Tagged: Brandon Routh

Marc Alan Fishman: Legends(ish) of Tomorrow(sorta)

Legends Of Tomorrow

DC’s Legends of Tomorrow, upon being announced, caught me dumbfounded. Hot on the heels of The Flash, which spun out from Arrow, this new time-hopping romp through the unknown left me in between diametric emotional states. The first was joyful confusion. Where all current DCU-TV joints were clearly single-hero driven vehicles (The Flash, Arrow, Supergirl… and Gotham, sorta), here was something decidedly team-based… and a large team to boot.

This lead straight to the antithetical emotion: crippling fear. With nine “leads” – all of whom were D-Listers or complete canonical lies – and a show built around time periods only the most pernicious perusers of prose would recognize, I was afraid it was all too much too soon.

I was both right and wrong about it. Natch.

When I last talked about the show there were far too many variables being hammered into submission to draw final conclusions. But I was certainly a snarky so-and-so over the very odd choices the writers applied to the character of Firestorm. But as is often the case, TV shows are malleable in their freshest forms.

Over time, the chemistry of the cast coagulates. The writers create serialization. Layers build on top of layers and, soon enough, you have a sandbox where creatives create and the audience visits every so often. Some shows feel well-worn from the get go (The West Wing). Others take a season or more to find their footing (Parks and Recreation, Agents of SHIELD…). I’m happy to report that Legends found its footing for me somewhere around mid-season.

The show pushed itself harder into characterization. Rather than be forced to drag on and on with psuedo-science and timeline refraction and Rao-knows-what, Legends adopted a quicker pace that refocused the show on just being a silly romp. We were transported to the wild west for a team-up with Jonah Hex. The following week, we went to the 1950s for a horror-twinged episode about the night of the living Hawkmen. And then, off to the far flung future to learn that (SPOILER ALERT) Heatwave was Chronos all along. You might even postulate though all of this that the show started to feel more like a comic book. And with it came the good vibes I was hoping all along.

The strongest points have been specifically with the ne’er-do-well duo of Mick and Leonard – Heatwave and Captain Cold. Tossed in at the get go as the villains with the hearts of gold, Dominic Purcell and Wentworth Miller stole every scene they were in. Whether it was quick comebacks, threats of imminent violence or casual admittance to love of baked goods, there simply wasn’t a time they didn’t command attention. With the fleshing out of the season, Mick’s Chronos gained pathos as the friend with the knife in his back. And Leonard got his moment to shine in self-sacrifice to boot.

Beyond the malcontents on the ship, the B-Listers Firestorm and the Atom did well to recede from the limelight. We were given glimpses into their less-than-complicated backstories to at least flesh things out. By season’s end, Firestorm – complete with BFFs Martin Stein and Jefferson Jackson – was transmuting matter and truly working as a single unit. Pepper this in with Jax being able to bust ‘Grey’s’  chops over being a college stoner and you got the witty repartee indicative of an 8 PM drama on the CW. Meanwhile Brandon “Not Fit for the Big Blue Boy Scout” Routh found firmer footing in the forever-awkward Dr. Ray Palmer. Shackled with a romance-plot-that-was-doomed-from-the-get-go, the eternally optimistic Atom granted the necessary silver lining when the plots dragged things down into the doldrums.

From there we reach the lower points of the season and show. For whatever the reasons are, I personally never cared much for our White Canary. I’ve not seen Arrow before, so, the character is a blank slate to me. And given that the entirety of her season arc was to just be the badass girl who is a badass, she was basically on the show to act as a not male member of the team. Ce la vie.

Our other female lead on the show – Kenda “Hawkgirl” Saunders – was just an absolute mess to manage. As one of the strands fraying from the edge of The Flash, the reincarnated Egyptian princess doomed to be killed in every life by the immortal Vandal Savage was played as a vapid plot device for the entirety of the season. One episode, she was a fighting machine laying waste to all sorts of enemies. The next, a depressed waif leading a false life with the Atom as her husband. The next finally granted some clarity in her character, and immediately kidnapped for the final few shows. As strong as she was played – with no backstory – in Justice League (the cartoon), here in real life, the character was truly one-dimensional. Oh, and Hawkman was there for a few episodes too. Meh.

All these paths lead to Rip. The Time Master himself, played by former Doctor Who companion Arthur Darvill, played not dissimilarly from his BBC counterpart. Forever an enigma, always willing to fight the right fight, but always with an air of odd aloofness. As the season lingered, we were given more pieces to the Rip Hunter puzzle. An orphan with a rambunctious side, a Padawan who tripped into real love, and finally a forlorn father clinging on to hope.

While I largely found Rip himself to always be a slave to the plot more than a three-dimensional character, the final episodes better cemented the character moving forward. He is a rebel with a cause. To undo the snobbish and authoritarian ways of the former Time Masters, Rip Hunter will ride the Waverider to save the timeline from any lingering damage that lurks in the odd pockets.

And frankly, time won’t move fast enough for the second season to get here. Tally ho, Legends!

Sunday Cinema: The Daly Supermen and the FlashPoint Paradox

Superman: The Animated Series

As you may know, there’s a new DC Animated movie coming out: Justice League: The FlashPoint Paradox, based on the FlashPoint crossover event of a few years ago that preceded DC’s New 52. What you may not have known is that Sam Daly is doing the voice of Superman, taking over the role from his dad Tim Daly, who voiced him in Superman: The Animated Series.

And what you certainly didn’t know is that this puts Sam into a very special league of his own…


Here’s more of Justice League: The FlashPoint Paradox:


What Scares Superman?

There’s more on Dylan Dog as we talk with director Kevin Munroe and stars Brandon Routh and Sam Huntington about all things scary including their own fears, plus [[[Smallville]]] fans get ready to sell a kidney!

Do you think [[[Dylan Dog]]] can take this weekend’s Box Office? Drop us a comment below!

Henry Cavill Forced Out of ‘Superman’… Guess Who’s Wearing the Cape Now

Henry Cavill at the Vanity Fair celebration fo...

Image via Wikipedia

In a bizarre turn of events, Henry Cavill has been pushed out of Zack Snyder’s upcoming “Superman: Man of Steel.” Mr. Cavill’s name had first come up as a likely candidate for Superman when McG was slated to direct in 2002, however as fans remember, McG cancelled out to direct Charlie’s Angels: Full Throttle, and Bryan Singer was locked to replace him in 2004 to direct Superman Returns with Brandon Routh wearing the eminently recognizable red cape and blue tights.

When Henry Cavill was locked as Superman, he was seen as very appropriate and incredibly humble in casting as reported by MTV.com. Between his casting, Christopher Nolan producing and Zack Snyder directing, the “Superman: Man of Steel” movie was going to be what Batman Begins was for the Dark Knight. Further casting details like actors Diane Lane and Kevin Costner as Martha and Jonathan Kent shaped this revitalized Superman movie into a projected fan favorite, but all of that changed this ominous morning. Dallas Smith, Henry Cavill’s agent at United Agents, was unavailable for comment. Repeated calls and emails to producers Chris Nolan’s and Charles Roven’s offices have not been returned, however an anonymous source directly involved at Chris Nolan’s production company Syncopy said that a formal statement would be forthcoming about Mr. Cavill’s abrupt departure as well as something more odd– a new producer and who would be returning to wear the cape.

Excuse me? RETURNING?


New ‘Dylan Dog’ Trailer

Dylan DogFinally making it into theaters on April 29th, Dylan Dog: Dead Of Night is a new horror/comedy film based on one of the world’s most popular comics (originally published in Italy, 60 million copies worldwide, published in America by Dark Horse). Brandon Routh stars as Dylan Dog, world famous private investigator specializing in affairs of the undead. His business card reads “No Pulse? No Problem.”

Armed with an edgy wit and carrying an arsenal of silver and wood-tipped bullets, Dylan must track down a dangerous artifact before a war ensues between his werewolf, vampire and zombie clients living undercover in the monster infested backstreets of New Orleans.


Film status report: Wolverine, Deadpool, Dead of Night

Film status report: Wolverine, Deadpool, Dead of Night

Let’s take a few minutes and clear the decks of superhero film news before we all get wrapped up in Star Trek coverage…

  • Yes, another Wolverine sequel is already in the works. According to Variety, the sequel will focus on the X-Men comic’s samurai storyline, the Japanese locale setup for which is teased after this film’s end credits. In the meantime, Hugh Jackman will be working with Anne Hathaway in the big screen adaptation of the Rodgers & Hammerstein musical Carousel. Since Rodgers & Hammerstein musicals did very well for him when he was playing Curly in Oklahoma… a role that was later taken over by Patrick Wilson, who went on to play Nite Owl in Watchmen.
  • Yes, there’s a Deadpool spinoff in the works at Fox. Ryan Reynolds is attached to come back for what for now is
    simply being called “Deadpool.” Lauren Shuler Donner and Marvel
    Studios would act as producers. What, you’re surprised?
  • Yes, there are now photos from Dead of Night, which is based on the Italian comic Dylan Dog. It stars Brandon Routh and Sam Huntington (where have we seen those two before) and Taye Diggs. This may be the property that keeps Platinum Studios alive. FirstShowing.net has the photos.
  • And this just in, also from FirstShowing: Neil Gaiman and Henry Selick May Work Together Again?! Coolness. Any guesses as to what, since The Graveyard Book is already in the works elsewhere?
  • Finally, we hope to have some Transformers: Revenge of the Fallen news shortly, as soon as we’re allowed to talk about it.
Superman and Spider-Man brought together by Obama’s call to service

Superman and Spider-Man brought together by Obama’s call to service

In what has to go down as the ultimate expression of bipartisanship in a new political age, Barack Obama brought Superman and Spider-Man together to work for the good of the nation.

OK, so maybe it was actually Tobey Maguire and Brandon Routh. They were on hand at Abram Simon Elementary in Washington DC to perform some community service as part of Obama’s call to community action on the Martin Luther King Jr. holiday. But still, if he can bring these two together, peace in the Middle East can’t be far behind..

MTV News had great coverage of the meeting, including this little snippet:

Though Maguire was kept busy screwing panels of the shelves together, a short time later, as Routh pulled books from boxes to stack them in the newly built cubbies, he happened across a — no joke — Spider-Man book, and walked it over to his super-brethren.

“I think this is yours,” he said, handing Maguire the book. The web-slinger laughed, and the actors shook hands and chatted for a few moments before Routh walked back across the room to shelve “I Can Read: Spider-Man 3, Meet the Heroes and the Villains.”

“I think I can probably beat them all up,” Routh said. “Just kidding.” Crisis averted.

MTV also got video of the meeting, shown here.


New ‘Superman’ Movie Coming?

Craigslist in Omaha, Neb., has a fairly mundane looking call for extras for a movie, at least unless you’re interested in the Superman film franchise.

OMEL Courtesy Casting is looking for stand ins and extras, the ad says. But here’s where it gets interesting:

Plot Summary: A sequel to the summer 2006 action-adventure. Bryan Singer returns to direct with Brandon Routh again playing Clark Kent/Superman.

Maybe that Warner Bros./DC meeting from last week really did speed things up. I grew up in Nebraska and have quite a few friends in Omaha, so with any luck one of them will check in on this and see if it’s legit.

(via CBR)

Superman beaten by WGA strike?

Superman beaten by WGA strike?

It’s beginning to look like the WGA might have accomplished what years of evil scheming and diabolical machinations were never able to achieve: the death of Superman.

According to Variety, "nothing is happening" with Superman: Man of Steel, the planned sequel to 2006’s Superman Returns. The writers’ strike has proven to be yet another, very large nail in the coffin of Warner Bros. plans for a new Superman franchise, as the picket lines halted studio production shortly after the screenwriters for the 2006 film, Michael Dougherty and Dan Harris, opted out of the sequel. No screenwriters are currently tied to the project, and even the return of Superman Returns director Bryan Singer to the helm of the sequel remains uncertain.

From Variety:

"For now, the next Superman auds will see on the bigscreen will not be Brandon Routh but a younger Superman among a cast of youthful DC superheroes in George Miller’s The Justice League. That movie likely will not be shot, however, until after the WGA strike is resolved."

At this time, Warner Bros. has moved Superman: Man of Steel back to a tentative 2010 release.