Tagged: Green Lantern

Rumor Control: Jimmy Palmiotti Playable Character in ‘Mortal Kombat Versus DC Universe’

Rumor Control: Jimmy Palmiotti Playable Character in ‘Mortal Kombat Versus DC Universe’

One of the podcasts I listen to on a regular basis is The Giant Bombcast, the podcast of the Giant Bomb videogame website. Because I’m a hybrid comic and game fan, I paid special attention when they discussed the final lineup for the upcoming Mortal Kombat Versus DC Universe fighting videogame.

(If you haven’t heard: Baraka, Batman, Catwoman, Darkseid, Deathstroke, Flash, Green Lantern, Jax, Joker, Kano, Kitana, Lex Luthor, Liu Kang, Raiden, Scorpion, Shang Tsung, Shao Khan, Shazam, Sonya, Sub Zero, Superman, Wonderwoman.)

But I almost swerved off the road when they said that there was a rumor that comic writer and inker Jimmy Palmiotti, who is helping to write the story of the game, might make a cameo. Fighting in the style of MK classic character Johnny Cage.

If true, I fully expect Jimmy to pull off Johnny’s crotch punch move.

Listen for yourself at the 1:17:18 mark.

But I got the story from the man himself.

[Laughs] It was a joke that Ed Boon made. Now I wonder if they have to add it? [Laughs]

 

‘Smallville’ So Far

‘Smallville’ So Far

So this week we shall see the season premiere of Smallville. This is not only the eighth season of the series that depicts a young Clark Kent learning the lessons that will make him Superman, it is also likely the last — unless the CW decides at the last minute to change their minds.

Matt "Two-Fisted" Raub is going to regale you folks with a review of the season premiere soon enough. It is my job to recap what has brought us to this point. I’ll summarize what’s happened in the show’s major storyline so far, not bothering to go into detail of individual episodes or sub-plots that are never mentioned again. If you only want to be caught up on the latest season, just scroll down until you see the words "Seventh Season" in bold. Also, this isn’t wikipedia, so I’m going to be explaining things in the way that I think makes it easiest to understand, not just listing events in exact chronological order.

THE STORY SO FAR . . .

The series begins with business mogul Lionel Luthor (John Glover) arriving in Smallville, Kansas with his young son Lex. A meteor shower suddenly hits, causing hundreds of strange, glowing, green rocks to hail from the sky and create devastation across the town and its surrounding farms. Lex receives close contact with one of the meteor rocks and loses his hair as a result. Young Lana Lang loses her parents in the chaos. Meanwhile, elsewhere in Smallville, Jonathan Kent (John Schneider) and his wife Martha (Annette O’Toole, who portrayed Lana Lang in Superman III) find a rocketship in their field that has arrived along with the meteors. And inside, there is a baby.

Fast forward several years and we are introduced to teenage Clark Kent (Tom Welling), the adopted son of Martha and Jonathan. Clark is a good kid with a kind heart. He is best friends with Pete Ross (Sam Jones III) and Chloe Sullivan (Allison Mack), who has a deep-seated crush on him. He is also head over heels for his friend, cheerleader Lana Lang (Kristin Kreuk). Clark is interested in astronomy and often has his head in the clouds. He also has great speed, strength and resiliency to injury. Now a freshman in high school, Clark wonders about why he has these abilities and his father finally reveals to him that he was found in a rocketship that came with the meteors and thus is possibly an alien. Clark wonders about who he is and why he was sent away.

As Clark begins high school, Lex Luthor (Michael Rosenbaum, voice of the Flash from Justice League), now an adult, arrives in Smallville to take over his father’s LuthorCorp plant there. It’s supposed to be a test of responsibility and he hates it. Soon after his arrival, Luthor suffers a car accident and his life is saved by Clark Kent. The near-death experience makes Luthor decide that he must stop listening to his father and pursue his own destiny. He also declares that he and Clark are now friends, since Clark saved his life. Clark is glad to have a friend and is overwhelmed by Lex’s money and power and insistence on helping to make Clark’s life easier. Jonathan Kent is concerned that his son is spending so much time with Lex, especially when the Luthor boy continually espouses a belief that one should side-step rules of politeness and moral boundaries to get what you want sometimes.

As the seasons pass, Jonathan and Martha do their best to help Clark cope with his increasing abilities and his identity issues. The Kent boy discovers that the glowing green meteor rocks that are scattered in different parts of Smallville are somehow lethal to him and that their radiation has caused mutation in certain other people. As Smallville begins to be plagued by mutated super-villains (called "meteor freaks"), Clark secretly works to stop them and as the years pass on he discovers his powers increasing, gaining super-human hearing, telescopic/microscopic vision, heat-vision and X-ray vision. He even has dreams that he can fly. When solar flares later cause his powers to go haywire, Clark realizes that his superhuman abilities stem from his body’s absorbtion and processing of solar radiation.

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Siegel and Shuster Society tops $50K

Siegel and Shuster Society tops $50K

A total of $53,455 has been raised by the Siegel and Shuster Society’s fund raising efforts after just two weeks.  The $50,000 goal for exterior repairs to Jerry Siegel’s’ boyhood home was exceeded after week two’s auction haul of $18,996.  Two more weeks of auction will proceed while t-shirt sales will continue.  Once the auction ends, work will begin on both the exterior and interior of the home.

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On the Road to a Crisis

On the Road to a Crisis

So right now, we’re halfway through Final Crisis, a crossover involving the weakening of space and time and all of reality being endangered. In the prelude one-shot DC Universe #0, readers were recapped about the fact that this is the third universal crisis to happen to the DCU (which isn’t entirely accurate and we’ll get into that soon).

But some of you folks may want a little more detail about what happened before this. Why is this the "Final" Crisis? And considering the fact that the previous two crises both involved history being altered, what do the heroes involved truly remember about them?

So here is not only a rundown of the previous crises, but the major events that have led into them and certain side stories that writer Grant Morrison may refer to again very soon.

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Batman’s Comedy of Eros, by Dennis O’Neil

Batman’s Comedy of Eros, by Dennis O’Neil

Way back in the late 80s, or maybe early 90s, an inker working on one of DC’s superhero comics rendered a female form rather more like the Lord made female forms than the mores of the time allowed. The editor dealt with the problem by putting a color hold – a purple one, I think – over what some would have deemed offensive nudity.  Sex always wins. The lady’s charms shone clearly though the purple haze and a fuss ensued.

I remembered this anecdote when I saw, in the New York Times, an item about a Batman comic describing “a two page action sequence that is filled with foul language…uttered by (a) heroine…

“A black bar covered the blue words, but it was too transparent and allowed the text to be read.” Sex always wins and maybe “foul language” at least doesn’t fight fair.

According to the Times, the print run was destroyed. Having made more than my share of blunders when I sat in an editor’s chair, I know how easily goofs like this can occur and I hope the ensuing fuss doesn’t devolve on the editor, whoever he or she may be. As a certain Secretary of Defense said, stuff happens.

But I’m curious.  Did the creative folk always intend the offensive language to be covered? Surely not. Why go to the bother and expense of lettering copy that no one will read? Easier, one imagines, to simply do the black bars in the first place, though as a storytelling strategy, that would be questionable; why pull the reader out of the story while they puzzle over the meaning of the black bars?

Okay, the copy was meant to be seen? Didn’t somebody wonder if such language could cause trouble and…I dunno – ask around?

Maybe someone saw it as a free speech issue. If so, I’d demur.

I think the First Amendment is the crown jewel of the Constitution, and, personally, I can be a potty mouth. Much of my choirboy vocabulary was left on an aircraft carrier and much of whatever was left in the gutters of the East Village, pre-gentrification. But I think the way things are marketed creates expectations, and it’s not playing fair with the customers to thwart those expectations. Anything – and I do mean anything – should be allowed in the public arena, but if one buys a book bylined Henry James, one should not be subjected to a story by Mickey Spillane.

Comics have come a considerable distance in the few years since I left editing. Hell and damn, once verboten seem okay both in comics and on TV, and a few gamier locutions are beginning to pop up. But I don’t believe the medium – comics – has evolved to the point where authentic street lingo is expected.

A final consideration: The question in matters like this is always a simple one. Does it help the narrative? Is the vocabulary the writer is using his way of showing off, or does it serve a larger purpose? Any vocabulary that tells the story is almost certainly the right vocabulary, though I’d expect to get argument on this. In the case of the Batman comic we’ve been discussing, I don’t know, and probably never will.

RECOMMENDED READING: Redemolished, by Alfred Bester

Dennis O’Neil is an award-winning editor and writer of Batman, The Question, Iron Man, Green Lantern, Green Arrow, and The Shadow– among others – as well as many novels, stories and articles. The Question: Epitaph For A Hero, reprinting the third six issues of his classic series with artists Denys Cowan and Rick Magyar, will be on sale in September, and his novelization of the movie The Dark Knight is on sale right now. He’ll be taking another shot at the ol’ Bat in an upcoming story-arc, too. 

ComicMix Six: Embarrassing Deaths

ComicMix Six: Embarrassing Deaths

The world of comic book super-heroes and costumed villains is a dangerous one. And sometimes, you don’t make it out alive.

We all remember the tragic loss of Bucky Barnes when he was blown up while trying to disarm a bomb (although he turned up alive again as a cyborg a few years ago). We can still recall the tragic loss of Oliver Queen, the Green Arrow (who was literally resurrected not too long ago). We’ve reminisced about the sacrifice of Barry Allen, who became one with the universe even as he saved it (and who returned from the dead a couple of months ago). And it was literally front page news when Captain America was assassinated (and he’s actually still dead).

But not all deaths in comics are noble moments you want to remember. Some are just down right … silly. So here are six of the most embarrassing deaths. NOTE: this is focused on super-villains and super-heroes, not just any characters in comics in general. Otherwise we would just be talking about Preacher all day.

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David Boreanez may Take the Oath

David Boreanez may Take the Oath

Marc Guggenheim, Greg Berlanti and Michael Green are just about done with a rewrite to their Green Lantern feature film script and told Moviehole they anticipate turning it in this coming week.

One of the things that excited Warner Bros. about the proposed project were the production drawings from former comic book artist Brian Murray.  He based Hal Jordan on actor David Boreanez, known for Angel but also was Jordan’s voice on the New Frointier animated movie released earlier this year.  Carol Ferris was modeled after Sin City’s Carla Gugino.

Boreanez, currently starring on Fox’s Bones, has tested for super-heroes before, first as The Thing in Fantastic Four and later as Superman for Bryan Singer’s Superman Returns.

Now word is bubbing that he may be considered for the live-action version as well.

For George Miller’s stalled Justice League film, GL was going to be John Stewart and played by the rapper Common.
 

Waiting For The Phone To Ring, by Dennis O’Neil

Waiting For The Phone To Ring, by Dennis O’Neil

So here we were, writer/editor Jack C. Harris and myself, caught in a warp of eternity. Had we committed some hideous transgression to be doomed to this Purgatory? Well, no. What we’d done is agree to be guests on a radio call-in program about 30 years ago. Subject, of course: comic books.

We arrived at the small, shadowy studio early, earlier than the host, who breezed in a minute or so before air time and then, without notes, he was speaking into a microphone, introducing Jack and me, urging listeners to ask us questions and giving a phone number they could call if they wanted to speak to one or both of us.

We waited for that ol’ switchboard to light up. And waited. And waited. And waited. It seemed that nobody was interested in comic books, not that night in that city. We waited, and tried to make small talk, which I do not include in my skill set, and waited and waited.

Then there was a call! Hallelujah! Oh joy, oh happiness – a call! For us? Unfortunately, no. Some guy wanted to tout a community event of some sort, and fine, say I – more power to him.

There may have been one or two more calls – as noted, this was 30 years ago and I had no reason to cherish the memories – but basically, Jack, Mr. Radio Man, and I sat in that studio for two hours and then Jack and I left and I got on a train back to New York.

Got on the Amtrak, did I, little knowing that Jack, Radio Man and I were pioneers. What we’d done was fill up airtime without imparting any information, without saying anything anyone wanted or needed to hear

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‘Blackest Night’ stealing ‘Final Crisis’ thunder? by Alan Kistler

‘Blackest Night’ stealing ‘Final Crisis’ thunder? by Alan Kistler

The major event in DC Comics in 2008 is Final Crisis, written by Grant Morrison. Unlike many summer crossovers, Final Crisis is not its own event so much as the third story of a trilogy (the first two stories being the crossovers The Crisis On Infinite Earths and Infinite Crisis).

The opening premise is that all of the New Gods (celestial beings who inhabit a higher dimension) recently seemed to die, except for Darkseid, leader of the evil New Gods. Darkseid has found a way to survive through human hosts, his power fueled by the faith of his new followers under the prophet Libra. Determined to become ruler of reality, he has been resurrecting his sinister forces (an ability Kirby established decades ago) by placing their life-forces in new bodies as well. And since he has now learned the powerful "Anti-Life Equation", a prize he has sought for centuries, he is able to destroy free will in any who hear the equation, thus creating a new army of slaves.

So evil god-like forces have been freely walking among us and because the super-heroes didn’t realize it, they’ve been vulnerable to sneak attacks and manipulations. In short order, John Stewart, Hal Jordan, Batman, Superman and Wonder Woman were all removed from the game board in one way or another.

But this is a Morrison story so that means there are usually layers to be peeled away. There are other things going on as a result of Darkseid now attempting to break the universe down to serve his will. There is, of course, the matter of the Multiversal Monitors, beings charged with maintaining the structure of the multiverse, one of whom is also living among us as a mortal man, unaware of his true nature. And there is the return of Barry Allen, the second Flash, a hero who became energy and merged with the universe even while saving it during the first Crisis over twenty years ago. Barry’s sacrifice saved the universe during that story and in DC Universe #0, it’s implied that the universe itself has brought him back so that he can save it again. It’s also possible he is here as a reactionary force to Libra, who is his opposite number in the sense that this a villain who also seemingly died years while merging with the cosmos.

And Libra and Barry are not the only dead men to show up in this story.

 

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‘The Return’ Arrives at ABC

‘The Return’ Arrives at ABC

Greg Berlanti is rapidly getting busier in Hollywood.  In addition to his work with Marc Guggenheim and Michael Green on the screenplay to the Green Lantern feature film, he’s been working on the second season of ABC’s Eli Stone and Dirty Sexy Money and third season of Brothers & Sisters, all of which debut later this month. Variety reports that he must have a spare few minutes because he’s partnered with Rene Echevarria on The Return.  The science fiction series for ABC has a simple premise: aliens arrive on Earth.

Echevarria is now stranger to the genre having worked on Star Trek: Deep Space 9, The 4400 and Dark Angel.