Tagged: Iron Man

National Graphic Novel Writing Month Day 18: Starring Roles– The Importance of Character Analysis

National Graphic Novel Writing Month Day 18: Starring Roles– The Importance of Character Analysis

“It’s the
characters, stupid.”

    – Ronald D. Moore, Executive
Producer of Battlestar Galactica
(2004) and Caprica

Comics are
always filled with over-the-top superpowers, bright spandex costumes, and
universe-spanning storylines. While these flashy props were enough to sustain
the comics industry in its infancy, the modern comic reader expects more. Many
of the biggest, most complex stories are known for their iconic moments with
their characters.

DC’s Final Crisis saw the return of Darkseid
and a time-travelling bullet, but we all remember it for the simple image of
Superman holding the lifeless body of his best friend – Batman – in his arms,
sorrow filling Big Blue’s face. Marvel’s Civil
War
brought heroes toe to toe with one another, splitting teams and
friendships alike. What became iconic was the bitter struggle between two men
who used to be best friends: Iron Man and Captain America, then Stark’s grief
over his actions leading inexorably to the death of Steve Rogers. 

Imagine a
photo in a frame. A couple is standing in front of the Eiffel Tower, quite
happy. The frame is a fun pewter souvenir from the Tower itself. The focus –
however – is still the couple. Stories are just the same. We may set it in a
creative, dramatic setting. We may dress it up with superpowers, costumes, or
deep philosophic meanings. None of this works, however, without the characters
to drive the story. If the characters don’t ring true, the entire story falls
apart. Characters are how we – the reader – access, understand, and empathize
with a story. 

When dissecting your characters, whether protagonist,
antagonist, or a mere cameo appearance; they need to feel real. The
three-dimensionality of a character can make or break your story, no matter how
brilliant of a plot you’ve devised or how epic the setting. Creating a
believable character involves a precarious balance between two not-so-small
aspects: uniqueness and universality.

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‘The Avengers: Earth’s Mightiest Heroes’ has an October 20 Debut

‘The Avengers: Earth’s Mightiest Heroes’ has an October 20 Debut

The Avengers: Earth’s Mightiest Heroes!, an all-new animated series featuring the best of the best in the Marvel Universe, premieres Wednesday, October 20 (8:30 p.m., ET/PT) on Disney XD. Produced by Marvel Animation, the series stars the world’s greatest heroes — Iron Man, Thor, Captain America, The Hulk, Ant-Man/Giant Man and Wasp — who form the Avengers, a team assembled when the powers of a single hero are not enough to save the world. Thsi essentially mirrors the line up as seen in the first 15 issues of the comic, written by Stan Lee and illustrated by Jack Kirby and Don Heck.

Beginning Wednesday, Disney XD, DisneyXD.com/Avengers, Marvel.com, MarvelKids.com and Disney XD Mobile will roll out 20 micro-episodes introducing the team’s core members. Each five-and-half-minute episode focuses on the back story, allies and nemeses of the heroes before the Avengers were formed.

In the two-part series premiere, “The Breakout,” Iron Man, Hulk, Thor, Ant-Man and Wasp have defeated some of the most dangerous super-villains on the planet. But when the super-villain prison system mysteriously shuts down, chaos is unleashed on the world. Earth’s Mightiest Heroes must now band together as the Avengers to protect the planet from the threats that no single super-hero could face alone. Their first task is to try and stop Graviton, a being whose power dwarfs anything ever seen. He’s after Nick Fury, but will destroy the world to get to him. Individually the heroes have no chance, but together they can make a difference.

The complete multiplatform rollout is:

Wednesday, September 22

Disney XD will air a special sneak peek of the first micro-series episode, “Iron Man is Born!,” at 8:30 p.m., ET/PT directly following premiere of the network’s newest series, “Pair of Kings.”

DisneyXD.com/Avengers, Marvel.com, MarvelKids.com and Disney XD Mobile will unveil a new micro-episode every day, for 20 days, leading up to the micro-episodes’ premiere on Disney XD. DisneyXD.com/Avengers will also feature a gallery of each of the Avengers and offer inside information about Kang, Loki and the rest of the “most wanted” Marvel Super Villains.

Tuesday, October 5  

Select micro-episodes will be made available as a free preview on iTunes.

Monday, October 11

Disney XD will roll out all 20 micro-episodes during “Avengers Week” from Monday, October 11 to Friday, October 15, with four micro-episodes stacked each night at 8:30 p.m., ET/PT.

The complete micro-series becomes available on Disney XD on Demand on AT&T, Verizon, Charter and Cox.

Wednesday, October 20

The highly anticipated series premiere of The Avengers: Earth’s Mightiest Heroes! airs with two back-to-back episodes from 8:30 p.m. – 9:30 p.m., ET/PT. The series also launches on DisneyXD.com/Avengers, Marvel.com and Marvelkids.com.

Thursday, October 21

Full episodes launch on iTunes, Xbox Live, Sony Playstation and Disney XD Mobile VOD.

Monday, October 25

The series becomes available on Disney XD on Demand on AT&T, Verizon, Charter and Cox.

The Great Comics Flood of 2010

It has been reported that for the first time in 15 months no single comic book gathered more than
100,000 copies in orders in the direct sales market. Make that 93,459, to put a
point on it.

Conventional wisdom has it that sales have dropped because the average cover price has gone up, and who am I to question conventional wisdom? But there’s another reason. A big one.

Historically, whenever one of the major publishers (which means Marvel and DC; I’m talking superhero comics here) felt they were being challenged by one or more upstart publishers, that company would flood the market with crap, usually reprints or revivals of frequently cancelled titles. The other publisher would rapidly follow. Before the direct sales tail started wagging the dog, it was believed there was only so much space in the newsstands
and DC and Marvel could crowd the others out. That, of course, was nonsense: if the newsstands cared about comic books (how much profit is there in a 40 cent item?) nobody would have to crowd anybody out.

This philosophy extended to the direct sales market. When companies such as First, Eclipse and Malibu were making waves and racking up competitive sales, DC and Marvel started dumping product into the pipeline. How many times could you revive Kull The Conqueror? But retailers had to order at least a few copies because it was a Marvel Comic, and cumulatively all that sucked a lot of bucks out of retailers’ tills. Remember, they buy this stuff non-returnable.

But now comic book stores have dwindled down to a precious few and the big bookstore chains such as Barnes and Noble and Borders are coughing up blood, sales truly suck.

Which makes it real curious to see that Marvel is once again flooding the comics rack. Having finally lost the Kull license, the House of Idea has gone the Oreo Cookies route: they’re jerking their “going to the movies” properties as though they were crack fiends at a milk farm.

For example: the September Marvel Previews (books on sale November) lists no less than six Iron Man titles, eight Thor titles, and 13 Avengers books. There’s also two event series: Shadowland, which winds up with a mere four titles, and Chaos War, which boasts five.

I didn’t even mention the massive – and expanding – X-Men group. That’s old news.

27 issues featuring Thor, Iron Man, and/or The Avengers.
Boy, you’d think there was a Thor movie coming out that, oh I don’t know, tied in to the Iron Man movies, to be followed by the big The Avengers
movie.

So, why the flood? Is Marvel worried about competition from Boom, Dynamite, and IDW? I don’t think so. They started producing material
for this latest dump just about the time the Disney takeover was ratified. They are trying to impress the Mouse.

Disney doesn’t care about their comic book profits, and nor does Warner Bros. Marvel and DC, respectively, are there as R&D, fodder for movies, television and animation – and their concomitant merchandising revenues. All Marvel and DC have to do on the publishing front is show a decent
return on investment and their new masters will be content.

It’s hard for me to think of a way Marvel could better promote comic book bootlegging.

It’s Official: Batman Married Wonder Woman

It’s Official: Batman Married Wonder Woman

While it took a few weeks to cross the pond, we here at ComicMix are proud to announce the wedding of Batman and Wonder Woman, in a small ceremony a few weeks ago in Devon, England. Thanks to the folks at Geek-O-System for snagging some choice details. The guest list was a veritable who’s-who in comicdom. Wedding goers included several Supermen, Superwomen, the Incredibles, Iron Man and his son, Danger Mouse, Kick-Ass, The Pink Ranger, Wolverine, Rorschach, The Incredible Hulk and Captain America. Also in attendance, in a show of solidarity amongst the caped do-gooders were joined by villains like Poison Ivy, and the Master of Ceremonies… Batman’s nemesis The Joker. Geek-O-System also reported that fittingly, Robin was the best man, and the Power Puff Girls served as bridesmaids.

While no there was few reports on the reception, we can safely assume that anything the new power-couple didn’t get on their gift table can be afforded by Batman’s alter-ego, billionaire Bruce Wayne. Sources close to the wedding said the reception was a fairly casual affair, as many in attendance feared riling the Hulk into a fury. While the Joker stayed oddly well behaved throughout, he did try once to serve the wedding party joker-fish in a beurre blanc sauce… knowing full well of Wonder Woman’s lactose intolerance. Luckily, it was caught by her new husband, who quickly traded entrees with her, gladly giving up the peppery-poisoned arugula and radicchio salad prepared by Pamela Isely.

The newlyweds were said to have left on their new invisible Bat-Jet, on their way to the Magic Kingdom for their honeymoon; Where Wonder Woman was quoted as saying “I’m gonna show my husband just how ferocious we greeks are on our wedding night!”. Batman had nothing to say to this, but as the Joker noted… “Ole Bat’s has never smiled so wide in his life, and I’ve joker-gassed him about 20 times!”.

Monday Mix-Up: Another X-Team? D’oh!

Monday Mix-Up: Another X-Team? D’oh!

Go ahead, name them all. X-Men. The Uncanny X-Men. The Astonishing X-Men. X-Force. X-Factor. X-Babies. X-Patriots. X-Gets the Square. Did I forget any? Probably. But guess what? Wolverine’s in all of them.

So, wouldn’t you know it, we found yet another Marvel reboot. I guess with all the Iron Man 2: Electric Underoo money they banked over the summer, and all the hype on the upcoming Thor, Captain America, and Avengers flicks… the ‘House of Ideas’ is starting to use ideas found in the crawl space. Enter this lil’ mashup. No Xeric Grant required.

#SDCC: ‘Avengers’ cast together for the first time

#SDCC: ‘Avengers’ cast together for the first time

Newly-installed Avengers director Joss Whedon took the stage at San Diego Comic-Con to make the much-applauded formal announcement of who will be playing Marvel’s mightiest heroes. 

Returning Iron Man 2 stars Robert Downey, Jr., Samuel L. Jackson, Scarlett Johansson, and Clark Gregg, will be reprising their roles as Tony Stark/Iron Man, Nick Fury, Black Widow, and Agent Phil Coulson respectively, alongside Chris Hemsworth as Thor, Chris Evans as Captain America (in The Avengers and Captain America: The First Avenger both), Jeremy Renner as Hawkeye, and the newly cast Mark Ruffalo as Bruce Banner/Hulk.

It’s certainly an accomplished cast, despite the apparent lack of the Wasp, and the star power coming off Bleeding Cool‘s photo is almost tangible. 

“I’ve had a dream all my life, and it was not this good,” Whedon said at the panel. “This cast is more than I could ever dream of working with, and I am going to blow it.”

(Not pictured: Nathan Fillion as Ant-Man. It’s not happening. Get over it.)

#SDCC: Will Eisner Comic Industry Awards — Almost Live!

The 22nd annual Eisner Awards, the
“Oscars” of the comics industry, will be given out at a gala
ceremony at the Indigo Ballroom at the Hilton Bayfront. This year’s special
theme is “Comics Fiesta.” The masters of ceremony are Bongo Comics’
Bill Morrison and voice actor Maurice LaMarche (Pinky and the Brain,
Futurama
). Presenters include writer/actor Robert Ben Garant (Reno 911, Balls
of Fury), comedian/voice actor Phil LaMarr (Futurama, Family Guy, MadTV, and Free Enterprise),
actor/comics creator Thomas Jane, and lots of cast members from Scott Pilgrim vs. The World; nominees C. Tyler, Laurie Sandell, Peter
Bagge, and James Robinson; and Comic-Con special guests Berkeley Breathed,
Chris Claremont, Milo Manara, Jillian Tamaki, and James Sturm. Other
prestigious awards to be given out include the Russ Manning Promising
Newcomer Award, the Bob Clampett Humanitarian Award, the Bill Finger Award
for Achievement in Comic Book Writing, and the Will Eisner Spirit of Comics
Retailer Award.

We’re going to try and keep this as close to real time as possible, with commentary where appropriate. We’ll include the list of nominees below and boldface the winners.

at the Eisner's on Twitpic11:48 PM (all times Eastern Daylight, even though it is neither Eastern nor Daylight): Annnnnd here we go…

11:49 PM: Morbo has welcomed the puny humans to the ceremony!

11:55 PM: Denis Kitchen, the executor of Will Eisner’s literary estate, has just announced that Will’s master work A Contract With God is going to be adapted into a film.

12:03 PM: …but did they have to announce it on the Sabbath?

12:05 AM: And the first winner of the evening… Best Publication for Kids: The Wonderful Wizard of Oz hc, by L. Frank Baum, Eric Shanower, and Skottie Young (Marvel).

12:08 AM: Best Publication for Teens: Beasts of Burden, by Evan Dorkin and Jill Thompson (Dark Horse)

12:11: Scott Pilgrim vol. 5: Scott Pilgrm vs. the Universe, by Brian Lee O’Malley (Oni) takes Best Humor Publication, with the award presented to O’Malley by the cast of the film.

12:18: A flurry…

Best Cover Artist: J. H. Williams III, Detective Comics (DC)
Best Lettering: David Mazzucchelli, Asterios Polyp (Pantheon)
Best Digital Comic: Sin Titulo, by Cameron Stewart, www.sintitulocomic.com/

12:38: And another fast flurry…

Best Coloring: Dave Stewart, Abe Sapien, BPRD, The Goon, Hellboy, Solomon Kane, Umbrella
Academy, Zero Killer
(Dark Horse); Detective Comics (DC); Luna
Park
(Vertigo)
Best Penciller/Inker or Penciller/Inker Team: J. H. Williams III, Detective Comics (DC)
Best Painter/Multimedia Artist: Jill Thompson, Beasts of Burden (Dark Horse); Magic Trixie and the Dragon (HarperCollins Children’s Books)

12:47: Best Comics-Related Periodical/Journalism: The Comics Reporter, produced by Tom Spurgeon (www.comicsreporter.com) Well done, sir.

12:52: Best Comics-Related Book: The Art of Harvey Kurtzman: The Mad Genius of Comics, by Denis Kitchen and Paul Buhle (Abrams ComicArts)

12:53: Best Publication Design: Absolute Justice, designed by Curtis King and Josh Beatman (DC)

12:57: If Harvey wins an Eisner this year, does that mean Eisner will win a Harvey?

12:59: Best Anthology: Popgun vol. 3, edited by Mark Andrew Smith, D. J. Kirkbride, and Joe Keatinge (Image). Presented by Thomas Jane and his popgun, so to speak.

1:04: A twofer for Scott Dunbier and IDW:

Best
Archival Collection Project – Comic Strips
:
Bloom County: The Complete Library, vol. 1, by Berkeley Breathed, edited by Scott Dunbier (IDW)
Best Archival Collection/ Project – Comic Books
:
The Rocketeer: The Complete Adventures deluxe edition, by Dave Stevens, edited by Scott Dunbier (IDW)

1:12: More rapid fire, international division…

Best U.S. Edition of International Material: The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric Lemerier (First Second)
Best U.S. Edition of International Material – Asia
:
A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)

1:20: The Eisner Spirit of Retailing Award goes to The Vault of Midnight in Ann Arbor, Michigan.

1:26: The one and only Sergio Aragonés is up to present the Hall of Fame inductions of Burne Hogarth and Bob Montana. Both are tremendous choices, just for teaching alone.

1:33: More wonderful choices– Steve Gerber, Dick Giordano, Mort Weisinger, and Mike Kaluta– wait, Mike Kaluta? I didn’t know he’d died…

1:57: Best Writer: Ed Brubaker, Captain America, Daredevil, Marvels Project (Marvel) Criminal, Incognito (Marvel Icon)

2:00: Best Writer/Artist: David Mazzucchelli, Asterios Polyp (Pantheon)

2:04: Best Writer/Artist, Non-Fiction: Joe Sacco, Footnotes in Gaza (Metropolitan/Holt)

2:08: Best Short Story: “Urgent Request,” by Gene Luen Yang and Derek Kirk Kim, in The Eternal Smile (First Second)

2:11: To no one’s surprise… Best Single Issue (or One-Shot): Captain America #601: “Red, White, and Blue-Blood,” by Ed Brubaker and Gene Colan (Marvel)

2:13: Best Adaptation from Another Work: Richard Stark’s Parker: The Hunter, adapted by Darwyn Cooke (IDW) because dammit, Asterios Polyp shouldn’t win everything.

2:17: The 2010 Russ Manning Most Promising Newcomer Award goes to Marian Churchland:

2:24: Playing catch-up because I went looking for Marion’s art…

Best Reality-Based Work: A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)
Best Graphic Album-Reprint: Absolute Justice, by Alex Ross, Jim Krueger, and Doug Braithewaite (DC)
Best Graphic Album-New: Asterios Polyp, by David Mazzucchelli (Pantheon)

2:29: And Dave Gibbons is the final presenter of the night, and the final awards are:

Best New Series: Chew, by John Layman and Rob Guillory (Image)

2:32: Best Limited Series or Story Arc: The Wonderful Wizard of Oz, by Eric Shanower and Skottie Young (Marvel)

2:34: Best Continuing Series: The Walking Dead, by Robert Kirkman and Charles Adlard (Image)

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Jeph Loeb Named EVP, Head of Television at Marvel

Jeph Loeb Named EVP, Head of Television at Marvel

New York, NY – June 28,  2010 – Marvel Entertainment, LLC announced today that it has appointed Jeph Loeb as Executive Vice President, Head of Television, a newly created division of Marvel Entertainment.  In this new role, Mr. Loeb will work alongside Dan Buckley, Publisher & President of the Print, Animation & Digital Divisions, Marvel Worldwide, Inc., to translate Marvel’s popular characters and stories to the television medium, in both live-action and animation formats. In addition to these responsibilities, Mr. Loeb will oversee the development and distribution of live-action, animated and direct-to-DVD series. Mr. Loeb was previously a Marvel-exclusive Eisner-Award-winning comic book writer and an Emmy-nominated writer for his work on NBC’s Heroes. The announcement was made today by Alan Fine, Executive Vice President, Office of the President and Chairman of Marvel Studios’ Creative Committee, and by Mr. Buckley, to whom Mr. Loeb will report.

Mr. Fine stated, “It’s with tremendous pride that I announce the creation of our Marvel Television division and the appointment of Jeph Loeb as Executive Vice President. His work in the comic book field is in a class of its own, showing his passion and talent for bringing Marvel’s finest characters to life in an innovative manner. Jeph’s work on multiple award-winning television series and popular films has shown fans worldwide his ability to deliver thrilling entertainment in a number of media. With Jeph as our EVP, fans will experience the highest quality and most exciting television projects featuring their favorite Marvel characters.”

“I couldn’t be happier to accept this new position at Marvel Entertainment, working with both Dan and Alan to deliver exciting, cutting edge television projects,” said Mr. Loeb. “Marvel continues to break new ground in storytelling in both their comic book and film ventures, so, along with everyone here, I’m excited to bring the same brand of excitement into homes across the globe.”

Mr. Loeb has written acclaimed stories featuring every major super hero in comics, including Iron Man, Captain America, Hulk, Daredevil, Spider-Man, the X-Men and more. Multiple-time winner of the prestigious Eisner Award for his writing, Mr. Loeb quickly established himself as one of the most sought after writers in the comic industry. Mr. Loeb also served as writer/producer on television series Smallville and Lost; writer/co-executive producer on Heroes; and writer of hit films Commando and Teen Wolf.

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Marvel Ups Joe Quesada to Chief Creative Officer

Marvel Ups Joe Quesada to Chief Creative Officer

ComicMix congratulates Joe Quesada on his justly deserved promotion, recognizing the strides he has made in salvaging Marvel as a creative entity in the years since the company emerged from bankruptcy.

Here’s the official release:

New York, NY – June 2, 2010 – Marvel Entertainment, LLC announced today that it has promoted Joe Quesada to Chief Creative Officer of Marvel Entertainment.  In this new role, Mr. Quesada will work alongside Alan Fine, Executive Vice President, Office of the President and Chairman of Marvel Studios’ Creative Committee, to ensure that all portrayals of Marvel’s characters and storytelling remain true to the essence of Marvel’s rich history. Additionally, Mr. Quesada will provide creative oversight of all areas of Marvel’s business including theatrical, television, publishing, animation and games, while also actively participating in all story and script development for Marvel’s films and animation. Prior to this promotion, Mr. Quesada held the role of Chief Creative Officer & Editor-In-Chief, Marvel Animation & Publishing and oversaw the creative aspects of Marvel Comics and Marvel Animation. The announcement was made today by Mr. Fine, to whom Mr. Quesada will report.

Mr. Fine stated, “I am excited to have Joe join me as Marvel Entertainment enters the next chapter in our history. Joe has already played an instrumental role as Editor-in-Chief in changing the face of the comic book industry with bold new ventures and an unprecedented penetration of the mainstream consciousness. His love and passion for Marvel, along with his experience guiding publishing for the last decade, will be invaluable as we bring our characters to life in new media.”

“I am honored to take this new position at Marvel Entertainment and work with Alan to bring the rich history of Marvel to a brand new audience” said Mr. Quesada.  “Together with the incredible talent here at Marvel, in all our divisions, I look forward to making Marvel an even bigger part of the entertainment industry and showing why we’ve been an industry leader for over 70 years.”

Mr. Quesada will also continue to serve as Editor-In-Chief, Marvel Publishing, where over the past decade he has helped usher in bold new imprints such as Marvel Knights, the Ultimate Universe and Marvel MAX. During his tenure, Marvel received acclaim for its Heroes special to commemorate the events of September 11, 2001; the groundbreaking Death of Captain America storyline; and President Obama’s historic team up with Spider-Man. Mr. Quesada is also one of the industry’s most popular artists, providing cover and interior art to blockbusters such as Amazing Spider-Man, Daredevil, Invincible Iron Man and more.

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‘Captain America’ Will Likely Sling Shield in 3-D

‘Captain America’ Will Likely Sling Shield in 3-D

Marvel’s super-heroes continue to dominate the headlines as Iron Man director Jon Favreau told MTV he imagined it was time for the Mandarin to step front and center in Iron Man 3. After setting up the Ten Rings in the first film, it was clear he was already heading in that direction.

Meantime Marvel Studios president Kevin Feige confirmed to the Los Angeles Times that they were studying 3-D technology and were likely to let Captain America: The First Avenger be the first film in the new format. With Thor already shooting, an up-conversion was not ruled out.

“The team has been doing a lot of research into 3-D processes, and we’re looking at it on future films when we have the time. We will be doing it at some point,” Feige told Geoff Boucher.

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