A SHADOW OF A SNEAK PEEK
Black Coat Press shared a sneak peek at the upcoming In The Shadow of Judex release edited by Jean-Marc and Randy Lofficier with All Pulp.
Coming soon.
Stay tuned for more information as it becomes available.
Tagged: Covers
FORTUNE FAVORS THE COVERED
On their Facebook page, Seven Realms Publishing offered a peek at the brand new cover for New Pulp Author Sean Ellis‘ FORTUNE FAVORS (A Nick Kismet Adventure)
Coming May 2013!
A FLESH SNEAK PEEK
Titan Books has revealed the cover the reissue of Philip José Farmer‘s FLESH!
Coming from Titan Books August 2013!
FIGHT FICTIONEERS – ENJOYING THE SWEET SCIENCE OF PULP
AVAILABLE NOW: FIGHT FICTIONEERS MAGAZINE VOLUME 2!
CELEBRATING THE BEST IN FIGHT FICTION . . .
PRESS RELEASE:
FOR YOUR FREE COPY OF THIS ACTION PACKED E-ZINE SEND AN EMAIL REQUEST TO: fightcardseries@gmail.com
Fight Fictioneers Magazine (FFM) is a vehicle for both promoting the Fight Card series and also the best fight fiction in general. Immense thanks are due to our Fight Card team member in Australia, David Foster (Fight Card: King Of The Outback), for his hard work and diligence in formatting and bringing this issue of FFM into the virtual world (as he did with Vol 1).
Hopefully, there will be another issue to kick off the new year as we march into 2013 with the Fight Card banner held high. FFM Vol 2 will be made available for free to anyone who asks for a copy, so please distribute copies to your friends and fans. Any feedback would also be appreciated …
Fight Fictioneers Magazine Volume 1 can still be accessed under the Fight Fictioneers tab on the new Fight Card website (www.fightcardbooks.com). Thx to author and Fight Card team member Jeremy Brown for his efforts in creating and maintaining the Fight Card website.
Upcoming Fight Card releases through the end of the year include Fight Card: Golden Gate Gloves (October – Robert Evans), Fight Card: The Knockout (November – Robert Randisi), and our second internationally set Fight Card tale (following Fight Card: King Of The Outback), Fight Card: Irish Dukes (December – Mike Faricy). Covers can be found on the Fight Card website www.fightcardbooks.com.
Congratulations to Fight Card authors Mel Odom (Omega Blue), Eric Beetner (The Devil Doesn’t Want Me), Heath Lowrance (City Of Heretics), Mike Faricy (Bombshell), and David Foster (The Librio Defection / Bushwhacked – both under his James Hopewood pseudonym), among others for the successful launching of new critically acclaimed titles – all available on Amazon. Way to go, gang!
There are other specific plans afoot for Fight Card in 2013, which I will reveal both as they firm up and as I am allowed to talk specifics.
THX TO ALL THE FIGHT CARD FANS WHO HAVE SUPPORTED THE SERIES THIS YEAR …
For those who missed it, you can also request a copy of Fight Fictioneers #1 as well. Email fightcardseries@gmail.com for details.
JUDGING A BOOK…
New Pulp Author Bobby Nash is the guest blogger over at author Rachel Hunter’s Life Defined blog today. Bobby tackles an issue he faced recently, creating a compelling novel cover. He goes through the steps it took to create the cover to his latest thriller, Deadly Games!
You can read the entire post at http://rachel-m-hunter.blogspot.com/2012/04/guest-post-judging-book-by-bobby-nash.html
Primeval Volume Three
Thank goodness the wicked Helen did not bring about the end of mankind and civilization as we knew it. This meant the characters of ITV’s Primeval could come back for a fresh go-round. The show took a breather after the third season ended in 2009 and came back in seven and six episode arcs, making for abbreviated fourth and fifth seasons respectively and they are now available as a combined third volume in either standard DVD or, for the first time, as a Blu-ray option from BBC Video.
I find myself enjoying the series more for the characters than the writing, which either leaves holes as big as the anomalies the heroes deal with or are overly convoluted, leaving me wishing for a happy middle ground.
Season three ended with three of our heroes – Connor Temple (Andrew Lee Potts), Abby Maitland (Hannah Spearritt), and Danny Quinn (Jason Flemyng) – trapped in different eras of the past while life back at the ARC continued, presuming them lost but not dead. Still, the near destruction of reality meant a rethinking of the operation which allowed the creators – Adrian Hodges and Tim Haines – to retool the show a bit, mostly for the better. (more…)
Flesk Prime Spotlights Classical Artists
With all the attention paid to the flashy artists of the moment at the major publishers, it’s always refreshing to see that the talented and reliable artists also get their due. Flesh Publications can usually be counted on for classy packages featuting artists who deserve your attention even if they don’t illustrate your favorite monthly titles. Check out this new announcement:
Flesk Publications is proud to announce their latest art book, Flesk Prime.
Flesk Prime serves as a fresh look into the imagery of five exceptional artists: Craig Elliott, Gary Gianni, Petar Meseldzija, Mark Schultz and William Stout. The essence of each craftsman is captured here to satisfy their fans as well as individuals who are enjoying their first glimpse. The section on each artist begins with an introduction and a biography written by Flesk publisher John Fleskes. The five were invited to handpick their pieces for inclusion, to showcase the best representation of their works.
Furthermore, new quotes have been obtained to capture the artists’ own thoughts. Each chapter shows the dynamic range of styles and illustrations and the unique diversity of these five creators. Almost all of the artwork has been reproduced direct from the originals.
Flesk Prime is a full-color 64 page hardbound book with jacket at 8.5 x 11 inches. The cover price is $24.95. ISBN: 978-1-933865-38-6. Pre-orders are being accepted at the Flesk online store. The book will premiere at Comic-Con International in San Diego at the Flesk booth (#5019) on July 20. There you can have Elliott, Gianni, Schultz and Stout sign your copy. All pre-orders will begin shipping on July 26. This title is an exclusive item only available direct from Flesk Publications.
Elliott’s section contains an assortment of fine art, much of it centered on the female form. Also featured are editorial assignments and an enlightening look into the process behind one of his most recent paintings.
Gianni is represented by oil paintings, a pencil sketch, finished pen-and-ink drawings, comic book pages, a Sunday newspaper strip and book illustrations that span the last twenty years. (more…)
PULPS!-Second Column from Mark Halegua!
PULPS!- A Column by Mark Halegua
Continuing from the previous column-
During the next six years from 1917 through 1923 there was a further explosion in titles and publishers.
The titles ranged from short runs like Thrill Book, to long running weekly titles like Western Story, both by Street and Smith. Western Story was the first all western title, renamed from a nickel paper, New Buffalo Bill Weekly. For most of 20 years it was published weekly. Street and Smith also published Love Story (another weekly) and Sport Story (twice a month for a long period).
Other important and long running titles in this period include Ace High (which later become Ace High Western), Action Stories, Black Mask, and Weird Tales.
The latter two were never best selling titles. Weird Tales in fact, by many accounts, was hanging on by the skin of its teeth with bankruptcy never far from the door.
But, they were important far beyond their sales for what they published. They were important for their impact on the pulps and later popular literature, for the authors and artists they introduced and the style of writing.
Initially Black Mask was created to help pay for another magazine with poor sales figures, The Smart Set – which was supposed to compete with the New Yorker. It wasn’t making money, but it was a prestigious title and so H. L. Mencken and George Jean Nathan decided to try publishing a pulp to help pay the bills. This wasn’t their first, having published Parisienne and Saucy Stories.
From the beginning Black Mask was a general fiction title. One of many in the period. It advertised on its covers Detective, Adventure, Mystery, Romance, and Occult stories. Early issues also published westerns. The quality of these early issues wasn’t high but they sold the title for a huge profit from their initial investment.
Still, it took the new publishers a couple of years before an editor took over who changed the face of the magazine and crime fiction forever. Joseph “Cap” Shaw took over the reins in 1926 and decided that crime fiction should fit the times, gritty, direct, and powerful. He was also in favor of justice and depicting criminals as cowardly and no account.
Even at this stage of the pulps, entering their third decade, crime fiction was still somewhat laid back. No longer the drawing room mysteries of years earlier, but relatively soft. Yes, you had gun battles, Private Investigators, police, criminals, but it was still didn’t have the hard edge, the punch it would have under the new editorship.
Under Cap Shaw that punch was delivered. The stories started at a 60 miles per hour pace and just revved up, non-stop. Shaw also realized Black Mask couldn’t compete as a general fiction magazine against such titles as Argosy, Adventure, Blue Book, and Short Stories, among others. Black Mask had to concentrate on detective stories. It took awhile, but eventually detective was all it published.
In 1923 Carroll John Daly wrote his first story for Black Mask, titled “Three Gun Terry,” about private investigator Terry Mack. He would write later stories about Race Williams. Williams wasn’t the first detective, but he was an uneducated, rough talking, rough acting individual, and always with something to say. He was a street fighter and used his gun without compunction or remorse. If he thought you deserved a bullet in the brain, you got it.
A year before Daly introduced Race Williams one-time Pinkerton agent, Dashiel Hammett, wrote about the Continental Op. You never knew his name. This first story, “The Road Home” appeared in the December 1922 issue of Black Mask under the name Peter Collinson. In December 1923 Earle Stanley Gardner’s first story appeared, “The Shrieking Skeleton,” under the pen name of Charles M. Green. Gardner would later leave the Black Mask stable as he chaffed under the constant editorial hand of Shaw trying to shape all of his writers after Hammett. In 1933 Raymond Chandler joined the pulp.
And so, with these and other authors, was born the hard boiled detective!
For 10 years Cap Shaw helmed Black Mask, and circulation grew. Never a best selling title but one with great respect accorded to it. How could it not with stories like the Maltese Falcon?
In 1923 Weird Tales entered the picture. This was the first all fantasy and horror title. Over its 30 year history it would change physical formats from pulp to bedsheet back to pulp and, finally, near the end in the 50s digest.
During those 30 years Harry Houdini, H. P. Lovecraft, Clark Ashton Smith, Seabury Quinn, Robert E. Howard, Edmond Hamilton, Robert Bloch, and many others, including Tennessee Williams first story (“The Vengeance of Nitocris”) would grace the pages with characters from Cthulu, Conan, King Kull, Jules De Grandin, Dr. Satan, and more.
Covers were done by J. Allen St. John, Margaret Brundage, Virgil Finlay, Hannes Bok, and others, these being the most notable. Brundage’s covers included whipping nude or semi-nude nubile young women. Rumor has it she used her daughter as a model, and many decried the covers which, of course, brought more attention and more sales.
Never a best selling title, always on the verge of bankruptcy, its impact resonated beyond the pulp world. One story, by C. M. Eddy, Jr., included necrophilia and forced the magazine’s removal from some newsstands. But, it also drew interest and sold well enough to stave off the bank.
There have been several attempts to revive Weird Tales after its original run ended in 1954 and there is one now been out for a couple of years. If you’re interested in this number of current writers (Stephen King for one) have written for it. Go to: http://weirdtalesmagazine.com
Otto Penzler has edited a huge (over 1,100 pages) compendium of Black Mask stories in the Black Lizard Big Book of Black Mask.
This book includes the original Maltese Falcon story, the first time seeing publication since its original Black Mask publication, it having been modified since that original printing.
Authors include Carroll John Daly and his Race Williams (against the KKK no less), Earle Stanley Gardner, Richard Sale, Raoul Whitfield, Dashiel Hammet (as Peter Collinson), Fredric Brown, and more. All the stories come with the original illustrations.
You can find this book at most bookstores and on Amazon.
All of the images are from my Pulp Image Library version 7 disk, on sale at pulps1st.com.
‘I Am Captain America’ variant covers
Marvel announced these a while back, but it seems more appropriate to show you these on Flag Day: to promote Captain America: The First Avenger, Marvel is running “I Am Captain America” variant covers on selected titles through June and July, with all-new artwork from Joe Quesada, Marko Djurdjevic, Alex Maleev, Skottie Young, and Ed McGuiness, among others.
Personally, I’d love to have a few of these as posters.
Second All Pulp Blog
History of the Pulps part 4
June 2, 2011
by Mark S. Halegua
During the next six years from 1917 through 1923 there was a further explosion in titles and publishers.
The titles ranged from short runs like Thrill Book, to long running weekly titles like Western Story, both by Street and Smith. Western Story was the first all western title, renamed from a nickel paper, New Buffalo Bill Weekly. For most of 20 years it was published weekly. Street and Smith also published Love Story (another weekly) and Sport Story (twice a month for a long period).
Other important and long running titles in this period include Ace High (which later become Ace High Western), Action Stories, Black Mask, and Weird Tales.
The latter two were never best selling titles. Weird Tales in fact, by many accounts, was hanging on by the skin of its teeth with bankruptcy never far from the door.
But, they were important far beyond their sales for what they published. They were important for their impact on the pulps and later popular literature, for the authors and artists they introduced and the style of writing.
Initially Black Mask was created to help pay for another magazine with poor sales figures, The Smart Set – which was supposed to compete with the New Yorker. It wasn’t making money, but it was a prestigious title and so H. L. Mencken and George Jean Nathan decided to try publishing a pulp to help pay the bills. This wasn’t their first, having published Parisienne and Saucy Stories.
From the beginning Black Mask was a general fiction title. One of many in the period. It advertised on its covers Detective, Adventure, Mystery, Romance, and Occult stories. Early issues also published westerns. The quality of these early issues wasn’t high but they sold the title for a huge profit from their initial investment.
Still, it took the new publishers a couple of years before an editor took over who changed the face of the magazine and crime fiction forever. Joseph “Cap” Shaw took over the reins in 1926 and decided that crime fiction should fit the times, gritty, direct, and powerful. He was also in favor of justice and depicting criminals as cowardly and no account.
Even at this stage of the pulps, entering their third decade, crime fiction was still somewhat laid back. No longer the drawing room mysteries of years earlier, but relatively soft. Yes, you had gun battles, Private Investigators, police, criminals, but it was still didn’t have the hard edge, the punch it would have under the new editorship.
Under Cap Shaw that punch was delivered. The stories started at a 60 miles per hour pace and just revved up, non-stop. Shaw also realized Black Mask couldn’t compete as a general fiction magazine against such titles as Argosy, Adventure, Blue Book, and Short Stories, among others. Black Mask had to concentrate on detective stories. It took awhile, but eventually detective was all it published.
In 1923 Carroll John Daly wrote his first story for Black Mask, titled “Three Gun Terry,” about private investigator Terry Mack. He would write later stories about Race Williams. Williams wasn’t the first detective, but he was an uneducated, rough talking, rough acting individual, and always with something to say. He was a street fighter and used his gun without compunction or remorse. If he thought you deserved a bullet in the brain, you got it.
A year before Daly introduced Race Williams one-time Pinkerton agent, Dashiel Hammett, wrote about the Continental Op. You never knew his name. This first story, “The Road Home” appeared in the December 1922 issue of Black Mask under the name Peter Collinson. In December 1923 Earle Stanley Gardner’s first story appeared, “The Shrieking Skeleton,” under the pen name of Charles M. Green. Gardner would later leave the Black Mask stable as he chaffed under the constant editorial hand of Shaw trying to shape all of his writers after Hammett.
In 1933 Raymond Chandler joined the pulp.
And so, with these and other authors, was born the hard boiled detective!
For 10 years Cap Shaw helmed Black Mask, and circulation grew. Never a best selling title but one with great respect accorded to it. How could it not with stories like the Maltese Falcon?
In 1923 Weird Tales entered the picture. This was the first all fantasy and horror title. Over its 30 year history it would change physical formats from pulp to bedsheet back to pulp and, finally, near the end in the 50s digest.
During those 30 years Harry Houdini, H. P. Lovecraft, Clark Ashton Smith, Seabury Quinn, Robert E. Howard, Edmond Hamilton, Robert Bloch, and many others, including Tennessee Williams first story (“The Vengeance of Nitocris”) would grace the pages with characters from Cthulu, Conan, King Kull, Jules De Grandin, Dr. Satan, and more.
Covers were done by J. Allen St. John, Margaret Brundage, Virgil Finlay, Hannes Bok, and others, these being the most notable. Brundage’s covers included whipping nude or semi-nude nubile young women. Rumor has it she used her daughter as a model, and many decried the covers which, of course, brought more attention and more sales.
Never a best selling title, always on the verge of bankruptcy, its impact resonated beyond the pulp world. One story, by C. M. Eddy, Jr., included necrophilia and forced the magazine’s removal from some newsstands. But, it also drew interest and sold well enough to stave off the bank.
There have been several attempts to revive Weird Tales after its original run ended in 1954 and there is one now been out for a couple of years. If you’re interested in this number of current writers (Stephen King for one) have written for it. Go to: http://weirdtalesmagazine.com
Otto Penzler has edited a huge (over 1,100 pages) compendium of Black Mask stories in the Black Lizard Big Book of Black Mask.
This book includes the original Maltese Falcon story, the first time seeing publication since its original Black Mask publication, it having been modified since that original printing.
Authors include Carroll John Daly and his Race Williams (against the KKK no less), Earle Stanley Gardner, Richard Sale, Raoul Whitfield, Dashiel Hammet (as Peter Collinson), Fredric Brown, and more. All the stories come with the original illustrations.
You can find this book at most bookstores and on Amazon.
All of the images are from my Pulp Image Library version 7 disk, on sale at pulps1st.com.
