Derrick Ferguson Ducks The Mighty Shield of CAPTAIN AMERICA
I first encountered the legend of Dylan Dog back when I was trying to cover foreign comics while at Comics Scene and then wrote about the film adaptation a while back over at Famous Monster of Filmland. A PI in the world of things that go bump in the night sounded like a lot of fun. That the Italian comic has been running for decades also spoke to its creative spark and the genius of Tiziano Sclavi. Then I saw that this was going to Brandon Routh’s third film based on a comic book and figured he was 1 for 2 so far (entertaining in Scott Pilgrim, not served well by Superman Return’s lousy script) and might improve his average. He had certainly improved as an actor, as witnessed by Fear Itself and his recurring role on Chuck.
The trailers certainly made the movie look lighthearted and wonky, much like the comic source material so there was reason to be encouraged. The movie then opened and closed so fast there was little time to determine what went wrong (and if anything went right). 20th Century Home Entertainment pulled out all the stops (including a fun, interactive Facebook page) to promote the DVD, which arrived last week, making you think maybe this was some sort of overlook gem that just needed better marketing.
Nope. The film is still a creative misfire that pays the barest lip-service to the comics and carved its own niche of awfulness. Set in a supernatural New Orleans, the film features Routh as Dylan Dog, a former PI specializing in monsters but now just down on his luck. He’s lured back in to the world of vampires, werewolves, and zombies by those who wish to keep their existence low key so angry mobs don’t show up on a weekly basis. He’s hired by Elizabeth (Anita Briem), who saw a werewolf murder her father and steal the movie’s McGuffin, the Heart of Belial. Yes, rather than your typical investigation, Dylan immediately gets dragged back into the monster realm in time to prevent the end of the world. (more…)
For the first time in movie history, the top three highest grossing films in a weekend are all adapted from comics.
LOS ANGELES (AP) — Little blue Smurfs and not-so-little green men from space are in a photo finish for the No. 1 spot at the weekend box office.
Daniel Craig and Harrison Ford’s sci-fi Western “Cowboys & Aliens” and the family adventure “The Smurfs” both opened with $36.2 million, according to studio estimates Sunday.
That leaves Sony’s “Smurfs” and Universal’s “Cowboys & Aliens” tied for the top spot. Figuring out the No. 1 movie will have to wait until final numbers are counted Monday.
The previous weekend’s top movie, “Captain America: The First Avenger,” slipped to No. 3 with $24.9 million and raised its domestic total to $116.8 million.
Now of course, the question– is this a trend that will last? Or is this the high water mark?
Also: ComicsBeat has a great take on what this means for Platinum Studios, complete with business accounts for those of us who like this sort of thing.
Pontiac, MI., July 25, 2011—Walt Disney Pictures’ fantastical adventure Oz The Great and Powerful, directed by Sam Raimi, went in front of the cameras at the brand-new Raleigh Studios in Pontiac, Michigan, on Monday, July 25, 2011, boasting a stellar cast that includes Academy Award® nominee James Franco (127 Hours) as the young wizard, Golden Globe® nominee Mila Kunis (Black Swan) as the witch Theodora, Academy Award® winner Rachel Weisz (The Constant Gardener) as Kunis’ sister Evanora and two-time Oscar®-nominated actress Michelle Williams (Brokeback Mountain, Blue Valentine) as Glinda, the Good Witch.
The cast also includes Emmy® and Golden Globe® nominee Zach Braff (Scrubs, Garden State), who will play Franco’s circus assistant as well as lend his vocal talents to one of the CGI creatures in the story — Finley, the winged monkey who accompanies the magician on his journey to Oz; and 12-year-old actress Joey King (Ramona and Beezus), who will voice another CGI character in the story, China Girl, who also joins the future Wizard on his excursion through Oz. (more…)
Joe Johnston knows how to direct adventure films but watching his growth as a director has been a pleasure. His first offering, Honey, I Shrunk the Kids was a visual effects feast, thanks to his training at Industrial Light & Magic. He followed up in 1991 with his first comic book adaptation, Dave Stevens’ Rocketeer and while the movie is far better than the critical reaction or box office would indicate, it still lacked that certain spark of delight for a summer blockbuster. Over the intervening years, Joe has continued to direct films that has shown steady growth as he has more subtly integrated effects with characterization with the family friendly Jumanji and the heart-warming October Sky. It was all good training as he took on what has become his highest profile project yet, Captain America: The First Avenger.
Clearly, he has learned his lessons as the critics – both mainstream and geek alike – have raved over the film while the $65 million it earned over the weekend proves he delivered a film people wanted to see. There were many obstacles challenging Johnston so that he managed to overcome them with aplomb is quite impressive. First of all, he had to turn a brief origin story from Captain America Comics #1 into a story that was plausible for modern day audiences. He had to fill it with winks and nods to the comics continuity that has been built around that Joe Simon & Jack Kirby tale of a man being turned into a super-solider. Then there was all the spadework that was required to prime audiences for the next installment in the Marvel Film Universe, next summer’s The Avengers.
Joining me for the Saturday matinee were two neighbors who only knew the character by name so while I sat there geeking out like the rest of you over the little touches, they were thoroughly satisfied with the story from beginning to end. (I had to spend dinner annotating it for them which was a fun test of memory.) (more…)
What would you do if you could fully tap your brain’s capabilities? Every generation or so, the question is pondered, thanks to the latest breakthroughs or studies in neuroscience. It makes for an interesting discussion and sometimes, brilliant works such as Flowers for Algernon (the great book by Daniel Keyes, and Charly the movie with Cliff Robertson). The most recent addition to this sub-genre of fiction is The Dark Fields, a novel by Alan Glynn, which became the basis for the movie [[[Limitless]]], which was released on DVD this week by Twentieth-Century Fox Home Entertainment.
If you were Eddie Morra, you apparently turn into something unlike yourself. We meet him teetering atop a high-rise as people bang on his security door to enter his apartment fortress. Flashing back, we learn what happened to turn a slacker into a genius. Leslie Dixon’s screenplay, which makes huge changes from the novel, shows us a sad sack, but a sad sack with a novel contract, unable to write. After months of not writing and living like a slob, he meets his book editor girlfriend Lindy only to be dumped.
A chance meeting with the brother of his ex-wife introduces him to the experimental drug NZT-48 which clarifies his thinking, making him hyper-aware of the world around him and focuses his mind, allowing him to accomplish more in a day than he has in six months. We see him write the overdue first chapters and actually hand printed pages to his stunned editor (mostly because editors so rarely see printed anything until the final book, but I digress).
The brother-in-law winds up dead and Eddie locates and steals the remaining supply of the drug and begins using them with increasing regularity to take his newfound powers of concentration and improve his life. He masters the piano, learns multiple languages, can see trends and capitalize on them– and here’s where both book and movie begin to veer off course. Rather than tap the creative energies that led to Eddie’s career, he somehow switches gears to become a day trader to get rich and then moves into the financial world. Meantime, his drug dependency grows and weird things begin to happen to him. (more…)
After netting nearly 300 million dollars worldwide in ticket sales, no one can question the motives behind making the final HARRY POTTER film in 3-D. We talk to the men who guided the movie to the top and the screenwriter who helped bring J.,K. Rowling’s stories to life. Plus we are set fore ComicCon 2011 – are you? No worries, we’ve got your FREE PASS right here.
Check out The Point Radio for constant pop culture updates – and please check us out on Facebook right here & toss us a “like”.
It could be called one of the biggest movie franchises if all time, and this weekend HARRY POTTER comes to an end. We sit down with Emma Watson and Rubert Grint on their feelings about closing this chapter in their careers. Plus more with Zak Penn on the Bad Guys challenging his ALPHAS. And Marvel Comics really wants you to open up a comic store!
Check out The Point Radio for constant pop culture updates – and please check us out on Facebook right here & toss us a “like”.
With the video of release of Sucker Punch last week, the debate over director Zack Snyder’s vision and treatment of women has been renewed across the boards. Frankly, we were disappointed by the empty characterizations mixed with pretty visuals. Still, it has its fans so let us cluye you in to a new feature on the movie’s website.
Close your eyes. Open your mind. Engage in a spectacular fantasy adventure. Create your own Sucker Punch custom videos by combining clips, audio, effects and transitions. Then save your creations to the Gallery and share with friends!
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