Tagged: All Pulp
Weirder Tales will feature stories written by William Meikle, Joshua M. Reynolds, Greg Mitchell, Tracy DeVore, Bob Freeman, and more…
All Pulp will post more details as we have them.
On this week’s episode of the Earth Station One podcast, the ESO crew powers up their Jaegers to battle invading the Kaiju! Mike Faber, Mike Gordon, Jennifer Hartshorn, the award-winning author Bobby Nash, Ashley Bergner, William Faber, and the award-winning artist Mark Maddox join together in one massive neural link to share one another’s deepest thoughts about giant mechs fighting colossal monsters. The apocalypse may have been canceled, but San Diego Comic Con is still on schedule! On the eve of the biggest conventions of the year, we also give our thoughts on the already released info as well as some predictions of news to be revealed. All this, plus the usual Rants, Raves, Khan Report, and Shout Outs!
|Cover Art: James Burns|
James Palmer has shared the cover for his latest anthology from Mechanoid Press, Strange Trails. The cover was designed and illustrated by James Burns, who also did the cover for another project James was involved in, Blackthorn: Thunder on Mars from White Rocket Books.
Palmer also shared the table of contents for Strange Trails:
Mr. Brass and the Master of Serpents by Josh Reynolds
Sins and Lillies by Tommy Hancock & Morgan Minor
The Mechanical Heart: A Tale of Julia Holst and the Weird West by Barry Reese
The Akeldama Dig by Edward M. Erdelac
Mummy Train by James Palmer
The Eye of Ulutoth by Joel Jenkins
And here’s the equally snazzy back cover:
STRANGE TRAILS will be available in both print and e-book formats.
Coming soon from Mechanoid Press
|Art: Diana Leto|
Artist Diana Leto shared in-progress preview art for the upcoming Cave Girl online comic strip, premiering Friday, July 19th and coinciding with the ERB Inc. San Diego Comic Con panel and the original novel’s centennial celebration. Diana Leto and writer Martin Powell will have promo cards, sketch cards, and a painting to raffle off at the convention.
Don’t miss the debut of THE CAVE GIRL by Martin Powell and Diana Leto, from Edgar Rice Burroughs, Inc. Subscribe now at http://www.edgarriceburroughs.com/comics/
|Cover Art: Howard Chaykin|
|Blood and Judgement|
Almost thirty years after his critically acclaimed Blood & Judgment series, fan-Favorite writer/artist Howard Chaykin returns to The Shadow for a new Dynamite Entertainment mini series, The Shadow: Midnight in Moscow.
Official Press Release:
Dynamite is proud to announce that legendary writer/artist Howard Chaykin will write his first new tale of The Shadow in nearly thirty years. The Shadow: Midnight in Moscow will take place three decades prior to the events of his critically acclaimed Blood & Judgment series. Chaykin will reprise his creative role both as writer and artist for this new venture.
“I’m delighted and grateful to Dynamite for the opportunity to work once again on so legendary a character as The Shadow,” says Chaykin. “My new miniseries, The Shadow: Midnight in Moscow, tells the secret story behind the Shadow’s disappearance in 1949.” While this new series marks his return to Shadow storytelling, he hasn’t strayed far from the character in recent years, contributing gorgeous cover artwork for Dynamite’s variety of Shadow series.
|Blood and Judgement|
“The Shadow: Blood & Judgment is one of my favorite comic series of all time,” says Nick Barrucci, CEO and Publisher of Dynamite. “It absolutely blows my mind, still to this day. I can’t even begin to express how much this means to me as the publisher of the series and how much as a fan of Howard’s series. Howard Chaykin’s return to the character is going to be phenomenal. And in a move that will certainly keep his fans on their toes, he’s setting Midnight in Moscow up not as a direct sequel to his earlier work, but years and years beforehand, at an exciting and critical moment in the Shadow’s history. I have such tremendous respect for Howard as a storyteller, a true modern master of the comic book medium.”
Howard Chaykin is a modern legend in the comics industry, with an exceptionally respected body of work spanning four decades. He is perhaps best known for American Flagg!, a series published by First Comics in 1982. Chaykin wrote and illustrated the first twelve issues exclusively, and was praised by critics and readers alike. In 1985, Chaykin wrote and drew The Shadow for DC Comics, the acclaimed run that would later be collected by Dynamite as The Shadow: Blood & Judgment. He is the recipient of Inkpot and Eisner Awards. His extensive library of comics work includes such titles as Star Wars, Black Kiss, American Century, Challengers of the Unknown, Blackhawk, Hawkgirl, Blade, Punisher War Journal, and Satellite Sam. He was also executive script consultant for The Flash television series on CBS, and later worked on action-adventure programs such as Viper, Earth: Final Conflict, and Mutant X.
|Blood and Judgement|
The Shadow began its existence in 1930 as a narrative voice on the Street and Smith radio program Detective Story Hour. The audience thrilled to the serialized adventures of this mysterious figure, whose mythos expanded to include Occidental mysticism, hypnotic powers over weak criminal minds, and twin .45 caliber handguns. With a keen intellect and relentless drive, The Shadow hunted criminals without mercy in an era when gumshoe detectives and bootlegging mobsters was a thrilling yet fearsome reality. The character’s popularity has endured for over 80 years, bolstered by appearances in radio serials, novels, comic books, films, and more. In recent years, Dynamite published a groundbreaking and well-received Shadow series launched by comic writer Garth Ennis (Preacher), with further tales crafted by Victor Gischler and Chris Roberson. Lamont Cranston’s grim alter-ego has also appeared in such related series as The Shadow: Year One, Masks, and The Shadow / Green Hornet: Dark Nights.
|Blood and Judgement|
About Dynamite Entertainment:
Dynamite was founded in 2004 and is home to several best-selling comic book titles and properties, including The Boys, The Shadow, Vampirella, Warlord of Mars, Bionic Man, A Game of Thrones, and more. Dynamite owns and controls an extensive library with over 3,000 characters (which includes the Harris Comics and Chaos Comics properties), such as Vampirella, Pantha, Evil Ernie, Smiley the Psychotic Button, Chastity, Purgatori, and Peter Cannon: Thunderbolt. In addition to their critically-acclaimed titles and bestselling comics, Dynamite works with some of the most high profile creators in comics and entertainment, including Kevin Smith, Alex Ross, John Cassaday, Garth Ennis, Jae Lee, Marc Guggenheim, Mike Carey, Jim Krueger, Greg Pak, Brett Matthews, Matt Wagner, and a host of up-and-coming new talent. Dynamite is consistently ranked in the upper tiers of comic book publishers and several of their titles – including Alex Ross and Jim Krueger’s Project Superpowers – have debuted in the Top Ten lists produced by Diamond Comics Distributors. In 2005, Diamond awarded the company a GEM award for Best New Publisher and another GEM in 2006 for Comics Publisher of the Year (under 5%) and again in 2011. The company has also been nominated for and won several industry awards, including the prestigious Harvey and Eisner Awards.
Learn more about Dynamite Entertainment here.
|Cover Art: Tony Masero|
Piccadilly Publishing has added Gordon Davis’ The Sergeant to their ebook reprint catalog.
I’m delighted to announce that we have acquired the ebook rights to one of the great series of the 1980s — THE SERGEANT by Gordon Davis. Beginning in October we’ll be issuing all nine books in the series, this time under the author’s real name, and all featuring covers painted by Tony Masero!
About Piccadilly Publishing:
Piccadilly Publishing is the brainchild of longtime Western fans and Amazon Kindle Number One bestselling Western writers Mike Stotter and David Whitehead (a.k.a. Ben Bridges). The company intends to bring back into ‘e-print’ some of the most popular and best-loved Western and action-adventure series fiction of the last forty years.
Series fiction (the most popular genre was always the Western, but it also encompassed war stories, tales of pillaging Vikings, life in the Roman arena and action-adventure set in the far-flung future) was at its most popular throughout the 1970s and 80s and is still fondly remembered and avidly collected by die-hard fans even today. Some books are now so hard to come by that it’s not unusual for them to change hands for astronomical amounts.
“We got to know a number of the authors when we were teenagers,” remembers Mike. “Although they mostly wrote Westerns, they often joked that they had never been further west than Piccadilly, in London’s West End.”
Thus Piccadilly Publishing was born. One of its aims is to bring back titles for new and old readers alike. Great care is taken over the production of each title, and each one has a specially-commissioned cover from Westworld Designs that recreates the feel of the originals, at the same time giving them a fresh and more modern look.
At the moment all Piccadilly Publishing titles are available for download from Amazon’s platforms in the UK, US, Spain, France, Germany and Italy, with more titles are set to follow on a regular basis. There are also plans to expand their availability on other electronic platforms.
“We’re adding authors and series to our catalogue almost every day,” reports Whitehead. “Over the coming years I think we’ll surprise and delight our fellow fans with what we have to offer.”
The Shadow Fan returns for Episode 40! This week, Barry Reese responds to listener feedback, talks about The Shadow Now series that’s coming from Dynamite and offers up a trio of reviews: The Black Falcon (1934), The Salamanders (1936) and The Shadow # 15 (Dynamite, 2013).
If you love pulp’s greatest crimefighter, then this is the podcast for you!
Listen to The Shadow Fan Podcast Episode 40 now at http://theshadowfan.libsyn.com/the-black-falcon
By John Scalzi
A Tor Book
In 1962 the late H. Beam Piper’s well loved science fiction novel, “Little Fuzzy” was published. This reviewer was a sophomore in high school and has fond memories of discovering that book via the recommendation of a fellow student who was also an avid reader of science fiction. For those of you unaware of the book’s premise, humans have traveled to the starts and giant corporations mine alien worlds for their resources. On one such planet, prospector Jack Halloway discovers a race of furry little creatures and befriends them. When evidence indicates that the “fuzzies” might actually be sentient beings it establishes the plot’s primary conflict. By interplanetary law, if a planet has aboriginal sentient life, then it is off limits to all who would attempt to harvest its natural resources to include the mining outfit on Zarathustra, lush alien setting for the book.
Part science fiction adventure and courtroom melodrama, “Little Fuzzy” ends when Halloway and his friends win their case convincing an Interplanetary Judge to declare the “fuzzies” sentient beings and thus the unquestionable owners of the planet. The book was hugely successful at the time of its release and Piper went on to write sequels, several actually published after his death in 1964. Beside these, other authors were hired to write new Fuzzy novels; these included William Tuning and John Smith. The late Ardath Mayhar wrote “Golden Dream,” a novel telling the self-same story only from the perspective of the Fuzzies themselves. In her book she even invented the fuzzies’ language; parts of which were used by Wolfgang Diehr who wrote two new Fuzzy novels.
We relate all this because my own connection with the series is a personal one on several levels. After reading several of the sequels, we wrote the publishers suggesting how the original Piper book do extremely well if done as a childrens’ book. In 1983 such a volume was produced; “The Adventures of Little Fuzzy” written by Benson Parker and beautifully illustrated by Michael Whelan. The aforementioned Ardath Mayhar was our writing mentor at the time of her involvement with the license and we recall how happy she was with her efforts. As most fans of the Star Wars movies know, it was the “fuzzies” that inspired George Lucas’ Ewoks and one of the TV network channels produced a made-for-TV movie loosely based on Piper’s though as I recall, no credit to that fact was ever stated.
Which brings us to “Fuzzy Nation,” John Scalzi’s rebooting (his own words) of this science fiction classic released in 2011. Having experienced many television and movie “remakes” we have to admit to being really curious to see how such a thing would work with fiction. How much does the new writer keep from the original and how much does he or she change? All valid questions that filled my thoughts as we started reading page one. What is obvious from the start is that Scalzi understands the essence of Piper’s plot, the tale he wanted to tell and yet he strips it down to suit his own style of writing; one we admire greatly. Scalzi is one of those science fiction writers who, though knowledgeable about the science he is extrapolating, he never uses hard facts to get in the way of his story spinning. Our protagonist is still Jack Halloway, the lone independent ore prospector, though now he’s younger and a whole lot less altruistic. In fact he’s a lawyer who was disbarred back on Earth. This not only adds a new element but of makes Halloway a logical champion when we get to the book’s courtroom scenes. All the original “fuzzies” are back, pretty much as we remembered them as is the giant mega corporation gutting the planet Zarathustra. Whereas the old supporting cast is gone and Scalzi has replaced them with his own creations, both good guys and villains.
Scalzi’s easy-to-read prose is one of his greatest assets as a writer. Most of his books are intimate and he has an unerring way of pulling the reader into his tale; a result of truly craftsman-like pacing. There are very few slow moments in “Fuzzy Nation” and we were unable to put the book down once we had reached the half-way point. “Fuzzy Nation” is a wonderful book and worthy “rebooting” of a beloved sci-fi classic. Not to overly repeat ourselves, H. Beam Piper’s cautionary tale of environmental mismanagement is at its core a David vs Goliath fable and there have never been any cuter Davids than “the fuzzies.” Scalzi embellishes that fable for our times in a truly exciting and fun new interpretation. This is one of those rare books we want to give to all my friends, you among them. Go out and read it. Now.
|Art: Frank Thorne|
|Art: Frank Thorne|
OFFICIAL PRESS RELEASE:
Following on the immense success of the newly launched Red Sonja ongoing series by Gail Simone, Dynamite proudly announces the upcoming Legends of Red Sonja prestige miniseries, an extravaganza celebrating the iconic fantasy heroine’s long and storied career. Legends of Red Sonja is a collaborative effort uniting Simone with a star-studded and prestigious creative team including Marjorie M. Liu, Mercedes Lackey, Kelly Sue DeConnick, Rhianna Pratchett, Leah Moore, Tamora Pierce, Blair Butler, Nancy Collins, Meljean Brook, Nicola Scott, Devin Grayson and more to be announced. Frank Thorne, one of the key artists responsible for defining the character’s distinct look, will be among the artists to contribute cover artwork, as will Jay Anacleto.
|Art: Frank Thorne|
“When it was first decided that I would be taking part in the relaunch of Red Sonja, we had what I thought was a very fun idea, which was to have all the covers and variant covers be drawn by top female artists,” says Gail Simone, an industry legend with celebrated runs on Birds of Prey, Secret Six, and Batgirl. “The idea just took off, as some of my artistic heroes, people like Colleen Doran, Amanda Conner, and Nicola Scott all contributed these gorgeous, eye-popping pieces of art for the book. It made everyone tremendously happy and gave us a wonderful extra kick for our relaunch of this classic character. So when Dynamite told me that the 40th anniversary of Red Sonja was coming up, I thought, ‘I wonder if we could do the same thing, but with all my favorite female writers?’ I can’t tell you how exciting this is for me, it’s something I’ve wanted to do for years.”
|Art: Jay Anacleto|
The structure of the Legends of Red Sonja prestige series will be, in Simone’s words, “a braided story, with individual, unique stories written by titans of comics, prose, and the gaming world. These are all powerful voices whose work I adore. Dynamite asked me to make a list of the women I’d love to see included, and again, I was astounded at the eager responses! We have giants of the fantasy and horror prose world; Tamora Pierce, Nancy Collins, and Meljean Brook. We have some of the hottest comics talents; Marjorie M. Liu, Mercedes Lackey, Kelly Sue DeConnick, Leah Moore, Devin Grayson and (in her first published story as a writer) Nicola Scott. And we have brilliant writers from games and television; Rhianna Pratchett and Blair Butler. Getting to hand-pick this crew of fierce women was an absolute joy, and the fun of it is, we’re all fans of Red Sonja, and of each other. Throwing ideas back and forth and shaping the stories has been some of the most fun I’ve ever had in comics. I can’t wait for people to read these takes on Red Sonja…some are funny, some are scary, some are very different versions of Sonja than we are familiar with!”
|Art: Frank Thorne|
Many of Gail Simone’s hand-picked contributors have shared their excitement about the project:
Rhianna Pratchett (Heavenly Sword, Mirror’s Edge): “I treasured my Red Sonja poster when I was kid. So to get the opportunity to write a story for the character, and to do it in the company of such extraordinary, talented women, is a dream come true. My younger self is definitely high-fiving my older self.”
Leah Moore (Doctor Who: The Whispering Gallery, Sherlock Holmes: The Liverpool Demon): “It’s not everyday that Gail Simone asks me to write Red Sonja. To be honest, I’m glad, because when it happened, I had to be peeled off the ceiling. Writing Red Sonja has been a personal ambition of mine for a long time. She is about the most fun a writer can have. She’s a loner, a grouch, a badass, and is apparently impervious to cold. I am almost too excited about this project to actually write the thing, which is counter-productive, really.”
|Art: Frank Thorne|
Tamora Pierce (The Song of the Lioness, Mastiff): “This is the coolest project ever: new stories crafted by some of the best writers and artists out there, about a woman warrior created by one of my literary idols, Robert E. Howard, spearheaded by my comics goddess, Gail Simone. I’m honored to be a part of this, and can’t wait to see the whole thing. It will be a ground-breaking, multilayered view of a character who has been brawling through comics for decades!”
Blair Butler (Heart, host of MSN’s Nerdcore): “I’m honored and exceedingly intimidated to be included in this group of talented creators. Gail Simone is amazing — and her take on Red Sonja is something I’ve been looking forward to since it was announced way back at Emerald City Comic-Con. So when she asked me to contribute, I agreed immediately, even though I’m totally nervous about it.”
|Art: Jay Anacleto|
Nancy Collins (Swamp Thing, VAMPS): “I am thrilled to have been chosen by Gail Simone to participate in Legends of Red Sonja. I remember how excited I was when I plucked Conan the Barbarian #23 off the spinner rack as a kid, all those years ago, and finally saw a female hero capable of dishing it out with the best of them. I am honored to have been given this chance to add to Red Sonja’s mythos.”
Meljean Brook (Iron Seas, Demon Angel): “I’m absolutely thrilled to be writing a story for the she-devil, Red Sonja. I first encountered Red Sonja in the movie with Nielsen and Schwarzenegger when I was about eight years old — and I know that movie isn’t without its problems, but it’s almost impossible to describe how incredible it was to watch a film in which the heroine was just as strong and as tough as the muscle-bound hero. I loved that she was arrogant, skilled, and never wimped out or waited for rescue, and I immediately went out in search of similar stories about her. Red Sonja was a revelation to eight-year-old me, and I can trace many of the heroines I write today back to those roots.”
“Wow. Gail and the editorial team at Dynamite have put together an incredible team of creators – a prestigious and impressive list – on a series that celebrates one of the strongest female characters in comics. I can say, that they have done an incredible job together, and I thank them.” States Dynamite CEO and Publisher Nick Barrucci.
Learn more about Dynamite Entertainment here.