Tagged: Elayne Riggs

Hot Enough For You?, by Elayne Riggs

Hot Enough For You?, by Elayne Riggs

With any luck, this morning the heat wave that has gripped New York since last weekend will have finally broken.

I’ve never cared for extremes of temperature, but all in all I’m much better equipped to deal with winter than with summer. Winter has its hazards — for instance, our apartment is situated among a row of houses recessed from the main street with a long U-shaped gravel driveway between our stairs and the street itself, and when it ices over there’s never a clear pathway to walk to the street, so unless I drive I’m pretty much trapped in the house. But that generally happens for only a few days, and most of the time I’m more concerned with layering. Which seems to be a lot easier for a person like me with, shall we say, natural padding.

Summer’s a whole different ballgame, though. It’s pretty easy to layer on clothing when you’re cold; it’s a lot harder to strip it off when you’re warm. Leaving aside societal proprieties and whether or not it’s fair or just for topless men to be acceptable but topless women to be verboten (my opinion: as long as women taking off their tops elicits a reaction of "look, boobies!" from the minds of most onlookers, I continue to agree with the status quo here), the fact remains that most of us can’t strip past our skin, y’know? And it’s more and more dangerous to leave skin exposed for long periods of time. SPF one thousand, anyone?

By the way, you do know that once you get past SPF 30 your additional so-called protection from UV rays is negligible at best? And that there are tons of assertions that sunscreen is actually bad for you and even carcinogenic? (Oh, the fun things you find out about when you set out to write about heat waves! That’s at least two articles I now wish I’d never read!)

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Safe Space, by Elayne Riggs

Safe Space, by Elayne Riggs

I first came across the concept of "safe spaces" for women when I was in high school. I went to an all-girls religious school (yeshiva) in 9th and 10th grades. The idea didn’t make sense to me at the time, separating boys and girls just when they were beginning to find out about each other, to really relate to one another as fully-realized people. I was convinced then that the segregation could only come to no good, that we’d grow up completely lacking in social skills regarding how to communicate with the opposite sex, and that it was all doomed to end in tears.

And while I think I was partially correct, at least in my case, Bruriah was the first place I remember feeling this inexplicable sense of female safety (at least when the male instructors weren’t around), of proto-feminist solidarity. It even (temporarily) helped me break some bad personal habits, I’m pretty sure that was the first time I stopped biting my nails for an appreciable period. There was just something amazing about having all that support around me that made it seem anything was possible.

At Rutgers University in New Brunswick, I minored in feminism, which at the time was called Women’s Studies. So naturally, everyone assumed, and still does, that I attended not Rutgers College, but the University’s "female auxiliary" affiliate, Douglass. I didn’t go to Douglass, which by that time was trending from all-female to co-ed anyway. But it was still considered a relative safe space for women, and there were a number of Douglass students in my feminism classes. There, we learned that "safety" didn’t just mean shelter from potential violence (rape awareness was a big part of my curriculum, and I never did figure out why more of it wasn’t aimed at the gender that committed the most rapes — i.e., the guilty party — rather than the gender that was raped most often) but from male aggression in general, even when that aggression took the form of vigorous debate. We analyzed how women in co-ed classes and curricula tended to be more withdrawn and reticent than the men, who interrupted far more and were paid more academic (rather than prurient) attention by the instructors. Without so many men around to hog the limelight and make us feel scholastically intimidated, we were able to blossom more into our own diverse personalities.

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Touchstones, by Elayne Riggs

Touchstones, by Elayne Riggs

Has anybody here seen my old friend Bobby
Can you tell me where he’s gone
I thought I saw him walkin’ up over the hill
With
Abraham, Martin and John.

Well, last time I did an actual comic book review, and as expected it received almost no comments. So I don’t want to hear from anyone about how this column isn’t about comics!

I could probably make it about comics. After all, I’m going to be discussing the ’60s, which were about many things. Many people my age cut their fanboy and fangirl teeth on Marvel comics of the ’60s. (Me, I didn’t start reading until the mid-’80s or so, even though my late best friend Bill Marcinko tried pretty hard to get me interested in the Marvels of the late ’70s.) But, despite my trepidation about the kind of Google ads this column will attract, today I want to write about something else that happened in the ’60s, and about the persistence of memory.

Last week on the campaign trail, in an interview given to South Dakota’s Argus Leader, a frustrated Hillary Clinton reiterated her response to the "why won’t that bitch just quit?" crowd of media pundits that she’d initially articulated in a Time magazine interview back in March. Her original words: "I think people have short memories. Primary contests used to last a lot longer. We all remember the great tragedy of Bobby Kennedy being assassinated in June in L.A. My husband didn’t wrap up the nomination in 1992 until June. Having a primary contest go through June is nothing particularly unusual."

This time around the phrasing was only slightly different: "My husband didn’t wrap up the nomination in 1992 until he won the California primary somewhere in the middle of June. We all remember Bobby Kennedy was assassinated in June in California. You know I just don’t understand it," the "it" in question being the pundits’ incessant and unprecedented calls for a leading candidate to step aside (as if the media were orchestrating the process rather than the voters of each state). In March, nobody seemed to notice; this time, with the anti-Clinton hysteria ratcheted up as high as it’s been since the Whitewater nonsense, suddenly all sorts of folks were up in arms.

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Hereville, Thereville and Everywhereville, by Elayne Riggs

Hereville, Thereville and Everywhereville, by Elayne Riggs

Oregon has become the latest state to garner the national spotlight in this Democratic Presidential campaign "silly season." Just about every liberal blog I read had effusive reports of the huge turnout at last weekend’s rally for Barack Obama in Portland’s Waterfront Park. Now me, I can’t think of Oregon without thinking of two things: the annual Stumptown Comics Festival, which I’ve never attended but which sounds pretty neat; and the person who first introduced me to the idea of Stumptown, my friend of many years, Barry Deutsch.

Barry and I go back so long that, like ComicMix commenter Vinnie Bartilucci, he knew me before my first marriage. As I recall, he visited me a few times back when I worked in the East Village, we probably even shopped at St. Mark’s Comics together, and he was an utter delight to be around. He still is, whenever he comes back east to visit. But he currently makes his home in the wilds of Oregon, so I pretty much see him around MoCCA time and that’s it. Fortunately, I get to see his art whenever I want to.

Barry’s been sketching and doing comic strips for awhile now. His political work reminds me a lot of Matt Wuerker’s style, the way it relies on gentle caricature and well-thought-out illustration to get his points across easily and without straining the reader’s credulity. He’d been bending my ear for awhile about a special long-form project of his, and that project has finally come out. It’s called Hereville.  You’ve probably seen lots of reviews about it online already. Here’s another one.

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In the Pink, by Elayne Riggs

In the Pink, by Elayne Riggs

I visited my mom’s house for Mother’s Day, which always seems to include watching baseball, as Mom and I are both fans of the game. No, honest, this isn’t another column about sports! It’s about pink.

You see, every year on Mother’s Day, Major League Baseball provides its teams with pink bats, pink ribbons and so forth. It’s all Komen-driven, of course.  The Susan G. Komen Foundation has become the country’s largest breast cancer charity due largely to its habit of painting things pink.

And so we watched not only pink bats, but pink-ringed bases and pink home plates and pink wrist bands and pink caps in the crowd and Jose Reyes even had pink shoelaces for the occasion. It was, as always, very cool.  It would have been even nicer if the Mets announcers had actually noted the real reason for the pink; instead, the disappointingly misogynist Keith Hernandez said it was for Mother’s Day. ‘Cause, uh, Moms like pink, I guess, Keith? Seriously, do you know the difference between "for" Mother’s Day and "on" Mother’s Day at all?

I was surprised to find out that Komen isn’t the only charity focused on pink. Apparently a number of other less reputable places engage in "pink washing," where it’s not as clear where your breast cancer charity money’s actually going. In fact, Breast Cancer Action has a website called Think Before You Pink which reminds folks that "breast cancer is about women’s lives, not a marketing opportunity," and that there are a lot of places riding the bandwagon just to make a profit.

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What I Can’t Write About, by Elayne Riggs

What I Can’t Write About, by Elayne Riggs

So last week my column was criticized for not being primarily about comics, the same day that my fellow columnist John Ostrander got over a dozen comments writing about politics, not one of which queried the appropriateness of his subject matter. Obviously people who have written and drawn comics for a living (Denny, Michael, etc.) can get a little more slack than someone who’s only ever written four comic book stories and had them all published. Not that I’m bitter! Oh no, indeedy; I’m actually grateful those critiques have given me fodder for this week’s column!

As I mentioned in my reply to this criticism, I understand some readers’ frustration with me not writing about comics more often. Even my mom asks me why I don’t focus on comics more often, and she doesn’t even read the stuff! But after all, ComicMix is a pop-culture site dominated by people heavily invested in the artform. Heck, that’s what CM 2.0 is all about, giving our readers original comics content. And we haven’t yet introduced a separate tab for our columns to distinguish them from our regular pop-culture news, so it’s probably reasonable to expect that we columnists will focus on comics as much as our news reporters do. And I love reading comics, but… but…

But nowadays, when I talk about my favorite reading material and hobby and community, I can usually only discuss what’s happened recently, not what’s going to happen in the near future or even Right This Very Week. As many of you know, this wasn’t always the case. About 10-15 years ago I did weekly comic book reviews on Usenet and CompuServe under the header "Pen-Elayne For Your Thoughts." I’d get the books on a Wednesday and most of the reviews would be up by Friday. My job at the time allowed me to do this, I was being somewhat under-used (technology and outsourcing would eliminate that position in ’97) and I had plenty of energy when I got home. Then I got a new job which proceeded to harness a lot of that energy, so the reviews had to go, I just couldn’t keep them up any more.

When I married Robin, I stopped buying most DC books the week they hit the stores, because as a regular freelancer for DC he receives a comp box each month of all the "pamphlets" they put out. For a time the comps were usually current to within a couple weeks of what was in the stores, so I could still keep up as plot discussions moved from Usenet to message boards. But by the time blogs became big, the synching had fallen a bit behind. (The new comp box arrived at our house on Monday, and I now have all the Countdown issues up until "04," when of course the current big discussion is about the final issue.

I also now have the first issue of Tangent: Superman’s Reign so I can finally read issue #2 which Robin inked and which came out in stores the Wednesday prior to the NY Comic Con. Just to give you an idea of the lag time here.) Four years ago, when my boss moved the office out to Westchester, my weekly visits to Midtown Comics to view the new books and collect my non-DC haul became an every other (or every third) week mail order. And because I no longer had the new comics when most of the active online discussions took place, I could no longer participate. By the time I acquire and read the book featuring the return of Barry Allen, or the mostly-Spanish issue of Blue Beetle that has this xenophobe’s drawers in a bunch, it will be well into June and everyone will have long since moved on.

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Unsporting Behaviour, by Elayne Riggs

Unsporting Behaviour, by Elayne Riggs

The 2008 Major League Baseball season is now well underway, so much so that broadcasters tend to get bored already and search around for anything else sports-related about which to pontificate; last weekend, as I recall, it was the NFL draft. Heaven forfend we stick to one sport at a time, after all. Or that we enjoy the leisurely pace of a game that used to be America’s Pastime until what happened between the lines got crowded out by commercial concerns, steroids and Americans’ need for speed.

Still, I’ll take the off-topic prattling of networks like FOX and ESPN over some of the local shmoes. Yankees broadcaster Michael Kay is particularly infuriating. Do he and his colleagues really need to make it so obvious how beholden they are to the Steinbrenner family by being completely unable to criticize the home team when the Yankees objectively act like schmucks?

Last month in spring training, the Yankees were playing the Tampa Bay Rays when Ray infielder Elliott Johnson, trying to score in the ninth inning, hit rookie Yankee catcher Francisco Cervelli hard, breaking Cervelli’s right wrist. His immediate strategy didn’t work, as Cervelli held onto the ball, but it precipitated retaliation, as these things often do. On March 12 outfielder Shelley Duncan (whom Robin and I have nicknamed "Mongo") slid spikes-high into the Rays’ second baseman Akinori Iwamuri, and naturally a benches-clearing brawl ensued. It was all Kay & co. could talk about — from a strictly Yankee-centric standpoint, naturally. Those awful Rays, breaking that young catcher’s wrist! Those brave Yankees, suspended for a paltry couple of games for their rally of revenge! It’s enough to make tonstant viewer fwow up.

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We Become What We Deserve To Be, by Elayne Riggs

We Become What We Deserve To Be, by Elayne Riggs

It’s now been three days since NY Comic Con 2008 ended, but I had to save my con report until now because it usually takes me this long to fully recover and gather my thoughts. The older I get and the more convention time I’ve logged, the more a few patterns begin to present themselves, and this con pretty much ran the gamut for me.

Friday was our longest stint at the con, and is pretty much a blur to me now. I’d had no set plan other than touching base with the ComicMix office and wandering around Artists’ Alley to see friends, but I was determined to give the exhibition hall as thorough a perusal as possible during the "trade only" portion of the con in the morning. But between the non-comics media stuff and the dealers in which I had little interest, it all ran together far sooner than I’d expected, and I quickly found myself in "seen one, seen ’em all" mode, wishing I’d prearranged specific meetups with blog friends and such. Thing of it was, though, I wanted to wing it. I’ve had to insert so much structure into my life what with the job search that I just wasn’t up to organizing anything having to do with fun, leisure activities.

Speaking of organization, I should mention that this was hands-down the best run NYCC yet, even with the reported surge in attendance. The volunteers were helpful without being intrusive, polite to a fault (one even asked if we needed help finding anyone in Artists’ Alley) and extremely professional. What a total pleasure! We saw a queue on Friday to get into the Javits, but nothing like the chaos of previous years. And here I must confess that part of the reason we may have seen only the sunny side was that we’d decided to truncate our time on Saturday and Sunday to about four hours rather than the entire day.

We have to face facts — these days, even in our home town, a full convention day takes a lot out of us, between all the walking and the hour-plus bus rides (which turned into two hours going back, as the crosstown bus from the Javits tended to arrive at Sixth Avenue moments after our express bus departed, leaving us to wait another 30 minutes for the connection). We’re not about to keel over or anything, we make it up and down the two flights between our apartment and the sidewalk just fine, but neither are we cut out any longer for the more frenzied activity we could handle ten years ago.

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The Bronx is Up and My Battery’s Down, by Elayne Riggs

The Bronx is Up and My Battery’s Down, by Elayne Riggs

As you probably know, except for the LA-based Michael Davis, every ComicMix columnist lives in the NY-NJ-CT metropolitan area. The famous magazine cover at right chides our perspective as somewhat skewed, but in reality I think New York City and its surrounding suburbs offer a pretty good microcosm of modern civilization. Not for nothing are we the melting pot of the world.

The thing is, for a relatively small island, Manhattan is so much bigger than most people can cover, either on foot or in the media. Leaving aside for a moment the vast array of cultures inhabiting the "outer" boroughs (our northeast Bronx neighborhood seems to be a mix of mostly Jews and Irish but it appears to be diversifying at last), there’s just so much within NYC (the way many of us in the boroughs abbreviate New York, New York) itself that you can hardly take it all in. Manhattan never ceases to fascinate me, and I’ve been lucky enough to see a lot of it these past few months while searching for a job.

Job search hours tend to be peculiar, because you’re usually coming into or leaving The City while other people around you are either on holiday or working. So I see the passing parade in a different way than I would if I were cooped up in an office for the better part of eight ours, only coming out to commute with the masses. And I’ve been able to pretend I’m sightseeing at the same time, revisiting old haunts as well as traveling to areas I never had the time or inclination to check out when I actually worked in NYC.

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The Way the Music Died, by Elayne Riggs

The Way the Music Died, by Elayne Riggs

The older I get, the more there is to keep track of. I realized this some time ago; part of being a grown-up, particularly if you’re on your own, is making hard choices. When I moved out of my parents’ house, I suddenly had to consider expenditures like rent, food, cat litter… and something had to give.

It wasn’t going to be my zine, INSIDE JOKE was my baby and my outlet and my connection to like-minded folk, and I knew that’d take up the majority of my disposable income. (See, in those days you couldn’t self-publish for free like you can do today with blogging and so forth, so those of us who tended to be responsible about our hobbies knew enough to apportion x-amount of dollars that we knew we’d never see again due to printing and postage costs, even if we charged subscribers the requisite buck or two for each issue.) And I couldn’t give up my books, I needed something to do on the subways. I just can’t stare into space, even wearing a Walkman. So music was what went by the wayside. Not kicking and screaming, just sort of fading away.

I’d chosen my hobbies. And reading and writing are activities for which I need silence, which is why to this day it irks me when religious wackos and wandering troubadors come traipsing through the subway car in which I happen to be sitting. (Why do I always get the ones with the bongos? And honestly, religious wackos with bongos are just not going to convert a lot of people, ba dum bum.) Music seemed too important to be treated as background; it demanded my aural attention in the same way reading demands attention from my eyes and imagination. And I just couldn’t spare the awareness any more.

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