Tagged: comics

MICHAEL DAVIS: Ask Michael! Because I know.

MICHAEL DAVIS: Ask Michael! Because I know.

Last week’s article on privilege and other ranting produced quite a few responses – so many, in fact, I feel it’s my duty to respond and elaborate on my views. So with that in mind, welcome to the first installment of Ask Michael! Because I know. 

The "What about me? What about my needs?" article garnered these important comments.

Terry at 7:58 AM on Fri May 11, 2007 writes:

“I hate that show more than slavery,” is the best sentence I will read this month.

Yes Terry, yes it is.

But let’s look deeper; let’s look to why? Do I really hate the show Sweet 16 more than slavery? Well, if given the choice to be a slave or to watch that show, it would be a tough decision but I will most likely have to go with watching that show. Yeah I think by a 51 to 49 vote I would have to go with the show. Unless we are talking about a MTV Marathon. Then it’s “take me to the cotton fields, because a marathon would be worst than Adam West thinking he can still play Bat-man.” Yes, that show is that horrible.

Mike Baron at 8:11 AM on Fri May 11, 2007 writes:

Ditto.

"Ditto?" This from one of the greatest writers in the history of comics? Ditto? Well, Let’s look deeper; let’s look to why. Maybe, Mike, you are realizing that the world is an eternal flame of duplication where nothing is left to say. With a simple Ditto. You can say to the world “There’s no originality left. Woe is me.” Or maybe you just agreed with Terry. Both would be right.

Rob at 9:22 AM on Fri May 11, 2007 writes:

Hey Michael!
I am new to this site. I thoroughly enjoyed your column and look forward to many more. I agree with you on Paris. The letter for leniency to the governor, made it seem like she thought she had been given a death sentence. Perhaps she should read up on people who spent time in prisons for things they were later exonerated for (then maybe doing time for something she did would make sense).

Yes, Rob. But Let’s look deeper; let’s look to why. You did enjoy my column and I will write many more. You know why you enjoyed my column? You know why you are looking forward to many more? Because you are a smart guy, Rob! I like you, Rob. Not in a Brokeback way but in a kind of “Hey that Rob is a smart guy who knows a good writer when he sees one” way.

Josh at 5:23 PM on Fri May 11, 2007 writes:

Agreed. 
The degrees of elitism and entitlement you see around these days is nothing short of disgusting. I’m really hoping the judge reneges on giving her a more private cell for her own security. Let her get some common sense the old-fashioned way – by having it beaten into her. And seeing some rich, white, no-sense punk get smacked feels great; DOING the smacking feels SOOOOO much better.

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It’s Rex Morgan vs Doonesbury in Virginia

It’s Rex Morgan vs Doonesbury in Virginia

The world has come to this: The Hampton Roads, Virginia Virginian-Pilot is in the mood to drop some comic strips; Mutts is already on probation. Now they’re asking their readers to choose between Rex Morgan MD and Doonesbury.

I’ll run that by you again: kill one – Rex Morgan MD, by Woody Wilson and Graham Nolan, or Doonesbury, by Garry Trudeau. Vote now.

O.K. Now I can understand choosing between any number of mindless talking animal strips (note how I just exempted Mutts). Or any of those mindless "my wife’s a bitch" strips. Or any of those strips that think running a golf gag four times a week is the height of humor. But if you don’t think Rex Morgan MD and Doonesbury is apples and oranges, then I’m not letting you anywhere near my cherry orchard.

Rex Morgan MD copyright 2007 King Features Syndicate. Inc. All Rights Reserved. Doonesbury copyright 2007 G.B. Trudeau. All RIghts Reserved.

 

The Big ComicMix Podcast Countdown!

The Big ComicMix Podcast Countdown!

TV fever is hot this week on the Big ComicMix Broadcast as the Networks play God with who stays and who goes on the all schedule. Our continuing coverage starts with NBC, soon to be known as “The Heroes Network.” Then we hit the racks for this weeks booty of comics and DVDs, shed more light on just what Countdown will mean to DC fans, find out why Michael Chiklis will be forced to have a mike moustache and stop off in San Fran for some early Metal fun!

PRESS THE BUTTON and Tobey Maguire will hit puberty – honest!

DENNIS O’NEIL: The kryptonite reality

DENNIS O’NEIL: The kryptonite reality

Once again, life has imitated comics. Maybe comics should sue.

This latest instance was reported in the New York Times a couple of weeks ago and has to do with kryptonite, the stuff from Superman’s planet or origin which can lay the Man of Steel low, or even all the way down. As far as I know, kryptonite was introduced in the early 40s by the writers of the Superman radio show. Since I was only a year or two or three old at the time, I’ll forgive them for not getting in touch with me and telling me why, exactly, they introduced it. But a guess might be: to facilitate conflict, which is widely considered to be a necessary ingredient in drama, and especially melodrama.

These guys – I assume they were guys – and their comic book counterparts were facing a fairly unique problem: how to get their hero in trouble and thus create conflict/drama, and do it not only once, but several times each month, or even more often.

Oh, sure, there had been superhuman characters in world literature and myth before Jerry Siegel and Joe Shuster, but they were in self-contained stories, and not many of those, and the problem was pretty limited. But with Superman… well, here was a fellow who was faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound – and that was when he was in his infancy. (For the record: Superman is only a year older than me. That is, he appeared only about a year before I did, though I gestated for the customary nine months and Supes took a leisurely four years to progress from the imaginations of Joe and Jerry to the public prints. He was a slow developer, but once he got started…) And he literally become more powerful with every passing year. And he had to have a lot of adventures.

So, okay, how do you get this guy in trouble, often, and thus create suspense and interest? The question has been answered in many ways, many times over the years. Kryptonite was one of the earliest of these answers. According to the mythos, it is a fragment of – I guess mineral – from Krypton, where Supes was born. Something in the gestalt of our planet makes kryptonite dangerous to natives of Krypton. (All of which you almost certainly know, but we do try to be thorough here.)

We thought it was fictional. Some of us, of the professional writing ilk, further thought that it was neither more nor less than an answer to a plot problem and at least one of that ilk thought it was overused and temporarily retired it. But now, a Chris Stanley, of London’s Museum of Natural History, analyzed a substance some of his colleagues discovered and, according to the Times, “found that the new mineral’s chemistry matched the description of kryptonite’s composition in last year’s film Superman Returns.”

It is not known whether or not anyone collapsed near the stuff.

At this point, you can either shrug and get on with your life, or pause, and engage in some pretty wild speculation about the nature of reality.

Be warned: We probably aren’t finished with this topic.

RECOMMENDED READING: The God Delusion, by Richard Dawkins.

Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

Dennis O’Neil is an award-winning editor and writer of comic books like

More comics couple photos

More comics couple photos

Spring is definitely in the air, as more and more "comics couple" photos hit the internets.  Youv’e already seen the one that Everybody’s Talking About.  Here’s one of my favorites, of soon-to-be-wed cartoonists Mikhaela Reid and Makesha Wood, from Mikhaela’s Boiling Point blog.  Lots more where this came from!

Got any Cute Comics Couple photos?  Drop the URLs into the comments section!  It may not be as utterly adorable as a cat getting vacuumed (and… loving it!) but love in bloom’s still a beautiful thing!

MIKE GOLD: Who’s taking the bullet?

MIKE GOLD: Who’s taking the bullet?

Funny thing about Fred Wertham.

Dr. Fred, in case you don’t know, was the guy who, back in the late 40s and early 50s, was concerned about all the sexual imagery and violence he saw in comics and its harmful impact on our nation’s youth.  He, and those many folks of similar mind, waxed poetic about this crawling evil in the pages of such then-popular general interest magazines as The Saturday Evening Post and Reader’s Digest. He later wrote it all up in a best-seller called Seduction of the Innocent, which helped lead to the establishment of the Comics Code censorship board.

It also lead to the establishment of a noisy all-star rock’n’roll band that starred Bill Mumy, Miguel Ferrer, Steve Leialoha, and Max Allan Collins. They released an album called, appropriately, The Golden Age. It was loud, and it featured Weird Al Yankovic on one track. But this has absolutely nothing to do with my point.

My point is, if sexual imagery and violence in comics were to be considered bad, then Dr. Fred wasn’t incorrect in his analysis of the medium. He was merely premature.

What he thought he found in the children’s comics (a redundancy) of the 50s can be easily discovered on the walls of any comic book shop today. Now, the industry’s defense might very well be “but these books are not for children,” and they’d be right. At today’s cover prices, with all the intertwined continuity and story arcs that command a commitment to multiple purchased, children can’t afford them. Heck, damn few adults can afford them, but adults should have the option of buying any sort of reading material they want.

But you would think that in these times of rising religious fundamentalism and “family values,” at least somebody would be bitching about all the blood and guts and astonishingly huge-breasted crime fighters, both female and male. I know my friends at the Comic Book Legal Defense Fund might disagree, but they fight for the comics retailers and creators who get nailed. I’m glad to see they don’t have to extend their meager resources any further than they have to.

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MICHAEL H. PRICE: Movies Is Comics and Comics Is Movies

MICHAEL H. PRICE: Movies Is Comics and Comics Is Movies

I’ve gone into some detail elsewhere about how my Forgotten Horrors series of movie encyclopedias (1979 and onward) dovetails with my collaborative comic-book efforts with Timothy Truman and John K. Snyder III. More about all that as things develop at ComicMix. This new batch of Forgotten Horrors commentaries will have more to do with the overall relationship between movies and the comics and, off-and-on, with the self-contained appeal of motion pictures. I have yet to meet the comics enthusiast who lacks an appreciation of film.

Although it is especially plain nowadays that comics exert a significant bearing upon the moviemaking business – with fresh evidence in marquee-value outcroppings for the Spider-Man and TMNT franchises and 300 – the greater historical perspective finds the relationship to be quite the other way around.

It helps to remember a couple of things: Both movies and comics, pretty much as we know them today, began developing late in the 19th century. And an outmoded term for comics is movies; its popular usage as such dates from comparatively recent times. The notion of movies-on-paper took a decisive shape during the 1910s, when a newspaper illustrator named Ed Wheelan began spoofing the moving pictures (also known among the shirtsleeves audience as “moom pitchers” and “fillums”), with cinema-like visual grammar, in a loose-knit series for William Randolph Hearst’s New York American.

Christened Midget Movies in 1918, Wheelan’s series evolved from quick-sketch parodies of cinematic topics to sustained narratives, running for days at a stretch and combining melodramatic plot-and-character developments with cartoonish exaggerations. Wheelan’s move to the Adams Syndicate in 1921 prompted a change of title, to Minute Movies. (Don Markstein’s Web-based Toonopedia points out that the term is “mine-yute,” as in tiny, rather than “minnit,” as in a measure of time. No doubt an intended sense of connection with the Hearst trademark Midget Movies.) Chester Gould showed up in 1924 with a Wheelan takeoff called Fillum Fables – seven years before Gould’s more distinctive breakthrough with Dick Tracy.

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The Secrets Behind The Comics debuts!

The Secrets Behind The Comics debuts!

Just in time to butter up good ol’ Mom, the Big ComicMix Weekend Broadcast is here – and the debut of our Secrets Behind The Comics feature – we take a look at the guy in charge of making Catwoman and Wonder Woman look their best, plus news on how you can write your own ending to your favorite TV show, where you could soon find some great classic TV and how to survive Life Without Heroes, plus a trip back to when Spawn was red hot on the comic shelves.

Press The Button. Mom said it was OK!

RSS feeds good, online comics better

RSS feeds good, online comics better

RSS feeds are funny things.  They let folks with newsreaders and busy lives know when you’ve posted something new, but they (either the feeds or newsreaders) can be spotty at times and you almost miss stuff.  Take Gene Yang’s terrific responses to MySpace making American Born Chinese a featured book, an essay he calls Does acknowledging a stereotype perpetuate it?.  It was posted on May 1 but didn’t show up on my newsreader until a few days ago.  I’m still shaking my head that Yang’s essay was even necessary, as it addresses people who haven’t even read his book but are complaining about a character deliberately portrayed as offensive.  (There’s actually a blog term for folks like this; we call them "concern trolls.")

Speaking of MySpace, all 22 pages of DC’s Countdown issue 51 are now up on the Comicbooks blog, as well as the first half of issue 50.  MySpace blogs do have site feeds (here’s the Comicbook blog’s feed) so you can read at least partial blog entries without joining the service.  The feeds are often tricky to find (you often need to be on the blog in the first place to see the "RSS" choice at the top right), but worth it if you want alerts on new posts.

I grabbed Vulture’s site feed from New York Magazine as soon as I saw they were featuring weekly graphic novel excerpts the same way many magazines feature prose novel excerpts.  This week it’s Nick Bertozzi’s The Salon.

Were it not for Becky Cloonan (who has a site feed) I wouldn’t have known at all about Amy Kim Ganter serializing the second issue of Sorcerers and Secretaries, because Amy’s site doesn’t seem to cater to RSS readers.

One of the best things about having an RSS reader is that you get to save posts to write about later.  Thanks to this site feed report, I’ve now closed four or five saved posts.

And yes, ComicMix has a site feed — stable but ever evolving, like the rest of this site.

(Artwork copyright 2007 DC Comics. All Rights Reserved.)

Addicted to heroines

Addicted to heroines

Just in time for Mother’s Day, and as a nice counteraction to creepy sculptures and badly-drawn poses, here’s the latest podcast cartoon from Kyle Baker (alert: M4V file) all about a mother’s dilemma in trying to get her daughter interested in strong female comic book characters.  And just look at this gorgeous cover for Marvel’s Nova #5:

Wow.  I mean, wow.  This is what so many of us are talking about when we discuss wanting artists to depict women in strong, nonexploitive action poses.  Well done, Adi Granov!