Tagged: Marvel Comics

2009 Harvey Awards nominees announced

2009 Harvey Awards nominees announced

The 2009 Harvey Awards Nominees have been announced with the release of the final ballot, presented by the Executive Committees of the Harvey Awards and the Baltimore Comic-Con. Named in honor of the late Harvey Kurtzman, one of the industry’s most innovative talents, the Harvey Awards recognize outstanding work in comics and sequential art. They will be presented October 10, 2009 in Baltimore, MD, in conjunction with the Baltimore Comic-Con.

Nominations for the Harvey Awards are selected exclusively by creators – those who write, draw, ink, letter, color, design, edit or are otherwise involved in a creative capacity in the comics field. They are the only industry awards both nominated and selected by the full body of comic book professionals. Professionals who participate will be joining nearly 2,000 other comics professionals in honoring the outstanding comics achievements of 2008. Thank you to all that have already participated by submitting a nomination ballot.

Final ballots are due to the Harvey Awards by Friday, August 28, 2009. Full details for submission of completed ballots can be found on the final ballot. Voting is open to anyone professionally involved in a creative capacity within the comics field. Final ballots are available for download at www.harveyawards.org. Those without Internet access may request that paper ballots be sent to them via mail or fax by calling the Baltimore Comic-Con (410-526-7410) or e-mailing baltimorecomicccon@yahoo.com.

This will be the fourth year for the Harvey Awards in Baltimore, MD. Our Master of Ceremonies this year will be Scott Kurtz. Look for more details soon on how you can attend the Harvey Awards dinner.

This year’s Baltimore Comic-Con will be held October 10-11, 2009. The ceremony and banquet for the 2008 Harvey Awards will be held Saturday night, October 10.

The full ballot is listed below.

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The Point Spider-Man Speaks!

The Point Spider-Man Speaks!

He is the voice behind the power – Josh Keaton is the lead on the SPECTACULAR SPIDER-MAN TV show and now he shares his secrets & success right here, plus a new Doctor Who RPG and will Longbox be the iTunes of online comics?

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The Point Yes Cap Is Back!

The Point Yes Cap Is Back!

Did Marvel really expect us to be surprised? And what lies in the closet of the man who created SUPERMAN? Plus, how funny is back at the top of the box office for the second week!


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The Point Mocca Recap

The Point Mocca Recap

A new facility and a great turn-out for the MOCCA Art Festival in New York – we’ve got your recap plus the newest comic publisher happens to be Uncle Sam, Peter Jackson got his ticket to ComicCon and Marvel gives us some Strange.


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to Get The Point!

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Don’t forget that you can now enjoy THE POINT 24/7. Updates on all parts of pop culture, special progarmming by some of your favorite personalities and the biggest variety of contemporary music on the net.

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Marvel vs. DC: E3 Edition!

Marvel vs. DC: E3 Edition!

In case you’ve been under a rock, or don’t pay any attention, this week the Electronic Entertainment Expo has been showcasing some fancy new titles due out soon for the current generation (that being the Sony Playstation 3, and Microsoft Xbox 360… sorry Wii-Heads) of video game systems that should tickle comic lover’s thumbs.

From DC’s mighty utility belt comes Batman: Arkham Asylum. Produced by Rocksteady Studios, and published by the fine folks who gave the world Lara Croft’s shapely rear end life, Arkham Asylum lets wanna-be detectives put on the digital cape and cowl for a rousing round of villain destruction. Falling somewhere between Splinter Cell‘s stealthy kill-em-up, and God of War‘s thumb-destroying beat-em-up, the game features an original take on the Grant Morrison penned graphic novel. Players will take Bats through multiple levels (all inside the aforementioned loony bin) in what appears to be a final fracas with the clown prince of crime. Voice actors from Bruce Timm’s seminal animated series provide audible lift to what easily appears to be the best iteration of the Dark Knight’s digital gaming experience. While hands on reports mention some sloppy camera work still be worked out, the game is slated for release at the tail end of August… giving them enough time to work out the kinks. Let’s just hope there’s no multiverse twist at the end, eh?

From the House of Idea’s comes another sequel in the celebrated ‘dungeon-crawler’ epic: Marvel Ultimate Alliance 2: Electric Boogaloo. OK, it’s not an electric boogaloo… but what UA:2 is, is a continuation of Vicarious Vision’s long running franchise that’s looking to make the true leap to the next generation from its Playstation 2 / Xbox roots. UA:2 takes place in the current-ish comic storyline (Civil War anyone?) and allows players to take the reigns on some of Marvel’s most popular characters. Want to smash and bash as the Hulk? Go ahead. Want to pilot some mighty armor as Iron Man? Hit the X button pal. Not a fan of the classics? No problem. UA:2 brings Matt Gargan’s Venom, Deadpool, and the mighty Juggernaut as potential playable characters. Players will get to make their own teams, and take them into battles across several Marvel stalwart environments, from Latveria to the Barack Obama-Spider-Man-fist-bumping Washington D.C.. While Activision is hush-hush on an official street date for now, look for the Ultimate Alliance 2 to hit your local gaming emporium in the fall.

For more information on E3, and the scads of games being played by people more important than us, feel free to head to the official site.

Review: Wolverine reference books

Review: Wolverine reference books

It’s fascinating to see the same material presented in competing books, approached in entirely different ways.  DK Publishing, the successful home to the various character-specific Ultimate Guides, offers up Wolverine: Inside the World of the Living Weapon (200 pages, $24.99) while Pocket Books, which has been home to the Marvel novels, gives us The Wolverine Files (160 pages, $40).  The former is written by DK mainstay Matthew K. Manning while Mike W. Barr, not a writer normally associated with guide books or Wolverine, handles the second book.

Both detail the character’s background, his friends, his foes, his greatest capers, and a look at his deeply fractured psyche and tortured soul. 

However, Manning’s book gives readers a far more detailed accounting of the backgrounds of the characters and storylines. Taking a chronological approach, he offers up overview of specific eras followed by key issue spotlights plus long looks at the key people in his life, both the good and the evil. Interspersed are also short bits regarding how the stories fit in with the overall publishing program at Marvel along with some insight into the creators and their efforts.  As a result, this is a far richer, and cheaper, reading experience.

DK, known for its hyperkinetic layouts, tones things done here and makes each spread easier to read, with nice call outs, and judicious graphic selections showing the great range of art styles employed through the years.

If this book is to be faulted, it’s in not providing enough information regarding the behind-the-scenes work that led to these stories and events. For example, why did Bill Jemas decide that 2001 was the time to finally provide Logan with an origin?  Also, Wolverine’s unusual friendships with Jubilee and Kitty Pryde are given short-shrift and both deserved more space.

Barr’s approach is the more creative, with files, reports, letters and memos from the people in Wolverine’s life summing up the man’s background and career. Written from the point of view of Nick Fury, Natasha Romanov, Jasper Sitwell and others, it has varied voices which make for a different reading experience.

The book is more cleanly designed, resembling a S.H.I.E.L.D. case file with tabs along the edge to replicate the look of a report. There are margin notes from Fury and sections are redacted to give it that “declassified look”. The profiles of people and places read not too different from a Marvel Handbook page and the art skews to the works from the last decade and could have benefited from material culled from earlier points in his publishing career.

While a more varied read, it’s also not as complete a dossier and for $40, it should offer a lot more, especially with the competitive book.

If both books are beyond your wallet, Marvel competes with their licensees with [[[Wolverine: Weapon X Files]]], a 64-page comic book for a mere $4.99. Head writer Jeff Christiansen and his ten colleagues have the advantage of the files being the most up-to-date given the shorter schedule for a comic versus a book. The Handbook pages follow the traditional format and scream for a redesign and the pick-up art is hit or miss.

Want more Wolverine after seeing the movie this weekend? You have plenty of options.

The Many Origins of Wolverine

The Many Origins of Wolverine

If you’ve read ORIGIN: The Story of Wolverine, Weapon X and various issues of his own title and the X-Men books, then you know the basic background of the mysterious mutant called Logan and the secrets behind who he was in the past. It took many years to piece together, but we finally learned the truth.

Basically, Wolverine was born James Howlett, later taking on the name Logan after discovering he was a mutant with heightened senses, advanced healing, a connection to animals, and bone claws that could extend from his hand.

Logan traveled the world, becoming a samurai at heart, later becoming involved in the Weapon X project, working alongside his old enemy Victor Creed AKA Sabretooth, a mutant who had similar abilities but none of Logan’s compassion. Weapon X eventually attempted to turn him into a bio-weapon, burying most of his memoies, implanting false ones, and lacing his skeleton and bone claws with the unbreakable metal adamantium. After escaping Weapon X, he worked for the government for a few years before finally joining the X-Men. Since then, he has become a true hero, discovering his whole past in recent years.

But this story was not intended from the beginning. There were a few other proposed ideas for Wolverine that were discarded. There were ideas hinted at but later disproved or simply never followed up on.

Want to hear more? Read on.

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Marvelman / Miracleman to the Big Screen?

Marvelman / Miracleman to the Big Screen?

A highly placed source with one of Hollywood’s leading film production companies has revealed to ComicMix that an agent for a Scottish businessman has been offering around to studios and producers the purported feature film rights to Marvelman, the superhero property whose rights status has been in limbo since publisher Eclipse Comics went into bankruptcy in the middle of Neil Gaiman’s iconic run as its writer more than twenty years ago.

Any movement tending to resolve the rights to Marvelman – and to bring it back into print – would be welcome news for fans who have been following the Marvelman saga for more than two decades and been put through a roller coaster ride of ups and downs as a litany of claimants to the rights to Miracleman have continually come out of the woodwork.

When the title was first brought into the United States from England, Eclipse Comics prudently changed Marvelman to Miracleman to avoid obvious potential trademark issues with Marvel Comics, and the series has continued to generate interest in the comics world more than twenty years after it was last published. One top comics editor, speaking not-for-attribution, told ComicMix that “If a publisher could actually be assured that they had the rights to publish the title, and most importantly, if Neil would license the rights to his scripts and would agree to finish the scripts for the story he started but never got to finish, the book sales would be through the roof – we’re talking astronomical. The fact that the title got into the Gaiman/McFarlane litigation has kept it in the spotlight. And Alan Moore wrote issues of the title before Neil, and Alan still has a bit of a following. But Alan isn’t the key to the deal. It’s all about Gaiman.”

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Stories That Inspired ‘X-Men Origins: Wolverine’

Stories That Inspired ‘X-Men Origins: Wolverine’

So you’re excited for the new movie X-Men Origins: Wolverine.

You’re thinking, man, I can’t wait to see the full-out origin of the Canucklehead himself, the guy who is the best he is at what he does even if what he does isn’t very nice. Now, at least, you can see for yourself the truth behind the project that gave Wolvie his adamantium-laced skeleton, the famous Weapon X Program. And along the way, you get to meet fun guys such as Remy LeBeau (the card-wielding mutant called Gambit) and Wade Wilson, the “merc with a mouth” who calls himself Deadpool.

And yet, we all know films take liberties with the comics they are based on. Many of you are wondering what comic book stories this is lifting from and where you can find those same tales so that you can properly judge the adaptation.

Well, look no further, folks. Here is a small list of stories that are being used as the basis for the new movie. Enjoy!

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