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Interview: Tom Peyer on ‘The Flash’ and ‘Tek Jansen’
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With this week’s release of Flash #238, writer Tom Peyer begins scripting the adventures of DC’s fastest man alive — and, appropriately enough, he plans to hit the ground running.
With his first six-part story, "Fast Money," Peyer begins his term as regular writer on the series, picking up where popular DCU author Mark Waid left off: with Bart Allen dead, Wally West back in the bright red suit along with his wife and rapidly aging children, and a brand new villain primed to join the hero’s rogues gallery.
Taking the reins from fan-favorite writers is nothing new for Peyer, however, who has taken critically praised turns on a variety of team titles, but could be best known for his popular run on the entirety of the 25-issue Hourman series published from 1999 to 2001 — a character spun-off from Grant Morrison’s run on JLA.
And, much like with Hourman, Peyer has also been tapped to script the first solo adventures of Tek Jansen, a character created by The Colbert Report‘s Stephen Colbert, for an upcoming series published by Oni Press.
In this interview, Peyer discusses his role as the new, ongoing writer on The Flash, as well as the status of Stephen Colbert’s Tek Jansen.
COMICMIX: Thanks for talking with me today, Tom. Flash #238 is out this week, so what’s the pitch for the new storyline, "Fast Money?"
TOM PEYER: Money is definitely a theme in this story. I think early on I put out an oversimplified description and gave people the idea that it’s really just about Flash having money troubles. Which it really isn’t. Although he is… Money’s the theme that holds together a whole bunch of events. We have a villain who, in the sort of great — or, if you prefer, corny — tradition of early Flash stories, commits a robbery. I don’t think we’ve seen that in a while — a villain who’s purely at it because he wants to steal a Faberge Egg. It’s a little old-fashioned, and I’m kind of nervous about it, but money is a theme that runs throughout the whole story.
Television news is also a big part of the story. TV news gets involved in the story in a big way, and we all know how they feel about money. They are totally willing to just wind us up and tie us into emotional knots so we’ll keep coming back and they can charge their advertisers more money. To me, that’s empirically how they see their job. I call them "freedom’s crazy girlfriend" because they keep winding things up emotionally. Of course, it could be "freedom’s crazy boyfriend," too – I don’t want to stereotype.
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