vow she’d made to confess all to Theo.
Now the SUV was weaving in and out of the oncoming lane, as though thinking about passing, then thinking better of it. There were too many curves in the road, hills and dense foliage, so the occasional car appeared from the fog, seemingly out of nowhere, making the prospect of passing on a double-yellow line a daunting prospect even for this guy.
But the jerk kept thinking about it.
She fantasized allowing herself to die in a fiery crash. Who would even miss her?
Okay, maybe the tabloids would miss her. The fat photo taken at the Empire State Building that was splashed across the cover of the National Pursuer under the clever headline MUCHO MISCHIEF should have taken the all-time record for embarrassing moments. Should have. But that was not the worst of it. And it did get worse. Lots worse.
“Where am I?” Wendy asked, coming to in her own bed.
“You don’t know?” Theo said, answering a question with a question, though it sounded as though he were being rhetorical, so she didn’t bother to answer.
Instead, she felt gingerly for the source of her monster headache. It was a lump the size of an eggplant just behind her left temple. Closing her eyes and engaging Mischief’s power, Wendy slightly reduced the swelling in the lump, and the throbbing calmed a bit.
“How… how did I get here?”
“Two weird guys brought you here,” Theo said. “One of them was glowing purple all over and the other one needs to call his doctor, because he’s definitely had an erection for more than four hours. And, oh yeah, he said he was your ex-boyfriend and, oh yeah, so did the purple guy. But I don’t think that could possibly be true because you’ve never said a word about the fact you were involved with two different guys who run around in Spandex fighting crime.”
Here Theo stopped and made the same face he made whenever she’d drunk the last beer; eyes very large, lips very thin, disappointment strained through a filter of disapproval.
“Is there anything else you’d like to tell me?” he asked, sounding not at all rhetorical.
“I was going to tell you,” Wendy started.
“When?” Theo said. “After I had moved in?”
“I guess so, since you’re, you know…” Wendy fumbled, “… pretty much in already.”
“What does that mean?”
“Awww, come on Theo!”
“No, what is that supposed to mean?”
“Your clothes are here, your bicycle’s here, your toothbrush is here…”
“I have a lot more stuff than that.”
“Are you talking about that box of records at Zach’s place? Because, once that box makes the trip here, that’s pretty much it.”
After a long pause for drama, Theo said quietly, “I’m not the one with a secret identity that I kept secret from you, so how did all of this become about me?”
Wendy took a deep breath and tried not to say what she was thinking, which was “It’s always about you.” Instead, she sat up in bed and realized, for the first time, that she was naked.
“Crap,” Wendy said, beginning to remember.
“Tell me about it,” Theo said.
He stood up and, holding his laptop, walked over to the bed.
“Here. You may want to look at these,” he said, handing her the computer.
“They started appearing online just before your friends showed up.”
The pictures were truly shudder-worthy: Mischief and a visibly excited Amp on the rooftop, Mischief falling through the air in what appeared to be an embrace with Amp, incredibly fat Mischief in a tangle with Amp, Mischief pointing her breasts at The Vibe in a provocative manner, and, finally, a series of at least eighteen photos of Mischief transforming into naked Wendy while seeming to writhe on the ground in some sort of ecstatic state, breasts large, then small, the really large, then tiny. Even more shudder-worthy was the fact that Theo had collected, arranged and rearranged these images into a photo story, then posted it in an album on his Facebook page labeled: “50 Things You’d Never Expect to See Your Girlfriend Do.”
“I guess I should say thanks for covering the, um… naughty bits with little black bars,” Wendy offered.
“I didn’t want to get kicked off Facebook,” Theo replied.
“So, I guess this means we’re breaking up,” Wendy said.
“Oh, no!” Theo said. “You don’t get to break up with me!”
Mischief had slowed way down and was hugging the right edge of the road, hoping beyond hope that the SUV would pass. He pulled into the oncoming lane, sped up, beeped his horn and…
Headlights appeared out of nowhere, as a Ford pickup topped a hill on a curve and broke through the curtain of fog. Horns blared and rubber burned. The Civic’s right-hand tires were halfway in a ditch, making the car impossible to steer. Mischief focused her power on the left side of the car, greatly increasing it’s weight. The right wheels lifted and she jerked back into the road. The SUV was still behind her.
She was starting to hate this guy as much as she hated camera phones.
Theo had taken the whole lies-and-secrets thing really badly. She’d been unable to convince him that she’d planned all along to tell him the truth. It was like some bad soap opera in which the errant wife cheated on the faithful husband. But she hadn’t cheated. Had she? It hadn’t felt like cheating at the time.
Of course, she had found the perfect way to make things even worse.
It had, after all, been her idea to go into couples counseling.
The therapist removed her trendy glasses, leaned across the polished mahogany desk, rested her chin on her perfectly manicured fingertips, and addressed Theo.
“How does that make you feel?”
She looked like she could eat him with a spoon.
Mischief glanced down at her own half-gnawed nails then slid her hands into her sleeves, surreptitiously repairing them with her matter-altering ability.
“I guess I feel betrayed,” Theo said, doing his best impression of Tobey Maguire in anything starring Tobey Maguire. “I guess I feel…you know, betrayed.”
He looked self-consciously downward now, his thick lashes casting a shadow over the tops of his cheekbones. Did he practice that in a mirror?
Mischief sighed.
“Is that sigh a way of showing your contempt for Theo?” the therapist asked.
“No!”
“It felt like contempt,” Theo said.
“Perhaps the contempt is for me then, or for therapy in general.”
“No! It was my idea!”
Theo shrugged and rolled his eyes toward the therapist, as if to say, See? What did I tell you?
“I’m just frustrated!” Mischief said, trying very hard not to scream.
“I can’t just run around telling everybody about my secret identity. I…
“Everybody? Everybody!”
“I had to be sure we were going somewhere before I took thechance.”
“You had me opening cans, for Chrissakes! I was opening cans for you!”
“What does that mean to you, opening cans?” the therapist asked.
Before he could answer, Mischief interrupted, saying, “Actually, it was jars, I was going to open a jar, and he took the jar and opened it for me. I didn’t know what to do. Of course I could open the jar. I could melt the jar. But maybe that’s something boyfriends are supposed to do for you, and, if I didn’t let him, that would open up a whole can of worms.”
“Jar of worms…” Theo muttered under his breath, which certainly sounded contemptuous to Mischief, but the therapist remained silent.
Mischief took a deep breath, swallowed her witty retort, and continued, “It’s not like I have any experience with this keeping a secret identity…um… secret. Before Theo, I only dated superheroes, so it nevercame up.”
“Oh, okay! Here it comes!”
“What?”
“Here’s where I get compared to guys who can leap over buildings and blow up planets with their heat vision. How do I compete with that?”
The therapist looked at Mischief, as though waiting for an answer, but Theo continued…
“It makes me feel…” and here Theo stopped for a moment, as though searching for the right word. “It makes me feel impotent.”
Mischief tried hard not to sigh again. “I didn’t notice you having that problem with Natalie Portman.”
The twin suns went nova, collapsed into themselves, went nova, and collapsed again.
The SUV was blinking its lights now, turning her mirrors into strobes. Pain shot through Mischief’s head. Was this a seizure coming on?  She vaguely remembered something about seizures and blinking
lights. Theo had told her something about that.
Why was she obsessing about Theo? Had he ever given a damn about her? They had seen that damned therapist for seventeen weeks and sixteen of those weeks had been spent talking about Natalie Portman.
“It wasn’t always Natalie Portman. At first, he just wanted me to change into Mischief.”
“But aren’t you Mischief?” the therapist asked, tucking a strand of auburn hair behind her shell-like ear.
Mischief, or Wendy, or whomever she was supposed to be at the moment, suppressed yet another sigh. How many weeks had they been in therapy? Seventeen? It felt like eons.
“Well, yes and no. I guess it would be more correct to say that I create Mischief out of Wendy-stuff. So maybe Mischief is Wendy, but Wendy isn’t Mischief.”
“How is using your power to enhance your appearance any different from putting on make-up or dying your hair?”
“Hmm… yeah. Well, it’s…Ookay. I’m going to give you Mischief, even though it was pretty disheartening to realize that I hadn’t…Wendy hadn’t…been getting Theo’s…” She stopped here, trying to think how to phrase this.
“Had not been getting Theo’s full attention.”
“That’s not true!” Theo said.
“C’mon!” Mischief said, “Are you really trying to tell me that your response to Wendy was as ‘energetic’ as your response to…”
Suddenly realizing she was talking about both of her identities in third person, Mischief, or maybe it was Wendy, buried her face in her hands.
“I think I’m going crazy,” she murmured.
“How do you think I felt?” Theo asked.
It now dawned on Wendy/Mischief/Wendy that Theo didn’t give a rat’s ass what she thought about his feelings, or felt about his thoughts, or felt and/or thought about anything, for that matter. She cleared her throat.
“I think you felt like screwing Mischief, then felt like screwing Scarlet Johanssen, then felt like screwing Kate Beckinsale, then felt like
screwing…”
“Hey!”
“…the ever-popular Natalie Portman, over and over and over again!”
“You lied to me. You let me make a fool of myself by opening cans,” Theo said, sounding like one of his skipping vinyl records. “I thought what we had was real.”
“So, opening jars unnecessarily is betrayal. Me as Natalie Portman, tied up and helpless, pretending you can ravish me against my will is real?”
“…I really like Natalie Portman.”
Here the therapist interrupted. “I think what Theo is trying to say is that his ego had been bruised and Natalie Portman was his way of putting the relationship back on what felt like equal footing.”
“Wow! Is that what Theo said?”
“Yes,” Theo said.
Wendy/Mischief took a deep breath to calm herself and decided to change tacks.
“You know what?” she began. “We’ve spent so much time on my failings, why don’t we talk about something else? Let’s see. We could talk about the fact that Theo has never made a living, that he pretends not to live with me while living with me in order to not pay rent, that he thinks he’s a musician, when he really answers phones at a music studio, part-time. We could talk about the fact that his name is really Tommy, or that I’ve paid for every date we’ve ever had and half of his crappy vinyl records.”
“Maybe we should talk about your anger,” the therapist said.
“I’m not angry!” Mischief screamed.
Mischief (for Wendy was gone now) only realized what had happened when her head cracked the ceiling.
“Oww!” she said, as a new lump began to rise. “Sorry…I, umm… seem to have lost control of my…umm…size?”
She looked down past her own giant knees, to see their two small, white faces staring up at her in horror.
Mischief giggled oddly, “Guess this was my way of putting the relationship back on equal footing.”
It was true. She had been angry. And things had only gotten worse.
Theo had left her, was living with the therapist, and had written a best selling tell-all book about his painful relationship with a female superhero.  Currently making the rounds of all the talk shows, he had finally found a way to make a living—at Mischief’s expense.
Her life, in the meantime, had become a living hell. Between Theo’s book and the embarrassing photos on the Internet, neither Mischief nor Wendy could walk down the street without being noticed. Men stared,women whispered, and little kids moved closer to their moms. Everywhere she went, cells phones clicked and the pictures—never flattering—shot around the globe.
Like the gunslinger in an old western, she began to be challenged by upstart superpunks, out to make reps for themselves. Fending them off without doing them permanent damage had become an exhausting enterprise.
What if she got careless and killed one of these kids? She’d be dodging a murder rap, instead of cell phone paparazzi. At this point, the thought of a public trial was almost worse than the thought of twenty-five to life.
The civil suits were bad enough. She’d been slapped with three separate lawsuits by the City of New York for damage to the Brooklyn Bridge, damage to the Empire State Building, and there was that big battle during the World Series that demolished the new Yankee Stadium. Taxpayers were up in arms. Sports fans were homicidal.
And all this had happened because she’d wanted something normal.
God, how she now hated normal! All the super villains she’d defeated, all the superheroes she’d dated, and the one who’d finally done her in was a normal, human guy. She cursed herself for a chump.
What was it that man-filching therapist had said?
“You don’t really like people, do you?”
She’d denied it at the time, but was it true? In the seven years she’d been Mischief, had she stopped caring about her fellow human beings?
The fog kept getting thicker and the SUV was still behind her, blinking its dreadful lights. One hand on the steering wheel, the other distractedly twisting her hair, Mischief briefly considered stomping on the brakes and letting the SOB plow into her, then decided that was crazy.  Could she have seen her reflection in the Civic’s blazing mirrors, she would’ve seen a multicolored tangle sprouting from her head. Yes, crazy.
Then the guy in the SUV honked his 200-decibel horn, laid on it really, and Mischief lost her mind.
Yanking the wheel sharply with her left hand, she swerved across the narrow road, pushing the fingers of her right through the glass of the windshield, so that the cool night air ran over them. Changing its nature at her command, the air became a field of force that surrounded the Civic, just as the SUV hit her left rear end.
The Civic spun forward, bounced off a roadside tree, hit the guardrail on the opposite side, and ended sitting sideways across the double yellow line.  Hand glued to horn, the SOB in the SUV had swerved in the opposite direction, smashing both the guardrail and his monster car.
Mischief rolled down the window, touched her fingers to the outside of her door and smiled, as the color of the Civic changed from violet-gray to red and the exterior of the car crumpled, giving it that “totaled” look.
The SUV’s driver was outside the car now, waving his hands and yelling obscenities. Focused on the damage to his own vehicle, he had not even glanced at Mischief.
“There was a deer,” said Mischief said, stepping out of the car. “Didn’t you see the deer?”
As she slammed the door and turned to face the behemoth embedded in the guardrail, she allowed her left hand to slide along the dented surface of the Civic’s body and felt the black numbers on the white license plates rearrange themselves into another configuration.
The driver didn’t see the numbers change. He was too busy staring at Natalie Portman, mouth hanging open.
“Aren’t you…? No! Why would…? What would…?”
“To answer your questions,” said Mischief, as she walked toward the stunned driver’s ruined SUV, “Yes. Oh, yes! Visiting a friend upstate. And, as to what I would be doing here, I would be crushing your car.”
“I don’t suppose you would consider going out with me?” asked the driver asked.
She placed her hands on the SUV and, though keeping its shape and color, it instantly organized its structure into something resembling tinfoil. Closing her fingers, Mischief began to scrunch and rumple and crease, while the shocked driver stared in amazement, as his car was crushed and rolled into a wrinkled ball by none other than Natalie Portman.
“No, I wouldn’t,” said Mischief, returning the car’s fabric to its former weight so that it hit the road with a resounding thwunk.
She turned to face the driver only to see him lifting his cell phone into camera position.
“Give me that!” she demanded, grabbing the phone from his hand. The phone melted, oozing between her fingers to drip onto the asphalt. Mischief looked at the silvery goop covering her hand, glanced around for something to clean it, and quickly settled on the driver’s white shirt. She took three steps toward him, wiped her hand down the front of his shirt, and then grabbed his tie to clean between her fingers.
The driver just stood there.
“Look what you did,” said Mischief said, “You made me crush your car and now you’ve got phone all over your tie.”
As she sped away in her dented red Civic, leaving the driver staring dumbly at a ball of car, Mischief felt almost happy. This had been much better therapy than couples counseling. Shedding Natalie Portman like an outgrown skin, she checked her reflection in the rearview mirror and spied, for the first time, her crazy multi-colored hair. Deciding she liked it, she morphed her car into a green VW and sped toward the turnoff to the thruway north.
Montreal was a straight five-hour shot up I-87. She’d always wanted to live in a city where people spoke French, and Canada had national healthcare. Getting a Canadian ID would be no problem for someone who could alter matter with the power of her mind.
As she entered the traffic circle and picked up her ticket at the tollbooth, she made a silent decision that things were going to change. No more dysfunctional relationships, no giving her power away for free, in fact, no more Ms. Nice Gal.
“I wonder what death rays are going for on eBay?”
She laughed at her own joke. Perhaps “Mischief” would prove to be the right name after all!
Elaine Lee
Elaine Lee is an EMMY nominated actress turned comic book, animation
and game writer. As a comics writer, she is best known for her
sexy vampire series, Vamps, and her science fiction series, Starstruck,
which is being reprinted in 2009-2010 by IDW.

MOONSTONE MONDAY-CLASSIC NOIR COMING SOON-ANGELTOWN

MOONSTONE BRINGS MYSTERY, NOIR, AND COOL BACK
WITH ANGELTOWN COLLECTION!
Moonstone Entertainment, Inc., known for innovative books and comics starring classic as well as original characters, sets the standard once more for the Private Investigator story with its release of ANGELTOWN: THE NATE HOLLIS INVESTIGATIONS written by Gary Phillips, Interiors by Shawn Martinbrough, Cover by Michael Stribling.
Los Angeles is the birthplace of noir because the brighter the sunshine, the deeper the shadows and the more deadly the mischief that goes on in the dark.

Angeltown: The Nate Hollis Investigations is a hardcover from Moonstone reprinting the Vertigo mini series in glorious black and white — the original critically praised sequential mystery featuring the cool, tough private eye’s frenzied search in the shadows for a pro hoopster wanted for murder in “Baller.”

The brand of noir that encompasses private eye tales is all about style and gritty substance. Phillips tells a hard hitting story with rapid fire dialogue and staccato pacing. Martinbrough adds to the fist to the face this story gives the reader with both stark and subtle imagery. Between them, the original mini series set a new standard for PI Noir.

Exclusive to this hardcover, Gary Phillips (Operator 5), raises the bar once more with two original illustrated prose short stories; “Hollywood Killer,” wherein superhero pretenders prowling Hollywood Boulevard for tips are getting bumped off, art by Manoel Magalhães (Vincent Price Presents, Bluewater Comics) and “King Cow,” about cattle, low-riders and babes with nazi tattoos, art by Alejandro Aragon (28 Days Later, Boom Studios).
Slick as spit, big-shouldered Hollis walks the walk and talks the talk in the Angeltown comics, taking on a star-studded scandal that could rip the roof off post-Rodney King L.A.
 Kevin Burton Smith, Mystery Scene
Anyone who has read his Monk series knows Gary Phillips can write great PI stories. Well as it turns out he is also quite adept at using the comics/ graphic novel medium as well. With Angel Town Phillips has introduced us to a new PI character, Nate Hollis, set in L.A. and ready to kick ass and take names. — Jon Jordan, Crimespree magazine
Gritty.  Sordid.  Dark.  Hard boiled.  And all cast against the canvas of the Land of Broken Dreams.  Angeltown: The Nate Hollis Investigations is that and so much more and it’s all from Moonstone!
STAY TUNED TO ALL PULP FOR PREVIEW PAGES FROM
ANGELTOWN!
Moonstone Entertainment Inc. publishes comics and illustrated fiction designed to “awaken your sense of adventure”, featuring classic and new heroes in thrilling tales of adventure, mystery, and horror. For more than a decade, Moonstone Entertainment Inc. has created fine and distinct comic books, Graphic Novels and prose…books that are meant to be read. Awaken your sense of adventure at http://www.moonstonebooks.com/