Monthly Archive: March 2010

Review: ‘Where the Wild Things Are’ on DVD

Review: ‘Where the Wild Things Are’ on DVD

Loneliness is a universal theme and one immediately can feel empathy for poor Max, who, despite a sister and mother, feels alone and isolated in his home. The only place where he appears happy is in his imagination, an ever-changing place where anything can happen.

When the fantasy becomes reality, though, his life changes. This simple little adjustment to Maurice Sendak’s classic children’s tale [[[Where the Wild Things Are]]] breathes fresh life into the story. Spike Jonze did what feel even attempted, which was to adapt the slight but fanciful book into a feature film for the entire family.

The movie, on sale now from Warner Home Video, takes us from Max’s home to a world where the Wild Things live. His imagination helps him tremendously when he first is exposed to these oversized creatures so he quickly convinces these guileless beings that he is an experienced king. He is quickly adopted and made their king and as he gets to know them, bonds with them in interesting ways.

His blossoming friendship with Carol is the most fascinating of the plot lines, especially as he decides on a whim to turn her own fantasies into a reality by ordering construction of a fabulous castle. Along the way, though, others suspect his nobility and what happens when the truth is revealed is telling. Unlike he nameless beings in the book, writer David Eggers wisely named them.

The population of this land are large and potentially fierce-looking but are little more than overgrown children themselves, complete with shifting alliances, friendships, and exposed vulnerabilities. The parallels to what has happened back in Max’s world are subtle and nicely woven in, expanding Sendak’s world just a bit.

Jonze wisely decided to forego the shinier CGI approach and put his performers in oversized costumes, from Jim Henson’s Creature Shop that works in the world he created. Max (Max Records), wearing a wolf costume, fits right in so nothing looks out of place. The voice casting, with familiar names such as James Gandolfini, Catherine O’Hara, Chris Cooper, and Lauren Ambrose, is excellent.

The world of the Wild Things is nicely realized with a muted color palette to set it apart from Max’s real reality. Overall, you can’t, ahem, imagine a better adaptation of the source material.

The standard DVD looks and sounds just fine. Unlike the Blu-ray, the extras are limited to a series of shorts by Lance Bangs which includes The Absurd Difficulty of Filming a Dog Running and Barking At the Same Time (5:32), The Big Prank (3:32), Vampire Attack (:51), and lastly The Kids Take Over the Picture (4:57).

Clearly, if you have children, this movie belongs in your library.

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The Nightmare Before St. Patrick’s Day

The Nightmare Before St. Patrick’s Day

All right, I’m sick of all you people coming into the city dressed in radioactive green, with whistles and leftover Mardi Gras beads– you all remind me of people who suddenly claim they’re Mets fans as soon as they make it into the playoffs.

Now, from a tip from Ariel David, comes a little video proving, once and for all, the dangers of being an amateur Irishman one day a year…

Tom Baker Returns Again!

Tom Baker Returns Again!

Well, you just can’t keep a good Doctor down.

76 year-old Tom Baker, the longest-running Doctor to date, will once again return to the role of the fourth Doctor in original adventures – this time for Big Finish’s full-cast audio productions. This follows this year’s Baker’s successful six-hour full-cast audio, Hornets’ Nest, for the BBC.

All Baker requested was total control to create his own stories; Big Finish, having worked with Doctors five, six, seven and eight along, agreed. They’re no fools. Thus far Big Finish has produced several hundred hours of original full-cast adventures featuring the Doctor(s) and one or more of his companions, including spin-off adventures featuring Sarah Jane Smith, the Daleks, UNIT and others.

Rumors continue to persist about Baker someday returning to the hit television show, although if you pay attention to the noise it seems he’s more interested in playing a villain than in appearing as the fourth Doctor in a crossover, although charity events might create that opportunity. Until then, we can listen to his new work and let our imagination do the heavy lifting.

All of this is according to Baker’s website, The folks at Big Finish have yet to confirm or deny.

UPDATE: ‘Batman vs. Shark with Lightsaber’ artist found — on upcoming ComicMix projects

UPDATE: ‘Batman vs. Shark with Lightsaber’ artist found — on upcoming ComicMix projects

So we posted the now-viral image of Batman fighting a shark with a lightsaber

…and something was tickling in the back of my brain that I’d seen it before, but I couldn’t figure out where.

Then I got a note from Andrew Zubko. Andrew is currently coloring a new project for us called The Inner Station written by Ben Truman and drawn by Timothy Truman, and he reminded us that he sent us the piece as a sample back in July.

So we are very happy to correct the record that the crowing piece of awesome was painted by Andrew Zubko, and show you a larger version of the piece– and you should go to his website at Zubko.com and see exactly how much neat stuff he’s doing.

And as an extra enticement, here’s a quick look at what he’s working on for us– your first look at The Inner Station:

Found Around: Batman, lightsabers, sharks, dinosaurs, and Mecha-Satan!

Found Around: Batman, lightsabers, sharks, dinosaurs, and Mecha-Satan!

Let’s face it, if you’re anything like us, you’ve barely got enough time in between blogging about how much you hate/love the iPad, Blackest Night, Deadpool Corps, Jim and Pam’s baby, and downloading torrents of movies you wouldn’t pay 10 bucks to see in a crowded theater, to see ALL the great stuff floating out on the interwebs. How about a brief smattering of recent awesome things we noticed.

Batman with a lightsaber, killing a shark. Kudos to Nerdcore on this gem.

How the world would end… and we wouldn’t want it any other way. Kudos to Ctrl-Alt-Del for this piece of awesome.

This guy, singing improv tunes to random people who come in and say hello on chat-roulette.

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How To Mutate And Take Over The World

How To Mutate And Take Over The World

For a limited time (till the end of this week) Benbella Books has posted Adam-Troy Castro’s essay “Dear Magneto” from the book The Unauthorized X-Men:

Let’s imagine a future where you’ve taken over. Baseline human beings
are not an issue, for whatever reason. Either they’ve been
exterminated, or the mutant gene has become so dominant that everybody
possesses a superpower of some kind, or they’re just living underground,
working crap jobs like processing sewage, or sweeping the streets, or
telemarketing. Whatever. They’re irrelevant.

Everybody worth talking about has superpowers.

Further, let’s posit a fellow whose superpowers are minimal. He can
jump fifteen feet straight up, bench-press about a thousand pounds and,
while not quite bulletproof, will not be harmed by most knives. You know
the type I’m talking about. In the world you’re living in, he wouldn’t
last thirty seconds against the likes of Spider-Man, but he might be
able to give Daredevil or the Punisher a few anxious moments, on a good
day. He’s clearly a mutant, clearly a guy whose chromosomes buy him a
place in this mutant paradise of yours, but not a person who poses any
serious threat to the entrenched power structure.

Do you know what the citizens of your mutant paradise would call this
man? I mean, aside from his given name?

Human, that’s what they’d call him.

Your citizens would inevitably develop a value system similar to that
demonstrated by comic book readers, who are known for deriding mutants
with less-than-impressive powers as lame. They’d look upon a guy like
our bulletproof high-jumper and say, well, he’s not really all that.
He’s practically normal. He’s almost (shudder) Batman.

Read the essay, and buy the book.

Clifford Meth: Welcome to Hollywood, Part Deux

Clifford Meth: Welcome to Hollywood, Part Deux

Glenn Hauman promised yesterday that I’d deliver a “fuller explanation of what’s been going on” vis-à-vis my piece “Welcome to Hollywood.” So in the interests of keeping this story alive (because you haven’t lived until you’ve heard the words, “You’ll never work in this town again”) I’ll try to squeeze in another few inches.

Jason Brice and his site Comics Bulletin (formerly Silver Bullet Comic Books) have run my “Meth Addict” (formerly “Past Masters”) column without interference since 2004. Among other things, the column was a linchpin in helping secure an important financial settlement for Dave Cockrum that allowed the X-Men co-creator to live his last few years in relative comfort. Good for you, Jason Brice. If we never do another good deed together again in our wretched little lives, that may have been enough.

The yanking of “Welcome to Hollywood” after CB’s EiC Jason Sacks (the other Jason) had already accepted it and promoted it was a joint decision between the two Jasons shortly after the column was live. I wasn’t in the room when things got weird, but I imagine the conversation was fairly tame and thoroughly professional and went something like this:

Jason: Are you crazy?!
Jason: Huh?

The pair discussed the matter and decided that what I’d written was a little too dangerous for CB. Jason Sacks then pulled the short straw and sent me the following: “Jason and I have decided to pull the column out of concerns about CB’s exposure to potential legal action.”

Within moments, the story was live at Harlan Ellison’s site (“Read it…love it,” wrote Harlan) with offers from others, including comics pros Tony Isabella and Michael Netzer, to re-post. I called Glenn H. because I particularly admired how he’d pointed to the competitive website’s initial story on his own front page. “Want it?” I asked. “Yup,” said Glenn.

Did the Jasons abandon Mr. Meth in his hour of needful spleen venting? Not hardly. “I want to emphasize that as the editor of the piece and editor-in-chief at ComicsBulletin I both support and encourage Cliff to do everything he can to expose the horrible acts of this scumbag,” writes Jason Sacks at Harlan Ellison’s website. “It sounds like Richard Saperstein is the exemplar of exactly the sort of lowdown ripoffs of creative types to whom Mr. Ellison has dispatched his most scathing scorn.”

So where does that leave us? With a bunch of hyperlinks and meta-columns. Could be worse.

In conclusion, I’m sure you agree that it would be a case of chronic irony if the story of how my column was pulled and reposted somehow obscured the far-more-important tale of what occurred with The Futurians movie, the Snaked movie, and my brief love affair with Richard Saperstein.

And they lived happily ever after.