This Is Not My Column, by John Ostrander
What a relief! Fellow audio-blogging ComicMixer Mike Raub put it in perspective for me as soon the credits ended on Cloverfield: “What ever happened to science?” he asked. “Remember the good old days when movie characters would actually think about why something was happening rather than immediately whip out the heavy artillery?”
Well, Mike, my friend, I do, I really do, because this week I got two new, colorized, long-delayed, two-disc special editions from the “Ray Harryhausen Presents” line: It Came From Beneath the Sea and, especially, Earth Vs. the Flying Saucers. In the latter film, particularly, smart people do courageous things to foil an attack from the stars, and the literate, logical, talk – so absent in Cloverfield – would do Mr. Spock proud.
But first things first. It Came from Beneath the Sea arrived first, in 1955, with a Godzilla-esque tale of a nuclear-radiated giant octosquid attacking San Francisco. The following year saw the release of Earth Vs. the Flying Saucers, which was succinct and accurate in its title. Both are being re-released on DVD now because Ray supervised their colorization, and Sony has done a nice job of presenting them in both their original B&W as well as colorized forms, with a “ChromaChoice” toggle so you can go from one to the other with ease.
Only one problem with Ray supervising the coloring: the monsters look great … but the people often also look like they’re made of clay … or used a scoonch too much liquid tanner. All in all, however, it’s one of the more successful colorization jobs, and rarely too distracting. Besides, what with Ray’s Dynamationalized characters, the whole thing has a nice sheen of artificiality anyway, which the colorization folds nicely into.
It’s the first broadcast of the week and that means ComicMix Radio gets to dig through the new comics and DVDs tempting us from inside our favorite stores, including the special edition of the Family Guy Blue Harvest Star Wars parody!
Plus:
• The Writers Strike might put a stake through the heart of the JLA movie
• Get ready for cool Iron Man fast food toys… and we’ll tell you where to get them!
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It’s an odd time of year if you’re an agnostic. It’s especially odd if you’re a church-going agnostic like myself. Oh, I suppose it could be said that Christmas is an odd time of year for everyone one way or another. We rush around spending money we don’t really have buying gifts for people, some of whom we don’t really like. Amidst the desperate scurry, we try to convince ourselves that it really is the happiest time of year and, for some, perhaps it is.
Christmas isn’t just a “holiday” in the sense that the Fourth of July is a holiday. It’s a holiday in the sense of being a “holi-day” – a holy day. It celebrates the day Jahweh became Jesus; the day that, according to the story told, God came off His (Her) mountain and incarnated as a mortal child, a baby boy. That’s what underlines the whole Christmas concept. The mythology has that at its root.
The existence of Jesus (as a mortal) I can buy; the existence of Yahweh (or any other god), not so much.
Aside: before anyone starts chiming in about the pagan roots of Christmas, I know all about that. I don’t believe in your gods, either. And few if any folks are celebrating the pagan rituals; if they still have meaning, it’s only because the majority of people see them in a Christian or quasi-Christian context. Yes, the Church swiped your ideas and co-opted them. Get over it.
The combination of my temporary unemployment and inclement weather has enabled me to catch up on my DC comp box reading, so I can finally pick up where I left off a few weeks back. Mind you, I was looking at October books at the time and since then the November box came in. Still, a couple of the same caveats apply as last time — I haven’t seen the comics from the last few weeks, which gives me a bit of a headache when Robin gets his Suicide Squad advance comps and the issue in question (#4, in stores now) cross-references an important plot point in a Checkmate issue I’ve yet to see. So a lot of these observations will be about the issue prior to the one most comic fans have already seen, but in most cases the artists are the same.
Also, as before, I won’t cover every artist who did a good or serviceable job, just the ones I considered my very favorites of this most recent batch. Any omissions are not to be taken as an assumption that I didn’t like other stuff. And yes, I’m still talking more about how the art affected me viscerally than using technical vocabulary, which makes these more overviews than reviews per se. I miss full-on reviewing, but I just don’t seem to have the time any more.
While I stopped at the letter "F" last time, I wanted to mention a couple books which hadn’t come out at the time. Onward, then:
We now return to my list of Christmas movies, begun last week. And thanks to all of you for your responses and your own suggestions.
How better to begin this round than with How the Grinch Stole Christmas – the cartoon TV special, not the bloated movie that was a vehicle for Jim Carrey. I mean, do I really have to say that? Dr. Seuss, Chuck Jones, and Boris Karloff, Thurl Ravenscroft – the voice of Tony the Tiger – singing “You’re a Mean One, Mr. Grinch” which is one of the great modern Christmas songs. All in twenty-two minutes. Perfect.
Actually, let’s spend a moment’s meditation on both the Grinch and Scrooge. They are certainly cousins. And I think we not only identify with them at their curmudgeonly worst but we are meant to do so, especially these days. Yes, they are both monsters in some fashion – but we also identify with a good monster, do we not? They act out what we feel about the holiday season – Humbug! Oh the noise, noise, noise, noise! – and the gaiety that is being forced upon us, especially these days in the over-commercialization of the holiday.
Maybe we feel locked out of Christmas – by choice, by belief, by our own religion – and we rightfully feel resentful. Christmas time is also a time of depression for many people, especially if we think we should be feeling like something out of Norman Rockwell – and don’t. The Grinch and Scrooge both give voice to our inner misanthrope and God love ‘em for it. Even if they do change by the end.
Since we’re talking about TV specials at the moment, let’s add A Charlie Brown Christmas – the first Peanuts TV Special and the best one. The story is true to classic Peanuts which also makes it true to kids. Other Peanuts TV specials would be tied to other holiday times of the year and would twice more, as my memory recalls, return to Christmas itself. The later Christmas Peanuts stories, however, never seemed to have a central story as this first one does. At it’s heart in the original is Charlie Brown’s choice of a Christmas tree – a forlorn little twig that he thinks has character and the rest of the gang thinks is awful. By the end, however, with some love and kindness, it turns out to be a fine Christmas tree after all.