Tagged: Elayne Riggs

Happy Landings and Happy Endings, by Elayne Riggs

This past weekend I was in California to attend my brother’s wedding. It was a lovely afternoon; they held the ceremony in the upstairs loft apartment attached to the back of their house, and the reception in their back yard. I still can’t figure out how they fit 120+ people in that space, but they did. And my brother looked so ecstatic, and my new sister-in-law so beautiful, and I remember thinking, “He’s finally paired off the way Robin and I are! Another happy ending!”

On the plane ride back to New York, JetBlue’s satellite TV reception wasn’t working properly on many of their channels (aside from that our flights were terrific, and I highly recommend JetBlue — there’s no first class to fight through and get sneered at, the seats were comfy with plenty of leg room, it’s the first time I haven’t had to ask for a seat belt extender, and the new T5 terminal at JFK is spiffy indeed) so the crew arranged for us to see the normally-charged second-run films for free. Comics geek that I seem to be less and less, I opted not to watch The Incredible Hulk, in favor of back-to-back viewings of Get Smart and Baby Mama.

I enjoyed both movies more than I thought I would. I like how Get Smart was updated for the 21st century just enough to have Maxwell Smart be internally believable as mostly competent but just a little accident-prone. Lots of identification there, you betcha! And although the age discrepancy between Steve Carell and Anne Hathaway saddened me, at least there was a decent in-story explanation for it. Besides, they’re both fun actors to watch, and easy to root for as they follow the formulaic plot to its climax and wind up (as did the characters in the original series) together, set to have further open-ended adventures.

Baby Mama was a terrific vehicle for all the main actors involved, wasn’t anywhere near as cringeworthy as the ads made it seem, and had a Happy Ending. Multiple Happy Endings, in fact, all featuring the apparently ultimate goal of all women — to give birth. The premise had Tina Fey’s character unable to conceive, but (and I don’t think I’m spoiling something which was pretty heavily telegraphed throughout the film) she winds up pregnant towards the end after, of course, having established a Real Relationship with a guy (is it my imagination or is Greg Kinnear always cast as the thinking woman’s love interest?) who doesn’t hesitate to call her a dick when she acts like one (probably my favorite bit of dialogue). Anyway, amid the smiles and occasional chuckles there’s even a running gag about how fertile a decidedly middle-aged Sigourney Weaver is. It seems in Hollywood every woman gets pregnant right away, preferably after she’s fallen in love with the right guy — a pretty tortuous theme for someone like me who’s wanted a kid as much as Fey’s character did but lives in the real world.

But there’s something inherently appealing about pairing off, whether with your True Love or a Mini-You, signifying completion. Hey, I’m a sucker for happy endings too. I often lament that more comics don’t have happy endings or, for that matter, endings of any kind. Most Big Two stories prefer to go the serial route, like soap operas and, well, life.

So maybe comics have the right idea after all, concentrating on happy voyages rather than happy destinations.

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All in Good Fun, by Elayne Riggs

All in Good Fun, by Elayne Riggs

“Palling around with terrorists!” the Republican VP candidate chirped of her running-mate’s opponent to a hungry mob armed with the modern-day equivalent of torches and pitchforks, which would be ignorant shouts of “Kill him!” and signs reading “Obama bin Lyin’”. (Oh, they excel at the disgusting comparative pun, do members of this base. Who could forget the knee-slapping “Hitlery”? Epithets like “McSame” and “Caribou Barbie” pale next to such jocularity.)

On the tried and true adage that Republicans scream loudest about stuff that they themselves are doing, I was tempted to inquire as to whether secessionists could be considered terrorists, but that’s a column for a different day. This week I want to further explore the themes I first articulated in my “birds of a feather” column.

Guilt by association is nothing new. It goes back to the Salem witch hunts, probably even earlier. And it’s soooo not the issue here, at least in terms of accusing one’s opponent of hanging out with people you deem unsavory. No, the real danger is to the American citizenry (as usual), and it comes from all these people palling around with each other.

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On False Equivalency, by Elayne Riggs

On False Equivalency, by Elayne Riggs

I was but a wee babe in the ‘60s, and I don’t really remember JFK’s assassination, or his brother’s, or King’s. I don’t think we had separate drinking fountains for black and white kids in New Jersey. But I remember racism. Anti-Semitism affected me directly (we were the only Jewish family in a heavily Catholic neighborhood) but, as our suburb became integrated and I was best buddies with a black boy, the jeers of racists were never far behind. Prejudice is kinda hard to forget, too, since it never went away.

Granted, everyone may be a little bit racist or sexist or homophobic. But there’s a difference, to my mind, between folks who need to work a bit more on their white or male or hetero privilege and people who wallow in it, who wear their ignorance proudly like a badge of honor. It’s like the difference between what superhero comics fans used to understand as the good guys and the bad guys. We read how the bad guys could fool some of the sheeple some of the time, but at heart they were just plain rotten because they had no moral core. And it was understood that they were not to be emulated nor aspired to and that there was a clear delineation between them and the “do-gooders.” This was in the days before do-gooders apparently became boring and passé.

I think the McCain campaign is counting on the American public to forget that he and his boring, passé do-gooder opponent are vying for a position that will affect millions of real lives very deeply, and pretend instead that they’re voting for the American Idol who will best kick ass and take names (especially yours, which reminds the government that they’d like to thank our fine troops so much for all their wonderful phone sex conversations!). Perhaps they reason that, since the whole Wild West schtick worked so well for the caricature currently occupying the White House, the same script can be retooled for the “James Garner He’s Not” Maverick and Sancho Bimbo — no wait, that’s Bible Spice — no sorry, I meant to say Caribou Barbie. Frontierswoman with a gun! And a helicopter! And golly gee, she knows how ta use ‘em, winkety wink!

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The Big D, by Elayne Riggs

The Big D, by Elayne Riggs

Back in the spring during my job hunt, I took care of my annual checkup. I’d gotten fed up with my New Rochelle physician who’d kept up a steady drumbeat of “you need to lose weight” as the answer for everything from my heart scare to high blood pressure to allergies (the allergy advice seemed to always be supplemented by free samples of Flonase, from which she was doubtless getting a kickback), and heck if I wanted to schlep into New Rochelle again anyway. So I went to a local doctor who was listed as a fat-friendly health professional. But while this local doc was certainly friendly, she turned out not to be terribly fat-accepting, especially considering the results of my first workup.

Her office called me when the test numbers arrived, asking me to return, which I did, shortly before I was offered my current position. Nobody said why I had to come in again, but I was misled to believe it was because they needed to retake the blood test since I hadn’t fasted prior to the first test (not that they’d reminded me I should have). Well, as it turns out, I was greeted with the kind of news that pretty much rocked my life in a dramatically deeper way than did my atrial fibrillation scare of Aught-5. That was the overnight hospital stay which gave me a wake-up call at age 48 that I could no longer eat anything I wanted and not suffer the consequences. So I commenced with a salt-restricted lifestyle, missed potato chips and pickles for awhile, but could more or less deal with it just fine.

This one was different. The diagnosis was diabetes.

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Faith-Based Entertainment, by Elayne Riggs

Faith-Based Entertainment, by Elayne Riggs

White rabbits, and L’shana tova! My favorite season has finally arrived, and October is probably the best month in that season. There’s a delicious chill in the air, the leaves are already starting to turn, the Yanks have faded and the Mets have blown it (albeit on the last day this year, instead of crashing in the spectacular fashion of ’07), and I don’t much care because the new TV season is in full swing.

Not that I’m watching it much, mind you. I’ve become a not-ready-for-prime-time viewer. I spend about an hour to 90 minutes each weekday evening watching MSNBC (specifically Keith Olbermann then Rachel Maddow) on DVR delay, and the rest of the time trying in vain to catch up on my other DVR’ed programs. Between the food-themed reality shows, a few sci-fi trinkets, a smattering of sitcoms and the obligatory Stewart/Colbert one-two punch, when I finally do get up to date it’s already the weekend. I don’t even seem to have that much time any more for comics reading, considering I’ve been using my public transit commute more for light dozing than for funnybook perusal.

None of this is a complaint, it’s just an observation that, if there are any specific trends afoot, I may be slow to recognize them. But Robin thinks he’s spotted one that has me wondering if it’s not a part of a bigger shift in thinking about our entertainment.

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When Sums Don’t Add Up, by Elayne Riggs

When Sums Don’t Add Up, by Elayne Riggs

So I read via Colleen Doran’s blog that the LHC, the Large Hadron Collider, has gone bust, at least temporarily. Apparently it, like the Internet router Monday morning at the Riggs Residence, suffered some sort of electrical malfunction. Our router’s fine as of the typing of this column, but the LHC will take a bit more time to get going again on its way to possibly wiping out all known life. Which is pretty much okay by me; I have at least four months’ worth of DC comics still unread!

Now, for anyone unclear on what the heck the LHC is supposed to be doing, some wacky and geeky scientist types have put together this handy-dandy hip-hop ditty:

But fairly heavy rotation in our Science and Discovery channel viewing meant Robin and I were more or less up on the basics of dark matter and so forth, and had already mocked them mercilessly. See, here’s what we tend to think of these scientists. We can’t fault them their enthusiasm to find the binding tie that will create a grand unifying Theory of Life, The Universe and Everything (42, by the way). But for scientists, whose chosen profession demands that they question everything and rely primarily on the empirical evidence of their senses, this arrogant certainty doesn’t sit well with me. It’s as if, as Robin observes, the theoretical quantum physicists sat around saying, “Hmm, what can we postulate to make our sums add up?”

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Fashionably Late, by Elayne Riggs

Fashionably Late, by Elayne Riggs

Whoever thought that lipstick would make major Silly Season news in the 21st century? Although I have to admit I’d rather hear about it being applied to pit bulls and pigs than human beings, but I’ve never had the best relationship with makeup, accessories and other fribbles, as this past week has reminded me.

Every September sees the re-emergence of Fashion Week here in New York City. In keeping with the acknowledgement that this Silly Season is in many ways sillier than most, this year Mercedes-Benz, the chief sponsor, has even decided to go with an election theme on the event’s home page. Maybe they want to emphasize how uselessly trivial it all is. Or, to be fair, how much “fun” people have ooh’ing and aah’ing at emaciated creatures who rarely resemble real people strutting the catwalks wearing creations that rarely resemble real clothing. And there are all sorts of tie-ins, one “big deal” this year being Target’s special “Bullseye Bodega” outlets in strategic areas of the city, only open this past Friday through Monday, which purported to sell high fashions at low (i.e., Target-level) prices.

Fool that I was, I ventured into one around noon on Friday, just out of curiosity, and found it to be the single most pretentious experience I’d ever witnessed. A cramped place with absolutely nothing of any practical value to me, but filled to the brim with a sea of people desperate for couture at closure level. I saw only one piece that would have fit me, a XXL man’s thermal top for around $35, but I’m afraid I just wasn’t in the market for one, and even if I were I could have gotten the same thing (sans designer label) for far less money by shopping at Amazon. That’s the kinda gal I am. But other gals seemed to like it just fine, so obviously one’s mileage may vary.

Even comic geeks have been able to get into the spirit of fashion this year.  My ComicMix colleague Martha Thomases has reported on the “Superheroes: Fashion and Fantasy” exhibit at the Metropolitan Museum of Art, and Rick Marshall covered the Marvel Fashion Show at the San Diego Comic-Con. There does appear to be a fun element to the idea of heroic costumes being more frivolous than practical, especially when worn by women. But even the guys are taken to task, and taken down a peg, by wry observations about their chosen uniforms. The word “capes” alone elicits either giggle-fits when watching Brad Bird skewer that fashion-don’t in The Incredibles, or sneers in comic pages wherein non-powered citizens dismiss the antics and lifestyles of the heroic and famous.

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Camera Phone Zen, by Elayne Riggs

Camera Phone Zen, by Elayne Riggs

After the past two weeks, I think I’m seriously burned out on political chatter for now. And as it’s sort of a “between” time here at the Riggs Residence, with Robin’s DC work all out in shops and his IDW assignment not debuting for two months, I haven’t gotten terribly worked up over comics lately. (It doesn’t help that I have three months’ worth of DC comp boxes yet to read.) I adore September, particularly weather-wise, but I also think we’re in kind of a weird few weeks of stasis, with the baseball playoffs and the new TV season and lots of other things just over the horizon but not quite here yet.

So, what to discuss this week? By the end of last weekend I was still clueless, then Montezuma had a bit of revenge so I’m not feeling as creative as I’d hoped when meeting the Dreaded Deadline Doom. Fortunately, being married to an artist, I’ve learned that when you can’t dazzle ‘em with brilliance or baffle ‘em with bull, you can always point to the pretty pictures!

My friend and Aquaman maven extraordinaire Laura Gjovaag has started a series on her blog called Camera Phone Zen, her take on Jon Stewart’s "moments of zen" from The Daily Show. Up until now I haven’t been big on taking pictures using my phone — heck, as readers may recall I can’t even text, I’m one of those weird 20th century people who uses her telephone for, you know, phone calls. But small as it is, my digital camera still takes up enough room in my hip pack (yes, New Yorker and proud of it, my commuting uniform pretty much consists of work clothes, sneakers and hip pack) that I don’t feel like schlepping it around every day. And once I get the hang of how to actually snap the photo at the right moment, I’ll probably get a lot better with the camphone.

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Getting Catty, by Elayne Riggs

Getting Catty, by Elayne Riggs

Humans have been fascinated by felines both big and small since the beginnings of recorded history. At times we’ve both worshipped them (as did the ancient Egyptians) and reviled them (as did medieval Europeans, thus opening themselves up to the spread of the Black Plague when the witchcraft-associated kitties weren’t around in sufficient numbers to keep the rats at bay). And they’ve probably always been a big part of our mythology and folklore, including making multiple appearances in comics, from superheroes like Catman and Kitten to adult stuff like Fritz the Cat to funny animal and anthropomorphic fare.

But lately two big-cat names have infiltrated our culture to the extent that we’re all probably sick of them by now. I’m secretly hoping for Matt Groening to include them in his Forbidden Words list for 2009 so we never have to deal with them again, because they — like a number of other catty terms (such as, um, “catty”) — are used to impart negative attitudes towards women. And being one of those women-types, I tend not to like negative things directed at me simply because of my internal plumbing.

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Truthiness in Advertising, by Elayne Riggs

Truthiness in Advertising, by Elayne Riggs

The 2008 Democratic convention is currently well underway. It being the Age of Reality Shows That Aren’t Real, every bit of spontaneity is of course tightly scripted to allow for maximum media control, not unlike all those Beijing Olympics stories that practically write themselves. What you see is pretty much what they tell you you’ll get.

As a society, we seem to have inured ourselves to accepting style over substance as the norm. We judge books by their covers all the time — even more so when we look at comics. First impressions are the lasting ones. We expect what’s on the cover to reflect what’s inside, often because we’ve been assured that it will. When the cover artist’s style doesn’t jibe with the interior art, the result can be a bit jarring. When the cover art misrepresents the story within, we can feel cheated or used.

And that’s all well and good when it comes to consumer entertainment. We’re used to being lied to, it’s all part of the advertising fake-out. If a certain type of cover art moves product, the actual interior content is irrelevant from the seller’s point of view. We accept (some more grudgingly than others) that we’re going to be subjected to this little dance every time we buy, and buy into, our culture of mass-produced entertainment.

The problem arises, as it usually does, when this mentality shifts from the fictional to the real, and we find ourselves judging people by their “covers.”

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