Tagged: Batgirl

Interview: Ivory Madison on ‘Huntress: Year One’

Interview: Ivory Madison on ‘Huntress: Year One’

It’s no small feet for a comic book character to last over 60 years — but that’s exactly what the Huntress has done. 

Debuting in the ‘40s as a villain for Wildcat, she was recreated for the Silver Age as Helena Wayne, the daughter of the Batman and Catwoman of Earth-2, which was an alternate universe established in the early 1960s as the world where DC’s Golden Age stories took place. However, following DC’s Crisis on Infinite Earths miniseries in 1985, the Helena Wayne version of the Huntress was removed from continuity.

In 1989, due to the popularity of the character, DC introduced a new version of the Huntress. She had the same first name and a similar costume, but an entirely different back-story and personality. The Modern Age Huntress, Helena Rosa Bertinelli is the daughter of one of Gotham’s mafia bosses. After seeing her entire family murdered by a mob hit, she vows revenge for her slain relatives. In Huntress: Cry For Blood by Greg Rucka, Huntress’ origin was revised. Originally, Helena believed that Franco Bertinelli was her father. She came to discover that her father was actually Santo Cassamento, the don of a rival mafia family, who was carrying on an affair with Helena’s mother, Maria.

The Huntress has been a member of the JLA, the Outsiders and most recently the Birds Of Prey. Not to mention, she had a recurring role on the animated hit Justice League Unlimited and a staring role in the WB’s failed television series, Birds Of Prey. Proving that her character is strong enough to survive many years and several makeovers, she returned this month in her own miniseries.

Huntress: Year One looks at the early days of Helena Bertinelli’s crime fighting career. Written by comic book newcomer Ivory Madison, the book promises to give fans of the character some real insight to her beginnings and what makes Helena the hero she is today.

I had the opportunity to speak to Madison about the new book, her love for all things Bat-related and her multifaceted career.

COMICMIX: How did you end up working on Huntress: Year One for DC?

IVORY MADISON: I’ve always wanted to write comics. I’m a DC Comics person and I’ve always been obsessed with Batman and anything Gotham-related.

It all started when I tried pitching a reintroduction of Batwoman and they said they were already doing it. I was briefly thrown, and had to shift gears or lose my momentum. I wrote a Batman one-shot, which they bought, and that got me the opportunity to pitch something for Huntress. That led them to step back and say, “Hey, we need a foundation for this character. We need a Year One.” I was very lucky to walk into that.

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ComicMix Six: The Worst Movies Adapted From Comic Books

ComicMix Six: The Worst Movies Adapted From Comic Books

It should come as no surprise that Hollywood studios often turn to the pages of comic books and graphic novels for source material — especially for action-packed summer releases like Iron Man.

Some of these films, such as Iron Man, Batman Begins, Spider-Man 2 or X-Men 2, achieve a great deal of commerical and critical success. In addition, they’re also embraced by comic book fans as great examples of what comic book movies should be.

Unfortunately, there are also those other comics-to-film adaptations that disappoint critics, mainstream audiences and comic book fans alike. These films, whether due to bad writing, inept direction, gross miscasting, or a combination of factors, are often not only bad comic book adaptations, but bad movies in general.

Yet, even with Iron Man‘s phenomenal success, it’s important to remember these bad films. These particular movies occupy a special place in the hierarchy of bad filmmaking and deserve to be highlighted — especially so you can avoid seeing them if you haven’t already.

Here then, in no particular order, is the ComicMix Six list of the Worst Movies Adapted From Comic Books.

 

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ComicMix at WWLA: The DC Nation Panel

ComicMix at WWLA: The DC Nation Panel

Day one at Wizard World LA and we’re in the Mike Wieringo room for the DC Nation Panel featuring DC Comics Executive Editor Dan DiDio, VP of Sales Bob Wayne and writer Adam Beechen.

Getting right to it, DiDio introduced the other members of the panel and then, as is his style at events like these, launched right into the Q&A, taking question from the eager fans in attendance.

First question out of the gate was about the "New Gods" and their story. Specifically, the fan wanted to know about their deaths.

To answer, DiDio explained that the stories originally created by Jack Kirby during his DC period were great but subsequently some of the later writers were trying to hard to honor his creations and execute what they thought Kirby would want.

Consequently, according to DiDio, "the Fourth World and the DCU never really fit together harmoniously."

"And now you’re killing the New Gods off?" another fan chimed in.

"Yes, but they’ll get better," DiDio answered. "Death of the New Gods is about closure to that story."

Pushing further on the Fourth World questions, another fan asked about Batman’s potential involvement, citing rumors on the Internet to that effect.

"You can’t react to rumors," answered DiDio. "They’re often misinterpretations of information or personal agendas. The rumor involving Batman is a silly idea."

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Interview: Fabian Nicieza Talks New ‘Captain Action’ Comic

Interview: Fabian Nicieza Talks New ‘Captain Action’ Comic

Writer Fabian Nicieza’s career spans over twenty years with stints at Marvel, DC and Darkhorse Comics. During that time he’s plotted, edited and written some of the most popular comic books around including Thunderbolts, Cable and Deadpool and Uncanny X-Men.

Recently, Nicieza competed against many other accomplished writers for the chance to bring one of the most beloved heroes from the ‘60s, Captain Action, back to the pages of a brand-new comic book series set to hit stores later this year. His pitch was selected and he’s now hard at work bringing Captain Action back to life.

ComicMix caught up with Nicieza to ask him a few questions about the Captain Action comic, his earlier work, his future and if a hero created and deeply-rooted in the ‘60s has a place in today’s comics culture.

COMICMIX:
For people who might not know, can you give us a bit of info on your background? How did you get started writing comics? What were your favorites growing up?

FABIAN NICIEZA: I grew up reading comics. Out of college, I interviewed at both Marvel and DC, eventually landing a job at Marvel in 1985. After a couple years of learning the ropes, I started selling some stories to editors. I kept writing and working on staff, eventually, reluctantly, becoming a full-time writer.

I grew up reading Batman and Superman, then gravitated towards Marvel — Fantastic Four, Spider-Man, Avengers. Then "offbeat" series like Conan and Captain Marvel. Offbeat for an 11 year old, I guess.

I also got lots of Superman, Justice League, the Engelhart/Rogers Detective run. I bought both Marvel and DC through the early ’80s, until I got the job at Marvel, then I got everything for free for a while.

CMix:
Free is nice. How much did you know about Captain Action before you started 
writing the comic? Did you ever read the original?

FN:
I read the original DC comic, but only because the toy was my favorite as a kid. I had the figures and lots of the costumes.

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Other People’s Sandboxes, by John Ostrander

Other People’s Sandboxes, by John Ostrander

 
This column has its roots in Mike Gold’s column this week. While it’s not necessary to read Uncle Whizzy’s Wazoo this week,  it is recommended – as it is every week. Loves my UWW on Monday!
 
I’ve spent a lot of my writing career in other people’s sandboxes and, in general, have had a great time. Sometimes I wonder if I haven’t spent a little too much time in those sandboxes. My career might have been better served with a few more original creations such as GrimJack (and I’m working on some that will appear here on ComicMix eventually) but, as they say, hindsight is 20/20. Hindsight also often sounds as if one is looking out one’s butt – which certainly explains many of the utterings we hear from political pundits these days. However, that’s a different topic for another time.
 
Brother Gold’s column this week was about whether or not a strip or a character or a series should continue after its creator’s death (or their choice to discontinue work on said property). His point was that in many cases we would not have some very fine stories using those properties were that not the case. Nor would we have had some very notable careers. For example, Frank Miller first made his name taking over the very moribund Daredevil book at Marvel and making it the most talked about book in the industry. Alan Moore was known to those us who could get their hands on 2000 AD and/or Warrior (and thus first saw Miracleman, a Captain Marvel rip-off character that he performed surgery on and made into something very new) but his first big American title was when he took over Swamp Thing and re-invented not only the character but its whole mythology.
 

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It’s Different for Girls …

Via the Occasional Superheroine website, we find this survey:

Poll Results for Worst Gender Related Comic Incident of 2007

Amazons Attack 35%

Batgirl’s Entire Personality Change 12%

BC/GA Wedding 12%

Starfire’s treatment in Countdown to Adventure 12%

Black Canary Wedding Planner 6%

MJ Statue of Evil 6 %

Donna’s weakness in Countdown 3%

Wonder Woman relaunch 6%

Cassie continuing to play Juliet to Kon 3%

 

It disturbs me that so much of this is DC — when I worked there, we seemed to be the more progressive publisher of the Big Two.  The Editor-in-Chief was a woman, and there were several women editors who had some authority.  

 

While I’d quibble with some of the selections here, that’s really not the point.  The point is that the publishers of the largest-selling American comics would appear to go out of their way to alienate half the population.  And that half of the population seems quite happy to buy manga, in bookstores, where they find themselves appreciated as valued customers.

Graphics Noir: GrimJack Returns

Graphics Noir: GrimJack Returns

John Gaunt is GrimJack, a hard-bitten mercenary and private detective in Cynosure, a city at the nexus of dimensions. Raised in the Pits to fight for the amusement of the public, Gaunt lives by his finely honed wits. He can and does fight demons, sharpshooters, magicians and gangsters.

Since its first appearance as a back-up in Starslayer in 1983, GrimJack has been a fan favorite. The stories blend genres – the hard-boiled detective stories of Raymond Chandler and Dashiell Hammet get combined with the sword and sorcery of Robert E, Howard. GrimJack can and has done science fiction, horror, fantasy, and even westerns, with a streak of dark humor and strong, strange characters running all the way through.

In his newest adventure, exclusively on ComixMix.com every Tuesday starting October 2nd, Gaunt goes in search of The Manx Cat, a statuette made of fossilized dreams. Why do so many want to possess it? What happens when it “goes walkabout”? Why is Gaunt seemingly immune to it and how did he become that way? What price did he pay?

The saga of the Manx Cat has been part of the GrimJack legend since the very first story. Here, at last, Ostrander and Truman reveal the legend’s roots – as John Gaunt must attempt to declaw the Cat once and for all!

John Ostrander wrote some of the most important and influential comics of the past 25 years. After studying theology and training under Del Close at Chicago’s legendary Second City, he used this knowledge of story and character to bring a unique voice to the marketplace. Ostrander started his career as a professional writer as a playwright. He co-wrote his best known effort, Bloody Bess, with actor William J. Norris. The production, directed by the noted Stuart Gordon, starred Dennis Franz and Joe Mantegna. Bloody Bess has toured all over North America and Europe, and is frequently revived.

From Warp, his first published comics work in 1983, based on the series of science fiction adventure plays, he went on to create GrimJack with Timothy Truman. He’s since written Batman, The Spectre, Manhunter, Firestorm, Hawkman, Martian Manhunter, Suicide Squad, Justice League and more for DC Comics. At Marvel Comics, Ostrander has also worked on X-Men, Bishop, Quicksilver, Heroes for Hire and The Punisher. From the mid-1980s until her death from breast cancer in 1997, Ostrander frequently co-wrote with his wife Kim Yale. It was while working with her that he made what is probably his most lasting contribution to the DC Universe: the recasting of Barbara Gordon, the former Batgirl, into the information and computer specialist Oracle.

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Spanning the Globe with Comics

Spanning the Globe with Comics

Comic Book Resources talks to Timothy Truman and new artist Tomas Giorello about the new direction, and new series, for Dark Horse’s Conan comics.

Comic Book Resources also chatted with the creative team of the new Booster Gold series.

Even if you’re not at Comic-Con, you can see it via the official flickr set.

Mike Sterling’s Progressive Ruin pokes through the new Previews catalog for monthly signs of impending Armageddon.

Comics Reporter reviews The Architect by Mike Baron and Andie Tong.

Chris’s Invincible Super-Blog has some fun with a 1969 Batgirl story.

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Tintin is racist, Batgirl is sexist, Punisher is black…

Tintin is racist, Batgirl is sexist, Punisher is black…

Department of “Shoulda Seen That Coming”: in the UK, a government minister issues a stern warning that a particular book, Tintin in the Congo, contains “hideous racial prejudice,” and that no right-thinking Briton should ever, ever read it henceforward. Result? Sales increase immediately by 3,800 percent. (Forbidden Planet International has a longer story on the complaint, including the fact that the Commission on Racial Equality – and isn’t that a nice Orwellian name? – demanded that Tintin in the Congo be banned.)

The Beat is not happy with the final cover for Showcase: Batgirl. (And there’s no reason she should be.)

Chris’s Invincible Super-Blog remembers the halcyon days when the Punisher was, briefly, a black man.

Media Life Magazine thinks that Zudacomics is a really swell idea and the most wonderful thing since sliced bread – but they also think that comic books are “almost an industry,” so I’m not sure if we should believe them.

The Chicago Sun-Times looks at DC Comics’s new teen-girl-focused Minx line.

Bookgasm reviews the newest reprint trade paperback of the Fables series, Volume 9: Sons of Empire, written by Bill Willingham and illustrated by Mark Buckingham and others.

Publishers Weekly reviews a number of comics this week, including House by Josh Simmons and the first volumes in two maanga series, Gin Tama and War Angels.

Dana’s Marvel Comics Reviews, at Comic Fodder, hits the week’s high points, starting with New Avengers # 32.

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Batgirl’s bid for equal rights

Batgirl’s bid for equal rights

Oh sure, we could link to the Avi Arad interview, or the many mainstream news articles on Free Comic Book Day, but everyone else is doing that, plus due to burnout from another killer work week we aren’t going anywhere today.  Not to our local comic stores, not to the movies, not even outside for any fresh air.  We just can’t justify reading and watching brand-new stuff whilst there’s so much almost-new stuff which we have yet to peruse.

Okay, we cheated a little and read some MySpace Countdown even though we’ve only just finished 52 #48 and won’t even get the last few issues of that title for a few weeks.  (We know 52 is finished because Greg Rucka sounds even more burnt out than we do.)  If we were the impatient type we could probably read them at a comic shop today — but no.  We’re getting a bit old for this.  We actually remember a time, for instance, when women weren’t paid nearly as much as men, as pointed out in this PSA from over 30 years ago which Tom Peyer found:

Ah, nostalgia.  Thank goodness that sort of gender discrimination’s no longer going on!