Tagged: Ridley Scott

To put a new spin on an old phrase, hell hath no fury like a sorceress scorned.

So goes the tale of MERLIN, the international hit series that begins its fourth season on Syfy next Friday, January 6 with the first of a two-part episode that finds Morgana’s blinkered determination threatening not only Arthur’s future, but the very balance of the world. With her magic stronger than ever, the sorceress summons the mighty Callieach to tear open the veil between the worlds. Hellish creatures pour forth, killing any who succumb to their touch. With King Uther a shadow of his former self, it falls to Merlin, Arthur and his loyal Knights to protect the kingdom.

Katie McGrath has spent four years evolving the character of Morgana, once the beloved ward to the king who discovers she is actually his daughter. That secret is revealed to her through her half-sister, the wicked Morgause, who guides Morgana down a path of dark magic, opening her eyes to the true power of her evil. Morgana now has a clear focus: to return to Camelot as its rightful ruler, and bring down her wrath upon all she believes have wronged her.

McGrath has eschewed vacation time away from the MERLIN set in lieu of additional work in productions as varied as W.E., the Madonna-directed drama about the affair between King Edward VIII and Wallis Simpson; A Princess for Christmas, a 2011 Hallmark Channel holiday enchanter starring McGrath opposite Sir Roger Moore; and the upcoming Labyrinth, a medieval tale from Ridley Scott that centers around the Holy Grail.

Before taking a winter holiday, though, McGrath spent some time chatting about the new season of MERLIN, the virtues of playing evil, “Jitterbug Perfume,” the recurring medieval themes in her professional life, The West Wing, Louis XIV, and Florence and the Machine. The Lady Morgana speaks … read on.

QUESTION: The fourth season of MERLIN continues down a darker, more dramatic path. Do you feel the show is following a natural evolution?

KATIE MCGRATH: The guys (co-creators Johnny Capps and Julian Murphy) have found a formula that works, and they’ve taken it to the next level with the fourth season. This is clearly their most ambitious. In four seasons, the characters have changed and grown, and the audience has grown with them. MERLIN still has all the great comedy and relationships that the audiences adore, but we’ve gotten more sinister and the show has gotten there in a very organic way. That was the path that was destined for us. Plus the show has gotten more filmic – it’s bigger in many ways than when we started, visually and in the storytelling. So our episodes are now more like 14 little cinematic films.

QUESTION: Morgana is having dreams in Season Four that include visions of her future … as well as an aged, bearded Merlin. How does this affect her perspective of what she’s doing?

MCGRATH: I think it breathes a fear in her of this character. Morgana doesn’t know that this vision is actually Merlin – she only knows the name Emrys and that he’s a very powerful person.  Before the visions, Morgana didn’t believe she had anything to worry about, because she is so powerful herself. But these visions breed a fear and mistrust in her because she can’t fight what she doesn’t know. So her fear and paranoia of Emrys becomes a major part of the fourth season. (more…)