PULPED! The Official New Pulp Podcast-Episode 2-Chronologies get PULPED!
PULPED! is a Podcast dedicated to the creators and fans of New Pulp! New Pulp, heroic fiction by modern artists written with the sensibility and in the tradition of the Pulp genre! This week, Tommy and Ron take on the hosting duties and visit with Jeff Deischer, Pulp Writer and Chronologist about his latest book! THE WAY THEY WERE contains essays on various and sundry points about Doc Savage, The Avenger, Dracula, Captain Nemo, Gullivar of Mars, and other noted Pulp and literary characters! And if you don’t think this is New Pulp, then listen and learn, children!
Then, New Pulp’s own Diva of Justice, The Pulptress swings in with a review of CROSSOVERS by Win Scott Eckert, Noted Pulp Author and Chronologist! Tune in, listen, and be sure to get PULPED!
Jessie Lilley has been publishing and editing small press magazines for 20+ years. She is the original publisher of the much acclaimed Scarlet Street: The Magazine of Mystery and Horror, Worldly Remains: A Pop Culture Review and is currently Editor-in-Chief of Mondo Cult Magazine and MondoCult.com as well as Editor of Famous Monsters of Filmland. Jessie is only the fourth editor of FM since it first published back in 1958. Her freelance work has appeared in the pages of Los Angeles’ Valley Scene Magazine and Perth, Australia’s Messenger along with a host of small press publications and websites related to horror films and music.
Jessie also edits biographies, including the memoir GLORIA by Bond-girl Gloria Hendry; an in-depth and candid look at the life of an African-American actress coming up in the extraordinary time known simply as ‘The 60s”. It is currently available at amazon.com. Another project which was completed in the fall of 2009 is the biography of character actor Paul Reed, Sr. by his son Paul, Jr. A delightful remembrance by a loving son and a retelling of the stories his father told him about making a mark in “the business” in early 20th century New York City. Entitled You Grew Up, the book is available from Bear Manor Media and amazon.com. Jessie is currently editing a series of children’s books called Rowdy and Me. The first in the series, Rowdy Comes Home, is due to hit bookstores later this year.
Jessie lives in Santa Cruz County, CA at the top of a hill at the end of the road with her husband, musician David Paul Campbell, four sleek, rescued cats and various, visiting doggies.
AP:Jessie, first we’d like to welcome you to ALL PULP!Thank you for taking time out of your schedule to visit.Before we get into specifics, can you share a bit about yourself, your background and such?
JL: it’s my pleasure to talk with you and thanks so much for including me in All Pulp with the likes of such luminaries as Martin Powell. I’m flattered. There really isn’t much to tell. I was brought into this business via the back door, kicking and screaming all the way. Richard Valley, who had dragged me down the rabbit hole with him several times in our 20 year friendship, did it to me again with Scarlet Street. From there, things seemed to just move along to the coveted chair that I hold today. Being Editor of Famous Monsters is truly an unbelievable opportunity for me. Philip Kim flatters me with the position which I’ve held for over a year now.
AP: You’ve been involved in the Horror arena for some time, including working with such luminaries in the horror magazine field as Forrest J.Ackerman.Has the field of horror changed dramatically since you became a part of it, particularly in the magazine arena?If so, how?
JL: You know, Forry had names for everyone. Brad Linaweaver was always “pal” and I was Wonder Woman. I was very lucky to have known the man and will always be grateful for the time I was able to spend with him. God, how that man loved his music. A love of all kinds of music was something he and I shared. Between us, we knew more lyrics than my husband. (Laughs) And that’s saying something! But you asked if the horror field has changed since I got into it in 1990. It certainly has. For one thing, the state of the US and world economy has removed 99% of the disposable income folks use to enjoy. These days if you’re making $75K a year, you’re just scraping by so those of us who make a lot less than that are just barely off the streets. The internet seems to have come along at just the right time for the news hungry populace that doesn’t have the extra change for a daily paper, let alone a monthly magazine at anywhere from $6 to $12 a pop. And those lower prices are amazing. I know what it costs to get one of these things printed and as I refuse to print overseas, it costs even more. Advertising has become extremely important to print mags at this point, even more than in decades past. Without the advertising income, a magazine like FM would be in a whole lot of trouble.
Jessie with Forrest Ackerman
And of course, the second thing that’s changed regarding the magazine arena is the aforementioned internet. There are countless web-only zines out there spreading the word and most any print mag worth its salt has a website to go with it as well as a forum where, hopefully, the magazine’s readers come to chat about the articles they’ve read and what they’d like to read about in the future.
That part hasn’t changed. We still want to know what the reader wants information on so we can continue to have those people as readers.
AP:Why is horror a popular genre?More so than most of the others, Horror seems to have a very active, committed community following and supporting it.Why is that?
JL: Because it’s fun. Because it’s easier to take than the evening news. Because it brings back memories of our youth, when times were better (they tell me) and life was simpler (they continue to tell me – it wasn’t you know, it just seemed that way because we were kids) and the world was new and fun. Horror helps keep the world fun. In the world we know today, that counts for a whole lot.
AP: Has the fact you’re a woman working in the Horror field been a benefit or hindrance, or maybe even both, in any way?Do you feel like women contribute something different within Horror that men do and if so, what?
JL: I get that question a lot and I’ve answered it a lot, but am happy to reiterate my thoughts on the matter for your readership. It’s amazingly important that people get all sides of this story. I seem to be alone in my thoughts here. There are a lot of women who really don’t like what I have to say so brace yourselves. This question always seems to generate a lot of letters.
I wish to start by saying that my being a woman – and at the time I started in this business a rather comely wench at that (I’m old and fat now) – was never a problem for me.God knows women have been in publishing for decades and while some may say that what I did in 1990 with Scarlet Street was no big deal because of the likes of Helen Gurley Brown (can’t imagine why they’d lump me into that august company, but there it is), the fact is that at the time I was the only female publisher in the horror market. That didn’t last long but for a short while that’s the way it was. So from the git go, my being a woman was a benefit because it was new. I had a different outlook than the boys did and Richard Valley, as editor, had a far different outlook than the other boys did. By 1990 when we put out issue 1, we were all so tired of the same writers writing the same stuff and commenting about each others’ work that we thought it might be time to shake things up a bit with some different viewpoints. We succeeded in that and after I left SS, Richard continued to shake things up in his own inimitable style. He’s gone now, but the legacy he left changed horror publishing forever and I’m proud to have been associated with that project and with him.
As to the second part of your question – and this is where the letters come from – may I say the answer is an emphatic yes. It’s called the mother instinct. Whether a woman has given birth, adopted or never had children, there is something inherent in the female of the species that nurtures. Men are not natural caregivers. Women are. Also, when it comes to beating on male monsters, women are better at it because it’s part of their natural defense mechanism. It’s the lesson life has taught many of us. Very few people out there are really interested in anyone but themselves. There are both men and women in this world that are out for whatever they can get. Being the “weaker” of the species – in theory, if not in fact – women are aware that men (and women too, let’s be fair here) will take any advantage they can and as a result, while a man meeting a man will assume an attitude of bonhomme, a woman’s defenses will always be up. A man can be blindsided by another man’s evil intent but a woman has a better chance of being prepared out of hand.
AP:Horror films can be divided into many categories, one of those being classic monster movies.Do you feel like the old Universal monsters still have a strong appeal today and if so, what do you think contributes to that?
JL: Yes, in fact I know those old films still appeal in the 21st century. I believe they will appeal for decades, if not centuries, to come. Many things contribute to this, I think, and while this is all speculation on my part, it comes from a fairly rich education on the subject. There’s the nostalgia factor of course. When I was a kid, the ‘new stuff’ included the goodies that Roger Corman was putting out, like the Vincent Price Poe films. I saw those at the drive-ins and movie houses. At home though, on TV, I saw the classic horror flicks; those that starred Lugosi, Karloff, Chaney and later, Rathbone and Zucco to name just a few. Wonderful films in black & white, with scripts that were well-written, actors that took the roles seriously and delivered wonderful performances and directors that knew how to scare the pants off an audience – not to mention some really cool make-up.
I’m not the only Monster Kid out here you know. We are legion and many have had kids of their own. The parents still love the old movies and their kids – through the wonder of videotape and now DVD and Blu-Ray – are being exposed to these old favorites along with the new. A large enough percentage of them have fallen in love with the Universal classics and some of those kids – older now and with their own progeny – are showing the films to their kids.
These films were very well done for the most part and the love of them will never die as long as we have recordings of them to show our children.
AP:A current project you have in the works is a new take on FRANKENSTEIN MEETS THE WOLFMAN.What details can you share about this, including format, creative team, where it will appear, etc.
JL: You know, of all the things I’ve worked on with Phil Kim, this project has to be my favorite. For 20 years or more I’ve simply been gaga for the artwork of Joe Jusko. I’ve had a mad fan crush on the guy just because of the spectacular renditions of the male and female forms divine. And his use of color is so wonderfully vibrant. I’ll never stop being in awe of those who paint. Jusko, Stout, Wrightson…. Can’t name them all here. There’s not enough room! These creatures come off the page at you when they turn their talents to paint and canvas, and you know that one night something is going to lumber off the wall and get you while you’re in bed… when Martin Powell started to lobby for the FMTWM project in one of the Retro issues, I – being a Powell fan – immediately started to lobby for it with Phil for Retro 71. Then Martin says to me, he says, “So Jessie. What do you think about the cover artist? I mean, do you know about Joe Jusko?” I almost died right then and there. What a perfect idea. What a spectacular choice. Oh, man! And Joe said yes. And Phil said yes. And I am one very happy camper. It’s like a dream come true. So, the format will be close to the original filmbooks from Forry’s day and that’s all you’re going to get out of me. I know Phil is hoping to have it for Comic Con, but it’s actual scheduled release is September of 2011. If we can get it done in time for Comic Con, we would be bringing a limited number for sale there. That’s’ the last I heard anyway.
AP:We’ve talked about the appeal of the classic monsters already.Specifically, though, what about this particular film adaptation do you think speaks to a modern audience?
JL: The fact is, there was no deep meaning in this film; not that I could see at any rate. The film says the same thing today that it said to the audience back then. Here are a couple of our monsters that you liked before. We thought we’d get them together for you and see what happens. Perhaps that statement will be seen as disrespectful by some, but it is the way I see it. FMTWM was discussed in the pages of Famous Monsters back in the day, but it never got a filmbook treatment. It struck us that it oughta have one and so Retro 71 seemed to be the logical place for it.
AP: As an editor, how do you make sure the tension and drama and fear that builds up in a horror movie translates well enough to the page to have similar effects?
JL: As an editor, you get the best writer for the project. When the writer presents the project and himself as the best writer for the job, you really don’t have to do much. Pretty much be sure all the words are spelled properly and that said writer doesn’t ramble off into areas not necessary to the project. I’ll tell you that working with Martin is quite possibly the easiest job I’ve had in 20 years. The fella knows his stuff. I guess that hardest part of the whole thing is figuring out what else goes in this issue with the filmbook.
AP:Specifically about the creative team behind this project, what do Martin Powell and Joe Jusko bring to the process that makes them the best for the job?
JL: I think other than what I’ve already stated earlier, they bring the thing back to life through the eyes of the children that they once were. Both of these men were so completely overjoyed to be doing this for Famous Monsters that it was almost laughable. Almost, but not quite – because I knew exactly how they felt. I felt the same way when someone told me that, yeah, I was the editor of Famous Monsters now.
AP:Are there any projects for the magazine or yourself personally that you can or want to let our readers know about coming up in the near future?
JL: Oh absolutely! My favorite personal project is issue 3 of Mondo Cult, the magazine I edit for Brad Linaweaver. It’s a completely different gig from FM. I’m looking forward to being able to write about music again, and in a publication that is written for adults. FM is written as a strictly family friendly magazine, which is only proper as that’s where it started out and the idea was to bring FM back in the same vein as it always was. Mondo, on the other hand, started out as a magazine of which I am Editor-In-Chief and I don’t censor my writers. I never pretended the thing was for kids so the language you will find in the pages of Mondo is usually a bit more ripe than that which you will find in FM.
This issue of Mondo Cult is going to rock. I’m really excited about it because I’m finally putting my piece on Black Zoo together. I’ve wanted to write about that film for years and now I have my chance. I think I’ve got a little something to discuss about this film that hasn’t been touched on before. It has to do with women again. What a surprise. Ron Garmon is going after DeSade and Medved and Brad Linaweaver is going after the world in general. Paul Gaita is back as Music Editor and all is right with the world. The best thing though, is the cover. It’s by L.J. Dopp but that’s all I’m going to say about it. You’ll just have to be surprised along with everyone else. We’ll have it on the stands by the end of the year.
AP:Thank you so much for your time, Jessie!
JL: As I said before, it’s my pleasure. Thanks again.
The cover for Issue 14 AND THE FIRST PAGE of “Flying Glory and the Hounds of Glory” has been posted at http://www.flying-glory.com
Come celebrate 10 years of “Flying Glory and the Hounds of Glory” and discover a secret that has haunted Flying Glory for decades that will threaten her future for many years to come. Read it all in the pages of “Reverberations”
ALL PULP is saddened to repost the news of the passing of Martin H. Greenberg. Though the name may not be familiar to many, Greenberg gained fame as being one of the most dedicated anthologists of recent years. Many fantastic story collections that inspired many ALL PULP readers as well as Pulp creators of all sorts, were thanks either in whole or at least in part to Mr. Greenberg. He will be missed.
Martin Harry Greenberg (March 1, 1941-June 25, 2011) was an American speculative fiction anthologist and writer.
Greenberg took a doctorate in Political Science in 1969, and has taught at the University of Wisconsin – Green Bay since 1975. His first anthology was Political Science Fiction (1974, with Patricia Warrick), intended to be used as a teaching guide, then continuing with a sequence of educational anthology titles under the series name Through Science Fiction. In the late 70s Greenberg began partnering with Joseph D. Olander on more conventional SF anthologies. Early in his career, Greenberg was sometimes confused with Martin Greenberg the publisher of Gnome Press, but the anthologist has stated (at science fiction conventions, and in some of his anthologies) that they are no relation. Asimov suggested that he call himself “Martin H. Greenberg” or “Martin Harry Greenberg” to distinguish him from the other Martin Greenberg.
He shared the 2005 Prometheus Special Award with Mark Tier for the anthologies Give Me Liberty and Visions of Liberty.
Greenberg typically teamed up with another editor, splitting the duties of story selection, editing, copyright searches, and the handling of author royalties. Major partners include Isaac Asimov (127 anthologies), Charles G. Waugh, Jane Yolen, and Robert Silverberg.
In 2009, he was the recipient of one of the first three Solstice Awards presented by the SFWA in recognition of his contributions to the field of science fiction.
“Iron and Bronze” by Christopher Paul Carey & Win Scott Eckert now available on the Kindle and Nook
For a long time, my good friend and colleague Win Scott Eckert and I had been tossing around the idea of writing a story together. We had both been heavily influenced in our youth by the Doc Savage pulps, H. Rider Haggard, and Jules Verne (among others), and each of us had completed novels begun by Philip José Farmer. Win’s collaboration with Phil, The Evil in Pemberley House, came out in 2009, and mine, The Song of Kwasin, lined up behind Up the Bright River (a wonderful collection that came out to commemorate Phil’s long and wildly imaginative career following his passing), and is slated to be published in an omnibus of the Khokarsa series in 2012. So it only seemed natural that we should write a story together ourselves someday.
That opportunity finally came with the story “Iron and Bronze,” which was first published in 2009 by Black Coat Press in the anthology Tales of the Shadowmen 5: The Vampires of Paris (a terrific anthology and series that I highly recommend to pulp adventure enthusiasts), and which features two great heroes of the French pulps. Now the story is available in ebook format for both the Kindle and Nook. Here’s the product description:
Taduki-inspired visions draw an intrepid adventurer and a madman to a lost African outpost of Atlantis where they must confront an ancient mystery from the stars… Drawing on diverse sources such as Jules Verne’s The Barsac Mission, H. Rider Haggard’s She and Allan, Guy d’Armen’s Doc Ardan (who has been called the “French Doc Savage”), J.-H. Rosny âiné’s L’Étonnant Voyage de Hareton Ironcastle, Pierre Benoit’s L’Atlantide, and Philip José Farmer’s “monomyth,” “Iron and Bronze” hearkens back the classic SF adventure pulps of the 1920s and ’30s.
This story first appeared in the anthology Tales of the Shadowmen 5: The Vampires of Paris.
Christopher Paul Carey is the co-author with Philip José Farmer of The Song of Kwasin, the third novel in the Khokarsa series (omnibus forthcoming in 2012 from Subterranean Press).
Win Scott Eckert is the co-author with Philip José Farmer of the Wold Newton novel The Evil in Pemberley House, about Patricia Wildman, the daughter of a certain bronze-skinned pulp hero (Subterranean Press, 2009).
So if that grabs you, you can begin reading “Iron and Bronze” right now on the Kindle or Nook platform of your choice.
* Just Released: Classic Whodunits with Sherlock Holmes * In the Treasure Chest This Week * New in Pulp Fiction: Doc Savage Volume 45 and The Shadow Volume 50 * Now Available: Doc Savage in Python Isle Audiobook * New: Orson Welles in The Lives of Harry Lime, Volume 3 Exciting News! Thanks to an arrangement with Diamond Distributors, you’ll soon be seeing audio compact disc collections from RadioArchives.com available from booksellers and on-line book stores world-wide! So the next time you visit your favorite bookseller or comic book store, ask for “The New Adventures of Sherlock Holmes”, “The Adventures of Doc Savage”, and other great audio collections from RadioArchives.com! Just Released: Classic Whodunits with Sherlock Holmes
In the annals of detective fiction, there are many investigators who could lay claim to legendary status. But, for many, the most famous, the most unique, and the most emulated would be the pipe smoking, violin playing, and deer-stalker clad gentleman known as Sherlock Holmes.
Created by Sir Arthur Conan Doyle, Holmes and his faithful friend and companion Doctor Watson have been a significant part of popular culture ever since their adventures first appeared in the Strand Magazine in 1887. In the years that have followed, Holmes and Watson have made their way to the stage, the movies, television, and even graphic novels – but, for fans of classic radio, “The New Adventures of Sherlock Holmes” remains among the best interpretations of these two unforgettable characters and their often baffling cases.
The two actors most associated with the roles during radio’s Golden Age were, of course, Basil Rathbone and Nigel Bruce. But Rathbone’s departure from the series in 1946 resulted in another actor taking on the part: Tom Conway, the suave and handsome leading man who had recently been seen as The Falcon in the popular RKO movie series. Though long-time fans were understandably dubious of the change, Conway’s talents fit the role like a glove and he, along with Nigel Bruce, continued to broadcast the series from Hollywood for another successful season.
In “The New Adventures of Sherlock Holmes, Volume 1”, RadioArchives.com brings you ten exciting and fully restored episodes from this little-known chapter in the life of the World’s Greatest Consulting Detective, just as originally aired in 1946 and starring Tom Conway and Nigel Bruce. Priced at just $14.98 for the five audio CD set, or $9.98 for the digital download, this collection also features original cover art by Timothy Lantz. Visit RadioArchives.com and add Sherlock Holmes to your personal library of mystery favorites right away!
(Note for long-time customers: this 5-hour collection is a repackaged re-release of the first half of a 10-CD set which we previously offered in our catalog. In addition to new cover art, all of the shows in this collection have been newly restored from the original masters to ensure outstanding audio fidelity.)
In the Treasure Chest This Week Sherlock Holmes and Doctor Watson have appeared in many mediums – but two of their most fascinating cases were recently featured in an exciting graphic novel from Moonstone, offering tales of two of their most challenging foes: Dracula and The Invisible Man!
“Sherlock Holmes Mysteries, Volume 1”, a colorful 200 page softcover book, is normally available for sale on our website for $22.95. But, from Friday June 24th thru Monday June 27th, these suspenseful stories of crime and terror can be yours for Just 99 Cents with any purchase of $35.00 or more.
But that’s not the only bargain you’ll find this week in the Radio Archives Treasure Chest:
On Tuesday, June 28th, you’ll enjoy two action-packed tales of The Man of Bronze in “Doc Savage, Volume 18”. Normally priced at $12.95, for one day only, this book can be yours for Just 99 Cents with your purchase of $35.00 or
more. And, if detective stories are your passion, you can’t do better than Bob Bailey starring in “Let George Do It, Volume 1″, a 10-CD set featuring twenty long-lost radio shows from the 1940s. This collection is normally priced at $29.98 but, on Wednesday June 29th and Thursday June 30th, it too can be added to your personal library for Just 99 Cents with any purchase of $35.00 or more.
Whether it’s tales of mystery and suspense with Sherlock Holmes, the thrilling adventures of Doc Savage, or the detective cases of George Valentine, you’ll find some great bargains in the Treasure Chest this week at RadioArchives.com! New in Pulp Fiction: Doc Savage Volume 45 and The Shadow Volume 50 Great news! Two brand new double novel pulp reprints have just been released and are now available from RadioArchives.com!
In “The Shadow, Volume 50”, priced at just $14.95, Sanctum Books celebrates the publication of its 100th Shadow novel with an extra-length volume showcasing tales by each of the pulp wordsmiths who wrote as Maxwell Grant. First, “The Man from Shanghai” is caught in the web of a murderous mastermind in one of Walter Gibson’s greatest thrillers. Then, blood sapphires drip a deadly trail across Manhattan in Theodore Tinsley’s “The Golden Dog Murders”. Finally, Lamont Cranston and Joe Cardona go undercover to investigate murders at an Alice in Wonderland ball in Bruce Elliott’s “Jabberwocky Thrust”.
Next, in “Doc Savage, Volume 45”, you’ll thrill to two original pulp adventures as the Man of Bronze returns in two action-packed thrillers by Harold A. Davis and Lester Dent, writing as Kenneth Robeson. First, the War Department calls in Doc Savage after a weird wave of mass suffocations decimates the U. S. military. Can the Man of Bronze defeat “Merchants of Disaster” to restore national security? Then in “Measures for a Coffin”, Doc Savage announces his retirement to a stunned world after a fiery accident. This alternate cover edition, issued with a classic cover earlier this year, features artwork by Bantam artist James Bama.
When it comes to thrills, chills, and excitement, there’s nothing like a great pulp fiction story to really get your heart racing. Visit RadioArchives.com and pick up these new releases right away!
Now Available: Doc Savage in Python Isle Audiobook
For over eighty years, the name Doc Savage has meant thrills and excitement to millions of readers worldwide. Now, for the very first time, the Man of Bronze comes to vivid life in “Python Isle”, the first audiobook adventure from RadioArchives.com!
In “Python Isle”, a long-lost pioneer flyer returns to civilization accompanied by an exotic woman who speaks in a lost tongue. From his towering skyscraper headquarters in New York, through a dangerous Zeppelin journey to Cape Town, climaxing on a serpent-haunted island in the forbidden reaches of the Indian Ocean, Doc Savage and his iron comrades race to untangle a weird puzzle so deep that the only clues can be found in the Bible!
Written by Will Murray and produced and directed by Roger Rittner – the same team that brought you “The Adventures of Doc Savage” radio series – “Python Isle” features dramatic narration by Michael McConnohie, cover art by Joe DeVito, and two exclusive interviews with Will Murray on the history of Doc Savage and the discovery of author Lester Dent’s long lost manuscripts.
“Python Isle”, the first in a new series of unabridged audiobooks from RadioArchives.com, is available now as an eight audio CD set, priced at just $25.98, or as a digital download for just $17.98. In the weeks to come, be sure to visit RadioArchives.com often for more exciting audiobook adventures featuring the top heroes of pulp fiction, including The Spider, Secret Agent X, and many, many more. If you’re looking for adventure, excitement, and suspense, you’ll find it on “Python Isle”, available now from RadioArchives.com!
New: Orson Welles in The Lives of Harry Lime, Volume 3
For film buffs, it’s a memorable image: Harry Lime – criminal, thief, and black market racketeer – has been killed by a runaway car in the ravaged streets of postwar Vienna. But suddenly, out of the darkness of a moonlit night, a stray spotlight happens upon a doorway – and there he is: Harry Lime, in the flesh, alive…and smiling.
“The Third Man” is a film noir classic, combining a stellar cast, an intriguing story, and images of a once glamorous European city damaged by war, greed, and intrigue. Though brief, Orson Welles performance as Harry Lime remains one of the most memorable characterizations in his long and varied career. Luckily, for fans of audio entertainment, Welles revisited his role in “The Lives of Harry Lime”, a radio series that recounted the adventures of this memorable scoundrel in a series of tongue in cheek adventures that remain some of the best and most imaginative programs ever produced for radio.
In “The Lives of Harry Lime, Volume 3”, RadioArchives.com brings you ten more light-hearted and colorful tales of crime and criminals starring the legendary Orson Welles. Available as a five-CD audio collection for just $14.98 or a five-hour digital download for just $9.98, these fascinating programs have been transferred directly from original transcriptions and fully restored for sparkling audio fidelity. Visit RadioArchives.com and pick up your copy right away!
We’d love to hear from you!Send an e-mail to Service@RadioArchives.com or call us toll free at 800-886-0551 with your comments, questions, or suggestions.
Listen to this Newsletter!
Sit back, relax, and enjoy this newsletter as an Audio Podcast! Click anywhere in the colorful banner at the top and you’ll automatically hear the Radio Archives Newsletter, enhanced with narration, music, and clips from our latest compact disc collections! This audio version of our regular newsletter is a pleasant and convenient way to hear all about our latest CD sets, as well as the newest pulp fiction reprints, special offers, and much, much more!
The releases we’ve described in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s pulp fiction classics, our new line of audiobooks, colorful and exciting items from Moonstone, timeless movies and television shows on DVD, or the over 150 compact disc collections containing thousands of sparkling and fully restored classic radio shows, we hope you’ll make RadioArchives.com your source for the best in entertainment.
Since creating their unique modern pulp hero, FBI Special Agent Pendergast, writers Douglas Preston and Lincoln Child have miserly doled out small pieces of his background history.The highlight of which seemed to be the monumental trilogy that depicted the battle with his demented brother, Diogenes.Still there remains missing elements and with FEVER DREAM, the tenth book in the series, the pair once again sets about filling in those pieces.At the offset we are introduced to Helen Esterhazy, the beautiful and brilliant woman who would be Mrs. Pendergast for an all too brief time only to die in a horrible hunting accident while on safari in Africa.
Now, twelve years after that tragic event, Pendergast uncovers irrefutable evidence that Helen’s death was not an accident but murder, the result of a well orchestrated scheme but a merciless killer. A man of obsessive passions, once this information comes to light, Pendergast becomes a living dynamo set upon a singular quest; to discover the murderers and wreak his vengeance upon them.To accomplish this, he recruits his long time friend and ally, New York police detective, Vincent D’Agosta much to the frustration of the cop’s lover, Chief Laura Hayward.Hayward doesn’t trust Pendergast because of his unorthodox methods and is forever worried his recklessness will jeopardize D’Agosta career or worse, get him killed.
This time her fears are almost realized as the pair begin traveling the globe unaware their inquiries into this decades old mystery has made them the targets of a ruthless, professional killer. The non-stop action moves from the African bush to the bayou swamplands of the south making FEVER DREAM another solid entry into what has become this reviewer’s favorite modern pulp series.As I’ve always preferred paperback editions to the hardbacks, my apologies for these reviews being somewhat late.If you love great characters and truly bizarre story plots, the Special Agent Pendergast books should be on your must-read list.Believe me, you will not be disappointed.
With the announcement of Lance Star: Sky Ranger joining the iPulp Fiction Library, we wanted to introduce readers to some of the Honorary Sky Rangers involved with making these stories happen. Next up is Lance Star: Sky Ranger Author Bobby Nash.
LSSR: Tell us a little about yourself and where readers can find out more about you and your work?
One Shot! Art by James Burns
BN: I’m a writer of novels, comic books, novellas, short stories, graphic novels, and the occasional screenplay. My novels include Evil Ways and Fantastix. My comic book work includes Fuzzy Bunnies From Hell, Demonslayer, Lance Star: Sky Ranger “One Shot”, and the upcoming Domino Lady vs. Mummy. My short prose includes A Fistful of Legends, Full Throttle Space Tales Vol. 2: Space Sirens, and the upcoming Green Hornet Case Files and Yours Truly, Johnny Dollar. My novellas include Lance Star: Sky Ranger, Ravenwood: Stepson of Mystery, Domino Lady; plus the upcoming Secret Agent X and The Avenger titles. My graphic novels include Yin Yang; I Am Googol: The Great Invasion, and Fantastix. You can see a full list of credits on my website, www.bobbynash.com. I also regularly post at www.lance-star.com, www.facebook.com/bobbyenash, and www.twitter.com/bobbynash.
LSSR: How did you become involved with the Lance Star: Sky Ranger series?
Space Ranger Art By Jeff Austin
BN: It’s all Ron Fortier’s fault. Ron my table neighbor at the 2005 Dragon Con convention in Atlanta in 2005. At least I think that’s the right year. The cons start to run together after awhile. Anyway, Ron and I had corresponded via message boards and email before, but this was the first time we’d met in person. Ron picked up my novel, Evil Ways, and reviewed it at his Pulp Fiction Reviews site. When he started up what eventually became Airship 27, he invited me to work on an anthology featuring a pulp aviator hero. That book became Lance Star: Sky Ranger. The rest, as they say, is history.
LSSR: Who is Lance Star? What makes pulp characters like Lance and the Sky Rangers appeal to you as a writer and a reader?
Lance Star Vol. 2 Cover by Shane Evans
BN: Lance Star embodies the best aspects of a pulp hero. He’s smart, inventive, courageous, fearless, and not afraid to do what’s necessary to stop the bad guys. Lance is also a nice guy. You want to be his friend, and if you are his friend you know he’s got your back. He’s a little bit John Wayne, a little bit Jimmy Stewart, and a little bit Indiana Jones. As a writer and reader, that’s a lot of fun.
LSSR: Digital content has changed the publishing landscape. As a creator, what excites you about digital content? As a reader?
BN: The digital frontier is an exciting undiscovered country for me. I’ve not read many eBooks, but that’s mainly because I spend all day writing and doing edits on computer so when I read for enjoyment it’s to get away from the computer. I like the idea of electronic books. Imagine the possibilities when you can have your entire library at your fingertips wherever you are. That’s pretty amazing.
The Adventure Continues…
As a writer, I think that eBooks, because of their easy access and generally lower prices, make it easier for readers to try something new. Someone who has never read my work may be more willing to give it a try for $1 as opposed to buying an entire novel or anthology. Digital content helps make that happen.
LSSR: Your Lance Star: Sky Ranger story, “Where The Sea Meets The Sky” is currently available in print and as an eBook from Airship 27, and is soon to be released individually at iPulp Fiction. What can you tell us about this story? (plug it, tease it)
Where The Sea Meets The Sky. Cover art: Rich Woodall
BN: “Where The Sea Meets The Sky” was the first pulp story I ever wrote and I am quite proud of it. Lance Star flies his newest creation, a specialized seaplane called “The Nessie” to Hawaii where he intends to present it to the US Navy. Lance looked on this trip as a working vacation. The last thing he expected to find waiting for him was a sunken treasure, pirates, mobsters, and a rival pilot with a massive chip on his shoulder. If Lance isn’t careful, this adventure could be his last.
From the back cover of the anthology: Somewhere in the Pacific Ocean, off the shores of Tropical Hawaii, a hidden treasure has been discovered. Now a band of sky pirates is out to steal it no matter how many innocent lives must be sacrificed in the process. Only Lance Star and the Sky Rangers can end their bloody assault.
LSSR: Airship 27 currently has two Lance Star: Sky Ranger anthologies in print and available as eBooks with several of those stories soon to be released individually at iPulp Fiction as well as a Lance Star comic book. What’s next for these pulp heroes?
Still flying high…
BN: Volume 3 of the pulp anthology series from Airship 27 is in the works now. All four stories are in and the artist is currently busy working on the interior illustrations. Volume 3 features Lance Star: Sky Ranger stories from Bernadette Johnson, Sean Taylor, Van Allen Plexico, and myself. Interior art is by Shannon Hall. I’ll wait on the cover artist until the publisher announces it first.
In addition to volume 3, there are more comic book stories in the works, as well as some digital comic book offerings as well. Plus, the Lance Star: Sky Ranger novel, “Cold Snap!” is in production. I’ve had to set it aside for some other work, but it will be completed in 2011 to come out in 2012.
GH Cover Art: Reuben Procopio
LSSR: Any upcoming projects you would like to plug?
BN: July will see the release of two anthologies featuring stories by me. The Green Hornet Casefiles and Tales From The Zero Hour Vol. 4: Weird Tales. There are several other anthology tales in production, but I don’t know release dates as yet. On the comic book side of things, I wrote a Secret Agent X story (with Jeremy McHugh on art) for All-Star Pulp Comics, a one-shot comic anthology that should be out sometime this year. In October, Domino Lady Vs. Mummy will be out from Moonstone. Co-written by Nancy Holder and myself, this one-shot story is part of Moonstone’s Return Of The Monsters Halloween event and features gorgeous art by Rock Baker and Jeff Austin. Keep checking in at www.bobbynash.com for more information and release dates.
ZH Cover Art: Dirk Shearer
LSSR: Thanks, Bobby.
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Release schedule for Lance Star: Sky Ranger tales on iPulp: 06/17: Lance Star: Sky Ranger – Vol.1 #1: Attack of the Bird Man by Frank Dirsherl (now available) 07/07: Lance Star: Sky Ranger – Vol.1 #2: Where the Sea Meets the Sky by Bobby Nash 07/27: Lance Star: Sky Ranger – Vol.1 #3: Talons of the Red Condors by Bill Spangler
With the announcement of Lance Star: Sky Ranger joining the iPulp Fiction Library, ALL PULP wanted to introduce readers to some of the Honorary Sky Rangers involved with making these stories happen. Next up is Lance star: Sky Ranger Art Director and Designer, Rob Davis.
AP: Tell us a little about yourself and where readers can find out more about you, your work, and Airship 27 Productions?
RD: I’ve been a freelance artist since 1986 working on such diverse projects as a Saturday morning cartoon adaptation for Marvel to Star Trek books for DC and Malibu Comics. Presently I’m the art director/designer for Airship 27, which encompasses the actual design and look of each of Airship 27’s books to cover and interior illustrations. I’m also a comics publisher using the Redbud Studio Comics imprint to sell “print on demand” comics through IndyPlanet.com. Yeah, I’m busy!
AP: How did you become involved with the Lance Star: Sky Ranger series?
RD: Through my design work for Airship 27. We have been the publisher of the prose versions of the tales of Lance Star through anthologies and eventually novels featuring the pulp-era air ace.
AP: Who is Lance Star? What makes pulp characters like Lance and the Sky Rangers appeal to you as a creator, a reader, and a publisher?
RD: Lance is another star in the pantheon of pulp heroes in that he has a definite sense of right and wrong and will fight to the end to defend the right. In the pulp age aviators like Lance were like today’s astronauts in that they were envied for their daring flight into the atmosphere. It’s interesting to me to see what the interest was of pulp era readers in these cousins of Charles Lindberg and Amelia Earhart.
AP: Digital content has changed the publishing landscape. As a creator, what excites you about digital content? As a reader?
RD: As a reader it’s exciting to think about being able to carry my whole library of books with me in my new iPad. As a creator and publisher it excites me that we now have a new, thrilling and inexpensive outlet to get our productions out to the reader. The first few weeks after Airship 27 opened up our Airship27Hangar.com site we had phenomenal response! It’s exciting to put up another new book and see sales within just hours or minutes of the upload.
AP: As you are both a designer and artist, tell us a bit about your process for both the print and digital versions of the Airship 27 stories.
RD: Fortunately, there’s not much difference in the two. Since I have so many irons in the fire I don’t have a lot of time to devote to producing our digital versions. Mostly what I do is add the front and back covers to the interior PDF file that we send to our printing sources, reduce the file size (since digital screens need less resolution than traditional print) and then mark each page with a watermark to keep our books safe from pirating. The whole process takes less than an hour for each book. Add in the design time to create the online catalogue entry and within just a couple of hours we have a version of our latest masterpiece of New Pulp ready for viewing and enjoyment!
AP: Any upcoming projects you would like to plug?
RD: We have a number of different books in the Airship 27 pipeline. Right now my next illustrating gig for Airship 27 is calling to me: Robin Hood: Arrow of Justice written by Ian Watson, a very talented writer from the UK. This is the second of a three-part retelling of the Robin Hood legend and it is rollicking good fun! Ian is very gifted and his version of Robin Hood is a joy to read and illustrate!
AP: Thanks, Rob.
RD: Thanks for having me!
Release schedule for Lance Star: Sky Ranger tales on iPulp:
06/17: Lance Star: Sky Ranger – Vol.1 #1: Attack of the Bird Man by Frank Dirsherl (now available)
07/07: Lance Star: Sky Ranger – Vol.1 #2: Where the Sea Meets the Sky by Bobby Nash
07/27: Lance Star: Sky Ranger – Vol.1 #3: Talons of the Red Condors by Bill Spangler
For more information on iPulp Fiction’s offerings, please visit www.ipulpfiction.com
For more information on Airship 27 Productions’ offerings, please visit www.gopulp.info
For more information on Lance Star: Sky Ranger, please visit www.lance-star.com
PULPED! The Official New Pulp Podcast-Episode 2-Chronologies get PULPED!
