Tagged: comics

John M. Ford Memorial Auction tonight in Boston

As part of Boskone 44 this weekend, The New England Science Fiction Association is holding the Mike Ford Memorial Auction & Extravaganza at 8 PM tonight. All proceeds of the auction will be donated to the John M. Ford Memorial Book Endowment, a special fund of the Friends of the Minneapolis Public Library.

According to Linda K. Merritt of the Friends of the Minneapolis Public Library, "For every $500 dollars deposited in the endowment funds, the Friends purchase a book for the library system annually with the interest earned on the endowment. This really is the gift that keeps on giving. You can specify what genre or library location/branch the books are intended for. Some people just specify ‘where most needed.’ We prepare bookplates and have them inserted in each book before they are shelved. Patrons will see Mike’s name each time the book is opened! I think it is important for people to know that these funds are ‘permanently restricted’ to the annual purchase of books. The money will never be diverted to other use."

Although his only comics credit was for Captain Confederacy, John M. Ford was the man Neil Gaiman credited as "the best writer he knew" at his eulogy.

UPDATE 12:36 AM: Due to the large number of items received, there will be a silent auction for the remainder of donated items this weekend throughout the convention.

Astronaut farmers go to Salvador

Astronaut farmers go to Salvador

Boom! Studios has announced that the writer/director/producer team behind the Warner Brothers film The Astronaut Farmer, set to open on February 23 will be following up by launching a project called Salvador "in the world of comic books."  The teaser gave no further information, but they could be talking about this offering found on the Forbidden Planet international site, and an interview with artist Sebastian Jones seems to confirm it.

Michael Davis: I’m not that guy

Michael Davis: I’m not that guy

I’m a pretty simple guy. I see clear distinctions between right and wrong, good and evil, love and hate and Republican and Democrat. In this age of political correctness and doing the right thing I don’t make decisions because they’re popular. I make decisions because I think something is right.

Remember the days when someone punched you in the face and you could punch him  (or her) right back without having much to worry about — well, besides getting your ass kicked. After the fight (or, in my case, ass whipping) you and the other party would decide to be friends or continue to hate each other. Either way you knew where you stood with that person. NOW if someone punches you in the face — YOU may get sued — and worst, with the current state of our world you don’t know where you stand. I don’t know about you but I would like to know where I stand after I’m punched in the face.

I grew up in the projects in New York City during the days when a threat sounded like this: "I’m going to kick your ass, Davis." Back then my response was "You will have to find me first, lady." Now I simply call my lawyers.

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Elayne Riggs: Beyond Fifteen Minutes

Elayne Riggs: Beyond Fifteen Minutes

At my age (insert obligatory "hey you kids, get out of my store!, what do you think this is, a reading room?" here) the blasts from the past seem to blow with ever increasing frequency and velocity. I’m used to various elements of my past circling back on me, as my forays into pop culture hobbies always seem to result in intersecting circles of friends and acquaintances. A number of the same people who used to write for a zine I self-published twenty years ago probably (like me) have their own weblogs now, in an era where self-expression means you no longer have to spend a single cent to get your writing out to potentially millions of readers every day.

And yet, the more things around us seem to update and lurch into fast-forward, the more familiar they seem to me. No substantial difference, really, between passing around handwritten story pages to classmates or cranking out apazines or posting on message boards or blogging. It’s all one-to-many conversation, it’s all storytelling and essay-writing, it just comes down to a matter of scale and audience. The big difference is that nowadays, thanks to online archives and search engines, our stories are no longer so easily lost.

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John Ostrander: Why do I do this?

John Ostrander: Why do I do this?

Back in a previous life I was a very struggling actor in Chicago. One summer I was working with a small troupe that, among other things, did children’s plays outdoors and in various venues. This particular show we were doing was called Wiley and the Hairy Man, based upon a children’s book. I played the Hairy Man – a swamp-man/boogeyman  – and, while I kept getting chased offstage by the Wiley in the title, my character kept sneaking back in. It was not a part of particular subtlety but it did require some finesse. I was the monster in a children’s play which meant I couldn’t be too scary; just enough to produce the tinglies and a lot of laughs.

To be honest, I loved the role. In every venue, after Wiley would chase me away I would look for different places to come back at the required time through the audience. Even my fellow cast members were never quite sure where I would be coming from which kept it fresh for all of us. Sometimes I would pick up a child from where they were sitting in one part of the audience and deposit them somewhere else in the audience. My make-up was absurd, my costume had tatty fur glued on a work shirt, and it was a "Brian Blessed" roaring over the top performance – all in all, it may have been my finest role.

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The Price is right

The Price is right

In the coming days you’ll be hearing a lot more about Michael Price, whose writing will soon grace ComicMix in projects to be revealed later.  Here’s a brief resume to whet your appetite.

 

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The grave situation of war

The grave situation of war

Ten-hut! 

Marine Times has a profile of writer Tom Walts, a former Marine and former Army National Guardsman, and the IDW paperback release of his work Children of the Grave, a hybrid war-horror comic.  Says the article, "Waltz addresses justice, atonement and forgiveness, themes that elevate the story to something more than the usual us-versus-them shoot-’em-up."  The artist on the work is Casey Maloney. 

The collected trade paperback features the full four-part series as well as six “Children”-inspired guest illustrations and an eight-page story called “The Sorrow,” written in honor of the National Association to Protect Children.

The ComicMix podcast is in the air!

The ComicMix podcast is in the air!

The first ComicMix podcast is now available for your listening pleasure!

A three-times weekly feature here at ComicMix, broadcaster Mike Raub has produced our initial 12 minute program featuring news, features and interviews. A new podcast will be available every Tuesday, Thursday, and Saturday — today’s podcast includes a look at new comics that are available at your friendly neighborhood comics shop, and this will be a feature of every Tuesday program. Thursday’s programs will feature reviews and Saturday’s will include full-length interviews.

Also featured in today’s podcast are salient mutterings from Peter David, The Beatles, and ComicMix’s editor-in-chief, and a nostalgic look at comics and popular culture that people were enjoying this week, back in 1963 and 1971.  All this plus updates on Indiana Jones and The Flash.

We encourage you all to participate in our fun and games. Contact us with any questions or comments and when we’ve got our ComicMix message boards up and running, join Mike and the ComicMix crew in our online dialog!

Mainstream news covers comics

Mainstream news covers comics

Our weekly check on what mainstream news sources are saying about comics:

From Star Wars websites to comics

From Star Wars websites to comics

According to ComingSoon.net, Paul Ens (former director of StarWars.com and Lucas Online) and Scott Chitwood (co-founder of TheForce.net and SuperHeroHype.com contributor), announced today the launch of Red 5 Comics, a new comics publishing company set to introduce its first titles this fall. They aim to "produce cinematic-style stories that appeal to the same avid movie and comic fans who already frequent their websites.

The Red 5 line-up will be a combination of creator-owned and internally developed titles Individual comic issues will be sold in both traditional print form at comic shops and in downloadable electronic formats online." The press release is up at their site, and they’ve also put out a call for artists and other creative positions. May the Force be… nah, too easy.