Tagged: novel

PUBLISHER BARBARA CUSTER IN GUEST INTERVIEW BY PULP HISTORIAN!

Guest Interview for ALL PULP
Barbara Custer, Publisher of NTD
Conducted by Tom Johnson
I have known Barbara Custer since Ginger and I were publishing our line of new pulp magazines back in the 1990s. At the time we were publishing numerous top-notch writers and artists, and she was one of them. Since those long ago days, Barbara has continued her own writing, as well as entering the publishing world with the NTD imprint. With her busy schedule, I was finally able to sit down with her for this interview.
TJ: Barbara  (or is it Popple?) why don’t you begin by telling the readers a little (or a lot) about yourself? Who is Barbara Custer, and what should the world know about you?
BC: I go by two nicknames: Popple and Balloon Lady. I’ve written Twilight Healer and Dark Side of the Moon, and coauthored Blood Moons and Nightscapes, Alien Worlds, and Starship Invasions. These books have enjoyed decent reviews. I also publish Night to Dawn magazine, and every so often, paperback books under the Night to Dawn imprint. These works have enjoyed decent reviews.
TJ: What is Night to Dawn, and how did it come about? I guess this should be broken into two parts, your magazine and your books under the NTD imprint. Who are your authors and artists, and what genre are you interested in? I’m sure our readers will be interested in the genesis of both magazine and book imprint.
BC: Night to Dawn features vampire / dark fantasy short fiction, poetry, and illustrations. It comes out every six months. In 2003, the original editor, Dawn Callahan, was publishing my work for Night to Dawn. She had to retire, and I offered to take over. I knew nothing about publishing magazines, but Ginger Johnson had been a great mentor, teaching me about Word and other programs I needed for a magazine. People like Marge Simon, Margaret L. Carter, and Cathy Buburuz have supported the magazine from the get-go.
Around 2003, a small publishing house published my novel, Twilight Healer. The company folded after a year, and some of the other authors asked me to publish the books under the NTD imprint. So I started with Twilight Healer, and took on several authors. I publish different genres under the NTD imprint. The book process has been a baptism by fire. I knew little about the process, and neither did most of my writer buddies. It necessitated getting a new website.  
I now have a new website, and I have access to software to make epub books. I found several distributors for the NTD books. God has been good. 
TJ: Where can your books be purchased?
BC: Amazon, Barnes & Noble, Kindle, and Nook are the chief publishes. Easiest way: go to www.bloodredshadow.com. Click on the title of the book under its respective author, and it will give you the direct purchasing links.
TJ: What does Barbara Custer do when she’s not involved in the editing and publishing of the NTD books?
BC: She’s revising her novel, Steel Roses, a tale about aliens living in an underground city, and the humans who fear them. It started as a sequel to Dark Side of the Moon, but now has its own cast of characters and plotline. For her hobby, she collects Mylar balloons.  
TJ: What is in the future for Barbara Custer and NTD? Where do you want your publishing imprint to be in five or ten years?
BC: I would like to continue publishing the magazine and books. The process goes slow since I work a day job. My hope in five or ten years is that someone might partner with me, or perhaps I can hire someone to help with editing / formatting. I also hope to have more of my own books in print.
TJ: If our readers are interested in writing or drawing for your magazine, or book covers, where can they contact you with proposals or questions?
BC: My contact email is barbaracuster@hotmail.com. Submissions are tight at the moment, but I am actively seeking 3 good mummy horror tales incorporating the vampire theme.
TJ: Is there anything special coming up soon that you wish to tell the readers to watch for? Do you have a website where potential buyers can read about what’s coming up from NTD?
BC: I am holding a sales special with some of the Night to Dawn books available at reduced rates. Occasionally I do radio interviews, and I will post this on my website. You can find out about my projects at:
TJ: What is the most difficult part the publishing process?
BC: I find formatting book covers the most difficult. The front cover will make or break sales, and finding right combinations of colors for the lettering against the illustration has been a challenge. Some good buddies have helped me with this.
TJ: What advice would you give aspiring authors?
Be ready to do a lot of promoting. That means having a website, seeking out reviews (there are folks out there who will give new authors a chance).
Get a fresh pair of eyes to read / edit the manuscript. When you’ve gone through your writing so many times, you become too close to the work to notice problems, and no writer can see their own mistakes. I’ve noticed this with myself.
When you get your printed novel, savor the moment.
TJ: Barbara, thank you for taking time from your busy schedule to answer these questions. Ginger and I were a two-person operation and we had very little time to catch our breath, so I can imagine what you must go through with the NTD imprint. Good luck in all your future endeavors!

National Cartoonist Society Winners Announced

The annual National Cartoonist Society annual awards were awarded Saturday night. The prestigious Reuben Award for cartoonist of the year went to Richard Thompson for the newspaper strip Cul de Sac. Jill Thompson was selected as best comic book artist for Beasts of Burton, beating out Stan Sakai and Chris Samnee, and Joyce Farmer and her Special Exits took home the prize for graphic novel, beating out Daryn Cooke and James Strum.

Jeff Parker and Steve Kelley were designated best newspaper comic strip cartoonists for Dustin, Mike Lester took the book illustration award for The Butt Book, and Glenn McCoy won the newspaper panel cartoon award for The Flying McCoys. Other prize winners included Michael McParlane for newspaper illustration, Gary McCoy for gag cartoons, Jim Benton for greeting cards, Anton Emdin for magazine illustration, Gary Varvel for editorial cartooning, Dave Whamond for advertising illustration, Dave Filoni for television animation (Star Wars: The Clone Wars), and Nicolas Marlet for feature animation (How to Train Your Dragon).

The NCS 65th annual awards dinner was held in Boston over the past several days. The artwork (above) was contributed by Mad Magazine’s Tom Richmond.

 

TIPPIN’ HANCOCKS HAT-Reviews of All Things Pulp by Tommy Hancock
HOW THE WEST WAS WEIRD: VOL II-
Barry Reese, David Boop, Ian Taylor, Joel Jenkins, Ron Fortier, Joshua Reynolds, Thomas Deja, Desmond Reddick, Grahm Eberhardt, Dale W. Glaser, Ian Mileham, Stacy Dooks, Mark Mousquet, Matthew P. Mayo, Kevin Thornton, David Golightly, Tommy Hancock, Tony Wilson, Derrick Ferguson, Mike McGee
Edited by Russ Anderson
Published by Pulpwork Press
A truly American genre, the Western story holds so much meaning, so much emotion, so much raw action for anyone who reads it.  It also holds a whole passle of potential that until recent years, people were afraid to explore.  Due to the impact of western movies and such iconic luminaries as Louis L’Amour (one known to put the genre on its ear every now and again himself), the Western had for many years this ‘Oh, you can’t go outside the established boundaries’ unspoken rule.   And I’ll be the first to say that there are still a ton of stories that can be told within those parameters.  But I’m also glad to say that there’s a group of writers, an entire movement known as New Pulp, that recognizes just where Westerns can go that they haven’t yet, and those writers are taking this genre there yet again.
HOW THE WEST WAS WEIRD: VOL II, edited by Russ Anderson and published by Pulpwork Press, is a follow up collection to the very popular bestselling first volume, but stands on its own as a stellar collection of speculative Western fiction.  Not only are the traditional trappings strapped on for this rollicking rodeo of weirdness, but even the ‘supernatural’ or ‘strange’ elements seem to go beyond the ken in several of the stories.  This is a major positive because it shows that New Pulp can be different, can be enjoyable, and yet still hold on to the traditions and style that classic Pulps originated.
NOTE-As I review each story and the book overall, I will not be commenting on my story in this volume.  WEST OF FORT SMITH is my tale and that will be reviewed by others when they look at the collection, but I do not feel right talking about my work. 
DESIGN AND FORMAT-This is absolutely an exceptionally formatted book.  Easy to read, well laid out, and the Tamas Jakab designed cover, fantastically rendered by Jim Rugg adds that ‘new classic’ touch to this gorgeous looking paper back collection.  FIVE OUT OF FIVE TIPS OF THE HAT.
EDITING-Anderson does a tremendous job at not only providing mostly error free editing, but also in how these tales were placed in the book.  Each one seemed to build on the ones previous to it in terms of tension and quality.  Determining placement in such a mixed bag anthology as this one is extremely difficult, so fedoras off to Russ for handling this extremely well.  FOUR OUT OF FIVE TIPS OF THE HAT.
STORIES-
DESOLATION by BARRY REESE-This is a tale about family, about belief, and about just how crazy perception can be.  But it’s more than that, it’s a peek into the desperation that haunts every human soul, but must have been particularly strong in the wide open spaces of the West.  FIVE OUT OF FIVE TIPS OF THE HAT.
THE RAG DOLL KID by DAVID BOOP-This is not just any ghost story, although it is a well crafted one of those.  This tale takes the reader on a journey of what makes a man who he is and how even at the end of his life, keeps him going until the job is done.  FIVE OUT FIVE TIPS OF THE HAT.
THEY CALL HIM PAT by IAN TAYLOR- This one falls into the weird category because of ‘Pat’ and is one of those that goes a little farther than most would think.  Saying that, this is one helluva classic western ‘Stranger in town’ tale and were Clint Eastwood prone to play weird parts, Pat was written for him.  FIVE OUT FIVE TIPS OF THE HAT.
THE LOST VALE by JOEL JENKINS-Mixing historical characters with Doyle influenced locations and creatures is something that sounds easy, but would actually take an artisan to pull off.  Joel Jenkins proves to be just the man for the job.  The story reads as it should, like a Western with weird sprinkled throughout it for good taste and measure.  The sheer number of characters to follow is a slight drawback, but Jenkins turns out one heckuva tale that would make a Challenger proud! FOUR OUT OF FIVE TIPS OF THE HAT
THE YELLOW DOG by RON FORTIER- This story goes into an area many Western writers haven’t gone, even traditionally and that’s the Western Animal subgenre.  Typified by such books as OL’ YELLER and the FLICKA series, writers tend to shy away from this direction because it’s a fine line between Western rawness and sentimentality.  Fortier walks that line well, dipping liberally from both sides and producing a hard edged Western tale that explores the connection between man and beast.  FIVE OUT FIVE TIPS OF THE HAT
MR. BRASS AND THE DEVIL’S TEETH by JOSHUA REYNOLDS-Reynolds gets points right off the bat for teaming up his steampunk Pinkerton with one of the most underrated yet interesting outlaws that ever rode the West.  Frank James and Brass set out after a whole pack of owlhoots that have a bit of an advantage, thanks to cursed objects.  Reynolds keeps a distinctly Western flavor throughout, while still interspersing the conflict Brass feels about being more…or is that less…than human.  FIVE OUT OF FIVE TIPS OF THE HAT
THUNDER PURSUED by THOMAS DEJA-This was a fantastically fun tale that went a different direction than most of the others did.  Suffice it to say, seeing a Western character that had hints and glimmers of Doc Savage is not only something I enjoyed, but something I hope I see much more of.    Deja also deftly handled an exploration of Western family and friendship dynamics as well.  FIVE OUT OF FIVE TIPS OF THE HAT.
WALKER ON THE WIND by DESMOND REDDICK-Reddick takes the reader to the far West, using members of the Mounted Police, and plunges them all into the desolate, frozen West and all the horrors that and a man’s mind may hide.  The suspense built well, the character narration was engaging, and the end result extremely and appropriately disturbing.  Although putting together the pieces of the story seemed to be a bit slow, Reddick definitely knows how to make one’s hair stand up and never hear the wind blowing the same way again.  FOUR OUT OF FIVE TIPS OF THE HAT
THE VELVET SCOURGE by GRAHM EBERHARDT-This story so intrigued me I had to immediately read it again.  Eberhardt must have been channeling Sergio Leone with a liberal dash of Poe and Hitchcock to boot.  A totally reprehensible character takes the lead and by the end of it becomes the only one I was cheering for.  Characterization was top notch, establishment of atmosphere was unbelievable, and I’d be more than happy to see more from this author and this character in the near future.  FIVE OUT OF FIVE TIPS OF THE HAT
THE DEMON WRESTLER by DALE W. GLASER-This story took a little bit to get into, but as the smoke cleared, what remained in whole was a fantastic story of just what people will believe and what others will go through to benefit from those beliefs.  FOUR OUT FIVE TIPS OF THE HAT.
TELL ME YOU LOVE ME AND THAT’LL BE AN END TO IT by IAN MILEHAM-Mileham does two things in this tale:  He delivers one heck of an atmospheric telling of just how a murder might be handled in the Old West; and He drifts into the psychological as well as supernatural thriller realm as smoothly as silk and leaves the reader happily frighteningly chilled.  FIVE OUT OF FIVE TIPS OF THE HAT
UNHALLOWED GROUND by STACY DOOKS-Going back North for this Western tale, Dooks creates two memorable leads that basically fit the ‘buddy cop’ motif Old West style and then promptly throws them into a psychedelic Hell.  Even with that twist, this story holds up as a wonderfully written Western because, after all, Westerns are about ordinary men facing extraordinary challenges.  And Dooks definitely provides all of that in spades.  FIVE OUT OF FIVE TIPS OF THE HAT.
TRAIN COMES A-BURNIN’ by MARK BOUSQUET-I don’t know how to summarize this tale except to say that I hope there’s a novel that rises out of it in the future.  Two women board a train, each with a shared, yet their own distinct missions to complete.  Throw in a special forces type outfit, some monsters, and kids and their teddy bears, and you have one wild Western roundup.  It very much felt like the middle of a story, though, and sorting things out was a bit jarring, but as I opened with, I want the novel.  Now.  FOUR OUT OF FIVE TIPS OF THE HAT
THE WITCH HOLE by MATTHEW P. MAYO-Let me admit, this type of tale is not usually my favorite.  I can’t really tell you why, except that I wasn’t the kid who was into the mystery comics and such when I was young.  And this one reads as if it would fit perfectly in an old DC House of Mystery or an EC comic.   That, however, is the reason that I liked it as much as I did-because as I read it, I could see the artwork, I could see the creepy green and black coloring.  The set up, the premise, and the characters smack heavily and enjoyably of that 1950s and 60s weird tale comic story, even though it’s in prose.  FOUR OUT OF FIVE TIPS OF THE HAT
THE TESTIMONY OF CONSTABLE FRASER by KEVIN THORNTON-It’s interesting that in this volume of Western tales, so many writers chose to explore the Royal Canadian Mounted Police for stories.  And thankfully so.  Thornton not only paints a great image of a central character in Fraser, but he tells a story that simultaneously is serial killer/Western/ancient history mystery and it all blends together like hardtack and coffee at a campfire.  And yes, that’s good.  FIVE OUT OF FIVE TIPS OF THE HAT
RAID AT RAZORFANG RANCH by DAVID GOLIGHTLY-This was refreshing in the midst and toward the end of the book. Golightly takes us not only into the Weird West, but into ranch life and shows how hard both the work and that sort of living can be in general.  Combining that with the peculiar livestock the ranch deals in, Golightly delivers a quick draw blast of action and characterization.  FIVE OUT FIVE TIPS OF THE HAT
WEST OF FORT SMITH by TOMMY HANCOCK-As said before, skipping this one.
BEAST OF THE BLACK HILLS by TONY WILSON-Yes, this is a weird tale, involving everything from green glowing severed heads to hairy bipeds and more, but Wilson does something even more fantastic.  The two main characters in this story could just as well be in any John Wayne buddy western or Larry McMurtry’s LONESOME DOVE or Robert B. Parker’s turn at Western series.  They are men fully realized, strengths and flaws and bonds between them included.  The internal voice of one of them that Wilson uses for narration is absolutely dead on.  FIVE OUT OF FIVE TIPS OF THE HAT
STORMS OF BLOOD AND SNOW by DERRICK FERGUSON-Derrick Ferguson has a gift.  That is to take aspects and traits and render whole cloth full blown love and hate ‘em characters from varied pieces and parts.  Sebastian Red and the cast he leads through Derrick’s multilayered Western tale, that is part ‘man in pursuit,’ ‘blood feud’ and ‘Act of God versus Man’ all rolled together, are real people by the time you finish the story, real enough you want to see them again.  And often.  FIVE OUT OF FIVE TIPS OF THE HAT
TERROR IN TOYLAND by Mike McGee-Now, for me, this story just didn’t fit.  It’s a modern tale, which is all right with me, but I didn’t get that it had a Western feel to it.  It was, however, a fantastic slice of life after some apocalyptic event had changed at least the part of the world it’s set in.  McGee tells a great story and the narration was fun and equally creepy, which I feel like was the intent.  As a matter of fact, the strength of the story itself overcomes a little of my discombulation about its inclusion in this collection.  FOUR OUT OF FIVE TIPS OF THE HAT.
HOW THE WEST WAS WEIRD: VOLUME II will be out  July 1st, 2011.  You’re a dagnabbed fool if you don’t get it as soon as it splits the batwing doors of your favorite online book outlet.  Stay tuned at http://www.pulpwork.com/ for more details and get it on your wish list today, Pard. Or Else.
OVERALL RATING-FOUR OUT OF FIVE TIPS OF THE HAT-Yeehaw, indeed!

FORTIER GOES BACK TO THE THRILLING DAYS OF ‘YESTERYEAR’!

ALL PULP FICTION REVIEWS by Ron Fortier
YESTERYEAR
By Tommy Hancock
Pro Se Press
180 pages

One of the most widely recognized facts regarding American comic book heroes is that they actually evolved out of the Depression Era pulp magazines.  Fans of both media are well aware that the likes of Batman and Superman were the literary children of characters such as the Shadow and Doc Savage.  Tommy Hancock employs this historical theory against which to set his first novel, “Yesteryear.”  Hancock, the winner of this year’s Pulp Ark Award for Best New Writer, had earned that title based on his short fiction. Now with this novel length drama, he cements that position soundly with a work of deft imagination heralding past days of American glory.

J.C.Smithenson is a one time crime fighting boy detective who has grown up to become a writer and publisher.  He has put his hero days behind him, though his good friend, Detective Donovan Bradley, suspects he still harbors longings to get back into the fray.  Then one day a mysterious package is left on Smithenson’s steps containing the journal of newspaper man, Ramsey Long, who was part of the Golden Age of Heroes back in the 30s and 40s.  Thought to be a myth, Ramsey’s musings are said to be a tell-all book that honestly rips aside the veil of public relation mumb-jumbo to detail the true history and exploits of those early mystery men and women.
Which is why when it is learned that Smithenson possesses the book, factions both political and private, begin targeting him and his loved ones to guarantee the journal never sees the light of day.  For J.C., it is an eye-opening revelation that some of the people he once admired are flawed enough to want to destroy him rather than have their human failings exposed publicly.  Still, he is determined that the truth will be told regardless of the consequences.
“Yesteryear” is a marvelous homage to all those great pulp characters and golden age comic heroes who followed in their footsteps wonderfully told with a true sense of time and place.  Hancock knows his history and the richness with which he paints the times adds much to the book’s plot and appeal.  So on a purely literary basis, I recommend this book highly, it was tons of fun to read.
But I do have one criticism and it deals with the book’s packaging, not the story.  I don’t often make mention of actual production values but in this case felt compelled to do so because in the end, it did lessen my overall enjoyment of “Yesteryear.”  Hancock is also the book’s producer and he’s filled many of its pages with some truly fantastic drawings of many of the fabulous characters described in the text.  All to the good.   Alas, that’s where his design musings should have stopped.
Instead he also chose to change the fonts and styling of the text throughout the entire book so that the reader is confronted with bold type, cursive scribbles, light, thin fonts constantly changing, many difficult to adjust to after finishing a chapter presented in an entirely different way.  I understand the concept he was trying to achieve with this mixing, but it does not work and instead becomes a physical flaw to an otherwise stellar offering.   Hopefully his next book will have a more conservative presentation.

Fortier takes on Koontz’s FRANKENSTEIN-LOST SOULS!

ALL PULP Reviews by Ron Fortier
FRANKENSTEIN – Lost Souls
By Dean Koontz
Bantaam Books
381 pages
Released Jan 2011
ISBN 10 – 0553593676
ISBN 13 – 978-0553593679
About the author –
Dean R. Koontz is the author of many #1 New York Times bestsellers.  He lives in Southern California with his wife, Gerda, their golden retriever, Anna, and the enduring spirit of their golden, Trixie.
Review –
Horror fantasist, Dean Koontz continues his best selling series about the never ending war between Mary Shelly’s mad scientist Victor Frankenstein and his immortal creation, the Monster; now known in these books as Deucalion.  This is the fourth book in the saga and the beginning of a brand new story arc.  In the opening trilogy, which took place in New Orleans, the four hundred year old obsessed genius set about creating an army of super clones who would ultimately replace imperfect humans as the new dominant species on Earth. 
He was foiled by Deucalion and two brave police detectives, Carson O’Connor and Michael Maddison.  By the third book’s climax, they believed he had been killed and the world saved.  What they were not aware of was Frankenstein had cloned himself and this doppelganger came to life upon the death of the original.
“Lost Souls” opens two years later after the first conflict to find Carson and Michael have married, moved to San Francisco, opened a private detective agency and had a child, a beautiful baby girl named Scout.  For the most part their lives couldn’t be any happier.  This is why Deucalion’s reappearance bodes ill tides.  He has learned that his creator is still alive and hiding in the small town of Rainbow Falls, Montana.  What the patchwork  warrior does not know is that his cloned nemesis is completely insane and unlike his predecessor, has but one goal, the total annihilation of all mankind, both originals and replicants.  He dreams of Armageddon.
“Frankenstein – Lost Souls” is Koontz’ most audacious pulp novel to date.  It is a bold, raucous narrative that moves at lightning pacing.  Horror upon horror is visited on the small, peaceful town of Rainbow Falls and Koontz never once spares his readers with his lean and brutal prose.  His fans are going to devour this latest chapter in what has become a truly classic pulp series.  New readers need not have read the first trilogy, although it would add much to their enjoyment of this entry.  And be aware, this is book is only the first part of the story and ends with a suspense laden cliffhanger. Wherein the only real sour note is we now have to wait for several months for part two.  Now that’s torture at its most sophisticated.

MOONSTONE MONDAY-BULLOCK ANNOUNCES ORIGINAL NOVEL

MIKE BULLOCK-NEW PULP AUTHOR/CREATOR
AP:  Mike, Welcome once more to ALL PULP.  Catch us up on what you’ve been doing since the last time you sat in the interview chair.
Mike Bullock: Hi, thanks for having me back. Let’s see, since last time we met I’ve pitched four New Pulp ideas and I can thank God that all four have been accepted by the publishers I pitched ‘em too. That ‘depths of the gut’ feeling I get when waiting for a publisher to reply to a pitch really sucks… even more so when they don’t come back with a “yes”. One pitch I was even able to blow wide open and turn it into four new books, by yours truly and three other writers far more talented than myself, that will pit some enduring pulp heroes against some equally enduring monsters in this Octobers RETURN OF THE MONSTERS from Moonstone Books. I’ve also plotted out four short stories for my original New Pulp character Totem’s new anthology coming in 2012 from Pro Se and written the first five thousand-ish words for my first full-length novel, coming in 2012 from Airship 27 featuring my original New Pulp hero Runemaster. Somewhere in all that, I’ve proofed the first Black Bat graphic novel (yes, it’s the first of many to come, never fear!), worked on my all-ages series Lions, Tigers and Bears and a few other comic projects I have going. Somewhere in all that, I’ve found time to hang with my beautiful wife and awesome son as we prepare to move cross country once again in June.
AP:  You have a very special project coming up for Moonstone that deals with one of your original characters.  What is that?
MB: One of the aforementioned pitches was for the first ever full-length Death Angel novel, coming in the new Moonstone Books New Pulp novel line. I plotted out the story a few weeks back and just ironed out the agreement with Moonstone last week. Hopefully, this time next year, I’ll have three prose books featuring Runemaster, Totem and Death Angel sitting on my bookshelf… and hopefully on your bookshelf, too.
AP:  For readers who don’t know, can you share some background on Death Angel, who she is, what inspired you, the whole kit and caboodle?
MB: Death Angel is my take on the dark vigilante type, with a twist. Years ago I developed a slightly different character I’d dubbed Revenant. He was pretty much just a vehicle for me to tell stories I would rather tell while writing Moon Knight comics, I’m ashamed to admit. Sadly, doing that meant Revenant wasn’t really fully-fleshed out as his own man, so to speak. I worked with an artist to try to pitch some Revenant comics, but it just didn’t work out. I shelved the character for a bit, then brought him back to insert into a team of heroes I was commissioned to develop for an upstart comic publisher in 2005 that never got off the ground. Once again, Revenant was put back on the shelf.
Then, when I’d convinced Moonstone to roll with the pulp stuff, I revisited Revenant, scrapped just about everything I’d developed about him except the mask, belt and cape and reinvented him as Death Angel. However, Death Angel was anything but a Moon Knight clone, as I found myself in one of those writing modes where I could barely type fast enough to keep up with all the ideas for the character that sprang up from a show I watched on science fiction technology and some recent world news I’d read. I gave DA a suit that enhanced strength, based on technology first dreamed up in the 1940s and finally proven to work in the early years of the 21st century. Then, I spent some time studying photon and aural pulse effects and how they could create hypnotic states in living things – another “fringe science” thing brought up by a sci-fi writer in the early 20th century and proven to work at the end of the millennia.
Once I had all that worked out, Rebekah Killian came to life, battered soul and all. Revenant had gone from a two-dimensional guy beating up goons in a dark alley to a fully fleshed out female bringer of vengeance striking terror into the entire underworld.
Death Angel debuted in the back of Phantom: KGB Noir #1 and the fan response was overwhelming. The amount of comments I received stating people wanted more of Death Angel actually outweighed the amount of feedback I received for the Phantom part of that issue, which blew me away.
That’s when Moonstone agreed to let Death Angel be the flip-side of the Black Bat coin in the Return of the Originals books. I wrote a five-part story, the first four parts from each hero’s point of view and the fifth, the story’s climax, would bring the two together. The first three chapters in that saga appear in the Black Bat graphic novel #1 with the remaining chapters coming in #2.
But, all that is just a build-up to putting Death Angel in a spotlight all her own, which is the goal of the new novel.
AP:  Death Angel has graced the pages of both comics as well as some text/image based widevision fiction, but what made you want to bring her to life in a novel?  What about that medium compliments the character and her story?
MB: Well, the New Pulp movement has really excited me. I’ve been reading pulps since I was an adolescent and that style of story-telling has always cranked up my adrenaline levels. Several people I know, most notably my lovely wife, have been pushing me for years to concentrate more on writing prose than comics. The people who know me best think I’m better suited to write prose than comics, so the thought has intrigued me. I dabbled in prose with a handful of Phantom stories, then I did the wide-vision tales for the Pulp Fiction magazine starring Black Bat, Captain Future and Death Angel. It seemed a natural progression from there to start doing novels. I’ve ghost written a few so far and I really wanted to sit down, now that I have the confidence I can do it, and write my own characters in my own stories. I’m feeling really honored that Airship 27, Pro Se and Moonstone all have the confidence in my ability to let me write these tales, too.
AP:  Does the fact that Death Angel is a female underneath all the costume and weapons change how you approach writing her?
MB: Absolutely. I mean, anyone who writes a female character the same way they write a male character shouldn’t be writing. Rebekah Killian is a tough woman, but underneath the wings, fangs and claws of Death Angel is a battered young girl who drives all of Angel’s decisions and actions. She is at once a mother tigress, defending her young and an intelligent woman seeking to make the world a safer place for those she cares about. Unfortunately (for the bad guys at least), somewhere in there is a little mental instability brought on by years of child abuse.


AP:  You’re obviously a writer and creator influenced by the whole ‘Pulp’ style.  What aspects of that style have had the most impact on you, maybe favorite authors and/or characters from the classic days of Pulp?
MB: I’m an adrenalin junkie. Period. Always have been. Princess of Mars from Edgar Rice Burroughs, all the Conan tales from Robert E. Howard, the original Phantom, Black Bat and Captain Future stories and all the rest are all adrenalin charged story-telling at its best. A roller coaster never lets up until the ride is over and the same can be said for just about every pulp tale I’ve ever read. Once I hit the words “The End” I’m a little worn out, but in a good way. If a story can actually make me feel a little physical exhaustion when I’m finished with it, then it sticks with me. A well written pulp scene leaves me with clenched shoulder muscles and a quickened pulse. Those are the kinds of stories I aspire to write, the kind that make the reader respond on levels much deeper than surface consciousness. I realize I still have a really long way to go before I can write something at the elevation of the John Carter or Black Bat or Conan tales, but I’m having fun trying.
AP:  Noting the influences of classic Pulp on you, You’re also one of the movers and shakers behind what has recently become termed The New Pulp Movement.   What, in your view, does that term actually mean and why are you throwing your hat into the movement concept?
MB: For me, New Pulp is just modern day talent creating stories with the same adrenalin-charged story telling that the original pulps exuded. I feel honored to be named alongside guys like Ron Fortier, Barry Reese, Scott Eckert, Martin Powell and so many other extremely talented minds and that feeling brings with it a sense of responsibility to hold up my end. So, it only seems like the right thing to do to toss my hat full in and do whatever I can to push this thing up the hill. I’ve always been an all or nothing kinda guy, and pulp has been “all-in” in me since I was watching black and white Flash Gordon serials on Saturday afternoon when I was five. It’s just who I am…
AP:  Some may have concern that New Pulp’s intent is to change the basic structure and classic ways Pulp is written.  It’s been made clear by others that that isn’t the case at all.  What is your thought on this and if not change, what does New Pulp bring to the table that can’t be found in reprints of old pulp magazines?
MB: To me, if what’s created veers from the basic structure, it’s no longer pulp. I mean, if I write a heavily character development laden romance story that has zero action and takes place entirely within the confines of a bedroom, then I call it New Pulp, I’m only fooling myself. I can’t create something that’s not pulp and make it pulp anymore than I can write a horror story and call it a comedy. It just won’t happen and I’ll look delusional when I’m done. That being said, if men like Burroughs, Doc Smith and Howard never wrote anything, instead satisfying themselves with re-reading The Curse of Capistrano forever, we wouldn’t have John Carter and Conan. The same can be said for authors from Lester Dent and Edmond Hamilton to Barry Reese and Van Allen Pelixco. I love the old stuff, but there’s only so many times I can ride the same ride before I know it so well it loses a little luster and I start wanting to take a new ride. But, that new ride has to thrill me the same way the old one did, or it just isn’t worth it.
AP:  You are a very religious man.  How, if at all, do your beliefs influence your creative process and most notably, how did your religious convictions influence your creation of Death Angel?
MB: I’m not religious at all. Religion is a set of rules and edicts created by men to control one another. I do, however, firmly believe in Jesus Christ, the Holy Spirit and God Almighty. I have a personal relationship with them that no amount of rules and regulations can equal. One thing that boils my blood is supposed religious people doing acts of evil under the guise of religion, as we’ve seen in growing frequency lately, most notably the number of priests found guilty of child abuse. To me, that’s a whole new form of evil that’s not just plain wrong, but duplicitous and deceitful, bringing harm to far more than just the immediate victims and their families. When religion goes wrong, bad things happen every time without fail.
Death Angel is a product of religion gone wrong. A young girl raised in a religious orphanage, under the auspices of being protected by pious men and women who actually took advantage of the children in every way imaginable, and some unimaginable. The disconnect between Rebekah’s spiritual belief and her childhood experiences is what birthed Death Angel. While the character in no way is meant as a vehicle to voice socio-political views, those views do shape who she is and where she’s going.


AP:  What does the future hold for Mike Bullock? More than one Death Angel novel?  Anything else?
MB: Well, Eric Johns is already turning in some pretty sweet pages for the RETURN OF THE MONSTERS tale starring Black Bat and Death Angel versus Dracula entitled ANGELS AND THE UNDEAD. I’m also working on the Runemaster novel, a new comic book series that should be announced real soon with Fernando “KGB Noir” Peniche doing the line art and three novels at once. I found out the other day that Doug Klauba will be painting the cover for the Death Angel novel, which really excites me as not only am I huge fan of Doug’s work, but I consider him to be one of my indispensably great friends. Going forward, I have a handful of other New Pulp and comic works coming including a Black Bat/Spider crossover from Moonstone I just finished up last week. Next month brings the release of Black Bat graphic novel #1 and Lions, Tigers and Bears volume III. Oh, and in all that I’m also penning a Black Bat novel for Moonstone that I don’t think has been announced yet, so there’s the All Pulp exclusive for the day. And, I’m also in talks to take the writing lead on an massive story created by a popular musician that can only be described as utterly epic in scale. Look for news on that in July.
AP: Mike, it’s been a pleasure as always!
MB: Right back atcha!

Review: ‘The Hustler’

Far too films hold up to the test of time, their iconic nature re-evaluated through a modern prism and found wanting. Memorable performances or screen characters suddenly look one-dimensional or wanting. Then there are those that grew in stature through the years as audiences and critics catch up to the creators’ vision. Those are the ones that are hailed in retrospectives, make it to the National Film Registry and get the deluxe treatment when released on home video. The Hustler, the 1961 film about pool and people, is one such film and is this week making its Blu-ray debut courtesy of 20th Century Home Entertainment.

It used to be, pool sharks could tour the country, play high stakes games and eke out a living of sorts. Legendary pool players had a word-of-mouth reputation every bit as powerful as celebrities made famous by ESPN. The great novelist Walter Tevis captured these players and their world in his 1959 novel, prompting Robert Rosen and Sidney Carroll to adapt it to the big screen.

“Fast Eddie” Felson is the wandering pool player, with no roots, no life beyond the end of his cue stick. He arrives in the small, dark town of Ames specifically to challenge the legendary Minnesota Fats – and loses. What happens next propels the rest of the film and becomes a study of pool players, friends, and lost souls searching for a better way.

Felson is a brilliant player but empty inside, yearning for something more but not sure what that is or how to get it. All he knows is he’s the best and wants to prove it time and again so being humbled by Fats rankles. And while he’s lost, he discovers there are others who don’t know just how lost they are, a point made when he meets the drunken Sarah Packard. (more…)

The Comancheros

At a time when movie stars were truly larger-than-life and iconic, few stood taller and were more memorable than John Wayne. The Duke more or less played himself, the tall, laconic keeper of the moral code regardless of era or genre. He’s best remembered for his work in Westerns, ultimately earning his one Oscar for True Grit, a tribute to a career spent along the dusty trails of a bygone America.

Bit by bit, Wayne’s oeuvre is being preserved on DVD and now Blu-ray, with [[[The Comancheros]]] being the most recent offering. In time for the perfect Father’s Day gift, the deluxe package from 20th Century Fox Home Entertainment offers up one of Wayne’s last big Westerns just as interest in the genre was beginning to wane. The movie is well regarded by many Western fans and Elmer Bernstein’s score has lived on, well beyond the film itself, used elsewhere ever since (including The Simpsons). It also has the historical footnote of being the final film from director Michael Curtiz, beloved for his earlier work on The Adventures of Robin Hood and Casablanca. He was laid low early on by cancer and Wayne himself took over much of the directing but refused credit. Second unit action sequences were handled by Cliff Lyons. The unfortunate many hands approach probably led to the film feeling incredibly uneven, talky without much punch to the dialogue sequences, and sluggishly paced for the first third. (more…)

ALL PULP REVIEWS-FORTIER TAKES ON ‘GHOSTS OF WAR’!

GHOSTS OF WAR
By George Mann
Pyr Books
231 pages
Available July 2011
Hot on the heels of earning a Pulp Factory Award nomination for Best Pulp Novel of 2010 for GHOST OF MANHATTAN, writer George Mann unleashes the second novel in this steampunk series.  Although considering the archetype pulp trappings these books are totally saturated with, one would suggest labeling them steampulp.
This new adventure of Gabriel Cross, the haunted veteran of World War One who protects New York City as the rocket-boot propelled, black garbed vigilante known as the Ghost, begins only a few weeks after the end of his last, horrific case.  He is still emotionally wounded having witnessed his lover, Celeste, sacrifice herself to save mankind from outer-dimensional monsters.
When a new threat to his city arises, he gratefully dons his Ghost garb and goes into action.  Weird hybrid mechanical flying creatures called Raptors are swooping out of the night sky and randomly kidnapping people with no apparent pattern or purpose other than to cause city wide terror.  The Ghost sets about catching one of these horrible monstrosities with the help of his friend, Inspector Felix Donovan, who shares his secret identity. 
At the same time, Donovan is given the task of hunting down a British spy by his superiors.  He is told the secret agent is a catalyst with information that will ignite a war between England and America.  When elements from both assignments suddenly come together, the Ghost and Donovan begin to suspect a much darker plot with tendrils leading to corruption among the highest ranks of City Hall.  In the end the Ghost allows himself to be captured by the raptors and taken to their hidden lair.  It is his one chance to uncover the evil mastermind behind the attacks and discover the true horror that awaits all mankind unless he and his small band of allies can save the day.
Hideous creatures from another dimension, a mad scientist more machine than man, an armed, massive airship on a mission of doom and more thrill-a-minute action than any other ten, oversized thrillers on the market today.  GHOSTS OF WAR is even better then its predecessor as Mann is truly warming up to this alternate world and his remarkable, colorful and appealing cast of characters that populate it.  This is new pulp fiction at its finest and I’m predicting there’s another Pulp Factory Award nod in its future.  Long live the Ghost! 

Reviews from the 86th Floor: Barry Reese looks at

THE ADVENTURES OF DODGE DALTON AT THE OUTPOST OF FATE
Sean Ellis
ISBN 978-0982609996

Sequels can be funny things – deviate too much from what the original successful and people wonder what went wrong. Adhere too much to the first one’s formula and people cite you for being unoriginal. The Adventures of Dodge Dalton At The Outpost of Fate manages to dance along that delicate line that’s needed to create a worthy successor to last year’s debut. Sean Ellis reunites us with a character who’s a canny mix of Indiana Jones and Dirk Pitt, with the intriguing setup that our main character is the ghostwriter for the adventures of the “real” hero.

Ellis manages to infuse his novel with romanticism and good old-fashioned by-the-seat-of-your-pants adventure. Without giving too much of the plot away, this is another globetrotting epic with plenty of narrow scrapes for our heroes and a satisfying ending.

It’s inevitable that a second adventure seems less “new” than the original but Ellis is more comfortable now and the characters more nuanced. The Dodge Dalton series is one of the best New Pulps to come along.

I give it a solid 4 out of 5 stars!

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