Tagged: Dark Horse

On This Day: Frank Sinatra founds Image Comics

On This Day: Frank Sinatra founds Image Comics

Well, not quite. But consider:

He was a young hot-shot, insanely popular with the kids. But he was tired of buckling under for the suits who controlled his career and had nearly scuttled it in the past, he wanted more artistic freedom for his own recordings. So he founded Reprise Records, and on this day in 1961, released the first album, Ring-a-Ding-Ding!

One of the label’s founding principles under Sinatra’s leadership was that each artist would have full creative freedom, and at some point complete ownership of their work; including publishing rights. As a result, a lot of other talented creators came on board with Frank, including Dean Martin, Sammy Davis Jr., Redd Foxx, Bing Crosby, and Rosemary Clooney. Later on, Reprise would also sign a lot of new talent including The Kinks, Jimi Hendrix, Joni Mitchell and Neil Young.

And Frank? He became "The Chairman of the Board" and went on to the most successful times of his career.

Nowadays, Reprise is owned by Warner Bros. Records, which isn’t entirely unlike what DC did with Wildstorm. And for one more comics tie-in, the label is now the home to My Chemical Romance, fronted by Gerard Way, former DC intern and current writer of The Umbrella Academy for Dark Horse, and they’re now releasing the soundtrack for Watchmen. Here’s the picture disc.

As Dean Martin was fond of saying, "It’s Frank’s world; we’re just lucky to be living in it."

So when you hear people talk about creators rights in the industry, just remember who was there first. Who did what he had to do, and saw it through without exemption. He said the things he truly feels, and not the words of one who kneels. The record shows he took the blows… and did it his way.

Miller & Gibbons Think ‘Martha Washington’ Good for the Screen

Miller & Gibbons Think ‘Martha Washington’ Good for the Screen

Dave Gibbons mentioned to Digital Spy that another of his comic properties is being eyed for the big screen.  "There’s been nothing picked up,” he admitted. “There was a series I did with Frank Miller called Martha Washington, which in fact is longer than Watchmen, it’s about 500 pages. Frank’s enjoying a certain amount of success in Hollywood and I wouldn’t be surprised if something happens with that. I think that would make a great movie. People misunderstand Frank, they think he’s very grim and right-wing, but he’s got his tongue very firmly in his cheek. Martha Washington is a war story but it’s quite satirical and I think has a strange resonance with what’s happening in the world today."

Miller also seems interested in the project, telling Splash Page, “It’s just a matter of finding the right venue, because Martha Washington isn’t a movie, it’s a series. It would have to be like 12 episodes to fit the whole story in. I would not let it be truncated.”

First published in 1990 as Give me Liberty, Martha has appeared in subsequent tales by the duo, all published by Dark Horse Comics.  They announced a Martha Washington Omnibus, collecting every page, but it remains off their schedule.

Frank Miller Moves from Central City to 25th Century

Frank Miller Moves from Central City to 25th Century

No sooner did Buck Rogers get optioned for a feature film this summer than the rumors named Frank Miller as the director, something that everyone involved has denied until now.  The Hollywood Reporter and Variety both say Odd Lot Entertainment is close to signing Miller to adapt the comic strip to the screen.

Odd Lot hired Miller to direct The Spirit, which opens on Christmas Day and producer Deborah Del Prete let slip in October that Miller would move to the science fiction hero next. Odd Lot obtained the rights from Nu Image/Millennium, which has been holding the rights since the summer, obtained from the Dille Trust. The Trust is headed by John Flint Dille, a longtime friend of Miller’s, and he may have started the rumor at the time of the deal.

Miller will reportedly write and direct the adaptation which will likely follow his personal dark vision of dystopias.

Acclaimed for his work in comics on Daredevil and The Dark Knight Returns, his film work has been less well received starting with his work on RoboCop 2.  His Sin City was a major success and 300 was based on his Dark Horse graphic novel, although it was adapted by Zack Snyder.  Miller is making his solo debut on The Spirit, based on Will Eisner’s legendary comic strip.  Early reviews broke yesterday and have been uniformly negative.  This could well be the second straight super-hero misfire from Lionsgate, which delivered Punisher War Zone DOA earlier this month.

Buck Rogers was based on a 1928 novella, Armageddon 2419 AD by Philip Francis Nowlan which appeared in Amazing Stories. It quickly spawned a sequel and the stories caught the imagination of John F. Dille, president of the National Newspaper Service syndicate. He brought the feature to the newspapers as a comic strip in 1929, coming to own the property. America’s first SF comic strip, it was written by Nowlan with art by Dick Calkins. Through the years, the strip was graced with terrific art from the likes of Murphy Anderson and George Tuska, until it ended in 1967. The strip was revived in 1979 by artist Gray Morrow and writers Jim Lawrence and Cary Bates lasting until the strip’s ending in 1983.

Buck Rogers has appeared in comic books (with stunning Frank Frazetta art), serials (with Buster Crabbe), a four-times-a-week radio serial from 1932 through 1947; a 1950 half-hour television series and the 1979 NBC series (the horrible adaptation with Gil Gerard).

The Dille Trust under Flint Dille has repeatedly attempted to revive the character for modern audiences through Role Playing games, comics and media. All the attempts have yet to capture the fancy of today’s audiences.

Jane Espenson to Write ‘Oz’ Miniseries

Jane Espenson to Write ‘Oz’ Miniseries

Jane Espenson will be writing a five-issue Oz miniseries as part of Dark Horse’s Buffy the Vampire Slayer series.

"I’m doing this five-issue Oz arc," Espenson told Sci Fi Wire. "I am planning on doing a lot of writing on that over the Christmas break. The next thing I’m going to do is finish this Dollhouse script, then we get into that Oz comic and really, really knock that out."

Oz was the series’ resident werewolf and rock star, played by Seth Green.  He was also romantically linked with Willow before going on his own mission. Will that mission be a part of the miniseries? "Oh, that is top secret, my friend, but it’s super cool," Espenson said, adding: "You’ll see a wolf or two. There might be a wolf."

Now that Willow has realized she’s a lesbian, does that mean Oz finds a new girl friend? "I don’t think wolves mate for life," Espenson said. "I think there could be a new mate. We’ll see."

This is not the popular writer’s first visit to comics, as she previously wrote a story focusing on Tara, Willow’s fellow wiccan lover. No schedule or artist for the project have been announced.
 

‘Ultimatum’ #1 #1 in November

‘Ultimatum’ #1 #1 in November

The November numbers are in and ICv2 notes that sales of the top 300 titles fell 11% compared with a year ago.  They note that with DC Comics and Marvel Comics skipping issues of Secret Invasion, Final Crisis, New Avengers, Mighty Avengers, Astonishing X-Men, and Justice League of America, there’s little wonder.

Only two titles — Marvel’s Ultimatum #1 and DC’s Batman #681 – cracked the 100,000 unit marks based on numbers provided by Diamond Comics Distributors, the fewest since March.

Marvel had 14 of the top 25 titles, DC 10, and Dark Horse one. 

Looking over the list, it’s interesting to note that beyond events and new titles, several mainline books continue to bring in readers because the content seems to be consistently entertaining month after month as exemplified by Amazing Spider-Man and Captain America being in the Top 10. The most popular creators do seem to translate to best sales making it all the more important for creative team consistency month to month.

Here are ICv2’s estimates of the sales by Diamond Comic Distributors to comic stores on the top 25 comic titles in November:

114,230           Ultimatum #1
103,151           Batman #681 (RIP)
  90,776           Hulk #8
  88,910           Wolverine #69
  77,773           Uncanny X-Men #504
  76,625           Amazing Spider-Man #577
  75,493           Captain America #44
  74,202           Buffy the Vampire Slayer #19
  72,862           JSA: Kingdom Come Special Superman #1
  71,355           Justice Society of America #20
  69,522           Batman: Cacophony #1
  68,956           Amazing Spider-Man #576
  66,564           Amazing Spider-Man #578
  64,196           Detective Comics #850 (RIP)
  63,512           X-Men Legacy #218
  61,331           Fantastic Four #561
  58,547           Action Comics #871
  58,279           Dark Tower: Treachery #3
  57,241           X-Force #9
  57,205           JSA: Kingdom Come Special Kingdom #1
  56,931           Final Crisis: Resist #1
  56,224           Avengers / Invaders #6
  55,560           JSA: Kingdom Come Special Magog #1

‘Washington Post’ Lists Top Comics of the Year

‘Washington Post’ Lists Top Comics of the Year

The Washington Post recently posted their lists of best comics of the year and they include:

The Alcoholic, By Jonathan Ames and Dean Haspiel (Vertigo/DC Comics, $19.99)
Bottomless Belly Button, By Dash Shaw (Fantagraphics, $29.99)
Buffy the Vampire Slayer, Season Eight, Volume Two: No Future for You, By Brian K. Vaughan, Georges Jeanty and Joss Whedon (Dark Horse, $15.95)
The Complete K Chronicles, By Keith Knight (Dark Horse, $24.95)
Superman and the Legion of Super-Heroes, By Geoff Johns and Gary Frank (DC Comics, $24.99)
Y: The Last Man #60, By Brian K. Vaughan and Pia Guerra (Vertigo/DC Comics, $4.99)

Among their best DVDs, they included:

4 Months, 3 Weeks and 2 Days
, Not rated (Weinstein, $24.95)
30 Rock: Season 2, Not rated (Universal, $39.98)
The Big Lebowski (10th Anniversary Edition), Rated R (Universal, $19.98)
Control, Rated R (Weinstein, $28.95)
The Darjeeling Limited Rated R (20th Century Fox, $29.99)
The Diving Bell and the Butterfly, Rated PG-13 (Miramax, $29.99)
Flight of the Red Balloon, Not rated (IFC, $24.95)
Iron Man (Ultimate 2-Disc Edition), Rated PG-13 (Paramount, $39.99)
The King of Kong: A Fistful of Quarters, Rated PG-13 (New Line, $19.98)
Lost Highway, Rated R (Universal, $19.98)
No Country for Old Men, Rated R (Miramax, $29.99)
The Office: Season 4, Not rated (Universal, $49.98)
Persepolis, Rated PG-13 (Sony, $29.95)
Spaced: The Complete Series, Not rated (BBC Warner, $59.98)
There Will Be Blood (Two-Disc Special Collector’s Edition), Rated R (Paramount, $34.99)
Trafic, Not rated (Criterion, $39.95)

Dark Horse Entertainment Adds Keith Goldberg

Dark Horse Entertainment Adds Keith Goldberg

Keith Goldberg has been hired by Dark Horse Comics’ Entertainment division as Senior VP Production according to The Hollywood Reporter.

Given Dark Horse’s current deal with Universal, the move was necessary to oversee the existing projects, such as War Monkeys, while giving Goldberg access to the company’s library for further exploitation in media. He will be based in Dark Horse’s Los Angeles offices.

Under the terms of the deal, announced in March, Universal would have creative access to all Dark Horse characters and properties, as well as any material that Dark Horse might acquire on its own and want to develop as a motion picture. In addition, Dark Horse would have the opportunity to distribute movies through Universal.

Goldberg is "the right person at the right time," according to statement from Dark Horse president Mike Richardson. "We’ve seen explosive growth throughout our company, and the film division is no exception. With the addition of an ambitious slate at Universal to our existing film projects, we needed to expand."

Goldberg was previously a production executive at New Line Cinema, working on 17 Again; Rendition; and The Number 23.
 

2009 Free Comic Book Day Gold Titles Announced

2009 Free Comic Book Day Gold Titles Announced

2009’s Free Comic Book Day will be Saturday, May 2 and the Gold Sponsor titles have been announced.

A complete listing of FCBD titles, including all Gold and Silver Sponsor comics, can be found in the January issue of Diamond Comic Distributors’ Previews catalog, available on December 24th.

Here are the Gold titles:

Archie Presents – The Mighty Archie Art Players
, Archie Comics

The "Mighty Archie Art Players" return.

In this special FCBD09 edition, the Mighty Archie Art Players have a rip-roaring good time in the Old West, put a modern-spin on the classic Snow White fairy tale, tell a "big fish" story — literally — with Betty as a mermaid, and cater to the whims of Veronica, transformed into the ancient Egyptian queen, Cleopatra.

Their curtain-raising performances will leave you laughing in the aisles.

Bongo Comics 2009 Free For All, Bongo Comics

The comic company that brings you The Simpsons and Futurama in the fantastic four-color format joins with retailers to reel in new readers.

This special issue features a comic cornucopia of tantalizing tidbits and a spectacular sampling of the best in humor comics.

(W/A) Matt Groening
 

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Review: ‘Speak of the Devil’ by Gilbert Hernandez

Review: ‘Speak of the Devil’ by Gilbert Hernandez

Speak of the Devil
By Gilbert Hernandez
Dark Horse, November 2008, $19.95

Most of Gilbert Hernandez’s comics have been set in the same world, featuring a huge cast of characters with many obvious and obscure links, reaching from the small Latin American town of Palomar to Southern California and covering the second half of the twentieth century right up to now. Even the few of his comics that aren’t obviously in that world often turn out to have links to the “[[[Palomar]]]” cast.

Last year, Hernandez put out the graphic novel [[[Chance in Hell]]]. That story didn’t itself take place in his usual world – but it was a comics version of a movie from that world, a movie that featured his character Fritz in a minor role. Hernandez is continuing that conceit; [[[Speak of the Devil]]] is another metafictional comic, the story of a movie that only exists within another world of fiction, and one that featured Fritz in a larger part. (Fritz had a short but eventful Hollywood career, so we might well get another half-dozen “movies” with her as an “actress.”)

Like Chance in Hell, Speak of the Devil is a noirish drama with a timeless feel – there are a few details like cellphones that place it in the modern day, but the atmosphere and touches like a beatnik tertiary character make it feel like a movie from the late ‘60s or early ‘70s – that is, if we take Hernandez’s bait and think of Speak of the Devil as a movie to begin with. Devil does have the feel of a movie sometimes; Hernandez often allows his panels to stretch all the way across the page for a widescreen effect before diving into an array of smaller panels to indicate quicker events.

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Review: ‘Abe Sapien: The Drowning’ and ‘B.P.R.D.: 1946’

Review: ‘Abe Sapien: The Drowning’ and ‘B.P.R.D.: 1946’

It’s always a bit sad when someone quits a job, especially a well-loved and -trusted colleague who did a huge amount of the work. Sure, you’ll all take him out to lunch on his last day (or as close to it as you can manage), but that’s for his benefit. The next Monday, you all have to go back to work, and try to make up for what he used to do as well as you can.

Hellboy has been gone from the Bureau of Paranormal Research and Development for a while, now – since 2001, though the stories take place in various eras and times – and they’re still trying to make up for the loss. In an office, that would just entail some cursing, some longer hours, and a lot of questions about how to fill out the TPS forms. But for the B.P.R.D., there’s the little matter of saving the world without a nearly indestructible red guy with a sledgehammer for a right hand leading the way.

Since [[[Hellbo]]]y left the B.P.R.D., Dark Horse has published an increasingly proliferating array of stories set in the same world: an ongoing sequence of B.P.R.D. miniseries, and then short series about Lobster Johnson and Abe Sapien.

This year has already seen the Lobster Johnson trade paperback, and eighth volumes of both Hellboy and B.P.R.D. (which I reviewed together back in June), and now there are two more Hellboy-universe books to keep us busy.

[[[Abe Sapien: The Drowning]]]
Story by Mike Mignola; Art by Jason Shawn Alexander
Dark Horse, September 2008, $17.95

Abe has been at the center of several B.P.R.D. stories before, but this was the first time he got his name in the title – it’s a flashback story, set in 1981, when Hellboy was on an extended leave from the B.P.R.D. but supernatural mysteries still needed investigating.

B.P.R.D. head Trevor Bruttenholm had recently discovered that a British supernatural agent had used a rare and powerful Lipu Dagger to kill the evil Dutch warlock Epke Vrooman in 1884, near the Atlantic coast of France. Vrooman’s remains and the dagger are at the bottom of the sea, in a shipwreck. But surely an amphibious man wouldn’t have any trouble in diving down and retrieving the dagger?

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