You can listen to Panel Fest Episode 17: PulpFest 2013 Ed Hulse here.
About From Pulp Page to Silver Screen:
Blood ‘n’ Thunder editor Ed Hulse explores the pulp-to-movie connection in his PulpFest presentation Hollywood and the Hero Pulps, one of several pre-convention programs scheduled for Thursday, July 25th, at 9 PM.
Motion-picture incarnations of pulp magazine protagonists date back to the medium’s earliest days. Moviegoers of the nickelodeon era—the pre-World War I years—were treated to
cinematic adaptations of Short Stories’ Hamilton Cleek and The Popular Magazine’s Terrence O’Rourke, among others. Tom Mix became the industry’s top Western star on the strength of his 1920 portrayal of Max Brand’s Whistlin’ Dan Barry. And master detective Nick Carter, who successfully made the transition from dime novel to pulp magazine, appeared on screens both in the U.S. and overseas in several sets of short subjects produced between 1908 and 1927.
With the coming of talkies and the emergence of Hollywood as the world’s filmmaking capital, pulp fiction became an even more frequent source of story material. Hundreds of movies released during the Thirties, Forties and Fifties—feature films and short subjects alike—were made from yarns originally printed in rough-paper periodicals.
As Blood ‘n’ Thunder readers know, Ed is the leading authority on pulp-related movies, having researched and written about them for decades. His PulpFest presentation will touch on many, but concentrate on those adapted from hero pulps, with special emphasis on such serials as The Spider’s Web (1938), The Shadow (1940), and The Spider Returns (1941). He’ll present little-known, behind-the-scenes info gleaned in part from his own interviews with people who worked on these episodic epics, including Victor Jory (who played the serial Shadow) and Iris Meredith (who played Nita in The Spider’s Web). Ed will address the rumor that Columbia Pictures planned a G-8 and His Battle Aces serial for 1939 release, and he’ll also report what little is known about the proposed Republic chapter plays that would have featured Doc Savage and Nick Carter.
This program, leading into the screening of Chapters One through Five of The Spider’s Web, promises to get PulpFest’s 2013 hero-pulp tribute off to a fascinating start.
Kenneth Duncan as Ram Singh reads an issue of The Spider in this publicity photo for the 1938 Columbia Pictures movie serial, The Spider’s Web.
You can listen to Panel Fest Episode 17: PulpFest 2013 Ed Hulse here.
About The Collected Tales of Sangroo the Sun-God:
The Lost Series Returns to Print! Appearing for only two stories in Clatyon Publication’s ultra-rare Jungle Stories and written by J. Irving Crump (writter of the Og series), Sangroo was among the most interesting of the Tarzan clones.
Never before reprinted, these stories have now returned to print after 80 years.
“We are the Acolytes of the Shadows! We are the dispensers of justice! We are the punishers of the guilty! We are the executioners of the sinful!”
About Shadows of The Opera: Retribution In Blood:
“The Revenant’s bounty shall be paid by me personally. The Revenant’s killer must present her head to me.” Such was the decree of Colonel Bozzo-Corona, all-powerful master of the Black Coats. For years, the female vigilante had used the methods of her late mentor, the mysterious Phantom of the Opera, to foil the schemes of that sinister criminal conspiracy. Now they, in turn, marshal their forces in a vast venture to strike back at their enemy and gain mastery of Europe.
They create their ultimate assassin, a true Lord of Terror. They forge an alliance with the diabolical, green-eyed mandarin who dominates the Asian underworld. And, finally, a new Countess Cagliostro emerges from their midst as a seductive siren who shall control the destinies of all the great men of France.
As the Revenant and her Acolytes of the Shadows combat these threats, an even more dangerous force interferes in the form of an ageless witch from Martinique!
“Rick Lai’s most obvious gift lies in his ability not only to envision obscure connections between diverse works of fiction, but to embellish those connections and weave a tapestry that proves enthralling as a literary work able to stand independent of the celebrated originals.” — William Patrick Maynard (author of The Terror of Fu Manchu).
Contents:
Introduction by William Patrick Maynard
Legacy of the Phantom
The Fire Eater
The Heir of Pistolet
The Face of Fu Hsi
A Bullet for the Colonel
Ruination
The Brigand Princess
The Werewolf’s Daughter
Dance on My Grave
Afterword
Cast of Characters
Burbank, Calif., July 31, 2013 – Fans of Middle-earth will have the opportunity to gain a broader experience of The Hobbit: An Unexpected Journey, from Academy Award®-winning filmmaker Peter Jackson, when the epic fantasy adventure is released as an Extended Edition on Digital Download October 22nd and on Blu-ray 3D, Blu-ray and DVD on November 5th from Warner Bros. Home Entertainment (WBHE). A production of New Line Cinema and Metro-Goldwyn-Mayer Pictures, this new cut includes 13 minutes of extra film footage that extends individual scenes, making this the must-see, definitive version for fans. All disc versions of the Extended Edition include nearly nine hours of new bonus features and will be available just ahead of the December 13 theatrical release of the second film of the trilogy, The Hobbit: The Desolation of Smaug.
“I’m thrilled that the Extended Edition will give fans the opportunity to experience certain key scenes in the film as they were originally shot, as well as an abundance of special features,” said Jackson. “It’s exciting to present this expanded and enriched version of ‘An Unexpected Journey’ to allow fans to fully immerse themselves in the movie, before seeing the second part of the trilogy.”
The Hobbit: An Unexpected JourneyExtended Edition will be available as a 5-disc Blu-ray 3D set ($54.98 SRP) that features the Blu-ray 3D and Blu-ray versions of the Extended Edition; a 3-disc Blu-ray ($35.99) and a 5-disc DVD ($34.99) The Blu-ray 3D, Blu-ray and DVD all include UltraVioletTM which allows consumers to download and instantly stream the Extended Edition in high definition to a wide range of devices including computers and compatible tablets, smartphones, game consoles, Internet-connected TVs and Blu-ray players.*
The nearly nine hours of new special features boasts audio commentary with Peter Jackson, director/producer/screenwriter, and Philippa Boyens, co-producer/screenwriter, and “The Appendices,” a multi-part documentary focusing on various aspects of the film and the Trilogy. Complete special feature details are provided below.
The first of a trilogy of films adapting the enduringly popular masterpiece The Hobbit, “The Hobbit: An Unexpected Journey” was nominated for three Academy Awards®[i].
SYNOPSIS
The Hobbit: An Unexpected Journey is the first in Peter Jackson’s highly anticipated trilogy adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien.
The adventure follows the journey of title character Bilbo Baggins, who is swept into an epic quest to reclaim the lost Dwarf Kingdom of Erebor from the fearsome Dragon Smaug. Approached out of the blue by the Wizard Gandalf the Grey, Bilbo finds himself joining a company of 13 Dwarves led by the legendary warrior, Thorin Oakenshield. Their journey will take them into the Wild, through treacherous lands swarming with Goblins, Orcs and deadly Wargs, as well as a mysterious and sinister figure known only as the Necromancer.
Although their goal lies to the East and the wastelands of the Lonely Mountain, first they must escape the Goblin tunnels, where Bilbo meets the creature that will change his life forever…Gollum.
Here, alone with Gollum, on the shores of an underground lake, the unassuming Bilbo Baggins not only discovers depths of ingenuity and courage that surprise even him; he also gains possession of Gollum’s “precious” ring that holds unexpected and useful qualities…A simple, gold ring that is tied to the fate of all Middle-earth in ways Bilbo cannot begin to know.
The screenplay for The Hobbit: An Unexpected Journey is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Boyens and Eileen Moran serving as co-producers.
New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), Present a WingNut Films Production, The Hobbit: An Unexpected Journey. All three films in The Hobbit Trilogy, also including The Hobbit: The Desolation of Smaug, and the final film, The Hobbit: There and Back Again, are productions of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures handled worldwide theatrical distribution, with select international territories as well as all international television distribution handled by MGM.
ALL-NEW SPECIAL FEATURES ON BLU-RAY 3D, BLU-RAY AND DVD:
Commentary with Peter Jackson, Director/Producer/Screenwriter and Philippa Boyens, Co-Producer/Screenwriter
The Appendices– A multi-part chronological history of the filming of The Hobbit: An Unexpected Journey, covering pre-production in the various departments of the film in the months leading up to the start of principal photography, the boot camp training for the main cast, the work done on set chronologically through the three shooting blocks and in the world of its digital effects.
New Pulp Author/Publisher Ron Fortier returns with another Pulp Fiction Review. This time out Ron takes a look at The Scarlett Jaguar by New Pulp Author Win Scott Eckert.
THE SCARLET JAGUAR
By Win Scott Eckert
Meteor House
136 pages
Graced by a sensational, totally pulpish cover by Mark Sparacio, this little novella chronicles the second action packed adventure of Doc Savage’s daughter, Pat. Well, not exactly Doc as created by pulp master Lester Dent, but rather his Wold Newton clone as envisioned by the late sci-fi author, Philip Jose Farmer.
For the uninitiated, Farmer postulated this fantastic idea that all the famous heroes and villains of the 19th and 20th Centuries for related by blood tracing their common ancestry to a dozen English men and women who had become exposed to a strange meteor’s radiation when it crashed by their carriages in a place called Wold Newton. From that beginning these men and women became the originators of incredible heroes to include Tarzan, Sherlock Holmes, the Shadow and the Spider, Captain Nemo, the Avenger, Phineas Fogg and the list goes on and on and on. Well, you get the idea.
Whereas most of these fictional personages were licensed properties, Farmer could not use them in his fiction. He solved this problem by giving them different names while clearly describing them so as to be recognized by readers. Thus Doc Savage in the Wold Newton universe became Doc Wildman; he married and had a daughter named Pat. Farmer had begun to write a Pat Wildman novel, “The Evil of Pemberley House,” but passed away before completing it. That task was left to his loyal and talented protégé, Win Scott Eckert. That book met with both public and critical success. Now Eckert takes over the reins with this new tale and Pat Wildman couldn’t be in more capable hands.
Looking like a very alluring female version of her famous father, complete with a near perfect physique of a bronze hue and gold-flecked eyes, Pat and her British partner, Peter Parker own and manage Empire State Investigations using her inherited Pemberley Mansion as their headquarters. Soon after a very distraught young woman arrives on their doorstep asking their aid in finding her missing father, a British envoy to a small South American country, they are attacked by a bizarre menace that turns people into red glass and then shatters them. Soon Pat, Peter and their client are winging their way to upstate New York where she plans on arming herself with some of her father’s powerful weapons before moving on to their final destination, the country known as Xibum.
No sooner do they land in the states then they are set upon by mercenary killers working for a twisted villain known as the Scarlett Jaguar. Pat soon discovers this fiend has threatened to destroy the Panama Canal with his mysterious ray unless the entire country of Xibum is ceded to him by the British government. Now their quest to find the missing dignitary becomes a deadly race against time. Once in Xibum, Pat begins to learn long lost secrets of her renowned sire’s past adventures. But can she take on his heroic legacy and save the day?
Eckert skillfully whips up a truly fun tale that blends both the sensibilities of classic pulp fare with some wonderful seventies James Bond touches that the savvy reader will recognize instantly. It’s a heady mash-up that works extremely well. “The Scarlett Jaguar” is a terrific new pulp actioner you do not want to miss.
Psych is a warm and engaging and frequently hilarious show, and having spoken to the cast and crew at SDCC, I can attest that they are just as much of a blast to talk to as the show is to watch. I got to sit down with James Roday, Dulé Hill, Cary Elwes, Timothy Omundson, Maggie Lawson, Kirsten Nelson, Corbin Bernsen, Steve Franks, Chris Henze, and Kelly Kulchak and dish about the show. Here’s what I learned.
The Psych cast sings around the set a lot, and loved doing Psych: The Musical (which will air in December), and actually singing for the cameras.
Kirsten Nelson: “It was exciting to do! It was a whole lot of fun to go into a recording studio to record the songs and play it back for the crew, who were excited to hear us sing. They hear us singing, goofing around all the time, but now they’re like, ‘Oh my God, that’s an orchestra backing you, and you guys sound good.’”
Dulé Hill: “I liked the opening number, which really represented what our show is about, and all the things happening in the background there; and the Jamaican bit. Steve wrote that for me and it was a lot of fun.”
James Roday: “I was surprisingly moved by Mary Lightly as an angel sending off Yang’s number. Just because, like Despereaux, Yang is a character that we’ve kind of truly built into the fiber of our show; and without spoiling too much, I felt like it was the end of something, within the framework of our show. And I thought it was very well executed.”
The newly introduced Harris Trout (Anthony Michael Hall) is going to cause chaos in Season 8:
Kirsten: “He wreaks havoc on all of their lives, and the SBPD is turned upside-down. I’m not in those episodes; the guys aren’t hired for stuff; and Lassiter is demoted. He’s wearing his blue uniform – he’s a beat cop again!”
Cary Elwes returns in Season 8 for another Despereaux episode, and it’s going to be epic:
James: “It’s pretty rad, you guys. We go to London (and it looks a lot like Vancouver) and we get involved with some Guy Ritchie-like gangster hi-jinks; and right in the middle of it all is the return of Pierre Despereaux, throwing us yet another curveball.”
Dulé: “As always with Despereaux, you never know what to believe.”
James: “You never know what’s real and what’s not.”
Cary Elwes: “Vinnie Jones joined us for some fun, and man, we just laughed our way through this entire episode; it just was so much fun.”
James: “And it was a new kind of color and flavor for Cary to play as well.”
Cary: “A really funny episode; I can’t wait to see it. I had a lot of fun doing it. Every time I get the call to come and play with these guys, I’m ready to go. I have more fun working on this show than any other show I’ve ever done.”
Steve Franks is a Sherlock Holmes fan, and the London gangster episode is not only a little bit Guy Ritchie, but also a little bit Harry Potter:
Steve Franks: “Certainly, Psych was inspired by Sherlock Holmes, The Great Observer; and since then they’ve made a few of these Sherlock Holmes movies, that Guy Ritchie has done. I was really excited to see those, because in those they do a thing where Holmes sees things almost like a Shawn vision. It was very cool how similar that is. Then that gave me license to totally go and rip off Guy Ritchie, and we’re doing a London gangster episode – but that’s too straightforward for a Psych episode – so that’s where I took Harry Potter and mashed those two together. So we have an episode called, ‘Lock, Stock, Some Smoking Barrels, and Burton Guster’s Goblet of Fire.’”
Season 8 focuses on the core characters:
Maggie Lawson: “I don’t think in Season 8 so far we’re getting into our families as much as we are “this” family. I think we’re dealing less with the outside relationships; it’s a very core season. We’re really in it with each other, not so much family members. Although I would love to see another family member turn up, because I have the coolest family ever. Jeffrey Tambor, and William Shatner, and John Cena. Like, who’s next?”
Timothy Omundson: “It could only be topped by Sean Connery playing your grandfather.”
Maggie: “That would do it!”
Season 8 will be a season of changes and emotional rollercoasters:
James: “There’s definitely more emotional stuff coming; I think we’re just at that point in the run of the show. Last year kind of opened the gate for some more character-driven stuff to happen. It’s more of a character-focused season than we’ve had in the past.”
Dulé: “I also think the characters are realizing that it’s time to move forward. You can’t stay stagnant. So there are a lot of changes happening in the characters’ lives.”
Timothy: “Shit gets real in the SBPD in Season 8.”
Maggie: “It really does. I’ve heard Steve say that it’s a bit of a rollercoaster, Shawn and Juliet (dealing with the aftermath of Season 7’s episode ‘Deez Nups’) in Season 8; and I think that might be an understatement. It’s pretty intense.”
Timothy: “Season 7 cracked the door; Season 8 blows it off its hinges. It’s like a garage door blowing off its hinges – which actually happened to us in Season 3, by the way, by accident, and almost turned us into collateral damage! Season 8 is just so big and so intense and so emotional; it’s unlike anything we’ve done.”
Can Juliet forgive Shawn in Season 8?
Maggie: “I think as with any couple that truly loves each other, there come these times when it’s like, ‘Are we in this forever, and is forgiveness on the table?’ I think Juliet definitely has it in her to forgive him fully. I think there was part of her that was enchanted by the idea that he might really have been psychic, but there was probably a seed of doubt. Maybe why it hurt so bad is that they’d been together for so long, and it took that long for him to tell her.”
Timothy: “…And the fact that he’s a lying son-of-a-bitch?”
If Juliet had never met Shawn…
Maggie: “Juliet definitely would have married a Miami Dolphin.”
Dulé Hill really does have a super-sniffer, at least when it comes to finding nearby food.
Dulé: “I’m always snacking on something off-camera.”
Cary: “And he never puts on weight; it’s incredible.”
Dulé: “It’s my little secret.”
James Roday does not like being wet or hung upside-down:
Steve: “Who tells us no on set? Nobody tells us no; that’s why we get away with it!”
Chris Henze: “Sometimes James tells you no if you say, ‘We’re going to do an episode where you jump into this water; and then you’re going to be wet…”
Kelly Kulchak: “…and then you’re going to be on a horse.’“
Steve: “James doesn’t like to be wet or hung upside down. Those are the only things that he’ll say no to.”
Corbin Bernsen likes to think Shawn is actually (to use the term loosely) psychic:
Corbin Bernsen: “I [Henry] taught him observation, right? But I didn’t teach him the conclusion to the observation. So you might look at two clues, and she might look at two clues; and you both see them, but what do you conclude from them? I could argue that there is an ability, that’s somewhat psychic, to say ‘I know that connects him to the murder,’ when someone else doesn’t see it, though you’re both looking at the same thing. So I would say that he is a psychic, and he’s not fake.”
Steve Franks is Shawn and Gus:
Steve: “This is the weird thing – Shawn and Gus are equal parts of my personality. I am a person who is terrified to go open one of those doors over there to walk into somewhere; but at the same time I have all of Shawn’s quips and snotty remarks. So I’m constantly at war with myself at all times. So it was sort of born out of that idea. And my desire, and the way that we sort of run the show, is that our life is the constant search for fun. And how much is too much; and how much is getting in the way of becoming an actual self-realized human being. So for us when we break stories, it’s like, “Ooh, what roles do we get to play?” It was mostly born out of the two sides of my personality. It’s well-represented in the cartoon strip Calvin & Hobbes.”
Steve Franks would happily do Psych forever (or an approximation thereof):
Steve: “We’ll do it for as long as they’ll pay for our episodes. We love doing it; we’ve been around awhile; we’re going to do it in any incarnation we can. I’d like to ultimately do Psych movies every once in awhile.”
Man, I’d love to see that, and I’ll say this: as long as they keep doing awesome episodes of Psych, I’ll keep watching it!
Thanks to the cast and crew of Psych for sitting down with me for these interviews, and to USA Network for setting it all up.
The larger and more sweeping the cosmic event, the more the audience needs a character to act as the anchor. This was a lesson Marv Wolfman learned while writing the first such event, Crisis on Infinite Earths. Years later, when he was afforded the opportunity to novelize it, he focused on The Flash as his focal point. Similarly, Geoff Johns built the entire Flashpoint miniseries around Barry Allen and used it to upend the DC Universe and set the stage for the new 52.
While the miniseries was a beautifully drawn, sprawling mess that made little sense whatsoever, the animated adaptation does a better job honing the story and its spinoffs into a tighter, more focused tale. It still doesn’t make a whole heck of a lot of sense but it’s entertaining to watch. Justice League: The Flashpoint Paradox is now out on Blu-ray from Warner Home Video and it’s a strong entry in the line.
Essentially, the Flash, despite knowing better, goes back in time to prevent his mother’s death, an inexplicable decision exacerbated by his 25th century foe, Eobard Thawne, t
he Reverse Flash. Thawne channels the speed force, which they both access, to create some sort of time distorting “speed boom” that totally alters the DC Universe. As a result, Allen awakes up in a world where Mom is happily alive but not for long as Atlantis and Themyscira are waging a war that threatens to shatter the planet. He also no longer has his powers.
Among the “subtle” alterations is that Kal-El’s rocket misses Kansas and is captured by the U.S. government; Thomas Wayne survives but Bruce is shot by Joe Chill; the wizard Shazam shares his power with multiple kids, and Steve Trevor never arrived on Paradise Island, a.k.a. Themyscira. There are others but it’s a dark, depressing place to live when you have the unrepentant Len Snart running around as the beloved Citizen Cold.
While focusing on the core JL characters, plus Cyborg for those needing affirmative action, it totally ignores the heroes and champions of bygone eras (except for some version of Sandman), most of whom would gladly come out of retirement to prevent the war from happening. Occult beings such as the Spectre or Dr. Fate certainly would have intervened. And then we have Grifter, who was never a part of the DCU here so it’s a mess.
Allen convinces the alcoholic Dark Knight to help him regain his speed and then they race to stop global Armageddon, allying themselves with an odd assortment of other metahumans. They also rescue the Kryptonian from custody and he miraculously demonstrates all his powers within hours of exposure to the sun although it took him years in the other reality to develop them and just as long to master them.
But things zip along at such a dizzying pace, you just watch. Director Jay Oliva has a sure hand with the film, as he has in the last handful of outings. He’s saddled, though, with fairly unattractive character designs that once more over emphasize the upper half of the male bodies and give everyone pointy chins. Jim Krieg, another Warner animation vet, does a nice job making the necessary modifications to contain the story in 81 minutes. A few too many characters show up and don’t do anything but it’s nice to see them.
As usual, Andrea Romano brings in an A-list assortment of actors to voice the players led by Justin Chambers as Allen, Kevin McKidd as Thomas Wayne, and C. Thomas Howell as Thawne. The other major players include Vanessa Marshall (Wonder Woman), Cary Elwes (Aquaman), Michael B. Jordan (Cyborg), Kevin Conroy (Batman), Dana Delany (Lois Lane), Nathan Fillion (Hal Jordan’) and Tim Daly (Superman).
The miniseries worked as a transition by establishing the DC, Vertigo and WidlStorm universes as three parallel worlds (out of 52 known parallel universes) being brought together into a New DC Universe. The only real hint that the reformed timeline at the film’s end is the modified Flash costume Allen wears. Otherwise, it all seems the same but do watch the film through to the end of the credits for a 10 second hint of the following film, the first to resemble the New 52.
The disc comes with the usual assortment of supplemental features. You get audio commentary from Producer James Tucker, director Olivia, screenwriter Krieg and Johns as they chat about adapting the comics to film although there’s little new revealed here.
Rather than provided newcomers with a primer as to what this is all about, you get “A Flash in Time: Time Travel in the Flash Universe” (22 minutes) as The Hero’s Journey author Phil Cousineau provides more historic perspective than the others do for the comics that influenced the miniseries. Cousineau takes himself too seriously and the source material underexplained. Then there’s “My Favorite Villain! The Flash Bad Guys” (19 minutes) as Cousineau, Krieg, Johns and current Flash writer Brian Buccellato discuss some of the colorful foes making up the legendary Flash Rogues’ Gallery. For Blu-ray viewers, there are Flash-centric episodes from
Justice League and Batman: The Brave and the Bold. Finally, there’s a Sneak Peak at Justice League: War (8 minutes) and Flashpoint #1 Digital Comic Excerpt (a mere 8 pages in the hopes you go out and buy the graphic novel).
O.K. I’ll admit it upfront. I was kind of wrong. I was all prepared to hate Beware The Batman, the new DC Nation animated series.
There are a whole lot of reasons for this. First, I like my Batman to have a forehead. Second, the teevee bastards cancelled Young Justice, which I really enjoyed. So did my adult daughter and, from time to time, either or both of our cats. It was a family experience. Third, the CG is clunky and lame, lacking the grace of the Green Lantern series. Fourth, Lt. James Gordon is as big as the Incredible Hulk and almost as old as dirt. If he didn’t make captain before he got Reed Richards’ hair, he’d counting the days to his pension.
Next-to-last, do we really need a fourth Batman animated series? They did it right the first time, they did it wrong the second time, and the third one was surprisingly entertaining. How many times can you go to the well before you hire Jim Carrey and Arnold Schwarzenegger?
But, most of all, head over heals of all, what they did to Alfred Pennyworth shouldn’t have been done to… oh, say… the Joker. He’s an entirely different character. A military super-Seal MI-6 type, roughly fourteen feet tall, no mustache – indeed, no hair at all, and a chin so pronounced he looks like the illegitimate son of Jay Leno and Bruce Campbell. Simply put, he’s not Alfred. I would have been happier if they called him Sid.
But I dutifully had my TiVo watch the first three episodes and I sat down to watch the first. Maybe it was a case of diminished expectations, but I mostly sorta liked Beware The Batman. I found myself going from the first to the second to the third, and then setting up a season pass for the rest.
Once I got past the stuff about Sid calling himself Alfred, the writing is quite good. Paring Katana with Bats as a de facto Robin works. The whole Task Force Batman thing (my phrase, not theirs) works better here than in the comics. They decided to focus on underused villains that have been mostly unused on television, which is a very smart move. In fact, I’m in favor of any Batman series that doesn’t feature the Joker in the early weeks. Make ‘em work for it. The relationship between Sid and Bruce is solid and convincing, and Bruce doesn’t come off as a douchebag.
As is true with virtually all Warner Bros. projects, the voice work is impeccable. Yes, I miss Kevin Conroy in the lead – he’s had the job longer than any single Batman actor, and that includes Matt Crowley (Google, chillun). But as always, voice casting director Andrea Romano rules.
None of this makes up for what they’re calling Alfred and I call Sid. This is an abomination – but not quite a dealkiller. For a while, in the comics they established Alfred was involved in the World War II French freedom fighter movement with Mlle. Marie, and that worked for me because he was still Alfred – reasonably athletic, extremely clever, and highly effective. They got past this when his World War II service would have defined him as older than Methuselah.
When all is said and done, Beware The Batman is an entertaining show.
But when I watch it, I still think “Oh. You mean Sid.”
WEDNESDAY AFTERNOON: More Betta Emily S. Whitten!!!
Our latest entry Fight Card: Can’t Miss Contender is now available on Amazon. Behind our Jack Tunney pseudonym this month is Kevin Michaels. Fight Card: Can’t Miss Contender is Kevin’s second Fight Card fisticuff. This puts him in good company with David Foster and Eric Beetner, who have both written two epic punch-ups in the Fight Card series.
While Fight Card: Can’t Miss Contender is not a direct sequel to Kevin’s Fight Card: Hard Road, there is some minor character crossover.
FIGHT CARD: CAN’T MISS CONTENDER
St. Louis, Missouri, 1958
Billy Flood was the kind of boxer who had ‘can’t miss’ written all over him. He had the tools and talent to make him a middleweight champion. But a few wrong turns changed everything. Now, after a hard three year stretch inside the Missouri State Penitentiary, Billy is determined to get back in the ring and punch his way to the top. But, while other fighters his age have risen through the ranks, Billy is back where he started – fighting palookas, catchers, and tomato cans.
With his past on his heels and his future filled with obstacles, Billy finds himself backed into a corner by false friends and an unscrupulous promoter. He may get his shot at becoming a contender, but will it cost him his future? Can’t Miss Contender is another hard punching Fight Card tale…
August will see the debut of both Fight Card: Barefoot Bones from Bobby Nash and our first Fight Card Romance from Carol Malone, Fight Card Romance: Ladies Night. On the horizon are Fight Card: Union Of The Snakes from Anthony Venutolo, Fight Card: Fight River from Tommy Hancock, and Fight Card: Sherlock Holmes from Andrew Salmon.
The Book Cave’s Art Sippo recorded Rick Lai’s Fu Manchu panel at the 2013 PulpFest Convention.
You can listen to Panel Fest Episode 16- PulpFest 2013 Rick Lai here.
About The Pulps After Fu Manchu:
Wu Fang 36-03“Tall, thin with lizard-green eyes, yellow robe and black cap embroidered with coral bead, Fu Manchu was the very picture of warped genius. Such unusual potions as spiders, scorpions and plague-carrying tsetse flies were just part of Fu’s prescription to foreshorten the white race’s actuarial expectations. Master of super science and creative toxicology, he . . . was the Yellow Peril.”
Although it is believed that Kaiser Wilhelm coined the term “Yellow Peril,” it was Sax Rohmer who profited most from the idea, largely through the villainous Dr. Fu Manchu. Little wonder that countless pulp writers, from Walter B. Gibson and Norvell W. Page to Robert E. Howard and George Worts, turned to the devil doctor to find inspiration for their lurid pulp tales.
To begin PulpFest‘s celebration of the 100th anniversary of Sax Rohmer’s infamous creation, Rick Lai looks at “The Pulp Descendents of Fu Manchu,” beginning at 8 PM on Thursday, July 25th in the Fairfield Room located on the second floor of the Hyatt Regency Columbus. Rick will discuss the influence of Sax Rohmer’s devil doctor on the pulps with a look at villains such as Wu Fang, Shiwan Khan, The Blue Scorpion from Peter the Brazen, and Robert E. Howard’s Skullface and Erlik Khan.
Best known for his articles expanding on Philip José Farmer’s Wold Newton Universe concepts, recently collected by Altus Press as Rick Lai’s Secret Histories: Daring Adventurers, Rick Lai’s Secret Histories: Criminal Masterminds, Chronology of Shadows: A Timeline of The Shadow’s Exploits and The Revised Complete Chronology of Bronze, Rick lives in New York. His short fiction has been collected in Shadows of the Opera (Wild Cat Books, 2011) and two upcoming Black Coat Press collections to be printed this year–Shadows of the Opera: Retribution in Blood and Sisters of the Shadows: The Cagliostro Curse.
You can listen to Panel Fest Episode 16- PulpFest 2013 Rick Lai here.
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