Tagged: movie

GUEST REVIEW OF DOCTOR JONES’ EXHIBIT…INDIANA JONES, THAT IS!

THE TEMPLE OF INDY
A Review Of Indiana Jones And The Adventure Of Archaeology
By Andrew Salmon
     While I was in Montreal last week there was no way this long-time Indiana Jones fan was going to miss the exhibit of movie props and costumes from all four movies at the Montreal Science Centre. Throw in my lifelong love of all things related to movie making and you might even say I had a Jones for it.
     The exhibit was a lot of fun and, although we were forbidden to photograph the pieces on display, there was no law against mentally recording the wonderful treasures from the four films for the sake of this review. So here goes!

     Upon entering the hall, guests are given an interactive screen with headphones. Each item on display has a number and by punching that into the screen, visitors can hear information about what they are looking at. For the most part, I found this information of little value but the first recording is an introduction to the exhibit by Harrison Ford who sounds like he’s reading (Blade Runner narration anyone?) but, hey, he’s Indiana Jones! He can do what he wants!

     Visitors are greeted by the full Jones costume: hat, weathered leather coat, whip, pistol, shirt, pants and scuffed up shoes. This was a real treat for this fan and one of the highlights of the exhibit.
     The displays are organized in the chronological order by film so let’s cover them this way.
RAIDERS OF THE LOST ARK
     The Raiders exhibit featured the fertility idol that almost gets Indy crushed by that giant ball in the opening sequence from the first movie. The plans of how they did the stunt are also included. Marion Ravenwood’s full costume from the bar scene is also there and it was a treat for this movie fan to admire the detail of the outfit. And what would a bar be without bottles, cases and the shot glasses from the drinking contest. But of course, every Indy fan knows that the key to the bar scene is the amulet Major Toht is willing to play with fire to acquire and that too was there for all to see. The workmanship that went into
these props really has to be seen to be believed as they go by so quickly on the screen. Balloq’s priest outfit from the ceremony where he and the Nazis attempt to open the Ark of the Covenant was another example of the incredibly detailed work that went into the costumes. One of the Egyptian sarcophaguses from the snake filled burial chamber was also a treat. But, let’s face it, the prop we all want to see from the first movie is the ark itself and there it was in all its glory. It’s held up pretty well over the last 30 years and, again, the level of detail and high lustre on this large prop is breathtaking.
TEMPLE OF DOOM
     Okay, it’s not everyone’s favorite Indy movie but it is part of the series and there were some nice pieces to feast the eye upon.
     This part of the exhibit was about costumes. Indy’s tux and Willie’s nightclub dress are on display as is Short Round’s complete outfit right down to the shoes/blocks he uses for driving. Sticking with costumes, Willie’s sacrificial dress is also included here as well as Mola Ram’s head dress.
     Other props include the jade jar that kicks off the opening action sequence and the Sankara stones themselves are here. I don’t know what the ‘stones’ are made off but they give off a special radiance all their own. Rounding this part of the exhibit is the miniature mining car with the mini-Jones/Willie/Round dolls used to film that ridiculous mine car chase through the caverns.
THE LAST CRUSADE
     As one of this fan’s favorite Indy films, it was a real treat to linger over the props here – and there are a lot of them.
     Young Indy’s scout hat kicks things off followed by the Cross of Coronado which Indy hunts into adulthood. Again, the cross is wonderfully detailed and looks as old and as precious as it is supposed to be. Dr. Elsa Schneider’s outfit from early in the film is here as is the suit and bow tie Indy wears while teaching. Wonderful period clothes all. Indy’s dad’s glasses and pocket watch are also here and what display would be complete without Indy Sr.’s grail notebook. What a treat it was to look over the carefully scrawled and weathered pages.
     There are a lot of props from this third instalment. The shield from the catacombs, the rubbing Indy makes of it. The crucifixes worn by the defenders of the grail are also here as is the “Leap of Faith” artwork. And they’ve included the grails! Both Walter Donovan’s poor choice and Indy’s correct one are here and it’s fitting that the simple cup of a carpenter outshines the jewel-encrusted grail which looks more gaudy to the naked eye than it does up on the screen.
THE KINGDOM OF THE CRYSTAL SKULL
     It comes as no surprise that there are more props from the fourth Indy film than from any of the previous three. Being a more recent production, I’m sure tracking down this stuff did not require an Indy-calibre archaeologist.
     Props galore! Mutt’s jacket, gum, switchblade, and motorcycle are here as is the letter urging him to hunt down Indiana Jones. And there are costumes! Irina Spalko’s outfit makes an appearance and you can read her file if you’re brave enough to get that close to her sword. Professor Oxley’s outfit is another marvel of the kind of detailed costume work being done these days. And his drawings are also on hand.
     You’ll also be able to feast your eyes on the skull that mesmerizes Indy and a full-sized alien skeleton in its chair from the end of the film. Throw in the ancient texts Indy refers to, some of the booty traitorous McHale tries to make off with, Orellana’s mummified ‘corpse’ and death mask which are incredible pieces of work and this latest and, perhaps, final Jones adventure is well represented.
OTHER GOODIES
     Although the exhibit features Indy props and costumes, the purpose of the display is supposed to stir interest in archaeology. To that end, there are a number of exhibits featuring real ancient finds. From ancient Greece and Rome to North American Indian artifacts, these run the breadth of human history and were very interesting. A small section also covers some real archaeologists and there is a lot of information on how they dig up the past.
     To be honest, this stuff was interesting but was not what I showed up for. As a movie buff, film and TV background perfomer, pulp fan and pulp author, I was there to wallow in all things Indy and that is precisely what I did.
     Summing up, I would recommend the exhibit. The entry price of $23 seemed a little high but as a fan I was willing to pay it as I’ve been a fan of the movies for three decades now. A great gift shop had a number of Indy shirts to choose from and I picked out a couple of nice ones.
     On the downside, the headsets/screens were dull at best and I skipped most of what was there to listen to. A good idea that went sour was the inclusion of TV screen showing many of the scenes in which the numerous props were used. This was a great feature but people tended to crowd around them, watching the movies, and blocking the props! It struck me as strange that folks would pay $23 to watch scenes from the movies that they could see at home! The exhibit is about the props and costumes people!
     I really enjoyed reliving the fun of the movies through the props and costumes. If you’re an Indy fan, I’m suspecting you will as well. So if Indiana Jones and the Adventure of Archaeology comes to your town, plop that fedora on your head, make sure that bullwhip is coiled tight and slip into that leather jacket, you’ve got some exploring to do!

Alex Pettyfer Discusses Being Number Four

Alex Pettyfer was director D.J. Caruso’s first pick for the title role in DreamWorks’ adaptation of I am Number Four. The film, coming to home video tomorrow from Walt Disney Home Entertainment, the role propelled the 20-year-old actor onto the global stage. Here, he talks about the film’s production and his life up to now.

What can you tell us about your new movie?

I Am Number Four is an action-packed adventure entwined with a romantic story – and I play the role of John Smith. John wants to be a normal kid, but he is from a different planet and he has been given this destiny of becoming a warrior. John tries to find out who he is and what he wants to do with his life, but he has a bit of a tough time with it all. I think a lot of people are going to relate to what he goes through in the story because it’s about an outsider trying to fit in. We’ve all been there.

When were you an outsider?

Well, I think we’ve all been in that scenario where we’ve felt like we were alone or different. Everyone goes through that.

What was it like to work with Dianna Agron on the movie?

It was great. Dianna has an old-school movie star quality to her and I had an amazing time working with her, but I also had a great time working with the rest of the cast. Everyone on the set was amazing.

Who else stars in the movie with you?

An actress called Teresa Palmer is a young ball of energy and we also have a guy called Callan McAuliffe who is great. Working with everyone on the movie was phenomenal. We all fit together really well. (more…)

Glee’s Dianna Agron Woos Number Four

Dianna Agron has been television’s perpetual high school cheerleader, attending classes with Veronica Mars or dissing Clarie on Heroes. Now a junior at William McKinley High, she has achieved national fame on Glee. Argon can be bitchy or catty or flirty but can be incredibly symapthetic when she lets her guard down as seen on the small screen. Her work in DreamWork’s I am Number Four, out on video next week, puts her on a path for a screen career. Here, she answers some questions courtesy of Walt Disney Home Entertainment.

Was it fun to leave the Glee gang behind for some big-screen action with your new movie, I Am Number Four?

It was a lot of fun to try something new, but I knew I was going back to Glee after we finished filming I Am Number Four. It was only a brief change for me, but it was great to step into a whole new world.

When did you discover that you clicked so well with your co-star, Alex Pettyfer?

When I was cast on I Am Number Four, I hadn’t met Alex. I had dinner with the movie’s director, D.J. Caruso, a couple of nights before our first table read with the big studio executives and that’s when D.J. said to me, “Perhaps you should meet Alex before the table read?” I thought that was a really good idea.

Alex has described you as an actress with an old-school movie star quality. How does that make you feel?

That’s very nice of him. It’s pretty hard to accept that compliment because I grew up watching and loving old-school actresses like Audrey Hepburn, Sophia Loren and Katharine Hepburn. They were always effortless to watch, but I’m growing and trying to challenge myself to get to that place. If I do get to where they are it would be amazing. That’s my goal.

Your character in the new movie is very romantic. Are you similar in real life?

I think so. I really love the character of Sarah because there are a lot of similarities to how I was at school. Sarah loves photography, and so do I. I really started to get into it at school. I have about 10 cameras now and they all have different purposes.

What else do you like to get up to in your spare time?

I love cooking. In fact, my favorite thing to do on a weekend is to have friends over and cook dinner. We’ll sit around, talk and play board games. I love doing things like that, although I also love to be outside and travel. I have such wanderlust. I try to go somewhere new for every vacation and there are so many places that I have yet to visit.

Are you into Twitter and the internet?

Computers are not a huge part of my life. I write, so I use a computer daily for that – but I’m not a big web surfer. I surf the internet every now and then, but it’s not like a two-hour a day, three-hour a day obsession of mine. (more…)

The Comancheros

At a time when movie stars were truly larger-than-life and iconic, few stood taller and were more memorable than John Wayne. The Duke more or less played himself, the tall, laconic keeper of the moral code regardless of era or genre. He’s best remembered for his work in Westerns, ultimately earning his one Oscar for True Grit, a tribute to a career spent along the dusty trails of a bygone America.

Bit by bit, Wayne’s oeuvre is being preserved on DVD and now Blu-ray, with [[[The Comancheros]]] being the most recent offering. In time for the perfect Father’s Day gift, the deluxe package from 20th Century Fox Home Entertainment offers up one of Wayne’s last big Westerns just as interest in the genre was beginning to wane. The movie is well regarded by many Western fans and Elmer Bernstein’s score has lived on, well beyond the film itself, used elsewhere ever since (including The Simpsons). It also has the historical footnote of being the final film from director Michael Curtiz, beloved for his earlier work on The Adventures of Robin Hood and Casablanca. He was laid low early on by cancer and Wayne himself took over much of the directing but refused credit. Second unit action sequences were handled by Cliff Lyons. The unfortunate many hands approach probably led to the film feeling incredibly uneven, talky without much punch to the dialogue sequences, and sluggishly paced for the first third. (more…)

Preview: Elisabeth Moss as Arisia in “Green Lantern: Emerald Knights”

We interview the lovely Elisabeth Moss (Mad Men, The West Wing), who performs the voice of Arisia in the upcoming [[[Green Lantern: Emerald Knights]]], as well as show a preview of the film. Here, we learn of the powerful villain the Green Lantern Corps must battle to save the universe — just as new recruit Arisia is arriving to be mentored by Hal Jordan (Nathan Fillion).

[[[Green Lantern: Emerald Knights]]] comes out on June 7th, just in time for the movie.

[youtube]http://www.youtube.com/watch?v=cTXw0sdAjbg[/youtube]


John Ostrander returns to writing Amanda Waller– online!

John Ostrander returns to writing Amanda Waller– online!

Amanda Waller as depicted in Justice League Un...

Image via Wikipedia

John Ostrander, who created Amanda Waller 25 years ago in Legends and wrote for many years in [[[Suicide Squad]]], has started writing a blog at http://drwaller.net/ detailing her day-to-day life and challenges with her job.

However, a quick read shows that it might not be the Amanda Waller we’re quite familiar with. I mean, the attitude is certainly there, and we do see a couple of names we recognize in the blog, but it seems that she went to the same astrophysics school that recently gave Jane Foster her doctorate in the [[[Thor]]] movie.

So is this yet another part the alternate universe of Flashpoint, or is it part of the Green Lantern movie? Who cares, it’s John Ostrander writing the Wall again! Go read it.

Reviews from the 86th Floor: Barry Reese reviews The Phantom: KGB Noir – The Hammer

THE PHANTOM: KGB NOIR – THE HAMMER
Written by Mike Bullock
Art by Fernando Peniche
ISBN 978-1933076805

This black-and-white trade collects the six issue limited series and also includes artist sketches and liner notes from the author. As Mike Bullock mentions in his notes, this series was changed midstream in length and I think that contributes to the breakneck pace that this has — it starts with action and never lets up. While this gives it all a movie serial kind of feel, it does make it kind of hard to get into the heads of the villains: they feel very shallow and more character types than people. But the artwork is fetching and the story has a lot of exciting action sequences so it all adds up to a great summer action flick kind of ambiance. It’s fun to see the Phantom in a different setting, too, though I do kind of miss Diana and the kids — but with the pacing of this story, there’s no room for them. One thing that struck me was that there’s no explanation of who or what the Phantom is — it didn’t deter me, since I love the Phantom and realize that most people who would buy this probably do, too. But I do believe in Jim Shooter’s axiom that every issue is somebody’s first and that you should always manage to explain a character’s motivations, etc. in some manner — but, again, with the pacing here, there was little to no time for reflection. Is this the best Phantom story I’ve seen from Mike Bullock? No. But it’s still a great, fun read and comes highly recommended to diehard Phantom fans. If you’re new to the character, I wouldn’t start here since there’s little in the way of “classic” lore but if you’re familiar with the hero and want something a bit different, this could fit the bill.

Review: “Thor”

Review: “Thor”

Chris Hemsworth as Thor as depicted in the upc...

Image via Wikipedia

For a Marvel movie geek, three things were inevitable about Thor: 1) The Stan Lee cameo scene, 2) the post-end credits scene, and 3) nitpicking. Nitpicking is going to happen with any comic book related movie, and I’ve grudgingly accepted it as a necessary evil that certain sacrifices would need to be made in any translation of a story from one medium to another. Thus, certain things will have to be overlooked IF the end result is successful.

Marvel’s version of Thor in its many incarnations has tread a delicate balance of Norse mythology and something flashy thanks to Jack Kirby’s glorious art. In Kenneth Branagh’s movie adaptation of Thor, there are elements of the Prodigal Son, Arthurian mythology, and of course, grounding in Marvel history.

For his arrogance and defiance of his father Odin (Sir Anthony Hopkins), King of otherworldly Asgard, Thor (Chris Hemsworth) is stripped of his considerable power and warhammer Mjolnir and banished to Earth. Making matters worse, his brother Loki (Tom Hiddleston) is beginning to discover things about himself, and let’s say he starts some trouble, now that Odin is in a coma. While on earth, Thor is tricked into believing that his father is dead (and three guesses as to who tricked him).

There was the requisite love interest in Dr. Jane Foster (Natalie Portman), a scientist investigating atmospheric anomalies. As with recent Marvel movies, the shadowy government agency SHIELD was behind the scenes, and this being a Summer movie, there was the requisite amount of wholesale property damage.

While formulaic, Thor is refreshingly entertaining. Comic book movies rely heavily upon reverence for and adherence to the source material. The result must look and more importantly feel like the comic books. Kenneth Branagh’s Thor succeeds and entertains although the progression from arrogant bastard to superhero wasn’t deep enough, and I could have done without Darcy Lewis (Kat Dennings), Dr. Jane Foster’s ultra-annoying assistant.

If you still have no idea what the movie’s about, here’s a brief featurette:

Read “Hammer Of The Gods: Back From The Dead”!

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With all the interest in Norse sagas because of that movie opening today, we would be remiss if we didn’t remind you about you Hammer Of The Gods, the series from Michael Avon Oeming (Powers) and Mark Wheatley (EZ Street)!

This is the saga of Modi, a young Viking who was given amazing powers from the Norse Gods, literally carrying the power of Mjollnir, the hammer of Thorr… and a destiny to shake the world.


In the original 2004 graphic novel (which was recently reprinted by ComicMix and IDW, and is available for sale now) Modi came to terms with his strengths and weaknesses, fell in love with the Valkyrie, Skogul, and became a hero. As the new series starts, Odin, the king of the Gods, decides to peek in on the world of men. He travels to China, and soon Modi and his men must follow.

In addition to Oeming and Wheatley, there are contributions from John Staton, Neil Vokes, Guy Davis, Matt Plog, Tim Wallace, Brian Quinn, Scott Morse, Ethan Beavers, David Beck and others.

Read the series online now— or buy Hammer Of The Gods Volume 1: Mortal Enemy from your local comic book store or from Amazon!