Tagged: Human Torch

MARC ALAN FISHMAN: What I’m NOT Thankful For

I hope everyone’s Thanksgiving holiday was amazing. I myself hosted festivities for the first time in our new home. It was here, in 2011 where Marc Alan Fishman finally graduated from the kiddie table. Looks like all it took was making a meal for 10 people, in my own home. But with the assistance of my fantastic in-laws, and even more fantastic(ly pregnant) wife… we done pulled off a doosy. After last week’s lov-in, I unbuckled my belt, let my gut out, and took stock in those things that didn’t quite make me a happy camper. Sure, my initial articles covered some of those (The X-Men, Barry Allen, and Hal Jordon to name a few)… but here we are, nearing the end of the year. What exactly happened that cause my beard to stand on end? Let the hatespew begin!

Epic Events of Extremely Excessive Inanity

To be truly fair, I could spend the entirely of this editorial tearing DC and Marvel both for their predilection to create crappy crossover events. But let’s boil it down to the brass tacks, shall we? Simply put, these money-sucking whores create bloated wastes of ink and paper, all based on the idea that “everything you know will change.” This of course, preys on our fan-boy fear of being left behind. And it would seem over the course of the Aughts, such as they were, the Big Two have perfected their scheme:

Create a main book where all the bullet point action takes place. A few not so significant people will die. One or two major ones might kick it too. A great evil rises up. It looks insurmountable. Then a legion of the most marketable heroes get some brilliant form of upgrade, or a lost and forgotten hero comes back from the dead, or some other deus ex machina reveals itself in the nick of time for one last issue of double page Photoshopped explosions. What follows is generally seven to twenty seven epilogues setting up the next six months of editorial mandated character changes.

But it’s never just that one main title now, is it? These mega-loads of mega-suck bleed into the entire continuity of issues. Soon every book you’d normally pick up features the event-du-jour’s nom de plum across its masthead. What follows is generally exposition taken from bullet point A before bullet point B from the main series. Not reading that series? Well, I guess it sucks to be you. I was loving, L-O-V-I-N-G Matt Fraction’s Incredible Iron Man series until Fear Itself. And for four issues straight, all the world building he’d done was cast aside so I could follow Tony into Asgard to get drunk, swear, and make some action-figure-waiting-to-happen weapon variants for random heroes to use. Did I follow Fear Itself? No. Thanks for wasting my time, money, and love of the Iron Man book.

Don’t think for a second DC skates by here either, kiddos. Those cash-craving carnivores did one worse; they let the deus ex machina implode their entire line of comics. Flashpoint, by and large, will sit in my collection next to Countdown to Final Crisis as a testament to everything wrong with comic books today. “But why did you keep buying them, if you hated them so much?” Well… One – I’m a masochist. Two – the series promised to feature at least one or two characters I’d normally not get to read about. Three; – I didn’t want to come out of the other side confused as to why everything changed. Flashpoint even had the nerve to release wave after wave of mini-series to take us around this “Age of Not Quite Apocalypse.” And while Batman: Knight of Vengeance delivered an amazing Elseworlds tale, it was just that… An Elseworlds tale. Slap any title card you wanted on the cover, Dan, Geoff, and Jim. We all knew it should have said “Flash Point Over There and Distract The Fanboys While We Hit The Reset Button.”

4/5ths of the DCNu

And since we’re on the subject… the next thing that ground my gears was the rebooting of the DC Universe itself. I give credit where credit is due. It was a bold move that in fact did raise awareness, sales, and general levels of hope amongst the comic book readers of the world. But by and large, it was all smoke pellets and Mirror Masters.

Let’s face facts. Superman, Wonder Woman, the JLA, and Aquaman all got the reboots needed to make them matter again. Batman and Green Lantern may have gotten shiny new #1s on their books, but didn’t reboot a damned thing. Batgirl got to disappoint the handicapped community (not that the book is bad mind you, but still…), and a plethora of bad ideas were hurled out with hopes any of it would stick. What we’re left with is a mangled mess of a few fantastic books littered amongst total garbage. All the solid character-building moments that gave DC a strong legacy and continuity were thrown out with the bath water in hopes that a #1 and a power-cycle would somehow make comic books appeal to the masses who aren’t reading comic books. Guess what? Sales may have increased, but not by that much. Walk out on the street today, and ask a passer-by who OMAC, Voodoo, or Captain Atom are. Don’t be surprised when they need to Google it.

It’s still too early to say exactly what impact this reboot is going to make. Suffice to say, I hardly believe I’ll be telling my son “Oh yeah, in 2011, it all changed. DC created the new paradigm by which all comic books were created.” More likely? “Oh yeah, in 2011 DC rebooted everything, because they figured they’d move more issues if they had #1 on them. Superman turned out really good. I kind of forgot everything else.”

The Fallacy of Death in Comics

If 2011 has taught us nothing else, then we should all learn this: Death is meaningless in comic books. In the long-long ago, in a time and place far far away from here… dying meant dying. No mysterious body swaps. No time-bullets. No psuedo-science backtracking. Dead meant dead. In 2011, Marvel iced the Human Torch, Bucky Barnes (again…), and Thor (again, again). Human Torch didn’t even stay chilled long enough to be missed. With Fantastic Four #600, his mighty resurrection (as predicted by just about everyone) came to pass. In Fear Itself, Bucky and Thor each bit the dust. Who here is man enough to say they’ll stay that way for 365 days? With The Avengers movie hitting megaplexes next summer, I doubt Mr. Odinson will be resting for even a fortnight. Oh, and it looks like the Phoenix force is coming back too. As it stands, I can’t even tell you for sure who is alive and who isn’t. Only Ultimate Peter Parker seems to be the most likely candidate for a spot next to Gwen Stacy of the 616 in the land of the “neva’ coming back.” And thanks largely to Flashpoint, DC was able to kill off whole portions of their catalog, with the promise to thaw them out the second sales dip. Did someone say JSA?

Goodbye 2011. May 2012 boast less deaths and less events. See you next week, when my column resets back to #1.

SUNDAY: John Ostrander

Captain America’s Pulpy WWII Adventures Continue!

New Pulp Artist Francesco Francavilla (Zorro, The Black Coat) joins New Pulp Writer Ed Brubaker (Crimnal, Incognito) on Marvel Comics’ series, Captain America and Bucky starting with issue #625 in December!

Cover Art: Francesco Francavilla

CAPTAIN AMERICA & BUCKY #625
Written by Ed Brubaker & James Asmus
Pencils & Cover by Francesco Francavilla
• The original Human Torch guest-stars as Captain America teams up with Bucky in the present day… for the first time?!
• Rising stars James Asmus and Francesco Francavilla join Eisner award winner Ed Brubaker for a rollicking adventure into the future of the star-spangled Avenger’s past!
• Brand new arc! Easy jumping on point!
32 PGS./Rated T+ …$2.99

For more on Ed Brubaker, visit http://www.edbrubaker.com/
For more on Francesco Francavilla, vist http://pulpsunday.blogspot.com/
For more on Marvel Comics and Captain America, visit http://www.marvel.com/

Captain America (the 1990 version)

In the wake of Batman’s success in 1989, it appeared to renew interest in movies based on comic books. One of the first, and one of the worst, was the 1990 version of Captain America. The film had actually been announced in the early 1980s from Cannon Films but in the intervening years, the studio folded and the right shifted a bit before Menahem Golan mounted it under his 21st Century banner.

The movie languished in development until the rights were about to expire so director Albert Pyun urged Golan to let him take a crack at getting the film made for about $6 million. Marvel actually approved the script that was shot and Pyun loved its take on America’s fascination with heroism. If only some of that love found its way onto the screen.

The movie was shot in 1989 but wasn’t released theatrically and was finally dumped on video in 1992, where it was met with derisive laughter from comic book fans. Now, MGM’s Limited Edition collection has released the film as part of its print on demand operation. The print used is pretty crappy and dark and the film is at best a curiosity for collectors and fans alike.

The horrific script from Stephen Tolkin (from a story by Tolkin and Lawrence J. Block) pays lip service to the source material and leaves you scratching your head at the shoddy story construction and utter lack of characterization. Significant changes were made, none of the better starting with giving Steve Rogers polio as an excuse to keep him from enlisting. Then there’s the Red Skull (Scott Paulin) now an Italian fascist, which never made sense. On the other hand, both this film and the current blockbuster made the unnecessary dramatic change in linking Cap and the Skull by having them both be products of the Super Solider formula.

There’s Matt Salinger as Cap/Rogers who is anything but the American ideal and fairly wooden in performance, perhaps because they give him nothing to work with. His first mission leads to the rocket that sent him to an icy sleep in Alaska. He’s found and inexplicably breaks free and rather than ask his rescuers anything, he runs all the way to Canada. There’s little time spent on his cultural isolation and his interactions with others is laughably minimal. (more…)

WAREHOUSE 13: Claudia’s Dark Side


We talk more with Allison Scaglotti on the rest of WAREHOUSE 13‘s third season, her reaction to the cancellation of sister SyFy show EUREKA and her character’s “dark side”. Plus Marvel continues to play coy with the resurrection of The Human Torch.

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MIKE GOLD: Fantastic Four – Miracle Day

Hey, here’s a real shock. From all the teaser press releases Marvel sent out yesterday alone, it appears November will see the return of Fantastic Four. Amazing! Incredible! Astonishing! And all sorts of other adjectives Marvel has copyrighted as part of title names.

They’re doing this just in time to miss the actual 50th anniversary of Fantastic Four #1, which happened this past week. Nice timing, guys! It’s sort of like Fleetway launching 2000 AD back in 1977… but calling it 1976 AD.

The event was predicted in this very space a couple weeks ago, but I take no credit. It’s sort of like predicting the sun will rise after the rain passes. So they missed a wonderful marketing opportunity that, in all fairness, would have gotten lost in the Captain America movie hysteria anyway. Big deal. They just jerked us around again, proving DC doesn’t have the market cornered in disingenuous redundancy. We’ll live.

The only question is, when will the Human Torch return? Oh, you think he’ll stay dead? Really? No you don’t. You’ve seen Bucky and Phoenix and Aunt May and, oh, damn, everybody else come back from the dead. Maybe they’ll bring back Jim Hammond, the original Human Torch who was an android and, therefore, never really was alive in the first place. But I think he’s committed to the last couple episodes of Torchwood: Miracle Day… and probably Captain America 2: For Whom The Bell Jar Tolls.

(Yeah, it was really cool to see HT in the Cap movie. A genuine fanboy moment that proves I’m not completely jaded. Actually, I’m only jaded for a living.)

Will they go back to some version of the classic costume? Let me answer my own question with another question. Have you bought any action figures lately?

Will Spider-Man stay in the group? I don’t know; lately he’s been bitching about being in too many groups. But unless Johnny Storm returns or Wolverine finds a costume made of unstable molecules with “4X” on the chest, I think he’ll be there for a while. Not a long while. There’ll be a Human Torch there eventually – certainly in time for the next FF movie – and he’ll probably be Johnny.

There are two lessons to be learned here. I’m not addressing this to comics fans, as we learned this lesson a long time ago. I’m addressing this to employees of Marvel and DC Comics.

The first lesson is: no more death stories. They totally lack verisimilitude. And they’re kind of insulting to anyone who has ever lost a loved one. Which is, like, everyone. Second: stop the cancel/replace/revert cycle. We know you’ll revert, usually within two years. It’s just another phony, contrived attempt at attracting sales on the collectibles market. Fight the impulses with another #0 issue complete with nine variant covers, one printed on bubble-gum and shrink-wrapped for your protection.

Ah, well. Even though they could have retitled the book Reed Richards’ Cosmics and Stories, it will be nice to see Fantastic Four back.

Until it’s not.

THURSDAY: Dennis O’Neil

Derrick Ferguson Ducks The Mighty Shield of CAPTAIN AMERICA

2011
Marvel Studios/Paramount Pictures
Directed by Joe Johnston
Produced by Kevin Feige
Screenplay by Christopher Markus and Stephen McFeely
Based on “Captain America” created by Joe Simon and Jack Kirby
Before we get into the review, please indulge me for a minute…hit it:

I had hopes that when Jon Favreau snuck in the 1960’s Iron Man theme song, they’d find a way to do it in other movies based on Marvel superheroes.  Such was not the case.  “Star-Spangled Man” was okay, but it can’t beat this song.  Maybe in the sequel.  And I have no doubt that there will be a sequel as CAPTAIN AMERICA is in my head, fighting “Iron Man” and “Thor” as the best Marvel superhero movie made to date.  Joe Johnston doesn’t get a single thing wrong in this movie which is actually two movies in one: it’s not only a superhero movie but it’s a World War II movie as well and never to the two elements clash with each other. 
4F Steve Rogers (Chris Evans) tries time and time again to enlist in the U.S. Army as he desperately wants to do his part and fight the Nazis.  But his list of physical aliments prevents that until chance puts him in the path of Professor Erskine (Stanley Tucci).  The professor left Germany to willingly work for the United States on his greatest experiment: The Super Soldier Serum which can transform a man into the perfect human.  Erskine wants to try his serum on Steve as he is impressed with the man’s heart and compassion.
Colonel Phillips (Tommy Lee Jones) the head of the Super Soldier Project isn’t so sure this scrawny specimen is the right man.  But Agent Peggy Carter (Hayley Atwell) of the Strategic Scientific Reserve agrees with Erskine and the experiment goes ahead.  Steve is endowed with enhanced strength, reflexes, heightened senses and a metabolism that heals him at a faster rate than normal.  Tragedy dims the success of the project and as a result Steve is regulated to being used a mere publicity tool to sell war bonds, going on USO tours as ‘Captain America’ dressed in a gaudy red, white and blue costume.
But over in Europe, the war isn’t waiting for Steve.  Johann Schmidt (Hugo Weaving) is the head of HYDRA, a separate organization within the Nazi party dedicated to developing advanced weaponry for its own purposes.  Schmidt is also known as The Red Skull, due to an unfortunate side effect of Erskine’s Super Soldier Serum which he took himself.  Along with his chief scientist Arnim Zola (Toby Jones) The Red Skull has his own plan of world domination that doesn’t involve Hitler.
Things really kick into high gear when Steve, fed up with being treated as a joke, goes on a one-man rescue mission behind enemies lines to rescue his best friend James Buchanan ‘Bucky’ Barnes (Sebastian Stan) and over four hundred prisoners of war, including a bunch of fightin’ fools known as The Howling Commandos (Neil McDonough, Derek Luke, Kenneth Choi, Bruno Ricci and J.J. Field).
Captain America, now a front line soldier with Bucky and The Howling Commandos backing him up as well as a new protective uniform and shield developed by genius inventor/industrialist/futurist Howard Stark (Dominic Cooper) is regarded as a genuine real American hero.  His battles are rapidly becoming the stuff of legend.  But it’s a legend that may be cut short when he finally confronts The Red Skull…
There are so many things that CAPTAIN AMERICA gets right I could easily take about an hour listing them.  Elements of the origin are moved around but the spirit of the character is intact.  Chris Evans finds exactly the right note for Steve Rogers/Captain America and never strays from it.  Just like when he played Johnny Storm/The Human Torch in the two “Fantastic Four” movies, I get the impression that he took the time to read the comics.
The only problem I have with Tommy Lee Jones is that his character wasn’t named “Happy Sam” Sawyer since to me that’s who he’s playing.  Neil McDonough is absolutely scary in how much he looks like “Dum Dum” Dugan.  And he sounds exactly like I always heard Dugan’s voice in my head while reading those “Sgt. Fury” comic books.  The changes in the relationship between Steve Rogers and Bucky Barnes is one I thought made that relationship even stronger.  I really liked how Tony Stark’s dad got in on a lot of the action and we get to see a lot of where Tony gets his swagger from.  Hugo Weaving and Toby Jones make for an effective pair of bad guys and Hayley Atwell steals every scene she’s in as Peggy Carter, a woman definitely ahead of her time.
But the star behind the scenes is Joe Johnston who I’ve been telling you folks for years now is a genius.  Hopefully the success of CAPTAIN AMERICA will cause people to finally acknowledge “The Rocketeer” as the masterpiece it is.  And “Jurassic Park III” and “The Wolfman” ain’t bad either.
So should you see CAPTAIN AMERICA?  Are you kidding me?  What are you waiting for?  
Johnny Depp & Sub-Mariner

Johnny Depp and the Marvel Universe

Johnny Depp & Sub-MarinerDid you ever wonder who might be Johnny Depp’s favorite super-hero? Probably not, but I’ll bet you can figure it out.

Yep. You guessed it. Johnny Depp’s favorite super-hero is Prince Namor, the Sub-Mariner. Of course, Namor isn’t quite a super-hero, having been bridging the gap between hero and menace for 71 years. Which is why I’m not surprised he’s Depp’s favorite.

Now, let’s not go nuts here. Depp is not suggesting he’s going to play Namor in the Avengers movie or some other place, and he’s not even suggesting wants to play the part. Right now he’s in the middle of at least four movies, including the fourth Pirates of the Caribbean and the new Dark Shadows movie, where he plays Barnabas Collins.

Depp was a real Marvel Comics fan, showing preference for both Spider-Man and the Fantastic Four… although he didn’t care for Captain America, and this was long before we ever heard of Al Qaeda. Depp also liked Sgt. Rock.  Depp told Hero Complex “The Sub-Mariner was the alternative one. The alt-superhero. He was the sort of Bohemian comic book. I like that.”

I know I said there was no movie involved, but if Depp were to give Subbie a go, maybe they could get Joaquin Phoenix to play the Human Torch.

The Point Radio: PSYCH According To James Roday

The Point Radio: PSYCH According To James Roday

WE’RE BAAAACK! A massive rain and windstorm took out our power and internet for nearly a week, but we’ve bounced right into our pop culture routine with a look at the best episodes of USA Network’s PSYCH, at least according to series star James Roday. And will The Human Torch really become Captain America, plus Marvel covers IRON MAN in a cool new way!

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Human Torch Cast As Captain America?

Human Torch Cast As Captain America?

According to the Hollywood

Reporter, Chris Evans has been offered the lead in The First Avenger: Captain America. Evans is perhaps best known in these circles as Johnny Storm, a.k.a. The Human Torch, in the two Fantastic Four movies.

Evans would be signing for what has been reported to be a nine picture deal: at least two sequels and appearance(s) in The Avengers movie(s) as well as in other Marvel superhero films. Nice steady work for an actor who isn’t afraid to get typecast.

The First Avenger is to be directed by Joe “Wolfman” Johnston; Hugo Weaving (Lord of the Rings, V For Vendetta) has been cast as The Red Skull. The movie is presently set for a July 22, 2011 release, with The Avengers following on May 4, 2012.

There’s probably no chance of a cross-over, as Marvel’s doing a complete reboot on The Fantastic Four movie franchise.

Neither Marvel Films nor Evans’ people have confirmed or denied as of yet this weekend.

Crazy Sexy Geeks Celebrates 70 Years of Marvel

In the second episode of Crazy Sexy Geeks, our new weekly series meant for both die-hard fans and people new to comics, hosts Alan Kistler and Carrie Wright head to Barnes & Noble and then Midtown Comics for a two-pronged celebration.

It’s been 70 years since Marvel Mystery Comics #1 came out in 1939, featuring the Sub-Mariner and the original android Human Torch. Since then, hundreds of heroes and villains have been brought to the world through the pages of Marvel comic books.

At a Q&A panel at Barnes & Noble, fans got to speak with Joe Quesada, Klaus Janson, Fred Van Lente, Greg Pak and Chris Claremont. The gang gave some advice on artists and writers trying to make a career out of their hobbies and also spoke about recent projects such as Magneto: Testament, X-Men Forever and attempts to create a new Avengers ongoing cartoon series.

The party then continued at Midtown Comics (Times Square location) where Iron Man and Spider-Man mingled with fans as they looked over the newly-released The Marvels Project #1.

Enough talk. Now watch!

Alan Kistler has been recognized by major media outlets as a comic book historian. Along with writing freelance for ComicMix.com and MTV.com, he hopes to one day write for DC, Marvel and Doctor Who. He also intends to time travel. His web-site can be found at: http://KistlerUniverse.com