Author: Martha Thomases

Martha Thomases: Pete and Me

thomases-art-140131-150x146-2040142Pete Seeger died Monday evening. He was 94 years old.

You can read about his life here in the newspaper of record. A simple Google search will get you a bunch more versions, but these are the facts.

And the facts are so incredibly inadequate at this point.

The first time I saw Pete Seeger perform was on The Smothers Brothers Comedy Hour in 1967. I’d heard him sing on the radio occasionally but had never seen him, nor did I think about it a lot. I was 14, so please cut me some slack. As a big fan of the Smothers Brothers I found out bit about him before the show aired, including the fact that the reason I had never seen him was that he had been blacklisted for refusing to cooperate with the House Un-American Activities Committee. You can see his performance here. Rather than grovel his way back into the public’s perception, he instead proceeded to piss off those who were upset about him before. Here’s a story from The New York Times about his performance. To me, this is the key quote: “Mr. Seeger’s political views, which sometimes get into his songs, have often aroused controversy. He was convicted in 1961 of ten counts of contempt of Congress for refusing in 1955 to answer questions of the House Un-American Activities Committee. The conviction was reversed in 1962.”

It still took them five years to put him back on the air. Here’s a transcript of his testimony.

You kids today probably don’t understand what it was like to have a popular culture that influenced the political discourse, that made a difference in people’s lives, that was about more than selling cars or phones. Pete Seeger not only talked the talk, but he walked the walk. He celebrated our musical heritage and used it to urge us to live up to our highest ideals. And he made it fun and uplifting to join him.

Was he a Communist? Yeah, for a while. So what?

I want you to watch a few of these clips. There’s this one, an antiwar song from the Johnny Cash show in 1970 . And this one from a British television show in 1964. This is a nice version of Bob Dylan’s “Forever Young.

In 2008, he performed during the weekend celebration of Obama’s first inauguration. Bruce Springsteen had just put out an album inspired by Seeger’s life , so they performed together. You can see them singing Woody Guthrie’s “This Land is Your Land.”  Is that George Lucas singing along in the crowd? It’s certainly our President singing along… on my favorite verse!

In September 2013, not even six months ago, he performed the same song at a benefit for Farm Aid in upstate New York. According to his son, he was chopping wood last week.

As you watch these performances, let me point out a few things. He plays a banjo that is inscribed, “This machine surrounds hate and forces it to surrender.” Most important, he always looks like he’s having a great time. Singing songs brings him so much joy, and he wants his audience to sing with him and share the joy. That’s the most radical position of all.

What does this have to do with comics? Everything. When Pete Singer lead his audience in songs, he was never really “in charge.” He’s sneak in each line of the lyrics before he sang them so we could sing, too. He never suggested we might be terrible singers, because that was not the point. We sang because it felt good. When it feels good, it is good.

Comics seem to be learning that lesson. More people make comics for the fun of it than ever before, publishing on line, distributing any way they can. You can see more styles of art and storytelling than I could ever imagine when I first started reading them. Do I like them all? Of course not. But I like the energy and the joy these folks bring to telling their own stories. They don’t need the Big Two (or any corporation) telling them how to go about their art.

When I was working at WIN, an antiwar weekly, in 1974-1975, I would occasionally get a note from him, complimenting me on some piece I wrote, always signed with a little doodle of a banjo. Although we never met, I was tickled that he took the time to encourage me.

When all the other kids his age were listening to Raffi, I played Pete Seeger songs for my son as a kid. Those were our family values.

Thank you, sir.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

MONDAY: Mindy Newell

 

Martha Thomases: The Nerdification of America

Thomases Art 140124While most of us were going about our days, living our lives, the prevailing culture has become progressively nerdier. I don’t mean that there as been a renewed interest in science and math, because that would imply that we would exert ourselves mentally, and, as Americans, we don’t like to exert ourselves. What I mean is that there is more attention paid to comics, science fiction and fantasy, and that a lot of us know who Steven Moffat is.

In general, I think this is great. As more people celebrate their love of the more nerdy aspects of popular culture, more people might find out about them and find enjoyment as well. I’m all in favor of more pleasure in life. That applies to food and music and gardening as well as entertaining. In these specific case, I’m also pleased because a bigger audience means more job opportunities for me and for people I like.

However, it also means some of the less savory aspects of nerd culture are becoming commonplace. As this woman notes, women who express an opinion online are often insulted in ways that demean them sexually and violently. This is something that has been all too common in comics, where women had traditionally been treated as if we were a different species.

I’ve talked about this before, and yet, somehow, that didn’t seem to fix it. Maybe having stories like these publicized in The New York Times and other media will make a difference. Maybe having more women in all fields talk to each other will make a difference.

Why do some men think it is acceptable, when they disagree with a woman on some subject, to write comments that threaten her physically? Why do they think it’s acceptable to use her appearance to discredit her thoughts? Yes, I know that not all men make these comments, but they are so prevalent that one can only assume the perpetrators consider this to be reasonable discourse.

I mean, there are all kinds of men with whom I disagree, and I have never, not even in the heat of the moment, felt I could say, “You don’t know anything because you have a tiny tiny dick, and I’m coming to cut it off and shove it up your ass so you can see how little it really is.” Until I tried to imagine a parallel threat to those of the commentators, I never even thought of such a thing. And I have really sharp knives in my apartment.

Internet threats are mostly empty, but that doesn’t mean they are harmless. They have an inhibiting effect on discourse, which is a threat to our democracy. In many cases, such as those in which physical violence is threatened, they are actually illegal. I have a bigger problem, though, in that, as nerds and geeks, we should know how painful insults can be. We should be especially resistant to replicating these tactics precisely because we’ve felt it ourselves.

On Monday my pal Jason Scott Jones used his Facebook page to link to an incredible article about what it meant to be black before Dr. Martin Luther King, Jr. He describes a culture in which African Americans lived literally in fear for their lives every time they went out in public – and sometimes when they stayed home. I’m not kidding when I say that this made my head metaphorically explode. I mean, I knew it wasn’t easy, but I had never before thought about how it felt to walk around with that level of threat and dread.

I’m not comparing to being threatened on the Internet to living in constant fear of being lynched. Instead, I’m using my experience to get a feeling for what that felt like. I hope, if I had been in those communities, I would have stood up for those being threatened. I hope I would have rooted for the underdog.

That’s what nerds are supposed to do.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

MONDAY: Mindy Newell

 

Martha Thomases: Whatever It Is, She’s Against It

thomases-art-140117-150x116-9924058When Brooklyn Nine Nine won the Golden Globe for best television comedy on Sunday, my first thought was, “That’s the end of that.”

I mean, I love the show. I thought the episode that came after the Globes on Tuesday was really funny (although I don’t want to see any romances develop within the department. None. At All. Ever.).

But now I know that other people like it. It’s not cool anymore.

You may ask yourself, “Why does a woman who is 60 years old care about what is cool?” And you would be right. I have long held the belief that no one can be cool once he or she has children (exception that proves the rule: David Bowie). My colleague, Mike Gold, disagrees, telling me that his daughter’s friends think he is. I suspect they do think he’s cool – for a parent.

There is something ridiculously satisfying about being the one of the only people who likes something. It’s a secret that you share with only a favored few. I have felt the way about Peter Bagge, back when John Holmstrom first published him. Once he started working with Fantagraphics, I still liked his work, but felt let down that I had to share him.

Comics fans are especially bad about this, in my experience. I can remember several times when I would go to a comic book store, select my choices (mostly superhero comics) and go to the cashier, only to have him (always a him) tell me I had terrible taste and shouldn’t shop in that store. This never happened to me at any other place I shopped, not even at Pat Field which, before Sex and the City, was far too cool for me.

And so, I can only conclude that comic book fans are more rigid in their idea of exclusivity than even the fashion police. It’s almost enough for me to enjoy some schadenfreude about comics fans being squeezed out of the San Diego Comic-Con, except that I am one of them.

Speaking of which, if one wants to continue to enjoy one’s super-cool object of joy, one should hope it catches on enough to become uncool. Yeah, Firefly was awesome and I want to be a brown-coat until I die, but what I’d really like are more episodes which we would have had if the ratings were higher.

Which brings us to a useful definition, found in this article. Key quote: “The great video blogger Ze Frank once said, ‘Being cool is about not participating in traditionally enjoyable experiences and creating the illusion that happiness can be found in alternative, less enjoyable experiences. The degree to which other people around you try to emulate your alternative lifestyle and fail determines how cool you are. You’re only as cool as people wish they were.’

“‘Cool people starve themselves, get neck tattoos and listen to bands the rest of us have never heard of. These things are not fun, and they are not popular, and that is exactly the point.”

Coolness is not something one can achieve by trying for it. I was never cool, because I was always too enthusiastic about my pleasures. That’s okay, I’d rather have joy than admiration or envy.

Personally, I question how much longer tattoos can be cool. Eventually, people’s mothers will have them.

REVISED COLUMN SCHEDULE FOR THIS WEEK:

LATER TODAY: Michael Davis

SATURDAY: Back to our normal schedule with Marc Alan Fishman!

 

Martha Thomases: Turn  On The Fun Home!

Martha Thomases: Turn On The Fun Home!

It seems appropriate that I went to see Fun Home, the theatrical musical based on the brilliant graphic novel by Alison Bechdel, the same weekend that Spider-Man: Turn Off the Dark closed.

The Spider-Man show goes down in history as one of the most overwrought, over-hyped failures in Broadway history, not to mention the biggest money loser in Broadway history. Meanwhile, Fun Home is one of the surprise hits of the Off-Broadway season.

There haven’t been many theatrical hits inspired by comic books. The Superman musical didn’t make any real money. There was talk of a Batman musical, but it never happened (unless you count this http://www.batmanlive.com/#/. The closest successful adaptation since World War II was Li’l Abner, from a newspaper strip. The movie remains a favorite of mine.

Why did Fun Home succeed when Spider-Man didn’t? I hadn’t seen Spider-Man. Tickets were really expensive, and the Broadway audience is frequently boorish, talking and taking photos throughout a performance. The reviews weren’t good, and it seemed that they took the story in a camp direction. That seemed lazy and predictable to me. Certainly not something I’d pay several hundred dollars to experience.

In contrast, Fun Home makes few references to the medium of its source material. The narrator, a grown-up Alison, will occasionally use the word “Caption” to set up a scene. At the end, a frame from the graphic novel is projected onto the stage.

The play is not the book. I guess that’s obvious, but the ways in which they differ are actually quite striking. The story on stage is much more linear. Lisa Kron and Jeanne Tersori, who wrote the book and music, focus almost entirely on the relationship between Alison and her father. Understandable, but I missed seeing a more fully rounded dramatization of her mother, her siblings, and Joan, her first lover. At one point, I wondered if the show could even pass the Bechdel Test. Then Alison had a conversation with Joan about the gay student union at Oberlin, so they got that out of the way. (And also, I was amused at how well they captured the tone of political groups at the time. God, we were insufferable.)

The most interesting aspect of the show, to me, was the way they used three different actresses to portray Alison as a child, a college student, and an adult. The kid, Sydney Lucas, who plays the young Alison is remarkably good. She conveys the delight of discovering those first hints of her sexuality with a knowing glee.

The music and choreography are terrific. I’m curious to see how this show will travel. The staging at the Public Theater was relatively simple, so that it’s easy to imagine local theater groups able to adapt it to their situations. The cast is only nine people, three of them children (Alison and her two brothers).

Will the success of the show bring a new audience to the graphic novel? I don’t know. Will it make the media consider comics as something other than superheroes? I don’t know that either. In the meantime, I wonder if anyone is working on a show based on Stuck Rubber Baby? Because I would see that in a heartbeat.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

MONDAY: Mindy Newell

 

Martha Thomases: Saving Mr. Disney

Thomases Art 140103Like so many kids of my generation, Walt Disney was my baby-sitter when I was a kid. “Uncle” Walt sometimes showed up on The Mickey Mouse Club. He was the genial host of The Wonderful World of Disney on Sunday nights. He was the bestower of Mickey and Minnie, Donald and Daisy, Goofy and all those amazing cartoons.

Alas, I grew up, as kids tend to do. I learned more about Disney, the man and the business. The business was well-known for its penny-pinching, and Walt, personally, was a right-wing, union-busting anti-Semite. These are not the kind of institutions I tend to support.

And yet ….

The reason for these musings is that I just saw Saving Mr. Banks, a lovely movie about the making of Mary Poppins.  And it is a lovely movie, even though it is almost surely inaccurate. It stars Emma Thompson and Tom Hanks as P. L. Travers, the writer of the Poppins books, and Uncle Walt. The biggest problem most people seem to have with the movie is that it whitewashes Disney.

The story the movie tells concerns the tensions between Travers and Disney over the kind of movie to make, based on the books. I didn’t read the books as a child, but I did read them aloud to my son when he was a boy, and they are both lovely and quite different from the film. I don’t care, I enjoy them both. Similarly, I like both the Disney Peter Pan and the book, which, again, is quite different. In both cases, one is entertained and uplifted by the various stories in the various media.

My favorite part about the movie (besides B.J. Novak is that it is about a relationship between a man and a woman that is not even slightly romantic nor sexual, but still emotional and involving and affecting. Hanks is not the least bit like the Walt Disney I remember, and I don’t really care. The character works in the story, which is what I want from my cinematic experience.

It made me think about my feelings for Disney. On the one hand, his politics were, reportedly, terrible, and his business policies hurtful to a lot of hardworking creative people. On the other hand, he made some of my favorite films. On the third hand, he was a human being with a family he loved who loved him, and the same kinds of human insecurities and failings as the rest of us. These contradictions are what make each of us interesting, each of us a worthy star of our own life story.

None of this is to say that, Constant Reader, will necessarily like this movie. I’m not even sure I can say it’s great art. It made me think about art and commerce and families and the love and respect we owe each other despite (sometimes because of) our sins.

Together with my senior discount, it was well worth the afternoon.

SATURDAY MORNING: Marc Alan Fishman

SUNDAY MORNING: John Ostrander

MONDAY MORNING: Mindy Newell

 

Martha Thomases: Girls Talk

thomases-art-131227-150x206-8794712Hey, 2013! Don’t let the door hit you on the way out!

Okay, maybe that’s a little harsh. Aside from my personal losses, I thought it was a pretty good year for comics. Not so much in terms of quality (we all have our own opinions and tastes, and often, it takes time to recognize the great books), but in terms of variety. It’s been a great year for people who like to read graphic stories about all kinds of different subjects, told in all kinds of different styles.

And it’s been a great year for the industry.

This is the year that the industry reached critical mass in terms of the participation of women. Yeah, the executive positions are still held overwhelmingly by men, and that has to change. Yeah, most of the mainstream books, and even most of the books from the so-called indie press, are written and drawn by men.

That said, the proportions are changing. There is more work by women out there. More important, there are more women in the audience, looking for (and buying) books that speak to them. At some of the conventions I attended this year, it seemed as if at least half the people who walked by the ComicMix booth were female.

These women weren’t necessarily at the show because their boyfriends / husbands / brothers / fathers were fans. More often, they were fans themselves, dragging along the significant men in their lives. They loved comics (or animation, or cosplay or steampunk or fantasy) for the same reasons as all fans – because we love the creativity and imagination of the media.

Duh!

This is a huge change from the first conventions I worked nearly 25 years ago, when a woman (the wife of a prominent writer) told me that a man had once followed her into the ladies room and crawled under the stall because he didn’t believe a woman was at the show. However, there is still an attitude present that if a woman is at a comic book convention (or office), she is there for the amusement or education of the men who belong there.

Which is why this happens. If you read the link, you’ll see it is the first-person account of a woman who was sexually harassed while participating in a panel at a comics convention. The offending party was identified as writer Scott Lobdell.

I’ve been to a lot of conventions, of all kinds. Besides comics, I’ve been to book conventions, library conventions, licensing shows and shopping center conventions. Even at the latter, which had more than its share of booth babes, I’ve never seen that kind of unprofessional disrespect in a public setting as part of the convention programming.

Here’s my horrible comic convention story. It’s about 20 years old, from the time I was working at DC. We were at a show, and one of the marketing guys was entertaining a group of people, all men, with his stories. The people were freelancers, editorial staff, maybe a retailer or two. As I walked past, he made some remark about my body, which tied into the story he had just told. I stopped (because I heard my name mentioned) and gave him a look. The look. Everyone who had been listening to him walked away sheepishly.

Now we have the Internet, which works even better. Scott Lobdell isn’t someone I know. We may have met, but not in any kind of memorable setting. He never particularly offended me until he ruined Starfire, but I didn’t particularly think he was more of a stupid rube than anyone else in the business. He still might not be.

Here’s what’s different: We’re talking about it. We use the Internet to share our experiences and gather our strength. We inspire our allies (such as Mark Waid, in the comments on the ComicsBeat link) to stand with us.

With luck, we also change the Lobdells of the world. Look, I’ve said some stupid crap in my time. I’ve tried to make a joke and hurt someone’s feelings in the process. I’ve been unaware of my position of privilege and spoken in an insensitive manner. What’s different is that I’ve learned from the process (I hope). I don’t say, “I’m sorry if you were offended.” I say, “I’m sorry I offended you. I spoke poorly and thoughtlessly. I did not express myself well.” That way, the mistake is clearly mine. In the best case, I learn how another people hears my words and how they think. It’s not only good politics, but it’s an aid for good writing.

It is my sense that there are parallel stories and alliances going on within other fan communities, including those for people of color, the LGBTQ community, and more. I hope their stories get told in a way that I get to hear them.

Happy New Year. Here’s to better days.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

 

 

Martha Thomases: The Twelve Flicks of Christmas

Thomases Art 131220When I had to go to work in an office everyday, I would try to save up my vacation days so I could take off the week between Christmas and New Year’s Day. Ostensibly, I did this because my kid had no school and needed daytime attention.

But, really, I did it because I wanted to go to the movies.

The holiday season usually sees a flood of new releases, either to amuse those home-bound kids or to qualify for the Academy Awards. A lot of the Oscar-bait is scheduled for nation-wide release when the awards will actually be presented, and they just open in a few theaters to get by the rules. Since a lot of Academy members live in New York, we luck out.

There are altogether too many Jews in my borough for me to indulge the traditional Reform observance of Christmas (Chinese food and a movie), but I hope to celebrate the end of the year with my people (by which I mean, movie geeks).

Here’s what I’m anticipating most.

Inside Llewyn Davis Not since Bruce Springsteen teamed up with Pete Seeger has a project seemed so much like it was designed specifically for me. The Coen Brothers explore the Greenwich Village folk scene in the early 1960s. I expect it to be my neighborhood, my music, my sense of humor and my reasons for moving here. And then I expect to be sad because none of this is cool anymore.

American Hustle I’m not a huge David O. Russell fan, but I like a movie with a lot of cute guys in it, even when they have bad hair, bad clothes and bodies fattened for art. However …

Out of the Furnace, which isn’t supposed to be as good, is also on my list because it’s Christian Bale being his cute self, along with a set of very very masculine, serious co-stars. Come to Mama, boys.

The Hunger Games: Catching Fire I’m late to this. It’s been out for a month, and I still haven’t gone. Loved the books (although I thought the last one had a weak ending), loved the previous movies, love the clothes and love Jennifer Lawrence and Elizabeth Banks. I wish the two would remake Thelma & Louise.

Saving Mr. Banks My husband and I were both huge fans of Walt Disney (politics aside) and Mary Poppins. John liked to opine that without Mary Poppins there would be no Star Wars. I read the Travers books to my son, and they are big fun, so I see no reason not to sob like a baby through this entire film.

Frozen See above about Disney. We would often observe that, unlike so many filmmakers who went for a kids’ audience, Disney (as a studio) tended to have much better scripts. This looks like it follows in the path of what I think of as the Broadway musical animated movies (Little Mermaid, Beauty and the Beast, Aladdin) and that’s a good thing.The Wolf of Wall Street Martin Scorsese is one of my all-time favorites. In this film, he seems to be treating Wall Street traders as if they are gangsters involved in organized crime. Sounds right to me.

Anchorman 2: The Legend Continues How much did you love the first one? Not as much as I did. When I go to SDCC, I try to walk around the park near the water, looking for roving bands of news teams.

Kill Your Darlings The first famous author I ever met was Allen Ginsberg. He had given a poetry reading at a nearby university, and came to our commune for dinner. Since I was just a girl, he ignored me just about completely. Still, I’m eager to see him portrayed by Daniel Radcliffe, because it’s about as far from Harry Potter as one can get.

Her  I really like Spike Jonze movies. Because of him, sometimes I wander around muttering, “Malkovich Malkovich Malcovich.” So I’m curious to see what his future is like.

Mandela: Long Walk to Freedom Sadly, this will now seem like an elegy. A friend of mine who has to go to film festivals as part of her job saw this a few times back in the spring and said it was always fantastic. And it has Idris Elba. Yowza.

The Secret Life of Walter Mitty I have no intellectual defense for wanting to see this. I like Ben Stiller. Sue me.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

 

Martha Thomases: Love Your Friendly Neighborhood Comics Shop

thomases-art-131213-150x120-4698758Have I mentioned lately how much I like comic book stores? Even as more and more of my friends buy their comics digitally (and I buy more of my prose books digitally), I still like to get my comics in hard copy. I like to get them on Wednesdays when I can. I like to get a big stack and find a comfy chair.

And yet this morning, when I woke up with an uncharacteristic and bewildering tummy ache, I didn’t reach for a pile of singles to take with my to the bathroom, or to my comfy chair. Instead, I wanted to read original graphic novels.

So I was interested to read a conversation among comic shop retailers about how they like original graphic novels – or OGNs, as they call them.

If I might over-simplify, most don’t. I mean, they like them, but most of their business comes from customers like me, who buy single issues month after month. Some say that, even among their regular customers, the higher-priced items are bought online where the customer can get a bigger discount (often bigger than retailers gets from their distributors).

I get this. Stores find their customer base and then do their best to serve that base, providing the products they want and, with luck, also providing products they don’t know about but will love when they see them. A great store will look for ways to broaden its base, attracting more and more customers over time.

Perhaps I am inferring more than is intended, but I also sense that some of the retailers are saying that since OGNs don’t do well for them, that it is a waste of time for publishers to print them. And that kind of thinking makes me crazy.

When I worked at DC Comics in the 1990s, the marketing department spent a lot of time, money and effort working with the direct market. This makes sense, because it represented something like 85% of our sales. At the same time, to satisfy this market, we would often delay shipping books to other markets (that is, bookstores) so that comic book shops could have a month to six weeks to exclusively offer the product.

And this made me nuts.

I’d like to say it made me nuts for altruistic reasons, that I favored a free market or equal opportunity or something. Instead, my ire was selfish. It was hard to get critical attention for a book that wasn’t available in a bookstore.

Leaving the plight of publicists aside, however, there are lots of other reasons for publishers to offer OGNs. Comic book stores no longer serve every possible customer for graphic story. One retailer mentions Paul Pope’s Battling Boy, saying its a best seller for him, but not doing nearly as well as most collections. And yet, the longest line I saw at the Book Expo trade show this year was for Pope’s autograph, primarily booksellers and librarians.

Those markets also move a lot of books, frequently to an audience that wouldn’t go to a comic book store. Artists and writers (and publishers and publicists) should be encouraged to make money in every possible market available to them.

Which brings me to what I read today. I don’t think any of these are designed to be direct market bestsellers, but I bet they each have a sizable potential readership.

Rick Geary’s Madison Square Tragedy is the story of the murder of Sanford White by Henry Thaw, a story I was familiar with mostly because of Ragtime. Geary’s storytelling is straight-forward, full of detail that brings New York City in the early 1900s to life. With very few words but a deft use of faces and body language, he conveys the tensions among the high society of the time.

And then I reached for Harvey Pekar’s last book, Yiddishkeit, which is two years old but I’m just getting to it now. It’s a history of Yiddish culture going back to the Middle Ages, but my favorite parts are set in New York from the late 1800s to the present. There’s some chronological overlap with Geary’s book, but I don’t think any of the players knew each other. My knowledge of Yiddish comes from Lenny Bruce, Philip Roth, Sholom Alecheim and Isaac Bashevis Singer (whom Pekar loathes), but I loved this book. It reminded me that my people have a long tradition of fighting for social justice while arguing amongst themselves.

Now, if you’ll excuse me, my tummy is better but it’s snowing out and that comfy chair is calling. I’m going to check out the highly recommended Cursed Pirate Girl. With luck, I’ll also have a cat in my lap.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

 

Martha Thomases: The Pesky Dreams Stuff

Thomases Art 131206The dame walked into my office just before closing. An older woman, dressed like every other woman in this city in a black leather jacket and black pants. You wouldn’t look twice at her unless you were allergic to cats, because she was covered with cat hair.

“I require your services, Mr. Spade,” she said, a trace of the midwest in her voice. “I’ve lost something very precious. Perhaps it was stolen. In any case, I must have it returned to me. I’ll pay you anything if you can find it.”

I looked here up and down, paying attention this time. Did she have money to spend? “Tell me about the case,” I said, motioning to the chair across from my desk. “Let’s start out with your name.”

“Thank you. I just don’t know what to do.” With this, she wiped a tear away from her eye, using the sleeve of her jacket.

I handed her my handkerchief and waited while she pulled herself together. After a few minutes, she took a deep breath and spoke. “My name is Martha Thomases. That’s ‘Thomases’ with an e-s on the end. Like it’s plural.” She said this as if it was something she had said a million times before.

“My story. I can’t find it anywhere. I think it’s stolen.”

“Can you give me a description,” I said, taking out my notebook.

“It’s been with me since I was a child,” she said, as if that give me any idea what she was talking about. “I really must have it back.”

I looked at her with the pen in my hand. “A description,” I said. “What is it like? When did you last see it?”

“Well,” she said. “I don’t know that it has value to anyone but myself. It’s a story about a girl who grows up, her relationships with other people, the things she has to do to get ahead.”

“That’s describes a lot of people’s stories,” I said, still not writing anything down. “How would I recognize yours?”

“It’s mine,” she said, as if that gave me any clues. She saw my stare, and stammered, “Usually there is something about fathers in it.”

“That gives me something. Anything else?”

“And there’s super-powers,” she said. “Someone will be able to fly or read minds or something. And there will be capes. Dark blue capes.” She tried to repress a shudder of pleasure at the memory, but couldn’t keep the smile from her lips.

Why hadn’t she told me that first. “Now we’re getting somewhere,” I said. “When did you last see it?”

“Just the other night,” she said, crossing her legs. It might have been a sexy movie if she hadn’t been wearing sneakers. “We stayed up late with a bottle of wine. In the morning, there was no trace.”

“Perhaps your story left?” I said, trying to be diplomatic.

“No, never,” she said. “We’ve been together more than 55 years. Someone must have stolen my story.”

“Who would do that?” I said. “Do you have a list?”

“There’s a lot of writers out there who need stories,” she said. “I just don’t know who would take mine. What good would that do them? It’s my story.”

I stood and put out my hand for her to shake. “Let me make some calls,” I said. “I’ll get back to you with an estimate, and we can proceed from there.

She walked away, and I watched her go. Not a bad caboose, but she was old enough to be my mother. What did a woman her age need with a story, anyway?

Still, a job is a job. I made a few calls that afternoon, but they didn’t tell me much. I was going to have to go out on the street. I put on my coat and headed for the bookstore. They’ve got a lot of stories there. Maybe someone heard something.

I went up to the clerk at the information desk. “I’m looking for a story,” I said. “Something with capes. Flying. Maybe a father.” I didn’t want to give away too much.

The clerk pushed a few buttons, and a long list appeared on her monitor. “You want the graphic novel section,” she said to me, pointing to an aisle at the back of the store.

I walked back, looking over my shoulder to make sure I wasn’t followed. I wasn’t prepared for what I found. Shelves reaching to the ceiling, filled with books that had spandex-clad characters with capes on the cover. I picked up a few that had dames on the cover, but there were so many I couldn’t tell if any of them came from my client.

I went back to the clerk. “These are all the same story,” I said. “How am I supposed to tell them apart?”

“Not at all,” she said. “All of the stories are different. Every writer takes the elements and makes them his or her own. It’s like meatloaf. Everybody makes it differently, and everybody makes it the best.”

I went back to my office, no closer to the truth than when I left. As I unlocked my door, I saw a package on the floor. I took it to my desk and unwrapped it. It was a statue of some stupid black bird from the Thomases dame. I picked it up, and saw an envelope underneath. Inside was a check and a note. “Dear Mr. Spade,” it said. “I’m sorry to have wasted your time. I just needed a walk to clear my head and my story came back to me. It is the stuff that dreams are made of. So easy to misplace. Thank you so much for your time.”

I’ll say you’re welcome when the check clears.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

 

Martha Thomases: Doctor Who and Something… Joyful!

Thomases Art 131129It was Saturday morning and I was at the Union Square Green Market buying dried black beans for soup. It was a beautiful clear cold day, the kind that makes me even more chatty with the people selling the goodies (and, yes, I consider black beans to be goodies. Sue me.). The lovely young woman who took my money commented about being outside all day.

“But there’s Doctor Who!” I said.

She looked at me with scorn.

“I have to watch,” I said defensively. “I need to be able to talk to my son.”

“You’re a good person,” she said. I interpreted this to mean that I was subjecting myself to something tiresome in order to be a good parent.

I came late to Doctor Who. I mean, I had heard of it but never felt any great need to see it. I thought it might be like Thomas, the Tank Engine, a perfectly fine BBC show for children that I also didn’t want to watch. A character with a colorful scarf did not seem compelling enough to me.

Years went by. My son and I bonded over various media, including the television ventures of Joss Whedon, Homicide: Life on the Street, and assorted, other, coolstuff .

So when he said I’d like Doctor Who, I listened. But first, I whined. “It’s been on forever,” I said. “I don’t have time to watch decades worth of a series.

“You only need the new stuff,” he said. “It’s all on Netflix. It’s easy.”

So I started. The first episode I saw didn’t thrill me. I mean, it was fine, but didn’t seem to be the kind of thing to inspire a cult. My son said, “Give it time. Lots of people don’t like Christopher Eccleston.”

But he wasn’t the problem. I thought he looked a bit like Jason Statham, and I amused myself by imagining what the program would be like if Jason were The Doctor. Fucking awesome is what it would be.

So I was enjoying Eccleston, but it was David Tennant who won my heart. That is a cute guy. And, as I was relaxing into the show more, it grew on me. I liked his relationships with the various companions, women who were his friends, nothing more and, more important, nothing less. I liked that they were not, for the most part, conventionally beautiful. Billie Piper’s Rose Tyler was dressed to look like she still had some baby fat, Freema Agyeman’s Martha Jones is (you should pardon the expression) black, and Catherine Tate’s Donna Noble was definitely pudgy and had rather coarse features (please note I think these some are beautiful, but my point is simply that they don’t meet Hollywood standards). They were, like most of us at first glance, ordinary. And, as we watched them interact with The Doctor, they revealed themselves to be, like most of us, extraordinary.

Matt Smith is no David Tennant, but he grew on me. I felt the writing for his character got dicey at times, with some of the gags forced, and his resemblance to Stan Laurel was, at times, distracting. But I loved the Ponds. Through them, I grew to like Smith.

I enjoyed “The Day of the Doctor.” It was fun. I suspect I missed a few Easter eggs, since my knowledge of the older versions of the show is limited to the newer episodes, which I know makes me much less cool. However, I have loved John Hurt since he was Caligula, so that was pretty much great.

Before I left with my black beans, I said to the woman, “The thing about Doctor Who is that, no matter how dangerous the situation, no matter how dire the circumstances, the characters are always happy to see each other. They always find something joyful.”

“Maybe,” she said, “I need to look at it again.”

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostreander