Getting Good and Scared, by John Ostrander
Have a nice Hallowe’en? Was the Great Pumpkin good to you? Did you grab a few treats, pull a few tricks? Watched a nice scary movie or two? Seen a few Saws? Are you ready to get back to the real world?
The real world has gotten a lot scarier than anything Stephen King is putting out or that Hollywood is dreaming up. Crude oil is hitting record highs. Drinking water is drying up on both a national and an international level. The American housing market is in the toilet and likely to remain there. About a year from now we’ll be electing a new president and a new Congress, which means that we’re about to hit the hardcore election season during which little or nothing of substance will be done in Washington.
“Old news,” right? Heard it all before. Maybe we should summarize what it all means quickly and simply, the way Americans like it. Unless there are drastic changes made, America is going into its decline. Unless you’re in that upper small percentile of Americans that are really rich, the quality of your life is going to decline as well and not get better.
Fact? Not yet. By the time it’s a fact, it’ll be way too late to change. No, this is a projection based on facts. When I was a teacher at the Joe Kubert School, teaching writing to artists (an interesting task), one exercise I would give teams of students was to create a future based on facts derived from the research. The scenario had to be a reasonable extrapolation from existing facts or events and they had to explain the reasoning.
In any given story, one of the primary questions that must be answered by the writer is – whose story is it? For example – in any Batman/Joker story, we assume that the story is going to be about Batman. He is the title character, after all. However, the story can be about the Joker – taken from his perspective, with the Joker as the protagonist and the Batman as his antagonist. A protagonist, after all, is not always a hero.
Nothing is created in a vacuum. Though the artist may like to think that the work springs forth Zeus-like full blown from their brow, the truth is any number of different other works influence your own. The works that move and affect us as artists also teach and guide us in our own expression. 
Obits – obituaries – are tough things to write. Their purpose is to commemorate the life of someone recently deceased, to list their accomplishments and achievements, to take note that someone has passed out of our lives. A last fanfare to the life of someone who is gone. Generally speaking, they are valedictory and complimentary.
There were rumors to the effect that the first Fox Fantastic Four movie was the victim of studio interference that somehow moved a mid-film confrontation to the climax. But given its success, FF2 would be the full, unadulterated vision of director Tim Story. Right? 
Some may consider it cruelty to animal companions, some the ultimate tribute. As Hallowe’en approaches once more, Good Housekeeping, of all places, considers 
I know, I know, no fanboy out there in the land of Heroes, Star Wars, Star Trek and the like even watches soaps on daytime television.
I’ve got something nibbling at my mind and perhaps the only way for me to sort it out is to put it into words. It has to do with our adventure in nation-building, a.k.a. the Iraq debacle.
Coming this October to ComicMix –The Adventures of Simone & Ajax! This is the story of Simone, a fun-loving 20-year-old girl, and Ajax, her friend who happens to be a small, green dinosaur. Together they find themselves in a series of strange and wacky adventures, taking them to many different lands, times, and places. Simone is not so much the leader of the duo, but more the instigator, looking to have fun and often acting before she thinks, getting herself and Ajax into trouble and so into their adventures. She’s not dumb, just over-zealous. Ajax, the dinosaur, is the more sensible of the two. While deep down he loves adventure, too, he’d rather ponder and worry before leaping into the fray.
