Review: ‘Flash Gordon’ #1
Full disclosure: I had edited a [[[Flash Gordon]]] comics series at one point in my life. It was the third greatest nightmare in my professional life. Not the part about working with the talented and understanding Dan Jurgens; Dan’s a class act and a fine storyteller. No, working with King Features Syndicate was akin to Sisyphus’s task, except the big rock was a huge boulder of shit and pushing it up that mountain happened in the dead of the hottest summer in the innermost circle of hell. And I’ve lightened up on this over the years, too. And so, on with the show.
There may be no greater icon in comic strip history than Flash Gordon. Sorry, [[[Buck Rogers]]]. You came first but Flash had better art and story, and a much, much better villain. Creator/artist Alex Raymond is generally regarded as the greatest craftsman in the field; so great, in fact, that after Dave Sim recovered from producing 300 consecutive issues of [[[Cerebus]]], he started up on a series called [[[Glamourpuss]]] that, oddly, is all about Raymond’s work.
Flash was the subject of what is also generally regarding as the three greatest movie serials ever made due, in no small part, to the performance of actor Charles Middleton as Ming The Merciless. And he had all the other media tie-ins: a radio series starring Gale Gordon (yep; Lucille Ball’s foil), a teevee series staring future Doc Savage model Steve Holland and a teevee series on Sci-Fi last year that was completely unwatchable, various animated series, a movie feature and another one in pre-production and numerous comic books by people including Archie Goodwin, Al Williamson, Reed Crandall, and Wally Wood, and licensed items. When Raymond went off to war, he was replaced by a series of artists nearly equal to him in talent: Austin Briggs, Mac Raboy (my favorite), and Dan Barry.
There’s a reason why Flash Gordon attracted such top-rank talent. Sadly, that’s also the same reason why Flash Gordon is an icon and no longer active in our contemporary entertainment: nostalgia. Flash Gordon was a product of his times, a wondrous visionary made irrelevant by real-life heroes such as Laika the dog, the first living being to orbit the Earth, and Yuri Gagaran, the first human being to orbit the Earth. Only Yuri returned alive, but I digress.
Science fiction was rocked to its core. It took talent like Harlan Ellison, Michael Moorcock, and Gene Roddenberry to re-purpose the genre, to focus more on the social aspects of the genre and extend those concepts out into the future. If you’re going to make Flash Gordon work in the 21st century – or the last four decades of the 20th, for that matter, you’ve got to distill the concept down to its essence and rebuild according to the mentality of our time.
The fourth and final week of the auction to raise funds to restore Jerry Siegel’s childhood Cleveland home has begun. The auction runs through 11:59 p.m. on September 30, 2008.
Those of you who left [[[Heroes]]] after the debauchery that was season two may want to make a return to the show for this season, because if the first two episodes were any indicator, this season is going to be exactly what comic book and TV fans alike have been waiting for.
Help me Wikipedia, you’re my only hope! What are 
At Sunday’s Screen Actors Guild 25th anniversary celebration of The Greatest American Hero, creator Stephen J. Cannell confirmed once and for that a feature film version is coming. Disney has carried the project on its development list for several years but the current boom in super-hero movies seems to have moved it off the backburner.
Battlestar Galactica fans will rejoice when shooting begins on Monday on Battlestar Galactica: The Plan, a new story written by Jane Espenson. Like last year’s Razor telefilm, it will fill in a continuity gap using the regular cast. The film is expected to air after the final mini-season of BG airs in the first quarter of 2009 on Sci-Fi Channel. 
Brendan Deenan, Senior v-p, Objective Entertainment, announced this morning that the delay behind Flash Gordon #1 had to do with a bad printer. In fact, the 13,000 print run has been pulped a new printer secured. As a result, the first issue, due out August 20, will now hit comic shops on September 24. The second issue will come out on schedule, one week later.
Saavy readers of Previews may have already picked up on this bit of news, but BOOM! sent out a release to ensure everyone was aware that Rockne O’Bannon was getting som ehelp turning Farscape into a comic book. Here’s the release:
