Monthly Archive: December 2008

George Miller Remains ON ‘Justice League’

George Miller Remains ON ‘Justice League’

A Kennedy Miller Mitchell representative has told Dark Horizons that their report of George Miller no longer being attached to Warner Bros.’ Justice League film was inaccurate.

The website ran the report from a fan who said he saw Miller on Australia’s Sunrise Morning Show and provided quotes.  Garth Franklin dutifully reported the news which just about every genre-related website, including ComicMix, also ran. Apparently, Miller did not appear on the show and the normally reliable source appears to have misled the site.

All the rep would say for the record is that both JL and Mad Max are being “worked on” without elaboration.  Warner Bros. has had issues getting the JL made, first with tax-related issues for filming in Australia and then with a refocusing on their super-hero franchises in the wake of Marvel’s summer successes with interconnected threads creating the Marvel Universe on screen.

‘Hellblazer’ Reaches 250th Milestone Issue

‘Hellblazer’ Reaches 250th Milestone Issue

December 17 marks a historic moment for Vertigo as its flagship title Hellblazer reaches issue #250 — the first ever Vertigo title to do so. Vertigo has assembled some of the most celebrated creators in the industry, to ring in this milestone issue with five unique stories set in London during the holidays. It is also being billed by Vertigo as an excellent jumping on point for lapsed or new readers.

ABOUT THE CONTRIBUTORS:

Dave Gibbons is best-known for the iconic look of the best-selling Watchmen— one of Time Magazine’s 100 best English-language novels from 1923 to the present. Gibbons’ story “Happy Fucking New Year” takes Constantine from a museum theft to a human sacrifice.

China Mieville has written stories for McSweeney’s and Hellboy; he is the author of 5 novels. His story “Ash” explores the real angels of Christmas.

Peter Milligan, author of Shade, the Changing Man and X-Statix will be taking over as the ongoing Hellblazer series writer with the next issue. His story in issue #250, “The Curse of Christmas”, follows a ghost trying to unravel the mystery of what killed him.

Brian Azzarello, acclaimed Chicago author of 100 Bullets, and Joker returns to the pages of Hellblazer. His story “All I Goat For Christmas” explores the myth of the Chicago Cubs curse.

Jamie Delano, the first ongoing Hellblazer writer (#1-24, 28-31, 33-40, 84) is back. His story “Christmas Cards” takes Constantine to a high stakes poker game.

Sean Phillips is best-known for his art in Sleeper, WildC.A.T.s, and earlier issues of Hellblazer.

Giuseppe Camuncoli’s work has appeared in Swamp Thing, Batgirl Secret Files, and Spider-Man.

Eddie Campbell is best-known for collaborating with Alan Moore on the acclaimed graphic novel From Hell and his work as writer/artist on Bacchus.

Rafael Grampa has provided illustration for Cartoon Network, Nickelodeon, Diesel, and ESPN-NBA Sports.

David Lloyd is best-known for illustrating the seminal work V For Vendetta; this is his third time drawing the John Constantine character.

‘School Library Journal’ Names 8 GNs to New List

‘School Library Journal’ Names 8 GNs to New List

The School Library Journal named eight graphic novels in its list of 30 adult titles that “will appeal to high school readers and provide a bridge into the vast world of adult publishing.”  The selected books had to have been published between September of 2007 and November of 2008, and were chosen by SLJ’s Adult Books for High School Students Committee made up of librarians from public and school libraries who work with teens in a variety of rural, urban, and suburban settings across the U.S. and Canada.

The eight graphic novels on the list include Lewis Trondheim’s pirate saga Bourbon Island (First Second), Lynda Barry’s What It Is (Drawn & Quarterly), Andrew Helfer’s Ronald Reagan: A Biography (Hill and Wang), Akira Hiramoto’s Me and the Devil Blues (Del Rey), Mat Johnson’s Incognegro (Vertigo), G. Willow Wilson’s Cairo (Vertigo),  Marc-Antoine Mathieu’s The Museum Vaults: Excerpts From the Journal of an Expert (NBM ComicsLit), and Howard Zinn and Paul Buhle’s A People’s History of the American Empire (Henry Holt).

Hiromoto’s Robert Johnson biography was the only Manga title on the list.

Marvel Releases Second ‘Ultimatum’ Teaser

Marvel Releases Second ‘Ultimatum’ Teaser

Marvel Comics this morning released a second teaser image timed to the impending release this month of Ultimatum #2, the miniseries that will destroy and rebuild the Ultimate line of titles.

ULTIMATUM #2 (of 5)
Written by JEPH LOEB
Pencils & Cover by DAVID FINCH
Variant Cover by ED McGUINNESS
Rated T+ …$3.99 On-Sale—12/24/08

Review: ‘Einstein and Eddington’

Review: ‘Einstein and Eddington’

[[[Einstein and Eddington]]] is a story about the pursuit of truth against a background of war, violence, nationalism, subterfuge, and prejudice during World War I.
 
David Tennant, widely known as the latest incarnation of [[[Doctor Who]]], admirably plays Arthur Eddington, hailed as the “best measuring man in England.”  Appointed as the Director of the Cambridge Observatory, the ninth since Sir Isaac Newton held the position, he is charge with maintaining the truth of Newtonian physics against all comers.  Sir Oliver Lodge, another keeper of the Newtonian faith, is portrayed by the wonderful Jim Broadbent and assigns Eddington to investigate an up and coming German scientist, Albert Einstein whose work appears to question certain aspects of currently accepted physics.  Lodge wants Eddington to prove Einstein wrong, demonstrating the superiority of “British science” over “German science.”
 
Andy Serkis’s portrayal of Albert Einstein is heartwarming, funny, and frustrating, all at the same time.  Serkis is best known to audiences for his work as Gollum in [[[The Lord of the Rings]]] trilogy , but here we can see him as a flesh and blood actor. The character appears to be incapable of relating to most people, much to his estranged family’s dismay.  He is offered a much needed job at the University of Berlin, the heart of the think-tank for developing better ways of making war.  He cannot understand why they want to use science to build things and kill people, rather than simply love science for the sheer joy of figuring out how thing work, not bend it to their destructive will, and he is quite vocal about his position.
 
This is the situation when, much to Eddington’s dismay, he discovers that Einstein may indeed be right about flaws in Newton’s laws.  Having never met the man, he writes Einstein a letter which is simply a page of equations.  Einstein responds in kind.  Eddington, a Quaker and pacifist, had found a balance in his life between science and faith, finding room for both Newton and God.  Until he receives Einstein reply.
 
Between the lines of equations the two men share, they continue to pursue the truth behind the physics and develop an unusual friendship.  Their work continues through a series of personal trials: Einstein ’s affair which leads to a divorce, Eddington’s loss of a dear friend at the Battle of Ypres where he is killed by mustard gas, developed by the same institution employing Einstein, and both of them coming into conflict with the demands of their respective employers.
 
Something of a recluse, Eddington was never comfortable with being the focus of public attention so it was fortunate that his work brought more attention to the work of Albert Einstein and his Theory of General Relativity.
 
Einstein and Eddington is a fine introduction to these two geniuses and the science they both loved so dearly.
 
This period piece was filmed on location at Cambridge University, with Croatia and Hungary standing in for Germany and West Africa. It was written by Peter Moffat and directed by Philip Martin, the team behind the acclaimed [[[Hawking]]]. The BBC production was filmed in association with HBO and debuted on November 22 in the United Kingdom.  An American airdate on the premium channel has not been announced.

‘The Witches’ Adds del Toro to Cuaron

‘The Witches’ Adds del Toro to Cuaron

Alfonso Cuaron (Children of Men) has given up his plans to direct an adaptation of Roald Dahl’s The Witches and has decided to produce it instead. Stepping in to direct the stop-motion film will be Hollywood’s busiest man, Guillermo del Toro.

Cuaron told England’s Empire magazine, “Well I am involved with Guillermo del Toro, but as a producer, not director. I think it started because I’ve always wanted to do a version of Roald Dahl’s very naughty ‘Uncle Oswald’. So we were talking to Lucy Dahl, when we got onto the subject of The Witches. Then Guillermo wrote this amazing screenplay really quickly. It won’t be like the original Nicholas Roeg version, which was a beautiful film — because Guillermo wants to do it completely in stop- motion animation. I’m excited about it- I really hope we can put it together.”

The 1983 novel was turned into a 1990 live-action film directed by Nicolas Roeg and starred Angelica Huston in the tale of a young boy trapped in a hotel during a convention of witches. Given the subject matter, it’s no surprise the charming story appears on the American Library Association list of the 100 Most Frequently Challenged Books of 1990-2000 at number twenty-seven.

‘Secret Invasion’ Wraps up on Thursday

‘Secret Invasion’ Wraps up on Thursday

Now that Batman RIP has wrapped up, comic readers are turning their attention to the conclusion of Marvel’s Secret Invasion. The Skrull invasion of Earth will be resolved, setting the stage for a new status quo on Marvel’s Earth to be explored in 2009’s Dark Reign event.

The extra-sized Secret Invasion #8 is from writer Brian Michael Bendis and artist Lenil Francis Yu, along with special guest cover artist Gabriele Dell’Otto.

Also out on Thursday will be Marvel Spotlight: Secret Invasion Aftermath #1 and Secret Invasion: Frontline #5.

SECRET INVASION #8 (OF 8)

Written by BRIAN MICHAEL BENDIS
Penciled by LEINIL FRANCIS YU
Cover by GABRIELLE DELL’OTTO
Rated T+ …$3.99

SECRET INVASION: FRONT LINE #5 (OF 5) (SEP082363)

Written by BRIAN REED
Penciled by MARCO CASTIELLO
Cover by JUAN DOE
Rated T+ …$2.99

MARVEL SPOTLIGHT: SECRET INVASION AFTERMATH #1 (OCT082418)

Written by JOHN RHETT THOMAS
Cover by GREG LAND
Rated T+ …$2.99

‘The Straw Men’ Optioned for Film

‘The Straw Men’ Optioned for Film

Michael Marshall Smith’s The Straw Men novel and its graphic novel adaptation have both been optioned by Benderspink for feature film according to Variety. The crime novel was released in 2002 and was adapted by Zenescope Entertainment this past summer. Envisioned as a trilogy, the first book involves serial killers, some apparently random brutal murders, and a dark conspiracy.  The film will focus on ex-homicide detective John Zandt who comes out of retirement to track down the serial killer who may have been responsible for the murder of his daughter.

The film will be produced by Benderspink’s Chris Bender and J.C. Spink along with Zenescope’s Joe Brusha and Ralph Tedesco serving as executive producers.

Benderspink has been one of the most active Hollywood production companies engaged in adapting comic book properties.  Among the numerous comic-based projects that Benderspink has initiated are adaptations of Y: The Last Man, Pet Robots, Pencilneck, Zombies of Mass Destruction, Last Blood, Starkweather, Area 52, The Ghouly Boys, Power and the Glory, Drafted, and The Gray Area.
 

Scott Frank Turns ‘Apes’ into ‘Cesar’

Scott Frank Turns ‘Apes’ into ‘Cesar’

Genesis: Apes, the reported remake of Conquest of the Planet of the Apes, was acknowledged as a live project by Fox president Tom Rothman and now 20th Century Fox has turned the project over to Scott Frank (Minority Report).  The writer/director has already renamed the film Cesar and told CHUD that the film is an original story and not a remake.

The movie, the site notes, “will not feature talking monkeys, and it will not end with chimpanzees running wild in the streets, taking over the world. But it isn’t entirely divorced from the world of Planet of the Apes, either. In fact, Frank sees his movie as the opening chapter in a saga that could span the thousand years between today and a world where apes rule.”

Scott explained that he’s been researching modern day science and extrapolating what it would take to evolve common apes into a “hyper-intelligent chimpanzee”. In addition to the hard science, he intends to make audiences relate to the characters including the simian dubbed Cesar.

CHUD reports Scott is at work on rewriting the script he inherited from Rick Jaffa (The Relic) and Amanda Silver (Eye for an Eye) in addition to figuring out how he can work with real animals and not CGI creations or people in suits. He also anticipates a final go or no go from Fox by February which means at earliest, Cesar wouldn’t be seen in theaters until 2010.

Review: ‘The Day The Earth Stood Still’ DVD

Review: ‘The Day The Earth Stood Still’ DVD

The very best science fiction comments on today’s problems wrapped around a provocative story involving characters and situations that people can relate to.  They are also snapshots of moments in time and The Day the Earth Stood Still is a wonderful look at America between the end of World War II and the Cold War that gripped the world for decades.

There are few genre films of this era that hold up today and if you have never seen it, this two-disc commemorative set, on sale today, is well worth your attention.

The film is loosely based on a Harry Bates short story but thoroughly rewritten by Edward North and directed with a documentary and film noir feel by Robert Wise.  The tale of first contact is nothing new, but it’s all in the telling.  In this case, the film and its characters take matters very seriously. Wise is to be credited for giving us a culturally diverse montage of reactions throughout the movie, so we’re reminded that the arrival of the flying saucer affects everyone living on Earth.

Wise and Fox’s executives were smart to cast newcomer Michael Rennie as Klaatu since audiences had no preconceived notions when they see him, as opposed to Spencer Tracy, who we learn in the extras, wanted the role.  His lean figure and serious demeanor made him appear otherworldly and human at the same time. He’s paired nicely with Patricia Neal as a widow raising her young son, Bobby (Billy Gray).

So typical of mankind, no sooner does Klaatu emerge from the starship than a nervous G.,I. fires and wounds him, activating his security robot, the mammoth Gort.  When Klaatu asks the President’s secretary to arrange a meeting with world leaders, we get a little political satire as leaders of state put ego ahead of statesmanship. Klaatu decides to go out among mankind and find out something about the people of Earth and there he takes up residence at the boarding house where Neal lives.

The scenes of Klaatu and Bobby touring Washington are nice as we see things through fresh eyes which leads Klaatu to find Prof. Barnhardt (Sam Jaffe), the stand-in for Albert Einstein, the era’s recognized smartest man alive. Fear wins the day as Klaatu is shot once more but miraculously survives in time to deliver a warning.  Mankind’s use of atomic weapons must never expand into space, threatening the galactic peace.  If they cannot do this, the planet will be reduced to a cinder. And then he leaves, mission accomplished.

Sure it’s a cautionary tale and far more simplistically told than the remake coming December 12 which changes fear of warfare to fear of ecological disaster.  Still, for its time, the movie is quite sophisticated in its script, direction, acting and message.  There’s an ironic moment as we see medical staff marvel over Klaatu’s prolonged lifespan as they light up cigarettes.

The first disc opens with Exclusive First Look At The New Movie [[[The Day The Earth Stood Still]]] which probably should have followed the feature.

The extras put the film into context starting with archival commentary from Wise (who died in 2005) and Nicholas Meyer (who followed his footsteps as a Star Trek director). The Making of The Day the Earth Stood Still does a nice job telling you the basics behind the film’s history but it’s the second disc that gives you “Decoding ‘Klaatu Barada Nikto’: Science Fiction as Metaphor” giving you the historic perspective.  The first disc also offers up “The Mysterious, Melodious Theremin” which even puts Bernard Hermann’s haunting score into perspective.

On the second disc there’s also a fairly rote look at the history of flying saucers plus bio pieces on Bates and North.  North made an anti-atomic bomb documentary, [[[Race To Oblivion]]], starring Burt Lancaster, this is also included.  Original trailers and a 1951 Fox Movietonews  round out the visuals. Still galleries including lobby cards, one sheets and the complete shooting script.