Author: Andrew Wheeler

DC Comics caused a bit of a ruckus late last year when they announced their new Minx line of comics. Minx was avowedly an attempt to drag the large audience – mostly young, mostly female – for translated Japanese [[[manga]]] back to American creators by giving them books in formats and styles similar to manga. Some feminists took an instant loathing to the name, and to the fact that most of the announced creators were male, but everyone seemed to think that the idea was a good one. (Though I’m still surprised that no one has done the obvious thing: spend the money to start up an American equivalent of Shojo Beat. The manga system works so well partly because the periodicals act as try-out books and party because popular series can be sold twice, as periodicals and books. Trying to create a manga-like market with only collections is like trying to ride a bicycle on one wheel – you can do it, if you’re Curious George, but it’s difficult and slow.)

I’ve recently read two of the four Minx launch titles, and thought it would be interesting to look at them together. (The other two, which I haven’t seen, were Good as Lily by Derek Kirk Kim and Jesse Hamm and [[[The P.L.A.I.N. Janes]]] by Cecil Castellucci and Jim Rugg. And more books have already been announced to follow.) I’ll admit that I’m not the target audience for Minx’s books – I’m about twenty years too old, and sport the wrong variety of wedding tackle – but I am definitely the audience for a new book by the creative team behind My Faith in Frankie, and for a new book written by Andi Watson. And I’m certainly part of the audience for interesting, new American comics done well, no matter who they’re supposedly aimed at.

Let’s start with Re-Gifters, which is both more essentially conventional in its story and more successful in the end. It is a reunion of the crew behind [[[My Faith in Frankie]]], down to the publisher and editor – and the story has certain parallels to Frankie, as well. Our main character is a dark-haired young woman (Jen Dik Seong, aka Dixie), with a blonde best friend (Avril, who starts to narrate the story but is stopped quickly). Dixie thinks she’s crazy about a blonde boy (Adam), who turns out to be not quite as all that as our heroine at first thought. The narration, in Dixie’s voice, is also a bit reminiscent of Frankie’s. But that’s about the end of the parallels: Dixie’s story is completely down-to-earth, without any gods or other supernatural elements. (It’s also aimed at a younger audience than Frankie’s, so there’s no sex, either, and Dixie is a couple of years younger than Frankie was.)

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