Tagged: art

More Gene Colan Fundraisers and Announcements

More Gene Colan Fundraisers and Announcements

Updating our earlier coverage of efforts to raise money for industry legend Gene Colan, Marvel and Hero Initiative recently announced plans for a series of limited print sales and auctions of Colan’s Iron Man art, among other offerings.

From the Hero Initiative announcement:

The Hero Initiative in conjunction with Marvel Comics is launching a series of Gene Colan-themed products, starting with a limited edition print of Gene’s cover art to Invincible Iron Man #1, available at Wizard World Philadelphia, May 30-June 1. Only 200 prints will be available at the show at a cost of $25 each. Net proceeds from sales of these prints by The Hero Initiative will benefit Gene Colan. Another 50 prints will be available at a later date, with plans to have them autographed by both Gene Colan and Stan Lee.

Also at Wizard World Philadelphia, guest writers and artists at the Marvel Comics booth will be signing and sketching two large poster-sized boards, which Hero will auction benefiting Gene at a later date.

And that’s just the start. Wizard World Chicago, June 26-29, will see the release of a second print featuring the cover art to Daredevil #47, the legendary “Brother, Take My Hand” story by Stan Lee and Gene Colan. A third print will be available later in the year, along with other products.

For August, a Gene Colan Tomb of Dracula poster will be available for order via Marvel Previews with proceeds routed to Gene; and in September, a special book reprinting some of Gene’s greatest stories will be made available. In addition to these items, The Hero Initiative will take additional steps to help Gene in his convalescence.

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Hunter S. Thompson: The Comic Book?

Hunter S. Thompson: The Comic Book?

Journalista recently directed me to a quartet of illustrations based on gonzo journalist Hunter S. Thompson found on Hey Oscar Wilde! It’s Clobberin’ Time!!!, a website featuring work from artists’ personal collections, focusing on interpretations of their favorite literary figures.

Confession time: I’m one of those people who has read everything ever written by or about Thompson, and he remains one of my favorite writers of the last few decades. Needless to say, this illustration of Thompson by Ben Templesmith, who also happens to be one of my favorite artists in the comics industry, caused me to have a minor heart palpitation.

The four pieces of Thompson-inspired art featured on the site include work by Scott Morse, John Kricfalusi and Jim Mahfood in addition to the piece by Templesmith pictured here.

 

Happy Birthday: Garry Leach

Happy Birthday: Garry Leach

Born in 1957, Garry Leach studied Graphic Design at St. Martin’s School of Art. His first work in comics was on 2000 A.D., but he quickly became known for his art on the series The VCs.

In 1981, Leach joined Quality Communications as art director. He was also the first artist on Alan Moore’s revival of Marvelman (better known in the U.S. as Miracleman). Leach and Moore then created Warpsmith. In 1988 Leach and Dave Elliot set up Atomeka Press—the first title was the anthology AI, which included another Moore/Leach Warpsmith story.

Leach left comics briefly in the mid-’90s after Atomeka closed but returned to ink Hitman a few years later. He also drew the first issue of Warren Ellis’ Global Frequency and contributed more work to 2000 A.D.

In 2004, Leach and Elliot restarted Atomeka Press.

Interview: Tim Seeley on ‘Hack/Slash’ and Suicide Girls Crossovers

Interview: Tim Seeley on ‘Hack/Slash’ and Suicide Girls Crossovers

Writer and artist Tim Seely has come along way from reading, drawing and dreaming about comics as a kid in his parent’s basement in Wisconsin. Over the years, he’s managed to write and/or draw some of the most popular cult-favorite comics in publishing, including Kore, G.I. Joe, G.I. Joe vs. Transformers, Forgotten Realms: The Dark Elf Trilogy and most recently, a comic based on the Holloween movie franchise.

He’s also the creator of the hugely popular and successful comic book series Hack/Slash, which is currently being produced as a feature film by Rogue Pictures and expected to be released later this year. Recently, ComicMix sat down with the prolific artist and writer to get all the latest details on Hack/Slash the comic, the movie adaptation and his latest project with the Suicide Girls.

COMICMIX: Hey Tim, thanks for taking the time to talk with me.

TIM SEELEY: Sure, no problem at all.

CMix: You’re the staff artist for Devil’s Due Publishing, but your most well-known work, Hack/Slash, is a creator-owned project?

TS: It is creator-owned, yeah.

CMix: How did you come up with the idea for it?

TS: My girlfriend always gets embarrassed that I tell this story at all, but I was sick for a couple of days with the flu or something so, and it was right around Halloween. I’d just lay in bed for three or four days, and all I did was watch horror movies, like every station, they all run marathons, you know?

So I’m just sitting there and I’m on cold medicine and I start noting patterns in these horror movies. I took a bath because I’m feeling all crappy, and all of a sudden, it gelled in my head, and I jumped out of the tub and ran over, dripping-ass-naked in my house, and I wrote down this kind of outline for the comic.

There’s a girl that goes from slasher movie to slasher movie.  It’s a whole meta-idea or whatever, so then I started to build Hack/Slash from there. I just wanted to do something that didn’t have the flavor of what most comics have, something more like, B-movie, kind of totally creative, not so serious, something more like Psychotronic Movie Guide, like gonzo silly, but make it really important that the characters

There is a lot of characterization, and it was going to be about two characters and about their relationship. So, I kind of combined what I like about bad movies and what I like about good movies, and just got rid of all the other stuff.

CMix: Now, in addition to the comic, there’s also the Hack/Slash film in production as well… How’s that going?

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Superheroes, the Richard Mullins Way

Superheroes, the Richard Mullins Way

Our pals over at Fanboy.com recently posted some really great work from artist Richard Mullins featuring Batman, Robin and a few other familiar characters. I’d love to have any one of these pieces hanging in my office, to be honest.

Since I’m probably the last person you want to consult when it comes to describing art (I’m more of a "I know it when I see it" sort of guy), I’ll let Fanboy.com’s Michael Pinto handle the synopsis:

What I like about his work is that in addition to be inspired by pop art subjects, his style of painting and bold use of vivid colors reminds me a great deal of the Fauvism of Henri Matisse.

Yeah, I agree. I think he summed it up there.

(*Psst* Between you and I, I had no idea what "fauvism" was before I read this.)

Review: ‘The Amazing Remarkable Monsieur Leotard’

Review: ‘The Amazing Remarkable Monsieur Leotard’

Eddie Campbell has always done comics his way, without worrying about other people’s expectations or preferences — one of his two major series has been a fictionalization of his own life as a comics creator, and the other, a superficially more populist sequence about Greek gods in the modern world, was itself about storytelling more often than not. So it’s no surprise that his latest graphic novel — co-written with Dan Best — is more about telling its story than it is the story being told.

The Amazing Remarkable Monsieur Leotard
By Eddie Campbell and Dan Best
First Second, August 2008, $18.95

[[[Monsieur Leotard]]] will be published by First Second — who published Campbell’s last book, The Black Diamond Detective Agency, and have been putting together an impressive list of graphic novels for adults and younger readers for the past few years — in August, and the first thing to note is that it’s not the story the reader expects.

You see, the famous acrobat Jules Leotard lies dying of smallpox on page 12. So, we think, the book will be a series of flashbacks showing his life? No, he’s dead by the bottom of page 13, and the story moves on. So far, so very Campbell.

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M.O.D.O.K. and Genocide = M.O.D.O.G.?

M.O.D.O.K. and Genocide = M.O.D.O.G.?

Marvel.com, which recently cleaned up in the Eagle Awards as "Favorite Comics Related Website," has posted some new art today featuring one of my favorite characters in the Marvel Universe: M.O.D.O.K.

Or, more accurately, M.O.D.O.G.

Yes, everyone’s favorite Mental Organism Designed Only for Killing seems to have found himself a new hobby, as well as a new home, in Invincible Iron Man. The new version of the big-headed bugger has taken a shine to genocide instead of just garden-variety killing, according to information released about the villain’s upcoming appearance in the second issue of the Matt Fraction/Salvador Larroca series.

Marvel.com has posted samples of Larroca’s new M.O.D.O.G. art, including this great image of Iron Man dragging the ever-creepy creature around by his hair.

The thing is, I’m not sure if the decision to shift his focus from "Killing" to "Genocide" makes him more or less dangerous. With a M.O.D.O.G., at least you have a good idea of who’s on his hit list, right? But a M.O.D.O.K. – that’s a different story. He wants to kill everybody.

Unless, of course, he’s discovered the sweet serenity of regular meditation.

ComicMix on Twitter, MySpace and Facebook!

ComicMix on Twitter, MySpace and Facebook!

Attention ComicMix Readers: Even though we’re still not convinced that these InterWebs are more than just a passing fad, we’ve taken steps to make sure you can find ComicMix all over them… just in case the ‘Net sticks around for a while.

Here are some of the places you can find us:

ComicMix on Twitter: Have a Twitter account? Get updates via Twitter about all of the new columns, features, reviews, interviews and other original content you love on ComicMix. Follow the feed at: https://twitter.com/comicmix

ComicMix on Facebook: Be a fan! If you have a Facebook account, be sure to get connected with our ComicMix page on Facebook. We’ll be posting links to new comics, articles, audio and video content, as well as photos and art, as soon as they’re published. Visit the ComicMix page on Facebook at: http://www.facebook.com/pages/ComicMix/11458084665

ComicMix on MySpace: Sure, MySpace is filled with enough bells and whistles to cause the occasional seizure, but we’re willing to endure the slings and arrows of animated icons for our readers. Connect with our MySpace page and get links to new comics, news and other content as soon as it hits ComicMix. Here’s where you can find us: http://www.myspace.com/comicmix

See you on the ‘Net!

Happy Birthday: Tony Strobl

Happy Birthday: Tony Strobl

Born in Cleveland, Ohio in 1915, Anthony Joseph “Tony” Strobl graduated from the Cleveland School of Art in 1937 (along with Jerry Siegel and Joe Shuster—Strobl helped them fine-tune a character concept they were working on, which they called "Superman") and began working for Disney a year later.

His first project was doing “in-between” art (the frames between the ones the main animators drew) on Fantasia. Strobl also worked on Pinocchio and Dumbo before joining the Army during World War II.

After the war, he decided to switch from animation to comics, and in 1947 he went to work for Western Publishing. Western produced comics starring characters from Disney, Warner Brothers, and Walter Lantz, and Strobl did a lot of art on Disney’s “Duck” books.

After 1954, he was responsible for the monthly Donald Duck comic. In the mid-’60s Strobl began drawing Disney comics for the international market, and from 1986 to 1987 he drew a daily Donald Duck comic strip for them as well. Strobl died on December 29, 1991.

Happy Birthday: Vincent T. Hamlin

Happy Birthday: Vincent T. Hamlin

Vincent T. Hamlin was born in 1900 and grew up during tumultuous times—he enlisted in the Army at age 17 and served in France during World War I.

After returning home, he studied journalism and art at the University of Missouri, but was kicked out of art class because his teacher told him he was too fine an artist to waste his time as a cartoonist. After graduating Hamlin moved to Des Moines and became a reporter.

Next he went to Fort Worth, Texas, where he got occasional work as a reporter, a photographer, and a cartoonist. In 1927 he got a job creating maps and posters for the oil fields. It was during that time that Hamlin came up with the idea of a cartoon about a prehistoric caveman, and in 1929 he moved back to Iowa to work on the idea. It took him several years to get it right, but Alley Oop finally appeared a daily strip in 1932.

The strip became so popular that the first fan-based comics award, the Alleys, was named after it. Hamlin continued Alley Oop until his retirement in 1971, when he handed the reins over to his assistant, Dave Graue. Hamlin died in 1993.