Tagged: Marvel Comics

2008 Harvey Awards: ‘All-Star Superman’ wins big, ‘Wimpy Kid’ shut out

2008 Harvey Awards: ‘All-Star Superman’ wins big, ‘Wimpy Kid’ shut out

The 2008 Harvey Awards were given out at the Baltimore Comic-Con this evening. All-Star Superman won for Best Continuing Limited Series, Best Artist, and Best Single Issue or Story, but lost Best Writer to Brian K. Vaughn for Y: The Last Man; while Diary of a Wimpy Kid lost in all seven categories in which it was nominated. Our own EZ Street, nominated for "Best Online Comic" lost to Nicholas Gurewitch’s Perry Bible Fellowship. The Hero Initiative Lifetime Acheivement Award was presented to Nick Cardy by Todd Dezago. This year’s Harvey Awards were hosted once again by Kyle Baker.

The winners:

BEST WRITER: Brian K. Vaughan, Y: The Last Man, Vertigo/DC Comics
BEST ARTIST: Frank Quitely, All Star Superman, DC Comics
BEST CARTOONIST: Darwyn Cooke, The Spirit, DC Comics
BEST GRAPHIC ALBUM – ORIGINAL: Scott Pilgrim Gets It Together, Oni Press
BEST GRAPHIC ALBUM – PREVIOUSLY PUBLISHED: Captain America Omnibus, Volume 1, Marvel Comics
BEST DOMESTIC REPRINT PROJECT: Complete Peanuts, Fantagraphics Books
BEST AMERICAN EDITION OF FOREIGN MATERIAL: Eduardo Risso’s Tales of Terror, Dynamite Entertainment
SPECIAL AWARD FOR HUMOR: Nicholas Gurewitch, Perry Bible Fellowship, www.pbfcomics.com
BEST ONLINE COMIC: Perry Bible Fellowship, Nicholas Gurewitch, www.pbfcomics.com
SPECIAL AWARD FOR EXCELLENCE IN PRESENTATION: EC Archives, Various, edited by John Clark, Gemstone
BEST SINGLE ISSUE OR STORY: All Star Superman # 8, DC Comics
BEST BIOGRAPHICAL, HISTORICAL OR JOURNALISTIC PRESENTATION: Reading Comics: How Graphic Albums Work and What They Mean, Douglas Wolk, Da Capo Press
BEST COVER ARTIST: Mike Mignola, Hellboy, Dark Horse Comics
BEST LETTERER: Chris Eliopoulos, Daredevil, Marvel Comics
BEST COLORIST: Laura Martin, Thor, Marvel Comics
BEST INKER: Kevin Nowlan, Witchblade, Top Cow/Image
BEST SYNDICATED STRIP OR PANEL: Doonesbury, Garry Trudeau, Universal Press Syndicate
BEST CONTINUING OR LIMITED SERIES: All Star Superman, DC Comics
BEST NEW SERIES: Umbrella Academy, Dark Horse Comics
BEST NEW TALENT: Vasilis Lolos, Last Call, Oni Press
BEST ANTHOLOGY: Popgun Volume 1, edited by Joe Keatinge and Mark Andrew Smith, Image Books

Congratulations to all of this year’s winners! And for those who missed it, here is the full list of 2008 Harvey Award nominees.

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Stanton Reimagines ‘John Carter of Mars’

Stanton Reimagines ‘John Carter of Mars’

Pixar’s Andrew Stanton said that he and Mark Andrews are spending the rest of this year on the script adaptation to Edgar Rice Burroughs’ John Carter of Mars. The director told Sci FI Wire that their approach is more about taking what they recalled best from the epic science fiction tale rather than a literal translation.

"I’m going to do what I remember more than what they exactly do," Stanton told a group interview yesterday.

Pixar’s General Manager, Jim Morris, commented, "Everything that’s been out there has been an attempt to kind of capture this Deco-esque [Frank] Frazetta vision of John Carter, which I think feels old and stale. And where Stanton is going — from what we’ve seen so far — is very different than that. And I think that the people who really love the essence of the books will really dig it, but so will audiences in general."

As for the new look, Morris said, "John Carter is in its very early stages and there is much to figure out about that so we’d be premature. We are looking at a variety of different approaches and techniques for that … We’re kind of a bit early in the development of that.

"I’m sure I speak for all of the science fiction geeks, fans and aficionados when I say it’s finally time to see that movie. And I, for one, am delighted that Andrew Stanton is the guy that’s making the movie, because he’s a story-driven guy."

Despite an abandoned attempt by Disney to animate the story of a Civil War soldier somehow transported to Mars, the film has been repeatedly option for film but never getting in front of the cameras.  The stories have been adapted for comic books throughout the years with interpretations from both DC Comics and Marvel Comics.
 

Colbert Upholds Celebrity/Super-Hero Legacy

Colbert Upholds Celebrity/Super-Hero Legacy

So word is out that Comedy Central’s Stephen Colbert, host of the Colbert Report, is going to be teaming up with New York’s  most famous web-slinging vigilante in the upcoming Amazing Spider-Man #573, written by Mark Waid (Kingdom Come) and illustrated by Patrick Olliffe (Spider-Girl). In the Marvel Universe, Colbert is running for President of the U.S. and no doubt this will come into play in the eight-page adventure. It would certainly be in keeping with the atmosphere of several comics these days, such as DC’s True Decisions mini-series which features the JLA acting as security for presidential candidates and the most recent Captain America arc in which the Red Skull attempted to sway the election for his own purposes.

This isn’t going to be the their first meeting, of course. In Friendly Neighborhood Spider-Man #15, during Marvel’s Civil War crossover, the two met at a bookstore. Of course, Spidey wasn’t in his costume at the time and Colbert was attempting to act incognito, so chances are this won’t be referenced in the upcoming story.

But any true comic book fan should know that celebrity cameos have happened quite often in super-hero tales. And Colbert is by far the first comedy show host to meet a Marvel hero.

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‘Secret Invasion’ So Far: The Main Story

‘Secret Invasion’ So Far: The Main Story

So we’re more than half-way through Secret Invasion, the event that’s supposed to be the biggest thing to rock the Marvel Universe since Civil War, where the question was “whose side are you on?” Secret Invasion’s question is “who do you trust?”, which is almost the same question as Civil War’s but not as grammatically correct ( it’s "whom", people!) and concerns the revelation that several Skrulls (shape-shifting aliens who’ve had their asses kicked many times) have secretly been living among us for a while. This story is the brain-child of Brian Michael Bendis, who has been praised for his series Powers and his run on Ultimate Spider-Man and who has been writing New Avengers and Mighty Avengers since both titles were created.

This plot has been done before to lesser degrees. In the early 90s, the Fantastic Four discovered that the Human Torch’s wife had been impersonated by a Skrull since before they were even engaged. And a couple of years later, the X-Men found out that Wolverine had been replaced by a Skrull who then died because he didn’t know he didn’t have Wolvie’s powers too (idiot).

But there are three major elements that mark this particular invasion story as different from what we’ve seen in comic books a million times over. The first element is that what’s left of the Skrull Empire has now taken up religion. Their holy texts tell them that Earth is theirs by right and they have become quite creepy by habitually saying “He loves you” to everyone they attack. Secondly, they’ve learned how to infiltrate us in such a way that they are now beyond the detection of super-powers, magic and technology – very scary in this post-9/11 world. Finally, the Skrulls have finally figured out how to produce super-powers on a large scale. Where once the Super-Skrull and Power Skrull were unique, now there are thousands of Skrull warriors who have the combined powers of many different villains and heroes.

But how’s the execution? Well, in a nutshell, the main series started off very strong and has recently picked up steam again full force. Even when it was slow, it had some great scenes. But these are over-shadowed occasionally by pages of wasted space and repetitive recaps. And out of the eleven tie-in issues Bendis has written so far, eight of them can be ignored or have a smidge of substance that’s surrounded by filler pages.

But if you are one of those unfortunate souls who bought all the New Avengers and Mighty Avengers tie-ins and then realized you’d wasted over twenty bucks, don’t worry! Just do what I and my good friend Lisa McMullan did. With a little creativity, you can take those pages and make yourself a very smart looking jacket! Now you’re not a sucker, you are actually quite fashionable!

Don’t believe me? Just look at this photographic evidence, nay-sayer! All you need is scissors, tape and maybe an hour of free time.

And when people ask you "How did you think to make such a snazy and debonair sport coat?", you can simply say "I got the idea from those crazy guys at ComicMix and Alan ‘the Sizzler’ Kistler. He’s one nutty guy, that Sizzler."

Not a bad series, but I definitely have some criticisms. Hmmm? What’s that? You want more detail about what my problems are with the main series and the Bendis-written tie-ins? Not a problem, folks. That’s what I get paid for.

By the way, folks, if it pleases you, feel free to check out my old list of the Six Worst Moments in Skrull History!

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Fingeroth to Speak About Graphic Novels

Fingeroth to Speak About Graphic Novels

Danny Fingeroth, best known today as editor of Write Now!, will be speaking on the topic of graphic novels at the Court street Barnes & Noble in Brooklyn on Tuesday evening at 7 p.m.

Known for his superhero work, Fingeroth may seem like an unorthodox choice to write a guide to non-superhero, "literary" graphic novels such as Maus, Fun Home, etc. But that, he says, is the point. The world of the literary GN is unknown territory to many followers of superheroes. As  a result he wrote the Rough Guide to Graphic Novels, published recently by PenguinPutnam.

This is far from Fingeroth’s first boo, having previously authored Superman on the Couch and Disguised as Clark Kent.  Fingeroth was also previously Spider-Man Group Editor and a Marvel Comics writer.

In his Barnes & Noble presentation, Fingeroth will discuss the world of graphic novels and present his sure-to-be controversial favorites. Q & A and signing will follow, and perhaps a surprise or two will be in store.
 

The Theory of Webcomics: Could DRM Kill Your Webcomic?

The Theory of Webcomics: Could DRM Kill Your Webcomic?

The idea that the march of technology is too slow and could kill a baby art form is nothing new. Scott Kurtz wrote “Could Success Kill Your Webcomic?” in 2002, as he was then concerned with the increasing cost of bandwidth that came with an influx of readers. Fortunately, in the last six years, technological growth outpaced his concerns, but things were a bit dicey for some popular webcomics for a little while there.

Webcomics are taking the market share from print comics, particularly indie ones (though I wouldn’t be surprised if the general correlation between the advent of the web and decreasing sales of major companies’ print comics turned out to be a causation). When it comes to attracting new readers, a free product available on the web and updated daily (or several times weekly) is far more enticing to cash-strapped kids than a $3 22-page pamphlet that requires leaving the house to acquire and only advances the story once a month.

On a similar note, I’m of the strong opinion that when a company is able to produce and market a color ebook reader at the right screen size and the right price-point, it will kill the pamphlet comic book and hugely broaden the market for webcomics. Once the reading experience is equivalent, the decreased effort of ebooks can win the market for them. Why buy when you can download? If you want a physical copy, wait a few months and buy the trade paperback.

Obviously, the solution for the big companies is to appeal to those new readers by directly competing with webcomics and taking their advantages for yourself, while keeping your original advantages (professionalism, well-known brands, and the like). Of course, there are problems with translating print-sized comics to screens: Virtually no-one’s monitors can fully display ten-by-seven inches in portrait format with enough magnification to make it readable without destroying your eyes. Which means you either expand the image and have to scroll, or you can’t read the text and need to magnify it. (And in the worst cases, you need to scroll in multiple directions.) And there’s the loading wait when you turn a page. Most webcomics solve these problems by formatting their comics to fit most browsers, intentionally limiting the necessary scrolling and optimizing their text size for reading on monitors. The comics themselves are set up as compressed graphic images that load quickly. The archive sections of sites are usually designed with stripped-down graphics so that you can read through them quickly.

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Bluewater Announces ‘William Shatner Presents’

Bluewater Announces ‘William Shatner Presents’

Bluewater Productions has added William Shatner to their growing line of celebrity endorsed comic books.  Following in the footsteps of Ray Harryhausen, Vincent Price and Roger Corman, Shatner will have comics based on his novels including Man O’ War and Quest for Tomorrow. These will be published as miniseries, continuing the stories with talent yet to be announced.

His TekWar, written with Ron Goulart and an unnamed fourth title round out the commitment between the actor and the publisher. TekWar will also be a continuation. All four are scheduled to come out in the first quarter of 2009, available in comic shops as the hoopla surrounding the reboot of Star Trek edges towards its May 8 release.

The TekWar universe was adapted previously by Marvel Comics in the early 1990s and ran for 24 issues, written solely by Goulart.  Darren G. Davis, president of Bluewater, has promised the ongoing series will be more faithful to the source material which ran in nine novels.  It was also adapted as four telefilms and a one-season syndicated series starring Greg Evigan.

Bluewater’s publisher Darren Davis said in a release, “Mr. Shatner is a savvy businessman and a creative mastermind. We’re honored to be partnering with him and are confident our efforts will create comic books both his fans and ours will embrace.”

“With all of these comics, I have final approval," Shatner told the Los Angeles Times. "This is not a licensing arrangement; this will be me involved very directly throughout the process. They are going to do adaptations of my ideas and also sequels; they will be in the stores in March of 2009. I loved comics as a kid. I used to sit under the sheets with a flashlight and read Superman when I was six in Montreal and now, with the comics as they are today, it’s thrilling, really.”

Of the old Gold Key comic adaptations of Star Trek, Shatner enthused, "Oh, they were great. They always made me look so skinny."

Embrace Your Inner Pig, by Mike Gold

Embrace Your Inner Pig, by Mike Gold

Are you a pig, or are you a sheep? I’m a pig, myself.

Contrary to popular opinion – particularly these past couple weeks – pigs are clean, intelligent, productive, and necessary to our eco-system. Of course, beauty is in the eye of the beholder and while I must admit pigs do nothing for me, I’m not here to pass judgment on animal lovers.

Sheep are useful. I haven’t checked out their SAT scores, and they seem pleasant enough. While I understand they are more appealing than pigs in certain farmland circles (including at least one semi-famous 1960s comics artist who bragged about it) and lanolin is comforting stuff, they, too, evade my wandering eye.

As colloquial phrases, neither one is held in very high regard. Being a pig has come to mean being ugly (totally unfair), being stubborn (probably fair), and/or being a miscreant police officer (tacky).  Being a sheep has come to mean being totally passive, one who follows the sheppard’s demands mindlessly, even to one’s own detriment.

Ergo, I’d rather be a pig than a sheep. But I’d rather be a sheep than an idiot.

Last Friday, Michael Davis commented about the Palin-the-Phony-Pig non-scandal, and he did so with his typical charm, wit, and aplomb. I have no intention of repeating his argument.

Actually, the whole thing sickens me.

Not the fact that McCain would seize upon a comment of Obama’s that had nothing to do with Palin and turn it into such. That’s campaigning for you, and one of the ways we can determine the make of person running is the way he or she conducts his or her campaign. McCain’s a scumbag who, according to his campaign “doesn’t speak for the campaign" (to quote McCain spokesman Tucker Bounds). Fine. We know McCain, and by now we know Palin, her ethics, her family values, and her supporters’ stand on hypocrisy and blatant lying. I’m good to go here.

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D.J. Caruso, Asgard Bound?

D.J. Caruso, Asgard Bound?

Director D.J. Caruso, while out promoting his forthcoming Eagle Eye, has expressed interest in heading to Asgard for his next project.

While talking with IESB, he said, “You know…I would definitely tackle [Thor] and I sort of wrestled with it before and I was always a fan of Thor growing up as a kid. I know that they [Marvel] have a script, but there’s something, there’s a fear I have about Thor and depending on what Thor story you want to tell, whether you want to bring Thor into the modern world or if you want to go back to Asgard and get the history of what’s happening between him and his brother and dad. That’s one I’ve always been interested in and it also would be, it would be a monumental task so, I could definitely see myself getting myself into that.

“I have had some talks with Marvel about it but I have not seen a screenplay. It could be something that I am interested in.”

Caruso, who also directed Disturbia, is the first director attached to the project since Stardust’s Matthew Vaughn was associated with the project last year.  Thor remains on Marvel/Paramount’s schedule for a Summer 2010 release along with Iron Man 2.
 

‘Iron Man 2’ Auction to Support Cancer Charity

‘Iron Man 2’ Auction to Support Cancer Charity

Marvel Comics is continuing its support of Stand Up To Cancer by offering an Iron Man 2 Vip Package over at eBay. Similar to the just concluded Spider-Man 4 auction, the winner and a guest will receive:

A one day visit to the set, a walk on part documented by the unit photographer, tickets to the Los Angeles premiere of the film in April 2010 and a chance to walk the red carpet. 

Earlier today, the bidding was in excess of $5000 and the auction ends on September 15.