Tagged: anthology

The Point Radio: Wanna See Something Really Scary?

The Point Radio: Wanna See Something Really Scary?

Michael Dougherty (X2, SUPERMAN RETURNS) has managed to turn his obsession for his favorite holiday into a feature film. TRICK ‘R TREAT is a horror anthology just released on DVD and we get the scary details from  Michael and star Lauren Lee Smith. Plus Brian Bendis is plunging ahead full steam on POWERS in comics and TV as well as bringing back the Original AVENGERS to Marvel.

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Review: ‘Jamilti & Other Stories’ by Rutu Modan

Review: ‘Jamilti & Other Stories’ by Rutu Modan

Jamilti & Other Stories
By Rutu Modan
Drawn & Quarterly, August 2008, $19.95

Rutu Modan came to the attention of most American comics readers last year, when her graphic novel [[[Exit Wounds]]] was published to great acclaim. Exit Wounds went on to hit a number of top ten lists, and won the Eisner for Best New Graphic Novel. But no cartoonist comes out of nowhere – Modan had been writing and drawing shorter comics stories for a decade. Those would be these stories, which have now been corralled between two covers.

[[[Jamilti]]] collects seven stories, all of them but the title piece originally published in anthologies from the comics collective Actus (of which Modan was one of the two founders). (“Jamilti” itself was originally published in [[[Drawn & Quarterly]]], Vol. 5, for those seeking closure.) Modan’s style has changed slightly over the years, but her artistic progression isn’t obvious. Her most recent work – Exit Wounds, “Your Number One Fan” from [[[How To Love]]], the currently running serial [[[The Murder of the Terminal Patient]]] – have a tighter, cleaner line and solid blocks of brighter, purer colors than her earlier stories, but that’s more of a tightening of what she was already doing than anything else. The stories before that bounce back and forth from color to black and white, with the drawing similarly getting looser and tighter as Modan worked out what she wanted to do.

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Review: ‘Scrambled Ink’

Review: ‘Scrambled Ink’

Scrambled Ink
Edited by Anonymous
Dark Horse, July 2008, $19.99

[[[Scrambled Ink]]] is the latest in the recent flurry of comics anthologies by animators, following the high-profile and very successful Flight series (which recently hit its fifth volume) and the slightly newer but still popular [[[Out of Picture]]] (which had a second volume earlier this year). It was published quietly a few months back, and doesn’t seem to have made much of a stir.

And that’s a real shame, since Scrambled Ink is more inventive and ambitious than the most recent [[[Flight]]] and Out of Picture books put together. (And that despite Scrambled Ink being a physically smaller book with only six stories in it.) I’m not sure why that would be – Scrambled Ink comes from animators who worked on [[[Bee Movie]]], not what one thinks of as an excitingly transgressive piece of cinema – but these DreamWorks animators are definitely doing something different from their Blue Sky compatriots from Out of Picture.

Two of the tales in Scrambled Ink – “[[[Kadogo: The Next Big Thing]]]” by David G. Derrick, Jr. and Ken Morrissey & Keith Baxter’s “[[[Greedy Grizzly]]]” – would have been right at home in one of the other anthologies: they’re morality tales, with animal casts, that could easily have been afterschool specials or “heartwarming” animated shorts. Both also have excellent art – Derrick with an earth-toned watercolor palette very appropriate to his African story and Baxter with an appealingly loose version of a cute-animal children’s’ book style. These stories could have fit in perfectly well in [[[Flight 12]]] or Out of Picture 9, but here in Scrambled Ink, they’re notable for seeming a little less refined and a little more obvious than the other four stories.

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Review: ‘How to Love’ from Actus Comics

Review: ‘How to Love’ from Actus Comics

How to Love
By Batia Kolton, David Polonsky, Mira Friedmann, Itzik Rennert, Rutu Modan, and Yirmi Pinkus; translated by Ishai Mishory
Actus/distributed by Top Shelf, August 2008, $29.95

Actus is an Israeli comics collective that publishes one joint project annually; their members are the six contributors to this book. This book was published in Israel by Actus, but is being distributed on this side of the Atlantic by Top Shelf Comics. (And was translated by Ishai Mishory, implying that there was a prior edition in Hebrew.) It’s officially publishing in August, but I can’t find it on any of the US online booksellers, and I got my copy several months ago – so it’s anyone’s guess when it will show up in your local comics shop (if ever). Top Shelf is selling it directly, so there’s at least that way to get it.

[[[How to Love]]] has six stories, one by each of the contributors, each about twenty pages long. (The subtitle calls them “graphic novellas,” which stretches a bit too far for my taste – is there anything wrong with short stories?)

It opens with Batia Kolton’s “Summer Story,” in which pre-teen Dorit watches her nameless older neighbor kissing a boyfriend on the street, then has the neighbor accompany her family on a trip to the beach. It’s a very slice-of-life story; Dorit is clearly learning about relationships through the neighbor, but the story doesn’t get inside her head; we see everything from outside, so we don’t know what Dorit thinks about any of it. The art is a clean-line style, very reminiscent of Actus’s most famous member, Rutu Modan.

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GRAPHIC NOVEL REVIEW: Postcards edited by Jason Rodriguez

GRAPHIC NOVEL REVIEW: Postcards edited by Jason Rodriguez

Everyone has a story – at least one. Every human life could be told in some way, to illustrate a point, or evoke an emotion, or just entertain an audience. Postcards attempts to tell some of those stories, or to create stories based on tiny pieces of real people’s lives, almost randomly – to invent stories out of the smallest of seeds.

Jason Rodriguez, author of the Harvey-nominated Elk’s Run, gathered up a bunch of vintage postcards, sent them to various artist-writer teams he knew, and asked for comics about the people who sent the postcards. In theory, it’s a great idea. (Of course, everything is wonderful in theory.) In practice, this particular collection of postcard-inspired stories are nearly all sad, depressing tales, and the relentless one-note gloom keeps any of the stories from really standing out. It’s not clear whether Rodriguez’s instructions were responsible for this, of if the choice of creators led to the unremitting bleakness, or if it was just bad luck. Rodriguez’s prefaratory notes to each story do make him seem like a micro-manager, though, with explanations that he gave this postcard to this person expecting X, and that he was sure another artist would be just right for another postcard because of Y.

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Graphic Novel Review: The Best American Comics 2007

Graphic Novel Review: The Best American Comics 2007

With two years of The Best American Comics down now, it’s clear just how much the individual editor can influence the choice of comics. Last year, Harvey Pekar leaned towards autobiographical comics and towards long, complete works. For this second year, Chris Ware similarly goes where we’d expect him to go and picks a lot of formalist stories — but also a lot of autobiography, particularly the overly-serious type. It’s dangerous to compare annuals in any case, especially when they change editors, but I have to admit that I thought 2006 was a stronger book than 2007; this year’s edition contains a batch of “experimental” comics that I found pointless and a pure waste of space.

And there’s also the meta-question of what are the “best comics,” since even the “100 Distinguished Comics” list in the back matter — from series editor Anne Elizabeth Moore, and which also apparently served as the first cut of stories from which Ware built this anthology — lists only a tiny handful of stories from the major comics publishers. So this series is essentially for the best American independent comics — not superheroes, or adventure stories of any type from the big companies. Perhaps future volumes will challenge that idea, but, for now, there’s no sign that Best American is open to anything more fantastic or adventurous than Charles Burns’s great horror comic Black Hole.

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