Author: Andrew Wheeler

STRIP REVIEW: LoserPalooza

STRIP REVIEW: LoserPalooza

First, the consumer report: LoserPalooza is a treasury-sized collection, which means it’s larger and more expensive than the usual run of comic-strip collections, and also that it collects strips from two previous smaller collections. In this case, LoserPalooza has the comics from Say Cheezy and Scrum Bums. LoserPalooza does have the Sunday strips in color, though, so it’s not entirely twice-baked beans. (It’s also rarely clear whether a strip is being reprinted in its entirety to begin with, or if all of the strips from the smaller collections make it into the Treasuries; specifically, it’s not clear in this case.)

Get Fuzzy is one of the most successful new strips of the past decade, and possibly the most successful strip launch since Dilbert in 1989. (The competition includes strips like Pickles, Baby Blues, and Adam @ Home, which aren’t as edgy as Get Fuzzy and so are probably in more papers daily. On the other hand, Get Fuzzy seems to be one of the most successful comics when it comes to selling reprint collections, so it’s hard to tell which strip actually makes the most money or has the most readers.) In any case, it’s still fairly young, for a daily newspaper strip, and it’s grown to a lot of papers pretty quickly.

As the characters note in a storyline mid-way through this book, Get Fuzzy could be seen as a Bizarro-world version of Garfield. A man of indeterminate age (Rob Wilco) lives with a cat (Bucky) and a dog (Satchel), and funny stuff ensues. Except, in Get Fuzzy, we don’t identify with the cat – Bucky is clearly insane (as all cats are). Satchel is lovable but dim, also like most dogs. And Rob isn’t quite as much of a loser as Jon Arbuckle. Well, he is a vegan rugby fan who hasn’t had a date in years, does something unspecified involving crunching numbers, and roots for the Red Sox – so maybe I should say that he’s a more realistic loser than Jon is. Get Fuzzy doesn’t have the ground-into-the-turf running jokes Garfield does – and I hope it won’t, even if it runs for thirty years – but it’s vastly younger than Garfield is, and hasn’t had time to get stale.

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GRAPHIC NOVEL REVIEW: Shenanigans

GRAPHIC NOVEL REVIEW: Shenanigans

Yes, the title is Shenanigans,” with quotation marks already in place. No, I don’t know why. It’s not a direct quote, there’s no place named Shenanigans in the story, and it doesn’t seem to be an ironic “air-quote,” either. (There’s more than one bar in this book that could easily have been named Shenanigans, but none of them actually are.) It’s just an annoying, unnecessary tic.

“Shenanigans” is pleasant but unexceptional, a frothy romantic comedy that I suspect started off as a screenplay and probably would have worked better in filmed form. It takes place in St. Louis, where our creepy main character, Holden, gets kicked out of his girlfriend’s apartment at Christmas-time for obsessively playing videogames instead of going out to dinner with her. I’m not sure how old he is; he seems to be a student, but we really don’t get a sense of his normal day-to-day life or a solid idea of what he does for a living. The one thing we see him doing seems like a college work-study program: teaching kids to play hockey. Although…he does seem to sponge off the women in his life, which may be a clue as to his lifestyle.

Holden meets a young woman named Casey, and moves in with her that night. (Help me out here: is that as weird and unrealistic as I think it is, or are twenty-somethings really that friendly these days?) They also sleep in the same bed the night they meet, but don’t have sex, which is just a bizarre combination, especially since the story takes pains to point out that they didn’t have sex. Between the scenes that we see, they drift into something like a normal boyfriend-girlfriend relationship (except for the fact that he’s sponging off her as he did with his last girlfriend), and presumably they start having sex at some point…though the story doesn’t feel the need to explain that point.

Then the story finally starts: Casey has been working as a waitress, but decides to start tutoring college students in math instead. Her qualifications: she’s really really good at mental arithmetic, and she’s totally hot. (No, seriously. There’s no sign that she has a math degree, or anything of that nature. So she seems to be coaching college students in, at best, high-school algebra. My opinion of the fine colleges of St. Louis is still diving as I type this.) Since she’s totally hot, all of her clients are horndog young men who think they’re going to score with her, so her tutoring sessions consist mostly of her edging away from them. She doesn’t seem to realize this, which I suppose makes her some sort of idiot savant…or maybe not a savant. Speaking of not realizing things, her advertisements are clearly based on those for prostitutes, which Holden instantly realized (well, he would, wouldn’t he?), but Casey just doesn’t see.

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Do I Have To Say It?

Do I Have To Say It?

Graeme McMillan of The Savage Critics discovers the single best panel of the week (see above) and reviews Batman #667. No, seriously – does anyone else think that looks like Halloween about three doors down from stately Wayne Manor?

Newsarama has two sets of pictures from Wizard World Chicago – mostly of people in costumes, natch.

Ain’t It Cool News reads the current script for the Thor movie, and likes it.

Your sign of the apocalypse of the day: bikini-clad stormtroopers. (Insert your own “Aren’t you too…to be a stormtrooper” joke here.)

Cory Doctorow of Boing Boing reviews the graphic novel Giant Robot Warriors by Stuart Moore and Ryan Kelly.

The Toronto Star reviews Warren Ellis’s novel Crooked Little Vein.

Movies Online interviews someone they called “Neil Gaimon” about the movie “StarDust.” I wonder if they asked him about his comics series Snadman, or his young readers novel Caroline? (And is he any relation to Charles Dickkens, the well-known Dutch author?)

Comics Reporter interviews Doug TenNapel, cartoonist of Black Cherry.

Greg Hatcher of Comics Should Be Good wants to write about the “Entwistles of comics.”

Neth Space reviews the new anthology The New Space Opera, edited by Gardner Dozois and Jonathan Strahan.

The UK SF Book News Network talked to Chris Robertson about his new novel, Set the Seas on Fire.

Yatterings reviews InterWorld, the new novel for young readers by Neil Gaiman and Michael Reaves.

John Scalzi of Ficlets interviews David Anthony Durham, author of Acacia.

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GRAPHIC NOVEL REVIEW: Notes for a War Story

GRAPHIC NOVEL REVIEW: Notes for a War Story

In its original Italian form, Notes for a War Story won the 2005 Goscinny Prize for Best Script and was the Best Book of the Year for 2006 at the Angouleme comics festival, so I have to assume that it’s one of the very best European works of recent years. Which is unfortunate, since I found it only moderately successful.

It’s set in an unnamed European country, during an unnamed conflict among unspecified groups, in the vaguely recent past. All the non-specificity is meant to give it an aura of timelessness, or of dislocation, or something like that, but it left this reader feeling as if I were wandering about in a fog. Compared to the specificity and closely-observed detail of a book like Joe Sacco’s Safe Area Gorazde, Notes from a [[[War Story]]] is thin and ineffectual, unwilling to commit to being for anything, or against anything other than the very abstract idea of war.

The plot follows three young men – Giuliano, Christian, and Little Killer – who are scavenging in a region of small villages being bombed by enemy forces. They’re not in the armed forces, and they never encounter anything like regular armed forces, not even as much as seeing a bomber in the sky. They’re supposedly in the middle of a war, but they are actually seen in a mostly-depopulated landscape, drifting into gangsterhood.

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GRAPHIC NOVEL REVIEW: Laika

GRAPHIC NOVEL REVIEW: Laika

This graphic novel is pretty good just on its own terms, but it’s an excellent object lesson. If you know of anyone who thinks that comics are essentially limited in scope to brightly-clad folks punching each other with great vigor, this will help to expand their horizons. It’s the story of Laika, a Russian dog who was the first living creature from Earth deliberately sent outside the Earth’s atmosphere. It’s an impressively-researched story braiding a fictional back-story for Laika (and several other characters I believe are also fictionalized) with the story of the “Chief Designer” of the early Russian space program, Sergei Korolev. And all that is told in comics, and, I suspect, primarily aimed at the grade 6-12 audience.

I’m not familiar with Adadzis’s work, but the note on him in [[[Laika]]] calls him an editorial consultant who “creates words and pictures for a living and loves both equally.” According to his website, muck of his work has been for children, especially recently, though he did something called Millennium Fever (with Duncan Fegredo) for Vertigo in 1995 and [[[Children of the Voyager]]] (with Paul Johnson) for Marvel in 1993.

Laika is a dense book; we start off with a flashback to Korolev’s release from the gulag in 1939, stop briefly at the first successful Sputnik launch in 1957, and then dive back into a long account of the life of a dog. (Who, as we all can guess, eventually becomes Laika.) This graphic novel is about two hundred pages long, and each page has about ten small panels, in shifting grids with occasional snippets of white space. And there’s quite a lot of dialogue along the way, in what I’m tempted to call the Russian manner. It’s not a quick read by any means, and the panels can get quite cramped at times. It’s never difficult to read, but there is an awful lot here. Those who judge books by how much time they take to read should enjoy Laika.

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Giant Lego Man: Threat or Menace?

Giant Lego Man: Threat or Menace?

 

 

 Baffling News Story of the Day: Dutch children discover and befriend a giant Lego man in the sea. AOL claims that he’s “smiling,” but I’m more familiar with the standard Lego faces than they are – that, my friend, is a smirk, which means this story is not yet done. (Hey, I just had a thought — any chance that this guy is the monster from the secret "Cloverfield" movie?)

Comics Reporter reaches way back to review 1967’s Marvel Collector’s Item Classics #13.

Neil Gaiman talks to NPR about Stardust (you’ll have to listen to it, not read it).

Comics Alliance interviews Eddie Campbell.

Sequential Tart interviews Gail Simone about her plans for Wonder Woman.

USA Today has a graphic novel roundup.

The Ephemerist thinks that Garfield is the new Nancy. When I see Jim Davis drawing three lasagna pans in the background, then I’ll worry.

Chris’s Invincible Super-Blog reviews Nick Abadzis’s graphic novel Laika. (Which I’ve just read; look for a review here in a few days, Gawd willing and the creek don’t rise.)

Comics Should Be Good’s latest Reason to Love Comics: Fin Fang Foom, baby!

Ralph’s Comic Corner of Ventura, CA was recently robbed. But it’s not as bad as it would have been – the robbers “walked by actual cash money to steal Spawn and Witchblade.”

Cory Doctorow of Boing Boing thinks Brian Talbot’s Alice in Sunderland is the “single weirdest graphic novel [he’s] ever enjoyed.” I smell a pull-quote for the second edition!

Dana of Comic Fodder reviews her usual weekly batch of Marvel comics.

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Misery Loves…Nancy?

Misery Loves…Nancy?

Ivan Brunetti nearly became the new cartoonist for Nancy in 1994 – and Mike Lynch has posted the thirteen-page magazine article from 1999 where Brunetti explains the whole thing.

Forbidden Planet International has a story about Orbit’s recent announcement that they are teaming up with other elements of the far-flung Hachette media empire to launch a new manga line, the Yen Press, in the US and UK.

Either the Star-Tribune or the Journal-News (both names are on the page, various places) talked to Neil Gaiman about that Stardust movie.

Publishers Weekly talks with George R.R. Martin about the graphic adaptations of his “Song of Ice and Fire” novellas.

John Mayo of Comic Book Resources attempts to explain how everything sold in June, and what it all means.

The Beat is having flashbacks to Thursday at Comic-Con. (My flashbacks are usually to the Boer War, but I understand what she’s going through.)

Greg Burgas of Comics Should Be Good reviews a bunch of graphic novels.

The Onion’s A.V. Club interviews Bill Willingham, writer of Fables.

Book Fetish reviews Mike Carey’s first novel, The Devil You Know.

The Agony Column gets off its literary high horse long enough to take a look at Star Wars: Death Star by Michael Reaves and Steve Perry.

News of the Obvious Department: Monsters & Critics have perpetrated the headline “New novel gets bad review.” Coming soon: Pope Is Catholic, Bear Shits in Woods.

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Gaiman to conquer all media

Gaiman to conquer all media

The San Francisco Chronicle notices that Neil Gaiman is in the middle stages of a fiendish plan to completely conquer all media. (The New York Times also discovered Gaiman this weekend.)

The Los Angeles Times looks at some novels written by comic-book types, starting with Warren Ellis’s Crooked Little Vein.

Comic Book Resources chats with Tony Bedard, one of the approximately three million writers cranking out Countdown.

Erik Larsen looks back at San Diego.

Comics Reporter interrogates Tom Neely — animator, cartoonist, author of The Blot.

You want someone to review a whole bunch of this week’s comics? Greg Burgas of Comics Should Be Good is there for you.

SyFyPortal reports that the Sci-Fi Channel has officially announced that The Dresden Files is cancelled. The reason: it “just didn’t make a big enough profit.” Man, I’d love to be in a business where you can make decisions like that – “Butler! The pile of twenties in the corner is getting too low! Cancel one of those shows that doesn’t make an obscene amount of money!”

Bookslut is either posting from a time warp, or attending some weird other dimensional San Diego Comic-Con, since the reports are as if the con is going on right now.

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The Sensational Character Find of 2007!

The Sensational Character Find of 2007!

Robert Ullman (who draws the illustrations for the “Savage Love” sex-advice column, and a lot of exceptional pin-ups on his blog) recently drew a fun Watchmen-world cover, which is our illustration today.

Library Journal’s 8/15 list of reviews leads off with a look at The Best of Lady Churchill’s Rosebud Wristlet and also includes an extensive Graphic Novels section.

Comic Book Resouces chats with Shannon Wheeler about his new book Screw Heaven, When I Die I’m Going to Mars. (Which, quite by coincidence, I just reviewed here on ComicMix.)

Marvel’s publicity machine is hinting so broadly that Mary Jane Watson-Parker is about to die that I almost suspect it’s an elaborate bait-and-switch. (Check out the cover for Amazing Spider-Man #545, for one example.)

The Beat has two big posts of San Diego photos, for those of us who weren’t there and those of you who can’t remember. She also provides her hard-won wisdom on the gauntlet that is the annual Comic-Con.

Comics Reporter reviews Jeff Smith’s Shazam!: The Monster Society of Evil series.

SlayerLit interviews Dark Horse editor Scott Allie about the Buffy comics. [via Newsarama]

Cory Doctorow reviews Richard Kadrey’s novel Butcher Bird at Boing Boing.

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GRAPHIC NOVEL REVIEW: Screw Heaven, When I Die I’m Going to Mars

GRAPHIC NOVEL REVIEW: Screw Heaven, When I Die I’m Going to Mars

Shannon Wheeler (no relation, as far as I know) is, of course, the creator of Too Much Coffee Man, and also the possessor of the world’s greatest surname. (Trust me: I know.) This is his new book, which is not another TMCM collection, though TMCM does show up in a couple of strips.

Screw Heaven is copyright 2007, and doesn’t contain any information about previous appearances of any of the strips collected in it. That either means that it’s all completely new and never-before seen (plausible, but I’d expect the book would hold together more coherently if that were the case) or that Dark Horse neglected to mention that these are from Wheeler’s previously-published comics, or website, or magazine work, or something else entirely. I’m a suspicious, pessimistic, grumpy guy, so I’m assuming that the latter is actually the case – though I have no evidence either way.

Screw Heaven opens with an introduction by Jesse Michaels (singer of something called Operation Ivy, of which I have never heard) and then dives into twelve “chapters,” each with between one and twenty single-page cartoons. Some of the chapters collect cartoons that clearly go together; chapter three, for example, is nearly a complete narrative. Others are more general, and only tied together by a theme.

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