New Pulp author Jim Beard shared this press release with All Pulp.
May 29, 2012
FOR IMMEDIATE RELEASE:
NEW BLOG PROMOTES AIRSHIP 27’S NEWEST TITLE
The Official Sgt. Janus Spirit Blog is now active!
SGT. JANUS, SPIRIT-BREAKER author Jim Beard announces that the blog will not only reveal behind-the-scenes secrets about the crafting of the book in interviews with its creators, but will also feature both exclusive Sgt. Janus fiction in the form of “newspaper articles” from the Mount Airy Eagle and contests in future postings.
Check out the Official Sgt. Janus Spirit Blog today at http://sgtjanus.blogspot.com and get into the spirit of Sgt. Janus’ world of spectral happenings and supernatural adventures.
Summer’s here and the time is right for geeking in the street. In a triumph of nerd culture, The Avengers may be the most successful movie of all time. Certainly, with the second week box office results breaking all kinds of records, there is more going on here than people who read comic books going opening day. There aren’t enough people who read superhero comics to make a movie that successful.
There are, however, enough shared values among comic book creators and movie creators to make a hit. In the case of The Avengers, a lot of the credit must go to Joss Whedon. Whedon earned his cred not only by writing awesome comics, but by producing Buffy the Vampire Slayer, Firefly, and Dollhouse.
Those shows had loyal fan bases (which didn’t overlap enough, or we’d still have the latter two on the air). They also shared a marvelous, matter-of-fact feminist sensibility.
The critical response? Not so much.
Most of the critical reviews single out Scarlett Johansson, saying she can’t act, or she’s only there to look pretty. One comment called her a female Keanu Reeves, which irked me for multiple reasons. I enjoy Keanu Reeves. I thought he was brilliant in My Own Private Idaho. And I really like Johansson in The Avengers. I believe she, like her character, has a brain in her head.
What I mostly enjoy about her character is the fact that her motivations are similar to those of her teammates. She wants to rescue her colleague, Hawkeye. Being on the team is part of her job, which she takes seriously.
The Black Widow is not on the team because she’s somebody’s girlfriend or sister. She’s not there to provide a love interest for a more important male character. She’s not there to be taken hostage by the bad guy (a role played, too some extent, by Hawkeye). She is not murdered and stuffed in a refrigerator. She doesn’t wear a costume that is more revealing than anyone else’s, or that defies the laws of physics to keep the film’s PG-13 rating. That’s reserved for the Hulk’s pants, which seem to grow when he does during the New York City battle.
In our popular culture, we’re very threatened by women who consider themselves to be just as able and just as interesting and just as important as men consider themselves to be. If women find meaning in their own lives, a huge market in cosmetics, plastic surgery, fashion and hair color dries up. If women think they can find meaning and value within themselves, they might only wear stiletto heels as a lark, and not proof of their femininity. They might have relationships with men they like, and not for status or validation.
The powers-that-be don’t enjoy that possibility. They’ve kept it out of almost all the other super-hero stories.
As fans and as feminists, we have an obligation to hold their feet to the fire when the inevitable sequels arrive. Joss can’t – and shouldn’t – have to do it alone.
Are you a journalism student looking for blogging experience? Or a fan of comics and manga with great writing skills and something to say about Free Speech? Are you an educator or librarian who’s a dedicated supporter of the First Amendment? CBLDF would like to include your voice on our website!
CBLDF is looking for contributors to add to our roster of bloggers. Each member of our website team will be asked to identify and/or generate content about relevant Free Speech issues for www.cbldf.org on a weekly or semiweekly basis under editorial guidance from the Web Editor. The Web Editor may assign specific articles for coverage, but contributors will otherwise have flexibility in choosing what they write about.
The blogging positions are voluntary. Articles will be seen by visitors to www.cbldf.org and cross-posted on CBLDF’s Facebook page, Twitter feed, and weekly newsletter, ensuring that several thousand people will see the articles. Contributors will be able to work from anywhere, set their own schedules, build writing and blogging experience, and boost their resumes. In doing so, contributors will support the important First Amendment work of CBLDF.
If you are enthusiastic about the First Amendment, a good writer, and able to take editorial direction, you’re a perfect candidate — apply today!
To apply, please send your resume and a writing sample to betsy.gomez@cbldf.org.
ABOUT THE COMIC BOOK LEGAL DEFENSE FUND
Comic Book Legal Defense Fund is a non-profit organization dedicated to the protection of the First Amendment rights of the comics artform and its community of retailers, creators, publishers, librarians, and readers. The CBLDF provides legal referrals, representation, advice, assistance, and education in furtherance of these goals.
One would think that of all the major conglomerates in the world, The Walt Disney Company would have the greatest empathy and respect for creators who have made bad deals that resulted in their characters being torn from them. Disney, in fact owes its own success to its founder’s resolution resulting from having his creation hijacked by corporate greed. (more…)
The Toronto Comic Arts Festival takes place this weekend, and CBLDF wants to make comics fans and creators crossing the border into Canada aware of their rights. Last year, several creators were subject to intrusive search on their way to TCAF, and creators Tom Neely and Dylan Williams had books seized by Canada Customs. In 2010, comics fan Ryan Matheson was arrested when he crossed the Canadian border with what Canada Customs thought were objectionable comic books on his laptop. You need to know your rights when crossing international borders with comic books.
In an interview with CBLDF, Neely and Williams described the search that led to the seizure before last year’s TCAF:
Neely: They asked us to stand by the wall of the building and asked for the keys to our car. They opened up our suitcases and pulled out a random sampling of about 5 comic books we had in our bags. Those included Blaise Larmee’s Young Lions and the Black Eye anthology published by Rotland Press, of which I’m a contributor. The security guy asked us what the books were. We described them as “art comics,” and he said he was going to take them inside for review. While we waited, two other security guards came out, opened the car and proceeded to pull out everything in the entire vehicle, pulled out a copy every book, and then went back inside.
Williams: The customs people pulled us over because we were importing merchandise. One agent went through our bags and pulled out a sample of books. He then came back out with Black Eye and Young Lions and asked us about them. Then two more agents came out and searched every bag in our car. They damaged some books. They were all really nice however, especially the first agent who talked with us about the content of the book.
Neely and Williams’ experience with Canada Customs agents doesn’t align with the experience faced by Matheson:
“I believe my treatment throughout the entire ordeal was unfair and unjust. I was abused by the police. The police station jail cell was kept unreasonably cold, and I was given a freezing cold slab of concrete as a bed. I asked for blankets or a pillow but was denied. I asked for food but was denied even after asking at least five times. I politely asked an officer at the police station if I could speak to the U.S. embassy, but she replied, “Are you serious? I don’t think we have that here,” and walked away. I was never able to talk to the embassy, and even when my brother arrived for my bail, he too was denied from seeing me at all. Police officers who transported me would slam metal doors on my head and laugh at me, saying “This one’s easy!” And finally, after being transported to the long-term detention center, guards would torment me with phrases like, “You know, if you get raped in here it doesn’t count!” I was jailed for five days before bail, longer than most people. These are the horrible things I had to go through when I was simply accused of something.”
The good news is that Matheson’s ordeal is now over, and Neely and Williams were never accused of wrongdoing or arrested, even if they didn’t have the confiscated books to sell during TCAF. The bad news is that this kind of persecution can happen again.
CBLDF is pleased to offer important resources that you should read before you cross a foreign border. These tools aren’t designed to take the place of your lawyer. Nothing in them is intended as legal advice. But they are important overviews of the concerns travelers now face when crossing borders with comic art in printed form and on digital devices. These resources are must-reads for anyone crossing international borders with comic books.
Legal Hazards of Crossing International Borders With Comic Art — Prepared by Davis Wright Tremaine, this general advisory addresses issues concerning entering the United States with expressive materials, provides an overview of the phenomenon of border searches of expressive materials, describes the basic legal framework governing such searches, and offers some general suggestions for international travelers planning to transport expressive materials.
Pornographic Anime and Manga Under Canadian Law — Prepared by Edelson, Clifford, and D’Angelo, in light of the issues faced in R. v. Matheson, this memo addresses the disposition of Canadian law towards anime and manga, outlines the powers of Canada Border Services Agency, and provides a detailed discussion of the definition of child pornography under Canadian law, alongside the related sentencing guidelines and defenses for that offense.
Electronic Devices Privacy Handbook: A Guide To Your Rights — Prepared and hosted by the British Columbia Civil Liberties Association, this handbook is focused on privacy issues concerning travelers crossing the Canadian border with electronic devices. This tool addresses your rights at the Canadian border, including a discussion of the Customs Act, an overview of CBSA policies, best practices when crossing the Canadian border, and information on what to do if you’ve been searched.
Defending Privacy At The U.S. Border — Prepared and hosted by the Electronic Frontier Foundation, this resource provides an overview of privacy issues at the U.S. border, and detailed tips on how to protect your privacy and data, and what to do when interacting with border agents.
CBLDF Advisory: Crossing International Borders — Compiled by CBLDF in conjunction with our initial announcement about the Canada Customs Case and an increasing number of searches and seizures at international borders, this document discusses US Customs policies, the lack of legal protections during border searches, and suggestions for avoiding border searches.
In the event of a First Amendment emergency, call CBLDF at 1-800-99-CBLDF or send us an email at info@cbldf.org. We’re here to help!
Please help support CBLDF’s important First Amendment work and provision of resources such as this by making a donation or becoming a member of the CBLDF!
New pages were added to the official Lance Star: Sky Ranger website at http://www.lance-star.com/ and the official The Ruby Files website at http://rickruby.blogspot.com/, which gives links to shows, conventions, signing and other appearances made by creators who worked on those title.
Meet The Ruby Files Creators. New Appearances page added.
Meet Lance Star: Sky Ranger Creators. New Appearances page added.
The paranormal doesn’t stand a chance as SyFy launches a new season of FACT OR FAKED next Tuesday (April 17th) at 9pm ET. Join us as we talk to investigators Ben, Austin & Lanisha about what dark things these new episodes will uncover. There’s also more with Jessica St Clair and Lennon Parham, creators and stars of NBC‘s new comedy, BEST FRIENDS FOREVER. Plus it had to happen – comic book sales begin to shoot DOWN in March!
Hello, all! With but a few short days before my little company, Unshaven Comics, takes C2E2 by storm, I figure I might as well abuse what little power I have to hype it up. Then I thought that you can get more flies with honey than poo. Maybe my metaphor sucks, but I think the point is clear: Hype is good, but sharing experiences is better. So, consider this the MTV’s True Life: I’m an Indie Comic Creator of articles. Except there will be 10% less talking head interviews.
The first time we crossed the aisle to become “creators” instead of “fans” the whole world was turned on its ear. Whereas I used to mill about the Artist Alley with careful consideration to not make eye-contact with the would-be pitch men, here I was in their spot muttering “How Rude!” under my breath when passersby floated past our table without so much as a nod of the head. It was a sobering experience, all in ten minutes. Luckily for me, Unshaven Comics has been and will always be a communal effort. Sitting next to my two best friends of nearly twenty years makes the cons only a pleasure, never a chore. But I digress. With every con we’ve attended, big or small, we’ve always learned a new lesson to bring to the next.
Lesson one? You can pitch anything you want, but if you don’t believe in it, it shows. Our first con, Wizard World Chicago 2008, we had only The March: Crossing Bridges in America to sell. Don’t get me wrong, we were (and still are) proud of the work. But it was commissioned work. Educational too. 54 pages of upbeat messages, smiling, walking, and immigrant empowering narrative. Pitch that next to the guy selling the Anime Crime Noir story features boobs and guns and see where it gets you.
Simply put, we learned at con #1 that if we were to be successful, we would have to promote material that made us excited to create. For many artists in the alley, their work sits on the table as a testament to their exploration of the craft, or their desire to turn a quick dollar. But for those people pitching their wares because they truly believe what they created is something to note… those are the folks we gravitate to.
Lesson two. Presentation matters. Our first con? We had some sloppy Café Press tee-shirts, a too-long table skirt, and some books. Over time, we added to the menagerie: Business cards, higher quality tee shirts, an 8 ft. banner to sit behind us, and a black tablecloth made our little slice of Artist Alley a bit more homey. We’ve since decided to drop the massive backdrop. Trust me, carrying three paint buckets full of cement, a pile of painted PVCs, and all your materials doesn’t make for an easy trip from car to table. Still to come? A handy rack to display multiple issues. Maybe a small red carpet for those standing at our table. Heh. Artist alley showcases to the masses where you as a company (be it a one manned structure or a small self-publisher such as ourselves), and if you look like you just rolled in from Kinkos, it’ll show on the table.
Lesson three. The pitch. Simply put, we wouldn’t be a success without Kyle Gnepper. Not only a founding member of the company, lifelong friend, and contributing writer and production assistant… at the cons he becomes something far more powerful. He becomes a visceral selling machine; Fearless, hungry, and completely oblivious to whoever stops in front of his cone of selling. Like Hal Jordan facing down Darkseid, Kyle has pitched to Dan DiDio, Tom Brevoort, Mike Richardson, and numerous creators without any knowing smirk just passion to show off our wares.
Did they buy the book? DiDio did, because I guilted him into it. Now you can’t necessarily count Matt or me out of assisting in sales. We both bring our own flair to the pitching process. Matt’s steady hands produce copious commissioned sketches, delighting many passersby. I stay between Matt and Kyle… part salesman, part artist. Sometimes I’ll doodle on the iPad, other times I’ll help us market and coordinate future events, partnerships, and relationships. Don’t knock it… it’s what landed me here at ComicMix.
The final lesson. Growth. Every con we try to bring something new to the table. For C2E2 we are debuting a live action Samurnaut, as funded by our fantastic Kickstarter backers. We have three books (and one repackaged book) on sale at the table, as well as posters, and commissions. Last year we almost sold 1000 books across all the conventions we visited. This year? We plan to break that barrier, and continue making new material. As we gain new fans and followers, we’ve gain amazing friends. And while we may never grow out of the artist alley, get our shot at the big time, or graduate to ‘featured guests’ at any con… the best lesson we’ve learned puts it all in perspective:
It’s not the prize at the end of the quest you do this for… it’s the thrill of the journey.
This weekend, Marc Alan Fishman and the Unshaven Comics crew will be at Booth K19 in Artists Alley. Don’t be offended if fellow ComicMixers Glenn Hauman, Adriane Nash and Mike Gold are hanging around interfering with sales from time to time.
TIPPIN’ HANCOCK’S HAT- All Things Pulp Reviewed by Tommy Hancock
DEMON’S NIGHT by Guido Henkel Published by Thunder Peak Publishing 2009
Ever since a particular detective first made his literary presence known in The Strand Magazine (and actually in other ways even before that), there’s been a bevy of creators find themselves drawn to tell imaginative tales replete with shadowy twists and tangled turns in the fog ridden streets of England in the late 19th Century. Many of those have dared to mimic Doyle, others have worked to flat out ignore him, and still others have gone steps beyond where his most notable creation ever went. It’s a rarity, to me anyway, when someone writes in that vein and simultaneously completely respects what came before while completely and totally having absolute fun with what they are doing.
Guido Henkel, the architect of the now 11 volume JASON DARK series, skillfully manipulates everything readers love about Victorian England and the supernatural while obviously having the best magical, mystical, monstrous time a writer can have in DEMON’S NIGHT, the novella featuring the debut of the Victorian Detective that handles the cases his better known peer won’t often even entertain.
People are dying in Whitechapel. Not an unusual thing, except the bodies being discovered are withered, drained of every fluid possible, dried like prunes. Tweaking the interest of Dark, the murders are the doing of a demon, a slave serving a master seeking release. And only Dark and a young Oriental woman with skills all her own stand in the way of this netherworldly plot.
DEMON’S NIGHT is a wonderful story and great introduction to Jason Dark. Obviously owing a bit of who he is to those who came before him, Dark is also a figure all his own. At times moody, often introspective, and dangerously spontaneous when it’s least advised, Dark applies logic while opening his mind to the weirdness the world truly has to offer. The supporting cast appearing around Dark for the first time is definitely an added asset to the story and the character. Siu Lin, initially a victim of the beast of the tale, quickly proves her worth to Dark and makes a great compliment to his rather complex lead.
Henkel keeps the story rolling, darting back and forth between Dark’s and the demon’s perspective, and makes sure the reader stays along for the action packed storm that unfolds from beginning to end.
FIVE OUT FIVE TIPS OF THE HAT- DEMON’S NIGHT is not only a great start, it’s a truly awesome tautly told, well crafted novella featuring the best of Holmesian influence and Henkelian talent.
In February 2013, I will have the honor of curating a galley show called Milestones: African Americans in Comics. Pop Culture and Beyond. The show will held at the Geppi Entertainment Museum in Baltimore, Maryland.
It’s my goal to make this the most comprehensive showing of black comic and related content ever assembled.
The Geppi Museum is nothing short of fantastic and as mentioned I am indeed honored to be creating this show for them. The best of the best will be showcased… but that’s not what I’m writing about today. Today I’m looking for a few good artists.
A few good new artists.
Soon the process will begin to select the professional artists for the show. Some will be invited others will be asked to submit work for jury selection. Consider this my ComicMix reader jump start for any new artist out there who may want to submit work for the show before the official call for entries.
I want to showcase new creators who may not be published yet. The show will have a worldwide audience as it will be up for a year and the press coverage will be massive. The opening of the show will surely attract comics elite and powerful and will be a grand way for a new artist to have his or her work showcased.
The show is not just open to black creators. It’s a show about African-American impact in pop culture. I’m open to any art that features or has been influenced by the African-American experience.
To put it another way, the Black Panther was created by Jack Kirby and Stan Lee.
‘Nuff said.
I’m looking for creativity, excellence and above all voices with something to say.
In the months ahead, the Geppi Museum will be releasing information on submissions and updates on the show as it progressives.
If you can, try and see the show while it’s up. There will be punch and pie.
Are you a journalism student looking for blogging experience? Or a fan of comics and manga with great writing skills and something to say about Free Speech? Are you an educator or librarian who’s a dedicated supporter of the First Amendment? CBLDF would like to include your voice on our website!
The Toronto Comic Arts Festival takes place this weekend, and 
