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Braintrust Question: Spider-Man 3

Braintrust Question: Spider-Man 3

Every so often I come across a question that even I cannot answer. It saddens me to admit this, but there are times when it happens.

But now, I have an invaluable resource that I never had before — ComicMix readers.

So every once in a while, when we come across a question here that even our crack staff can’t answer, we’re going to throw it out to the floor and ask you, as we know that collectively, you guys are smarter than we are and know many things that we don’t.

So here’s our first question. Take a look at this shot from Spider-Man 3, about four minutes into the film.

See the girl at the far left? You see her on screen for just a few seconds, so it’s tough to tell, but– is that Paris Hilton?

I’m really hoping not, because I really don’t want to have to start covering Paris Hilton stories here…

Please post your answers in comments. Any documentable proof would be nice.

Three Stooges cartoons recovered

Three Stooges cartoons recovered

The Three Stooges (in this case, Larry, Moe and Joe De Rita) were very old in 1965 when they made a series of animated cartoons for Cambria Studios.  Yesterday, Muller Media, Inc. announced that it had recovered the masters for all 156 cartoons.

The cartoons were made with 41 live actions sequences, with four cartoons for each.  Every carton opened with a live action sequence. 

There is no word on whether the company plans to syndicate the cartoons to television or release them on DVD.  Muller Media president said, "We have ordered the U.S. Copyright Office to research their archives to determine if we still own the copyrights or if we merely own the original masters in the public domain. Either way; the series has value to the company."

 

 

UPDATE: Tom Artis family struggling

UPDATE: Tom Artis family struggling

Via Blog@Newsarama:

The Springfield (Ill.) State Journal-Register reports on the financial problems faced by the family of Tom “TC” Artis, the comics artist who died on May 1.

Artis, 51, suffered a massive stroke last June that left him comatose, and reliant on a ventilator and feeding tube. He was best known for his work on The Spectre, Green Arrow and Tailgunner Jo.

According to the newspaper, Artis’ family — wife Kim and children Deucalion, 13, and Hope, 5 — doesn’t have the money to pay for his funeral and burial and still be able to cover rent and other expenses. Kim was her husband’s sole caregiver over the past year, and was unable to work as Artis’ health deteriorated.

An account has been established at the local Marine Bank to accept donations for Artis’ burial and for the care of his children.

Artis’ funeral is scheduled for Friday.

Spider-Man 3: woulda, shoulda

Ouch ouch ouch. A brutal recap of the film. Examples:

A huge crane swings around, very specifically knocking some floors out of the building where Gwen Stacey has a modeling job. She ends up hanging from something way up high. Down on the ground, Captain Stacey meets up with Eddie Brock, who is photographing the whole thing.

EDDIE: Hey, isn’t that your daughter in deadly danger?

CAPTAIN: *yawn*

EDDIE: Shouldn’t you be doing something?

CAPTAIN: Nah, these days we more or less just wait for Spider-Man. This is the best job ever!

EDDIE: By the way, I’m dating Gwen for some reason, although I too don’t seem especially concerned. Let me take pictures.

Spider-Man arrives and saves the day, despite nearly being thwarted by some errant CGI.

This, along with a brief discussion of ECMLS, is worth a read.

(Artwork copyright Marvel Characters, Inc. All Rights Reserved. La de do da dey. Hat tip: Andrew Wheeler.)

Playboy talks to Matt Groening

Playboy talks to Matt Groening

The cartoonist who created one of the world’s longest teevee series talks in depth to Playboy, and just in time for The Simpsons’ Movie.

Here’s the link for a small part of the interview, which is not safe for work if your boss will give you a hard time about going to the Playboy website.

Matt Groening discusses The Simpsons, the future of Futurama, and Life In Hell, as well as providing a lot of valuable child-rearing advice:

"I appalled some of my friends with how undisciplined I was as a parent. My kids talked back to me, and I laughed it off. Now they tell me I’m not funny anymore. My son said he wishes Seth MacFarlane were his father."

All this plus Woody Allen, Gahan Wilson, Don Rickles and Playboy Party Jokes.

(Artwork copyright Fox. All Rights Reserved. Tip of the hat to our own Glenn Hauman for making the call.)

Staying Lost for another three years

Staying Lost for another three years

ABC is announcing a commitment to Lost for another three seasons, according to the New York Times. “We have always envisioned Lost as a show with a beginning, middle and end,” executive producers Damon Lindelof and Carlton Cuse said in a statement, which was released over the weekend to The Hollywood Reporter and to the rest of the news media on Monday. “By officially announcing exactly when that ending will be, the audience will now have the security of knowing that the story will play out as we’ve intended.”

This assumes, of course, that no cast member becomes suddenly unavailable due to death, contract disputes, or long-term incarceration.

After the current season the remainder of the series will play out in three 16-episode stretches, with each season’s episodes being broadcast over consecutive weeks without interruption. By spreading the remaining episodes over three seasons instead of two, however, the network and its ABC Television Studio unit, which produces the show, will ease the production requirements, which in the past have resulted in the show’s convoluted broadcast schedule. Think of it as a Sopranos thing.

Of course, with a shortened schedule, we have to ask: Does this mean Damon Lindelof will now have enough time to finish writing Ultimate Wolverine vs. Hulk?

Happy Birthday, Dianetics!

Happy Birthday, Dianetics!

Fifty-seven years ago today, science fiction author L. Ron Hubbard published Dianetics: The Modern Science of Mental Health, which led, through a long and twisted path, to the movie Battlefield Earth. Oh, and Scientology®.

And what is Scientology®, you ask? Luckily, we have a handy instructional video…

 

 

 

 

VINNIE BARTILUCCI: ComicFest from the inside

VINNIE BARTILUCCI: ComicFest from the inside

In the early 90’s I had made a fair to middling name for myself in comics fandom. I was a regular on the CompuServe forums, was running a comics APA of my own, THWACK!, and had started submitting to CAPA-Alpha. I had started writing articles for Wizard magazine, which is how I made friends with Pat O’Neill, their first Editor-in-Chief.

One night Pat contacted me to tell me that Gareb Shamus (Wizard‘s owner) was looking to do a comics con, and wondered if I was interested in running it. Well, he was close to being right — it was a friend of Gareb’s, David Greenhill, who had made a fortune in the sports card industry, and was looking to move to comics. Not as a speculator (there were soon to be plenty of them) but as the promoter of a comics show.

David’s idea was to bring a lot of the "business" of the card industry to comics. His ideas were good – too many comics shops were (and still are) run as if they were hobbies, and most comics shows didn’t make any attempt to market to the general public. He planned to change that. He planned to hire a major PR firm to push the show, get the publishers to invest in the show both financially and with publicity, a lot of big ideas. He just didn’t know how to actually run a show.

Well neither did I, but I wasn’t tellin’ him that…

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ELAYNE RIGGS: The Golden Age of ComicFest

ELAYNE RIGGS: The Golden Age of ComicFest

The crazier my responsibilities get (yes, I’ve missed posting here as well) and the more I lurch toward the Big 5-0, which I will now commemorate near year’s end without a father and without a best friend, the more I yearn for simpler times. Of course, "simpler" is as relative and subjective a term as they come. In political parlance, it usually means "a time in the hazy past whose values were clearly espoused on fictional TV shows that we can no longer distinguish from reality because they either filmed before we were born or they encompass the way we wish things were or should have been," which explains a lot about our current administration because it’s never a good idea to consciously try to fit reality to fiction, whether you’re talking about Father Knows Best or 1984 or even Star Trek.

In a personal sense, "simpler" usually means "before my life had as much heartache and difficulty, and when there were supportive pillars that I always thought would be there." And it’s weird, because "always" isn’t always as permanent as we seem to think it is.

Take my Golden Age of Comics. A writer once opined that everyone’s Golden Age of Comics is 12. Not for me. For me it began in my mid-20s when my first husband, Steve Chaput, got me hooked for good on indies and, thanks to Crisis on Infinite Earths, the new streamlined DC Universe. (My best friend in college, the late great Bill-Dale Marcinko, tried mightily to get me interested in late-70s Marvel fare, but it was all too soap-opera’y for me back then. In those days I hated the idea of soaps. Nowadays I can’t wait for the next episode of Ugly Betty. Go figure.) By 1993 Steve and I had discovered online fandom, which still consisted mostly of folks in the CompuServe Comics and Animation Forum (yep, this was pre-Usenet; I wouldn’t make my first tentative posts to those comic groups until 1994), and we were making plans to help out our friend Vinnie Bartilucci (who had actually introduced us to the wonders of email and suchlike) with the running of the Greatest Comic Convention Ever.

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