Tagged: Variety

Harvey Pekar Interviews Collected

Harvey Pekar Interviews Collected

  • News
  • September 9, 2008

Harvey Pekar: Conversations is a new collection of interviews with the celebrated graphic novelist.  Now available from the University Press of Mississippi, the book spans 25 years of interviews that have been drawn from a wide variety of places, from fanzines and radio to The Washington Post. The book was assembled by Mike Rhode who is editor International Journal of Comic Art and blogs about comics.

The creator American Splendor and subject of a biopic, Pekar has a lot of conversations about life in this country that make for fascinating reading.  The 240-page book comes with 20 illustrations and is available in a $50 hardcover or $22 paperback.
 

‘Jonah Hex’ Begins Shooting in March

‘Jonah Hex’ Begins Shooting in March

  • News
  • September 1, 2008

Warner Bros. has given a green light to a Jonah Hex script from Mark Neveldine and Brian Taylor (Crank).  "Pre-production will begin January 2009 before principal photography gets underway in March 2009 in either Louisiana, Georgia or Arizona,” the producers told Movie Blog. 

Actor Thomas Jane had himself done up to show what the Hex makeup could look like and essentially was begging to be cast in the title role. The directors have rejected Jane, despite being impressed by his efforts.  No casting has been announced for any of the roles nor has a story synopsis been revealed. The movie, though, is pencilled in by Warner Bros. for a 2010 release.

The antihero, created back in 1972 by John Albano and Tony DeZuniga, is one of the best characters published by DC Comics. Hex reached his creative heyday under writer Michael Fleisher during a long run from the 1970s through the 1980s.  Currently he is enjoyed renewed popularity through the monthly now written by Jimmy Palmiotti and Justin Gray, working with a variety of noteworthy artists. 

The Barn Comes to Newspapers

The Barn Comes to Newspapers

  • News
  • August 28, 2008

Canadian cartoonist Ralph Hagen will craft a new comic strip, The Barn, debuting from Creators Syndicate on October 27. The strip will concentrate on the interaction between farm animals and local humans.

Hagen, a self-taught artist, has been professionally illustrating for 31 years and has been published in a variety of outlets from The Saturday Evening Post to Reader’s Digest. He’s also done commercial illustration for numerous clients including Kraft Foods.
 

Jack Kamen: 1920-2008

Jack Kamen: 1920-2008

  • News
  • August 7, 2008

Mark Evanier reports that Jack Kamen, best known for his work at EC Comics, died yesterday at the age of 88. The cause of death is being reported as cancer.

Born in Brooklyn, New York in 1920, Jack Kamen studied at the Art Students League and the Grand Central Art School and actually got his start in sculpture—his first professional job was on the Texas Centenniel.

His illustration career was just beginning when he was called up to the Army in 1942. After World War II, Kamen began drawing comics for Fiction House and Iger Associates, then started working for EC Comics in 1950. He quickly became one of their most prolific artists, particularly on their horror lines though he also worked on crime/suspense and weird science/fantasy books. After EC’s line of comics fell victim to industry censorship in 1954-55, it was Kamen who suggested to the publisher that the company could avoid the newly-imposed Comics Code Authority strictures with a pricier magazine format, which Kamen dubbed "Picto-Fiction" and included titles like his favorite, Psychoanalysis.

Kamen left comics in 1954 and did advertising art and supplemental illustrations for a wide variety of other clients— when Stephen King and George Romero created the horror anthology film Creepshow, an homage to EC’s horror comics, they tapped Kamen to do the artwork. He also illustrated the cover of the graphic novel adaptation.

In recent years, Kamen basked in the spotlight of his sons’ accomplishments. Dean Kamen invented the Segway and the iBOT Mobility System; he recently contributed a foreword about his father published in Gemstone’s Shock SuspenStories Archives volume 2. Another son, Barton, is a doctor who is now the Chief Medical Officer of the Leukemia & Lymphoma Society.

Comic-Con 2008 Programming

Comic-Con 2008 Programming

Half of the four-day schedule for San Diego’s Comic-Con International 2008 is up and running.

Here’s Thursday. Here’s Sunday.

Obviously, much cool stuff to choose from. Too much cool stuff, in fact. Makes me almost not sad that I won’t make it this year (watch out 2009!).

While we’re on the subject, Variety has a retrospective of the early days of Comic-Con, when film people had little idea how to relate to comics fans.

Although it was more than 30 years ago, for example, I keenly recall a preview of the 1978 feature "Superman," where the studio rep described the campy villain Lex Luthor, played by Gene Hackman, as a real-estate mogul, not a master criminal. He was practically hooted off the stage.

Gradually, the studios started to wise up, hiring publicists specifically trained to handle Comic-Con’s savvy but easily riled audience. When Ridley Scott’s space-horror film "Alien" was showcased — using little more than a slide show of surrealist H.R. Giger’s jaw-dropping conceptual art — the crowd was blown away.

DC and Warner Talk Movies

Warner Bros. is apparently looking to emulate the success Marvel has had making its own movies, such as Iron Man and Incredible Hulk.

Variety is reporting some Warner honchos held meetings with people at DC Comics to try to develop a better pipeline from page to screen.

Warners has never had such a strategy, and there have long been complaints the studio has been slow to exploit a potential treasure trove of franchises. And while the studio is basking in critical love for “The Dark Knight,” it has watched studio rivals rake in big bucks from Marvel Comics characters, and Marvel itself get into the tentpole business.

While it’s assumed there will be another Batman pic, there’s been no formal announcement. And Warners has no movies based on the classic DC universe to preview at this year’s Comic-Con.

Few details are coming out, aside from this official statement: "We’re constantly looking at how best to exploit the DC Comics characters and properties." Exploit?

Now, if only someone from Warners would talk to DC about straightening out their comic book line.

Audio: Webcomics Panel at Heroes Con ’08

Audio: Webcomics Panel at Heroes Con ’08

The good folks over at The Dollar Bin recently posted a recording of the Webcomics Roundtable from this year’s Heroes Con. The panel features webcomic creators Nicholas Gurewitch of Perry Bible Fellowship (the subject of this April interview), David Malki of Wondermark, Julia Wertz of The Fart Party, Chris Harding of We the Robots and Danielle Corsetto of Girls With Slingshots discussing a variety of webcomics-related topics. The chat was moderated by The Comics Reporter himself, Tom Spurgeon.

It’s a great listen for anyone interested in various facets of the webcomic scene, including the pros and cons of instant reader reaction and the economics of making webcomics a full-time gig. Many thanks to the Dollar Bin crew for making it available.

 

(via Fleen)

Interview: Warren Ellis on FreakAngels, Webcomics and Doctor Who

For anyone familiar with the online presence of award-winning writer Warren Ellis, it came as no surprise when the author announced at last year’s San Diego Comic-Con that he would be scripting an original, ongoing webcomic hosted by Avatar Press and titled FreakAngels. The concept, the preview art and even the name of the series all seemed quite, well… Warren Ellis.

What has been surprising, however, is the ease at which the longtime print author has adapted to the online medium and managed to create a compelling, unique series with very few blips in the weekly schedule he set for himself and FreakAngels artist Paul Duffield. At a time when top-tier print titles are failing to meet monthly schedules time and time again, Ellis and Duffield have managed to create a consistently compelling, unique series worthy of mentioning in the same breath as many of the more established webcomics out there. The fact that the series also has Ellis’ considerable online savvy and the resources of an up-and-coming publisher like Avatar behind it only makes the entire package even more intriguing to anyone with an interest in the digital evolution of the medium.

Avatar afforded me a few minutes to speak with Ellis during the recent Wizard World Chicago convention (where he was the event’s Guest of Honor), and I was glad to have the opportunity to ask him about FreakAngels, his thoughts on the online publishing scene, and how it all relates to traditional British storytelling.

COMICMIX: Coming from the print side of the industry, did your creative process change much for FreakAngels, Warren? How did the new medium affect your routine?

WARREN ELLIS: The only thing that has really been affected is the length of the episode. But even then, I’m not really writing with six pages in mind so much as I’m writing with 144 pages in mind. I’m writing FreakAngels in 144-page blocks, so I’m really keeping my eye on the bigger picture as opposed to keeping an eye on the ending of page six. So really there’s been no change at all.

I’ve kind of refused to change. [Laughs]

(more…)

Happy Birthday: Jon D’Agostino

Happy Birthday: Jon D’Agostino

  • News
  • June 13, 2008

Born in 1929, Jon D’Agostino got his comic book start in the 1940s at Timely Comics. In the early 1950s he did work for several different publishers, including Story Comics, Master Publications, and Charlton Comics. D’Agostino continued to work for Charlton on a variety of titles throughout the ’50s and ’60s, though in 1963 he also did the lettering for the first three issues of Marvel Comics’ new title The Amazing Spider-Man.

In the mid-60s D’Agostino began contributing to Archie Comics and Gold Key Comics, and by the ’80s he was working primarily for Archie and for Marvel.

During the ’90s he inked exclusively for Archie, including work on Sabrina the Teenage Witch and Sonic the Hedgehog, and was still working for them as recently as 2006.

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