I’ve said before that, despite liking to attend all flavors of fandom and comics conventions, including (clearly) the media guest-focused cons, I really love Baltimore Comic Con because it has stayed so focused on comics and comics creators. I’m happy to report that this has not changed.
I had a great time in Baltimore this year, doing some of the things that make me happiest at comic cons, like walking the exhibit hall and wandering Artist Alley to see what new things old friends are up to, meet folks whose work I know but whom I’ve never chatted with, and flip through the work of creators I haven’t ever encountered before. Amongst the fun things I discovered were this nifty accordion-style comic by Christa Cassano and Dean Haspiel; a gorgeous limited edition coloring book by Charles Vess, whose work I’ve loved for a long time but who I’ve never had the pleasure of meeting before; some great art and collaborations by Tony Moy and Nen (I want Tony’s Vitruvian Totoro woodblock print so much!); these excellent interlocking covers for Amazing Spider-Man #17 and Spider-Gwen #3 by Mike McKone, which I hadn’t previously seen; some new pieces from Francesco Francavilla, whose work I never tire of; and this print of Poison Ivy by Tom Raney.
I also enjoyed watching the always-talented Barry Kitson work as he completed a striking She-Hulk commission; getting to know writer Amy Chu; running into longtime friend and artist Kevin Stokes, who I didn’t even know was going to be at the show; and catching up with other great talents like Cully Hamner and Clayton Henry. And of course it’s always great to hang out with my fellow ComicMixers, and this year I was delighted to finally get to chat in person with John Ostrander, whose work and columns I always enjoy. Good times!
An event unique to this year that I was able to attend and had a blast at was the opening of the exhibit “75 Spirited Years – Will Eisner and the Spirit” at Geppi’s Entertainment Museum. I hadn’t been to the museum before, and it was really fun to walk around through all of the exhibits; and especially fun to be told stories about certain Eisner pieces by Denis Kitchen, cartoonist, publisher (of Eisner and many others), and founder of the CBLDF; and by Diamond Comic Distributors founder Steve Geppi himself. It was also great to see the covers current artists such as Mark Wheatley and John K. Snyder III had done as interpretations of a concept sketch that had been created by Eisner but never before finished, which were on display; and they were also on hand to sign their work.
I also really enjoyed another staple favorite of my BCC experience, The Harvey Awards, hosted this year by the heartfelt and engaging Vivek Tiwary, creator of The Fifth Beatle (a signed copy of which we received in our swag bags along with many other great selections, yay!). It’s always a pleasure to attend and see the industry honoring its creators (and shout-out to Mark Wheatley for his Harvey’s art and work on the media presentation for the ceremony); and of course the afterparty ain’t bad, either! It was fun to sit next to first-time Harvey winner Chad Lambert and experience his reaction to winning, to chat with BCC Guest of Honor Mark Waid (and covet his awesome Legion ring), and afterwards, to nerd out with Vivek, catch up with the likes of the super-nice Thom Zahler, hear some great industry stories via Dirk Wood and Paul Storrie, chill with fellow comics journalists like Heidi MacDonald; see Charlie Kochman’s historic Jules Feiffer button live and in person; and more. So glad I could make it, and congratulations to all of theaward-winners this year!
Despite enjoying the focus on comics guests, I was still excited to see Baltimore hosting very quality media guests – i.e. Paul Blackthorne, Katie Cassidy, Ming-Na Wen, Edward James Olmos, and Raphael Sbarge. It was cool to see them at the show, and the panels were very entertaining. I hope they had a great time at the con, too, and decide to come back again!
And until then (or next week!), I hope everyone who was at Baltimore Comic Con with me can catch up on some rest (I know I need it); and Servo Lectio!
Last week I went with my friend to a screening of Germany’s entry for the foreign-language film Oscar, Labyrinth of Lies, hosted by the United States Holocaust Memorial Museum and featuring a Q & A with director and co-writer Giulio Ricciarelli. The film and Q & A were excellent.
The film focuses on the Frankfurt Auschwitz trials, which took place in Germany almost twenty years after the end of World War II and the Holocaust, from 1963-65. These trials followed the Nuremberg trials held by the Allied forces in Germany, and the resulting “first Auschwitz trial” in Poland. The first Auschwitz trial tried forty former staff of the Auschwitz concentration camps who were witnesses in the Nuremberg trials. The Frankfurt Auschwitz trials charged over twenty defendants under German criminal law for their roles as mid- and low-level officials at the Auschwitz concentration camps.
Labyrinth of Lies examines Germany during the run-up to and beginning of the Frankfurt Auschwitz trials, as seen through the eyes of young public prosecutor Johann Radmann (Alexander Fehling), who strives to bring the truth of what happened at the camps into the light, and secure justice against the perpetrators via the court system. It tracks his attempts to obtain support for his crusade against the backdrop of strong political and social opposition in West Germany, and in the face of ridicule and hostility from his fellow prosecutors. The film does an excellent job of evoking the atmosphere and culture of a post-war Germany with a flourishing economy and no desire to look back at harsh and horrific truths.
Radmann’s world, from his struggle to get any of his superiors to support his legal quest and any of the Holocaust survivors to trust and speak with him, through to his difficulties in facing the brutality of the Holocaust, its effects on him and his relationships personally, and the disillusionment with humanity that he must work through as a result, is a well-told and emotionally gripping story. It is also one we are drawn into as we share in his amazement and outrage at watching a Germany that is seemingly wrapped in collective amnesia regarding what its citizens chose to do less than twenty years before, and at former SS members who have, with apparently no difficulty, slipped back into civilian life exactly as they left off. (As one associate explains, “The public sector is full of Nazis. And none of them has anything to worry about.”)
The story of Simon Kirsch, a survivor of Auschwitz who at first refuses to discuss his experience at all, is also riveting and powerfully portrayed. Kirsch’s tale and his revelation of it is a pivotal point in the movie; for after Radmann and journalist Thomas Gnielka find evidence in Kirsch’s apartment that they can use to build a case against the eventual defendants, they are able to convince Kirsch as well as many other Holocaust survivors to give testimony about their experiences. However, they have great difficulty in getting to that point, since Kirsch is gripped in a maelstrom of emotions in the aftermath of his time in the camps, including tremendous anger, sadness, and guilt at surviving so many who lost their lives. Forcing him to face the awful memories he lives with seems cruel, yet Radmann and Gnielka rightly observe that these secrets must be brought into the light before anyone can begin to heal. Opening the floodgates, however, also results in Radmann and others being forced to face horrors worse than any of them realized as the parade of survivors tell their wrenching tales of the camps.
Having read a fair amount about the Holocaust over the years, I was familiar with the Frankfurt Auschwitz trials. However, what I was completely unfamiliar with, and what Ricciarelli, his co-writer Elisabeth Bartel, and the cast of Labyrinth of Lies portray so well was the culture of Germany in the late fifties and early sixties when the trials took place. While these days familiarity with at the very least the Nuremberg trials of 1945-46 leads one to think that after the war, everyone was made aware of the horrific crimes against humanity perpetrated against the Jews and others sent to the concentration camps, the film shows that in fact, at the time of the Frankfurt trials, older Germans refused to speak of the atrocities of the war, practicing silence to willful ignorance when the subject arose; and younger Germans, raised in this atmosphere of grim and institutionalized silence, were either ignorant or unsure of the full truth of what had occurred.
The film is a fascinating examination of the principle that what we choose to remember shapes the world, and highlights that the German culture of denial at that time was poisonous to attempts to move forward, and also allowed criminals such as Josef Mengele to cavalierly elude capture, sometimes for decades.
Labyrith of Lies is an exceedingly well-researched and intelligent film; and one that manages to weave the elements of a courtroom drama, fresh revelations about a much-studied period in history, the emotional and personal journey of an admirable protagonist, and the inherent complexities and contradictions of humanity that are so ruthlessly highlighted by the events of the Holocaust into a cohesive and arresting story. In showing Radmann’s struggle to confront the absolute incomprehensible atrocity of the Holocaust, and his determination that in the face of so much wrong the only remedy is to do what’s right, the film conveys a vital message, and manages to do so in a way that is fascinating and uncontrived.
Interestingly, the film also reminds me of the well-known graphic novel Maus (which ComicMixhas featured before), another well-executed true story of the Holocaust, written and drawn by Art Spiegelman. The film’s Radmann and Kirsch in many ways mirror Maus’s Art and Vladek Spiegelman, with the younger protagonists struggling to comprehend and live with the true stories they are encountering, of a humanity so contradictory and an atrocity so monumental as to be unfathomable.
The struggle Art Spiegelman goes through is particularly evident at the beginning of Maus II, as he tries to determine how to approach Auschwitz in graphic novel form, and belittles himself for thinking he could distill the impact of his father’s stories into something that would fit in a mere novel. This struggle with the enormity of such a task is echoed in Labyrinth of Lies, when Radmann moves from trying to locate just a few former Auschwitz staff members to ordering every phone book in Germany because he has realized that these criminals could literally be anywhere, and is shown almost comically in the delivery of an entire truck of the books, which evoke the literal feeling of being overwhelmed with information and not knowing where to start or how to approach the problem.
Another shared thread is the struggle of the survivors to face their experiences, as shown in Simon Kirsch’s possession of a suitcase full of papers he grabbed on the way out of Auschwitz, which he has never examined. Similarly, Vladek Spiegelman, although he does retain a box of photographs of family members, is shown to have destroyed all of his deceased wife’s journals recounting her Auschwitz experience, seemingly without having read them.
Both Labyrinth of Lies and Maus are amazingly well-executed and moving tales, in turns engaging and horrifying, of the Holocaust and those attempting to deal with its aftermath. I highly recommend Labyrinth of Lies, and, if you haven’t yet read Maus, it as well.
If you’re any sort of regular reader of my columns, you’ll already know that I’m a big fan of Animaniacs. I’ve also had the privilege of interviewing several of the main voices for the show; including Rob Paulsen, Jess Harnell, and Maurice LaMarche. One of these days I hope to meet the amazing Tress MacNeille as well!
One thing I’ve noted before as a favorite component of the show is the well-composed and clever song segments that are woven throughout the episodes – songs such as Yakko’s World; I’m Mad; Variety Speak; Noel; and There’s Only One of You. The songs are catchy, they’re fun, and they’re often educational to boot. And as it turns out, a great many of them were written by one man – Randy Rogel. That would be amazing enough on its own; but the cool thing about Randy is that he’s also a script-writer, theater actor, singer, and pianist. His work includes Batman (both the animated series and the movie SubZero), Animaniacs, Pinky and the Brain, Freakazoid, Danger Rangers, several Looney Toons properties, Tarzan, House of Mouse, The Emperor’s New School and Histeria! He’s also won a slew of awards, including three Emmys (and ten Emmy nominations), a Peabody Award, two Annie Awards, a Promax Gold Award, and an Ovation Award. Oh, and he can also do this.
As I mentioned last week, I was privileged to meet Randy at Dragon Con this year. I was also lucky enough to have a front-row seat for his panel with Rob Paulsen, “The Music of Animaniacs,” in which they discussed the creative process and performed Animaniacs songs live, and to also get to chat one-on-one with Randy about his life and work. And now, fortunately, I am able to share those awesome experiences with you!
FIrst off, if you aren’t super familiar with Randy’s work, here’s a little playlist of some favorites that I could locate on YouTube, consisting mainly of Animaniacs music, with a sprinkling of Histeria! and Bravoman thrown in. Give it a visit so you can marvel at Randy’s awesome talents.
Second, I was able to record the songs from the live show, so if you want to see what Randy and Rob are like live, hop on over to this playlist.
And finally, I had a ton of fun doing this great interview with Randy, wherein he talks about all kinds of cool things, and so I highly suggest everyone head over and give it a watch.
And then I suggest everyone gather some friends and have a nice Animaniacs singalong. I’ll be over here joining in by humming, “A quake; a quake…” And hoping that until next time, you Servo Lectio!
Oh, Dragon Con, how I adore you! Let me count the ways…
They include:
1. The fact that even the airline losing my luggage until 3 a.m. on arrival Thursday feels like something I can roll with, since, after all, the minute I walk in I find old friends (and new) to greet me and take my mind off of things – and to commiserate, and hope with me that all of my toiletries and hand-made costume items are not lost forever in the bowels of Reagan National. Thankfully they weren’t.
The parade of Deadpools, which deserves its own number because it was epic. It included everything from Chef Deadpool to Wolverine Deadpool, and delighted my Deadpool-loving soul. And I managed to get a couple of segments on video (there was more, oh, so much more).
Meeting the amazingly talented and nice Randy Rogel, who is clearly a kindred spirit as well as the man responsible for many of my favorite Animaniacs songs, and getting a copy of his original music charts for my sister the musician & teacher of children’s music classes.
Getting to see and hear Randy Rogel and voice actor Rob Paulsen (Yakko, Pinky, Doctor Scratchansniff, and more) perform a slew of great Animaniacs songs live (seriously a huge highlight of my weekend, possibly my overall favorite thing). I’m Mad was a special favorite, and they received twostanding ovations for the panel. They do a show that travels around, and I really hope to see it come to Washington DC someday. If they come your way, don’t miss them!
Watching the Voice Acting with the Pros panel with wise and funny voice actors Bill Farmer, William Salyers, Carey S. Means, Sam Marin, and Rob Paulsen, with excellent moderator Brian Prince. (And seeing a life-sized Dot Warner in the audience.)
Going to the Hannibal Fannibal Panel, in which my roommate Cleolinda and friend Damien participated (and seeing all of the flower crowns).
Attending the Friday Hannibal Q & A panel with guests (and informal comedy duo) Aaron Abrams and Scott Thompson, who were so hilarious that I went back to see the Sunday panel as well (although, alas, I missed the Saturday panel where the intrepid guests chased a squadron of Stormtroopers out of the room). Highlights of the panels included Scott Thompson narrating his interminable trips to the water pitcher at the far end of the table; Aaron Abrams “borrowing” a black drape from the stage to wrap up in because he was cold and then discovering that it smelled and was all wet (which resulted in him retaining a wet spot in a fairly unfortunate location); Scott being completely inappropriate all the time; Aaron constantly talking with his hands; Scott and Aaron doing their best Will and Hannibal impressions; and, of course, the actual answering of questions. (The Friday panel was also notable as the first time I’ve ever cosplayed three fandoms at once, thanks to wearing a Hannibal-fandom flower crown on top of my Harley Quinn and Jake the Dog!)
Gifting Aaron Abrams with my hand-made flower crown (last worn atDragon Con 2014 by J. August Richards, who is also a fan of Hannibal), which resulted in this fantastic picture. (Well, he did say in the panel that he’d like to get a flower crown. So, y’know.)
Catching up with great Walk of Fame guests like Bill Farmer; Rob Paulsen; Bill Corbett; and Clay Croker, and meeting delightful guests like the aforementioned Randy Rogel (and the awesome Pat Brady); Aaron Abrams; Scott Thompson; Aaron Douglas; Vanessa Marshall; Carey S. Means, and William Salyers.
Having a laugh at a Startled Cat picture waiting to stare in an alarmed manner at me when I entered the Hilton elevator (thanks, Dragon Con attendees with meme-friendly senses of humor).
Delicious dinners and fun parties and chilling at the bars and lounges with friends I don’t get to see nearly often enough, and meeting Twitter friends who I’ve only known via computer or cell phone screen until now, or brand-new friends who may one day be old friends.
Playing a completely inappropriate and hilarious game of Cards Against Humanity (the only kind of CAH game possible!) in the lounge late at night with a bottle of wine and good friends.
Robots! Droids! Woohoo! A.k.a. the big interactive talking robot that was outside of the Walk of Fame for some time (my favorite interaction was when it made fun of a Headless Horseman cosplayer walking by), and the tiny Star Wars BB-8 Droid that just went on sale and was being demonstrated at a party by one of the fellas working with Peter Mayhew (it’s so cool).
The calm Monday of the con, just chillin’ with friends and watching the thinning crowd and the bubbles drift by from the Marriott Loft (although our chill Monday was interrupted by an almost-fistfight (a dramatic one!) as we were going down an elevator). Hey, it’s not Dragon Con without a few stories about crazy people, right? (I guess? Seriously – elevators are for everybody, guys.)
The Aftermath of Con (not to be confused with the Wrath of Khan), where everyone sits around together staring companionably at nothing and wondering if they’ve actually ever slept before or if that was just an imagined state.
The Even Later Than Aftermath of Con, when most people have left and it’s time to wrap up with dessert and cocktails with your roomie (because otherwise, you just aren’t doing it right).
So many other things I’m probably forgetting because conventions are crazy and no one sleeps much at Dragon Con; but they may be on my Instagram or my roomie Cleolinda’s Twitter or LiveJournal recap.
And finally, arriving home after a really great Dragon Con (with all of my luggage intact!) to the sweetest l’il hamsterlet in the world, Wee Mini Squish. Ahh, home and tiny cute creatures.
So there you have it! It was an amazing Dragon Con, and I hope you enjoyed the recap as much as I enjoyed the trip. Stay tuned for next week, when I will have my Dragon Con interview with Randy Rogel up for everyone to see!
Happy upcoming Labor Day Weekend, everyone! I hope you’re all celebrating with a nice break from your usual labors.
Of course, for convention-goers, Labor Day Weekend also means celebrating with Dragon Con a.k.a. (unofficially) the Mardi Gras of fandom cons. There’s a lot to love about Dragon Con. One of those things is the variety of fandom experiences it offers – including the robust schedule of panels featuring everyone from celebrities to fans, the Walk of Fame where you can stroll around and say hello to guests (and purchase photos or autographs if desired), the excellent and varied Dealers Room, the Artist Alley and Art Show, the stellar costume contest and parade, the workshops, the music, and more.
Another thing to love is definitely the vibe of the Con, which I’d describe as a 24-hour hang-out/party with organized events. One contributor to the vibe is that it’s set up as a hotel con, which gives it a convivial, “let’s all hang out during after hours” feel (as opposed to a convention center con where people all wander off in different directions after the exhibit hall and main events close). Another thing is that it’s able to stay a hotel convention despite its size (with over 57,000 attendees in recent years) due to spreading out over five main hotels, three of which are so close they are connected by walkways. And, of course, its reputation as a big con for costumers, and as a place where some of the costumers’ creations literally rival the real thing, means the backdrop of the individual con experience has a continual festival-like air. Add to that the room parties and late-night congregation around centrally-located hotel bars (which also make it easier to catch up with more friends in a short period of time), and Dragon Con TV for when you’re in need of some down-time but still want your con experience to be going on in the background, and Dragon Con really is a 24-hour fandom Mardi Gras.
That’s why it’s one of my favorite cons, and why I’m so hyper-excited right now, as I look forward to all the great panels, guests, and friends I plan to see. It’s also a con that takes significant prep (especially if you plan to do three…wait, scratch that, five costumes over the course of the con), and so that’s why I must leave you all now to attempt the monumental task of figuring out my schedule and packing everything without exceeding flight weight limits. (Eep!)
So until next time, enjoy your long weekend, say hi if you see me at Dragon Con, and Servo Lectio!
Yesterday in the mail I was excited to receive Entertainment Earth’s exclusive Guardians of the Galaxy action figure set by Hasbro. As you may have noted from previous columns, I’m a big fan of the Guardians of the Galaxy movie and have always liked what I’ve seen of the team in the comics as well, so I was super-excited to get such a cool item!
There are some times when a picture is worth a thousand words, so most of my review is best seen in my video unboxing of the set and here on my Instagramwhere I’ve got individual photos of Star-Lord, Gamora, Drax the Destroyer, Rocket Raccoon, and Groot. But here I will say that I was very impressed with the detail, articulation, and accessories (particularly baby Groot and the Tesseract/Cosmic Cube!) of this set. I really love both the design and detail.
This is definitely a quality set of figures with fun accessories and cool comic-book-accurate designs for any fan of Guardians of the Galaxy. I recommend you check out my videofor my full review, and then pick up a set for yourself!
This weekend, on the way back from the wedding of one of my longtime best friends, I took a loooong train ride home. Naturally, I was riding in high style, in a Deadpool shirt and my handmade Deadpool symbol earrings. During the trip, I happened to be standing in the Amtrak café car line when a guy waiting with me complimented my geeky attire. This led to a several-minute conversation about Deadpool and the upcoming Deadpool movie; the X-Men movies; and (yarrrgh) the Wolverine: Origins movie. It was a great little comics nerd conversation, which I guarantee could have continued for hours were we hanging out at a convention rather than standing in a line for food on a train.
I realized afterwards that this conversation was particularly refreshing because after the initial “So you’re a Deadpool fan?” question, I didn’t encounter any of the attitude that I often get from men in comics fandom – the attitude that immediately questions or is at least taken aback by My Commitment to Sparkle Motion, i.e. my legitimate knowledge of and appreciation for comics fandom as an entity independent of any dude or some imagined desire to falsely pass myself off as a geek.
This still baffles me. If I was going to try to lie to random strangers about who I am, I think it would be way more fun to pretend to be fabulously wealthy and eccentric. I fail to see the advantage of pretending to be a geek.
It was nice to have a conversation that was not tempered by a feeling of defensiveness about the legitimacy of my geekdom in the eyes of my co-conversant, and it made me realize just how frequently I have encountered an attitude that, instead of accepting how I represent myself, continues to question the validity of my enjoyment of a certain brand of entertainment until I manage, basically, to out-nerd the other person (which, not even kidding, happens pretty much every time. If you challenge my geekdom I will pull out the big guns and quote esoteric nerd facts at you with the best of them). It’s so commonplace an experience that I barely notice it anymore; until I notice the lack of it, as in my pleasant conversation with a stranger on a train. As small an element as it may seem, for that component to be missing felt like someone had suddenly lifted the weight of Establishing My Geek Cred from the ingredients necessary to have a normal conversation about fun geek stuff.
I know that change can be slow, but I like to hope that encounters like my little train chat are a sign that geek fandom is gradually transitioning from some of the isolationist, unwelcoming attitudes I have railed against in previous columns (like the attitudes of geeklitism, or of Gamergaters) into a more understanding, celebratory camaraderie of mutual and group enjoyment of genre entertainment without snap judgments or prejudices.
I also suspect that social media, where one can generally interact on one’s own terms, is playing its part as a driving engine for change; and that some of the positive fan-interactive movements started by prominent celebrities in geek fandom, such as Supernatural star Misha Collins and his G.I.S.H.W.H.E.S. (Greatest International Scavenger Hunt The World Has Ever Seen), and Zachary Levi and his Nerd HQstrongly contribute to the changes I’m seeing in geek culture. I’ve already talked about how great Nerd HQ and the attitude it projects are, and more recently have celebrated the feeling of camaraderie in geekdom conveyed by the new Syfy Geeks Who Drink show and its Twitter interactions. Both of these have a strong positive and geek-celebratory social media component.
G.I.S.H.W.H.E.S., started by Misha Collinsin 2011 is another such interactive social movement. The scavenger hunt, which wrapped on August 8 this year, consists of 15-person teams (which you can choose to be randomly assigned to, and which has led participants to meet new friends all over the world and have great experiences) working together over a week to complete a list of over 200 tasks, documented and submitted to the competition via photo or video. The submissions are judged and points awarded, and based on the overall points awarded to the teams, one team wins a Grand Prize all-expenses paid trip to an exotic locale with Misha Collins – which sounds abnosome.
The hunt, which is now a worldwide phenomenon with tens of thousands of participants in over 100 countries, had over 14,000 participants last year and is so successful that it has been categorized by Guinness World Records as the largest scavenger hunt of its kind. It has also broken several other world records through completion of some of the challenges issued to participants. The Gishwhes site describes the hunt as “part silliness, part art, part kindness and 100% fun” and notes that Gishwhes is the single largest contributor to the charity Random Acts.
About the tasks, the site notes, ”We try to create a list that is challenging, thrilling and absurd. We like to have participants break out of their comfort zones, re-awaken their inner artist, and do a bit of good in the world.” According to Collins, the primary reason for developing the competition was that he “loved the idea of thousands of people from all over the world connecting to create incredible things.”
Gishwhes is a great example of a celebrity both following his own personal inspiration for a project and using his status in fandom for good. I also believe its encouragement towards geek teamwork and outreach through fun and passion for the fandom, and the way it began and is maintained via social media and online interactions, is a contributor to a transition in genre entertainment fandom attitudes towards a kinder, more inclusive and positive fandom. Gishwhes encourages fans to branch out, join forces, and put their enthusiasm for their fandom towards creativity, social interaction, and helping others instead of focusing inwards or dwelling on themselves. I applaud celebrities like Misha Collins and Zachary Levi for leveraging their celeb status with fans for good in this way, and hope to see more from-the-heart fan interaction phenomenons like Gishwhes and Nerd HQ.
Other than all of the nifty things accomplished due to Gishwhes, I think the biggest thing I take away from it is the warm and positive attitude of the competition and everyone involved. It’s encouraging and inspiring to see all of the people who have chosen to celebrate and express their fandom in a fun and inclusive way; especially because, in the end, it is always our own personal choice as to how we want to move through the world; and how we choose to put ourselves out there can have bigger consequences for change than we can ever imagine. As Mahatma Gandhi said, “If we could change ourselves, the tendencies in the world would also change. As a man changes his own nature, so does the attitude of the world change towards him.”
From what I have seen, Gishwhes is contributing to changing the attitude of the world (and fandom) in a positive way. Here’s hoping that it continues to do so; and until next time, Servo Lectio!
At last! Someone has come up with a TV trivia show that is completely Relevant to My Interests! A.K.A. Geeks Who Drink, the new geek trivia show on Syfy, hosted by actor and Nerd Machine founder Zachary Levi.
I first heard about the show at this year’s Nerd HQ, and was immediately excited to watch it. It’s not that I don’t enjoy trivia games that make me feel stupid for not knowing, e.g., the year the War of the Roses ended, or what countries border Estonia (although I actually do know that one now, thanks to a friend who hails from that location). But I much prefer feeling stupid during a trivia competition about geek facts, because: a) I’m more likely to know at least some answers and thus feel stupid for a smaller overall percentage of the competition; and b) even when I don’t know the answers it’s fun, because this is the type of trivia I most like to learn and retain. Why? I don’t know – probably because I’m just a big ol’ geek.
I got a chance to tune in for last week’s episode of Geeks Who Drink, and learned that this trivia show is more fun than most for me since along with Zac Levi doing a stellar job as the host, and all participants enjoying the drinking aspect of the show as they try to win, the episodes feature geek guests that I’m actually familiar with; including last week’s, which featured my awesome and talented buds voice actor John DiMaggio and geek fashionista Stephanie Pressman. It’s always more fun to watch when you have people you know to root for! (Although since they were on different teams, I was kind of hard-pressed to figure out which team to go with.)
The show, which grew out of the traveling pub quiz Geeks Who Drink, is set up like most trivia competitions, with teams (in this case, teams of three). Some rounds are your typical Q&A; but other rounds include fun geektastic action challenges like, e.g., arranging six game consoles in order from oldest to newest, or using the Force (and a little help from your team) to slash through balloons with lightsabers while blindfolded. And, of course, there are also other cool geeky touches like the names of the teams (DiMaggio’s team “On a Bender” was particularly appropriate for a drinking trivia game featuring the voice of Bender) and the little themed zingers and asides Levi throws out while hosting – elements which make the show feel like the kind of thing you’d find and appreciate with your Tribe (a.k.a. geek friends) during a Comic-Con.
Those elements, and Levi’s approachable nature and easygoing quick-witted hosting style add to the appeal of the show. And the way the show has taken off on Twitter with the @GeeksWhoDrinkTV folks and many fans interacting to share their cocktails, answers, and enthusiasm before and during each episode makes watching the show if you use social media feel more like participating in a fun group activity than just sitting on your couch with your favorite booze.
Another great thing is that with a show like this, you can also take that feeling one step further (as I plan to do shortly) by hosting your own Geeks Who Drink TV night at home with friends while watching the show (house party, whut whut!). Naturally if you do this, you will have to serve appropriately geeky drinks. I’m thinking for my party, I’ll break out my Captain America, Superman, and Batman ice cube trays, and serve my ever-popular recipe for Discworldian scumble.
And fortunately for me and anyone else who can’t always be home on a Thursday night at 11:00 p.m., the show’s scheduled timeslot, or who might want to air a few old episodes before the newest one when throwing a party, you can watch episodes you missed on Syfy. I definitely recommend you give this and Geeks Who Drink in general a try – because not only did I have fun cheering at the TV when I was able to answer questions like, “Which Marvel Comics character first uttered the phrase, ‘Avengers, Assemble!’?” (“Thor! Thor!”) and what movies Samuel L. Jackson has starred in (nobody got Kingsman: The Secret Service??), but I also enjoyed squirreling away new geek knowledge; and found myself smiling, laughing, clapping, or occasionally shouting at the TV (but in a good way) throughout the whole show.
So I suggest you join me and the ranks of trivia buffs who are getting their geek on by watching Geeks Who Drink on SyFy Thursday nights; and until next time, Servo Lectio!
Ladies and gents, it’s time for my fifth and final SDCC 2015 column, and although my coverage of Nerd HQ happens to be my last SDCC write-up this year, it is certainly not least. In fact, Nerd HQ was one of my favorite parts of my whole San Diego adventure this year and is well worth talking about. Of course, the other parts of my adventure were all super fun too, and if you missed them, please go check out Part I (the con floor!); Part II (the Her Universe Fashion Show!); Part III (the party round-up!); and Part IV(the panels!). But then come back here, because this year’s Nerd HQ was chock-full of great stuff I want to share!
For those who don’t know, Nerd HQ, now in its fifth year, was started by Zachary Levi to benefit the worthy charity of Operation Smile, and takes place during and adjacent to SDCC. Generally speaking, some of its biggest draws are the ticketed Conversations for a Cause, 200-seat discussions and Q&As with celebrities who are often already in town for SDCC; and Smiles for Smiles and Signings for Smiles, photo and autograph sessions with these celebrities. (All of the proceeds for these three things go to Operation Smile.) However, Nerd HQ also offers access to a chill place to hang out with other nerds, free gaming, and a variety of other fun free activities that vary from year to year.
I’ve been covering Nerd HQ and Zac and The Nerd Machine (which would also be an excellent name for a garage band) since 2013, when I wandered into Nerd HQ for the first time (appropriately, with one of the Gazillion Entertainment community forum moderators whom I’d gotten to know during my stint in the Marvel Heroes beta), to see what this interesting offshoot of the SDCC scene was all about. In 2013 and 2014, Nerd HQ was located at Petco Park, where I appreciated the arcade-like atmosphere of where the video games were set up for free play, and the open-air feel of the setting. There were some neat things to see and do, as well as places to hang out and take a breather from the much more crowded and intense SDCC. All-in-all, it was a pretty cool place to be.
This year, however, I feel like Nerd HQ (sponsored by AMD, IGN, and Sony Playstation 4) really, truly hit its stride, something I got to discuss with Zac Levi in this interview, along with talking about future plans for Nerd HQ and what’s new with Levi’s career right now. It was a delight, as before, to talk with him, and I recommend you check out the interview. Not only does he talk about cool Nerd HQ stuff, but also, it really highlights the time and thought he puts into both his work with Operation Smile, and the planning and execution of Nerd HQ. In particular, he talked about “creating a place where fans feel like they have a voice;” and summed up his choices with the following wise statement: “I don’t want to make decisions out of fear; I want to make decisions out of faith.” He’s a guy with a lot of intelligence and heart; and it shows in everything that Nerd HQ has become.
Speaking of which, here are some things that I thought really made Nerd HQ great this year. First, it implemented RFID registration and wristbands to scan everyone easily in and out of the building and keep track of things very efficiently. Second, it moved to a new venue, The New Children’s Museum, and I just loved the feel of it. With its high ceilings, colorful accents, weird and fun bits of art on the walls, and interesting layout, it made for a great backdrop and contributed to a chill vibe, and the great Nerd HQ staff and volunteers were able to set up the activations (various things to do as you wandered around) and traffic flow in a way that made it easy to get to all of the activities without getting stuck in too much of a people-jam.
The lowest level of the Museum hosted the Conversations, and the highest level hosted primarily gaming (Project Morpheus and Star Wars Battlefront were the featured products that you could try). Everyone trying the games upstairs was having a blast; and on Friday, some fans even got to compete in a 20 versus 20 battle in Star Wars Battlefrontin which Levi played too.
The middle, ground level featured a variety of options. There, nerds could chill on the patio or the couches inside; play Star Wars Battlefront; get food at the Cafe (or the food trucks right outside); get their names printed on Coke bottles; get a drink at the Geeks Who Drinkbars; talk to the folks from Operation Smile; buy Nerd Machine merchandise; check out displays from sponsors; and contribute to the fun chalkboard-graffiti on a big pillar behind the bar (I totally did a drive-by ComicMix tagging near a Deadpool head, because of course). They could also take pictures with celebrities at the Smiles for Smiles photo booth (for a donation to Operation Smile); compete for LootCrate prizes by shooting at Cylons; and get their images green-screened into stills from X-Men: Days of Future Past – The Rogue Cut, as well as buying the DVD, which came with a special limited edition print and two wristbands to the at-con screening of the film.
In addition, they could take Star Wars Battlefront-themed photos at another photo booth; and pose for photo booth photos with the Nerd HQ logo just for kicks. The photo booths were especially cool and easy to use, since scanning your RFID bracelet automatically posted your photo to the NerdHQ Facebook page and emailed it to you; and, you could print out a copy as well. I especially liked the fun and friendly touch of the clothespin wall, where some people opted to hang copies of their printed photos (I hung one up, and my friend later saw it and tweeted a photo of it back to me!). It seemed to reinforce the feeling that we were all there to have a good time together as part of the same big Nerd family.
That feeling extended to the Thursday and Saturday night parties, which I covered in detail in my Party Round-Up. To recap here, the music was super-fun, the dance floor felt like one big happy dancing family, and Levi even made his way out into the crowd and danced with all the other nerds for quite some time. And I literally made a new nerd friend while hanging out on the dance floor, bonding over nerd things. Plus, there was a Wookiee. You can’t go wrong with a Wookiee.
The familial feeling was also present at the Conversations for a Cause, in part because they are limited to just 200 fans per panel, and in part because of the somewhat casual setting. In those I attended, there was a real feeling that the guests on stage were relaxed, having a good time, and happy to be there with the fans; and that made the experience special. It’s one reason it was great to be able to be there in person for a few, although IGN also live-streamed them all, for fans who couldn’t go to San Diego or couldn’t score tickets; and you can now watch a bunch of them on the IGN YouTube channel (sweet!).
I was fortunate to be able to attend four great Conversations. The first was with Levi and the founders of Operation Smile, and you can watch it in full here. Despite all the other awesome, nerdy, amazing Conversations that were offered, I found this one to be the most valuable I’ve attended, because it focused on the whole reason why Zac Levi started building Nerd HQ – to help Operation Smile; and on the great work that is done by founders Bill and Kathy MaGee, and the enormous need for such work. The entire Conversation is filled with stories of their experiences that will move you, possibly to tears (and moved Zac, as he talked about his experience with Operation Smile). But I especially appreciated this story from Bill MaGee:
“In the very first trip, there was a thirty-five-year-old man who came in to see us. Now you don’t see a thirty-five-year-old person in the United States with a big hole in his lip. You just don’t see it. And his mom brought him in; he had never been to school, he couldn’t read, couldn’t write. And I took care of him literally in the light of day, on a stretcher in a hall with some Novacaine, like you would in a dental office. And forty-five minutes later I brought him back to his mom and she said, ‘That’s not my son.’ And I said, ‘Of course it’s your son.’ And she said, ‘No it’s not.’ And I had a mirror in my pocket, and I gave it to him, and as he looked in it, he began to cry; and I’ve often thought, ‘What would it be like to go through thirty-five years of your life, and never whistle; and never feel the gentleness of a kiss, because somebody didn’t have forty-five minutes for you. There’s absolutely no justice in that.’ And I think it’s that simplicity of the fact that you can go, ‘before’ and ‘after.’ And before and after is a metaphor that says, involvement can create change. And no matter what it is that you’re involved with, whether it’s like Zac, who’s been such an incredible help, or whoever; just think of something that you can see with your skill sets and your talents, where you can make a significant difference. And I can tell you, it will transform the way you think, the way your family thinks, and what you do in your life.”
What a great inspiration. Another great part of the Conversations is of course that the audience gets to ask questions, and at this panel, I got to ask a question, which is always cool! (And regarding Zac’s answer to the question of whether they might be able to figure out how to have more Nerd “outposts” at different cons, a) I hope they do! and b) Oh, I have ideas.)
The panel wrapped with a great summation from Levi that really showed the passion he has for what he does. He first reminded people that they can look into different ways to contribute to Operation Smile. He then said, “even if Operation Smile is not what you feel like God or the universe or your soul or whatever is telling you: ‘That’s my thing,’ that’s okay. But find something that’s going to change the world. Find something that’s going to help people in a bigger and more amazing way; that is transcendent of you. Because we could be dead tomorrow. You have no idea how much time you have left. But there are so many people that are hurting in the world. There are so many people who have the gift of a palate that need to be told, you have this thing, and their spirits are broken; and we need to be there to love on them, and to help them to mend that. And so I don’t know what that is for you, but find it with everything you have. Go find that. Go do that. I guarantee you it makes your life, here, in this existence, in whatever time we have left, far more, not just powerful, but worth it. Because ultimately, that’s the value that we find in our lives.” Dude. Preach it!
The next Conversation I got to attend was with Alan Tudyk, Nathan Fillion, and many of the cast members of Con Man, the trailer for which is amazing. Seriously, you guys – I am so excited for this series. If you haven’t heard of it yet, this is the best place to go for an explanation, but in brief, it’s a Tudyk and Fillion project that was funded on IndieGoGo and will be airing on Vimeo; and is a comedic and fictionalized look at some of the experiences Tudyk and Fillion have had as stars of Firefly and regular fan convention guests. In Tudyk’s words: “The series is a light-hearted take on the personalities, luminaries, and characters in the scifi community of which we are privileged to call ourselves members. Con Man is a way to share some of the surreal occurrences we have had, while telling the story of a guy learning to love and embrace his fans.” It also features a ton of celebrities you’d recognize from big-time genre fiction shows (like Tricia Helfer and Michael Trucco from Battlestar Galactica), and at least one awesome voice actor (holla, Nolan North, voice of Deadpool!).
The Conversation, which you can watch here, featured eight of the cast members, and was super fun. They talked some about the process of making the series, including crowdfunding it, and the reactions from Hollywood when they pitched the project there. I found Tudyk’s discussion of Hollywood’s reaction particularly interesting. “Hollywood didn’t understand this at all. We would talk to studios and they were terrible with it. They’d be like, ‘Ah-ha, I went to Comic-Con once: craaazy! Whoo! All the costumes.’ Like, ‘You sure, or did you just turn on the nightly news and watch the guy outside going, ‘Look at this person!'” He also said that they passed on some potential studio deals, “because they would start out by going, ‘Let’s brainstorm on a couple of ideas. Like, there’s this goofy person, ’cause they’re a total nerd fan…’ And that was their understanding of this world. They would come at it from that direction. They could only see it from that perspective, because they haven’t been to a bunch of cons; they don’t get it.”
Speaking as a full-time practicing attorney, a weekly genre entertainment columnist, a webcomics writer, a convention co-founder and organizer, and a huge geek and regular con-goer, I appreciate Tudyk’s perspective that fans and con-goers are more complex than just being “this goofy person,” and am looking forward to seeing how Con Man addresses the dimensionality and diversity of geekdom.
This particular Conversation was also cool because it ended with everyone at the panel having the opportunity to donate to Operation Smile for a picture with all the cast members present, which, let’s face it, would be really hard to make happen almost anywhere else. Chalk up another cool point for Nerd HQ! (Also, during the photo Alison Haislip told me she liked my Portal Aperture Science shirt. Thanks, Alison!)
The Con Man Conversation was back-to-back with a Conversation with Elijah Wood (which you can watchhere, and which was also really fun, and moderated in turn by Levi and Tudyk). Wood seems like a totally laid back, down-to-earth guy, who called Nerd HQ “a breath of fresh air” in the midst of the craziness of Comic-Con; although later he also said, “I love Comic-Con so much. I really do. It’s the best. I went and had brunch earlier, at Cafe 21, and you’re sitting down and there’s characters from Game of Thrones having brunch, in front of you, and then there’s someone else in a hood and a mask, and they’re having a Bloody Mary. It’s wonderful. It’s just so wonderful. And no one bats an eye. It’s this time in which everyone gets to express themselves, and express the thing that they love, and they’re as normal as can be. It’s fucking awesome.”
I enjoyed it when Wood talked about dealing with the hugeness of being a star in The Lord of the Rings. He said he really had to compartmentalize; to which Tudyk replied that it must have been “a big compartment, a huge compartment;” and Wood quipped back that “it was a walk-in closet.” It was also neat to hear about his somewhat surreal experience being on the set of The Hobbit years after starring in The Lord of the Rings. Altogether it was a really fun, mellow panel; and also ended with the opportunity to get a photo with Wood; so of course I did.
The last Conversation I got to was billed as Nathan Fillion, but actually (shockingly!) Alan Tudyk was the moderator, and so it immediately turned into The Nathan and Alan Show. These guys are an absolute riot together, as you can see in the video, and spent the entire time riffing off of each other and interspersing answers to fan questions with auctions of items they’d brought with them to benefit Operation Smile. My favorite bit was Fillion wearing this Captain America sweatshirt, although the whole thing was epic.
Aaaand…whew! I think that sums up all the awesomeness I was able to cram in during my time at the spectacular Nerd HQ, although there was plenty more I didn’t see (and speaking of that, I understand the Marvel: Partners in Prime Time Conversation was a contributing factor to another of my favorite things to come out of San Diego this year, The Great Dubsmash War, so thanks for that, Nerd HQ)! But for all the stuff I (literally) saw, check out my whole Nerd HQ photo album here or my whole SDCC collection of photos here.
Greetings, ComicMixers! Did everyone have a good weekend? I hope so! But I know, I know, there was probably one thing missing from your hopefully glorious and relaxing weekend – my SDCC coverage! Yes, that’s right – Along with Part I(the con floor!); Part II(the Her Universe Fashion Show!); and Part III (The party round-up!), here comes Part IV – the panels!
Contrary to what folks who see me at cons might think, I can actually sit still for at least an hour at a time, and sometimes I even want to. In particular, I do like to try and see a few panels whenever I’m at a con; and going into SDCC, I definitely had some on my agenda. This year, unlike many, I actually even managed to see most of them, and I’m glad I did, because they were awesome and I want to share them with you. So here we go!
Look, the day they have voice actor panels at a con and I don’t make it to at least one is the day you’ll know I’ve lost my joy in life (the same goes for any panel featuring the delightful Rob Paulsen – and since I couldn’t make the TMNT panel (and see the awesome TMNT SDCC mini scene in person!) due to a scheduling conflict, this panel was definitely a must). The panel featured Susan Eisenberg, Rob Paulsen, Caitlin Glass, Anthony Bowling, Tara Platt, Yuri Lowenthal, and Genese Davis, and was primarily a Q&A, with the usual fun (and funny voices) that goes on at a VO panel.
Genese Davis was a fantastic moderator, and you could just feel the love these VO folks have for their work and the fans. It was also neat to hear, e.g., Eisenberg discuss what voicing Wonder Woman has meant to her, and other great and inspiring stories from the panelists. My favorite funny bit of the panel was Lowenthal’s explanation for why he has a mohawk, which basically varies depending on the moment and his mood. “You know, a fan will ask me, ‘Did you get a mohawk because your character has one?’ And I’m like, ‘Oh, yeah, what a good idea – of course that’s why I got it!'” Hah!
The Black Panel
For those who don’t know, The Black Panel is an SDCC staple that’s been happening since 1997. It primarily features black creators in and connected with the genre entertainment industry (although often there is also a “token white person” on the panel) and discusses their impact on and experiences within the industry. While the panel is known for the irreverent humor and moderating style of organizer Michael Davis , it’s also known for the impressive list of top-tier creators it’s featured over the years, and the valuable advice they have shared for young creators and others in the audience.
This year, the panel featured Joe Illidge, Eric Dean Seaton, Don McGregor, Tatiana EL-Khouri, and of course, moderator Davis. Although distilled wisdom and good advice were shared with the audience by all of the panelists, as usual, this panel was also bittersweet and truly the end of an era, as we learned that this was going to be the last SDCC Black Panel. It then featured a scrolling list of all of the luminaries who have been on the panel, as well as at least two fans whose Q&A questions consisted of talking about how valuable the Black Panel has been to them over the years in raising awareness of black talent (one woman in particular, a librarian, discussed how the panel had helped her to find black-created comics to include in her library stock). It was truly an inspiring panel, both in hearing what the panelists shared, and in hearing what the panel has meant to people; although of course, the trademark humor of the panel was still present. In classic Black Panel style, Davis closed the final Black Panel with, “Oh yeah: white people, get out!”
Dark Horse: An Afternoon with Joss Whedon
This panel was an absolute delight (and can be watched in its entirety here, thanks to others who actually filmed it). Whedon started with a nice thanks to Dark Horse and a funny Oz joke: ” I want to talk about how ridiculously grateful I am to everybody at Dark Horse for doing what is honestly one of the hardest jobs in the world. When you take a licensed product, something that already exists, and you have to continue those stories, you have to be so faithful and yet so inventive to make the stories come to life. And that is a tightrope act. It is really difficult for someone; for anyone, to carry on something that is so beloved, and take it to another level, while still being true to all the voices and the characters and what we were trying to do way back when. Thank you to Scott, who’s been my editor forever, and Sierra, who is working on the books; Mike Richardson, who built the house we’re all in, and particularly the writers and artists – Christos Gage has been killing it, Rebekah Isaacs, and Georges Jeanty of course; Zack Whedon. …I feel like five years ago a tornado ripped up my house and dropped it in the land of Marvel, and it’s been a very weird time. And (pointing to the audience) you were in it, and you were there, and you were there…and all that while, all these people have been working so hard and doing such beautiful work, and it’s been so great for me to know that the things I care most about are being taken care of. So I want to give Dark Horse a shout-out for their amazing work.”
Following that was some big news from Whedon; the announcement of a new Dark Horse six issue book, The Twist, about which Whedon said, “it basically deals with the most important moral question facing us, which is why isn’t there a Victorian female Batman?” He then decided to impart some life and creative advice to all of us, which was, ” Continue to earn what you already have.” Followed quickly with more witty repartee, including discussion of the Marvel movies, about which he observed, “What’s exciting was that everyone was so perfectly pleased with how I handled Natasha.” Followed by, “Yeah, I still got it,” in response to the ensuing laughter.
The whole panel is well worth a watch, but in particular Joss’s answer to this fan question is worth paying attention to. The fan said, “I, like many of us, gain a lot of peace from your work, even though it’s about people who exist in very non-peaceful situations. My question is: what is the world, what is existence, why are we here, how can I and all of us feel more sane and purposeful in our own lives, and how do you represent that philosophy in your writings?”
Whedon replied with, “You think I’m not going to…but I’m going to answer that! The world is a random and meaningless terrifying place, and we all, spoiler alert, die. Most critters are designed not to know that. We are designed uniquely to transcend that. To understand that…Ooh, I can quote myself, this is fun! ‘A thing isn’t beautiful because it lasts.’ That what we have right now, right here, has as much meaning as anything we’re afraid of. And the way we’re designed to do this is that the main function of the human brain, the primary instant function, is storytelling. Memory is storytelling. If we all remembered everything, we would be Rain Man, and we would not be socially active at all. We learn to forget and we learn to also distort, and from the very beginning, we’re learning to tell a story about ourselves.
I keep hoping to be the hero of my story; I’m kind of like the annoying sidekick. I’m like Rosie O’Donnell in the Tarzan movie that Disney did. I’m that annoying. I was like, “But I’m Tarzan, right?’ And they were like, “No. You’re that weird ape that we don’t know if it’s a girl.” But, it is still a narrative. And since we’re doing that from the moment we’re alive, living stories that we then hear and see and internalize and wear hats from and come to conventions about; we all come here to celebrate only exactly that: storytelling. And the shared experience of what that gives us. And it may give us strength; it may distract us. It can do almost anything. And that, for me, is how we live peacefully, and how we live with ourselves, and each other. We understand our story, everybody else’s story, that we’re all part of that; and that story is going to be with us, and can be controlled by us, and can be surprising and delightful and horrifying and all those things, but it’s something we can survive because, unlike me, you all are the hero of the story. That is my answer.”
Wow. And after that profoundness, I’ll end my summary of this panel with this quote from Whedon, which clearly needs no context: “This is very simple, and I think everyone can relate to where I am on this. I love bees. I just want to put bees in my clothes. And have bee-time.”
Thanks for that, Joss. And for being awesome.
20th Century Fox
Ohhhhh, you guys know where this is going, right? Okay, so the Fox panel showcased a bunch of projects, including The Maze Runner: Scorch Trials, Victor Frankenstein (which featured the most hilariously homoerotic panel I have experienced in person), Fantastic Four, and X-Men: Apocalypse, several of which I’m excited about (X-Men in particular); but you all know why I sat my butt on those hard seats in the Most Depressing Room of SDCC for two hours after Joss Whedon left, right? Deadpool. (Look, I’m not the only one. The Wall Street Journalis all about the Deadpool, too. As is Nicholas Hoult, who, when asked about his character Beast on the X-Men panel, replied, “I can’t concentrate because I’m still psyched about the ‘Deadpool’ trailer.”)
In the midst of all of the other cool Fox stuff going on, moderator Chris Hardwick of Nerdist started the Deadpool ball rolling with, “I believe we have a special announcement before the next panel…?” That was the cue to roll an SDCC Hall H exclusive video which showed Ryan Reynolds in his full Deadpool regalia, seated in a Masterpiece Theatre-style chair, complete with pipe in hand, as he intoned, “In a world divided by fear, one man must save the world… From the studio that inexplicably sewed his fucking mouth shut the first time, comes five-time Academy Award-winner Ryan Reynolds as a man on an e-Harmony date with destiny. Ladies and gentlemen of Hall H, I give you…me! Deadpool! To teach you to take these broken wings and learn to fucking fly again.” And then, of course, Deadpool tried to put the pipe in his masked mouth and dropped it.
Amidst an absolute uproar of delighted cheers and screams, Reynolds snuck onto the still-dark stage to surprise us all as the lights came up and lead off an awesome, raunchy, totally Deadpool-esque panel that also featured Tim Miller (Director), Morena Baccarin (Vanessa Carlysle), T.J. Miller (Weasel), Brianna Hildebrand (Negasonic Teenage Warhead), Ed Skrein (Ajax), and Gina Carano (Angel Dust). Reynolds responded to the crowd’s cheers with, “Looks like we’re ready to make the chimi-fucking-changas already. It’s only been eleven years in the waiting.” When Hardwick asked him how it felt for the movie to finally be coming out, Reynolds replied, clearly delighted, “One year ago, almost today, some asshole leaked that footage, and that’s why we’re standing here… You guys – the internet, fans, you made the studio do this.” Reynolds, Miller, and cast also gave credit to the excellent script of Rhett Reese and Paul Wernick.
Miller said about the movie finally being made that, “I would have made this fucking movie anytime, but it had to come at the right time, and the studio was ready to make it now. And I think it’s because as Ryan said, it’s the fans. He is the perfect character for our time, I think.” Reynolds added, “I think this character inhabits a space in the comic universe that no other person can or will ever inhabit. It’s got everything you’d ever want. …For one I just think it’s an absolute miracle that a studio let us make Deadpool, let alone an R-rated Deadpool.” He added, “…No matter what the rating is, though, babies will love this.”
All of the actors discussed their characters, and were clearly excited about their roles in the film. When asked about her character Vanessa, Baccarin said, “She’s a badass. It was really awesome to read the script. You don’t get to read many superhero movies that have a badass romantic lead. She gives him lip right back, and not necessarily the talking kind. …She’s the perfect match to his crassness.”
After the Q&A they showed some exclusive footage, which was amazing and appears very loyal to Deadpool’s origins. Expanding on the earlier leaked footage, it showed more characters and backstory (including that Negasonic Teenage Warhead starts out in training with Colossus), included more great comedic moments, and highlighted Deadpool’s fighting prowess when he shot three people in the head with one bullet. It was also rife with fourth-wall breakage, and featured a Liefeld joke, a dig at Green Lantern, and an appearance by Blind Al (w00t!). It was such a hit that at the finish, Hall H exploded into chants of, “One more time!” and Hardwick obliged by running the footage again, to more cheers.
In summary, this panel was hilarious and the movie looks like it is going to be awesome and, and, and you guys. I can’t even. I almost died of happiness during the panel. Deadpool. Is finally coming to theaters. And it looks fantastic. Y’all are lucky I didn’t expire right there in Hall H and am still here to write this.
And that I was still vaguely coherent for the next Fox panel, X-Men: Apocalypse. I feel like no matter what, I’ll do this write-up a disservice, because I was still buzzing so much from Deadpool that I could hardly concentrate; but I will say that the footage looked amazing, the cast is huge but it seems to work, there was a moment where Hugh Jackman sat on Jennifer Lawrence’s lap, and I am really looking forward to the film. If Deadpool hadn’t been on the panel agenda, this would have been the Fox movie I’m most looking forward to.
The Fox panel wrapped with a giant selfie of “the most superheroes,” with the casts of Wolverine, Deadpool, X-Men: Apocalypse, and Fantastic Four, and a special appearance by Stan Lee. Sweet.
X-Men: Days of Future Past – The Rogue Cut
The last panel-like thing I did while at SDCC was actually a screening – of X-Men: Days of Future Past – The Rogue Cut. Essentially, a Rogue storyline got cut out of the movie for running time, and it’s been added back by Bryan Singer, who introduced the screening for the new DVD. The screening was cool – it was fun to see the film again on the big screen, and while the movie does work without the Rogue storyline, I did feel it added to the overall story to include it. Certainly for a movie on DVD (where you can pause anytime for snack and bathroom breaks!) I’d advocate getting the longer cut.
And that’s it for me and the panels! Check out my panel photo album here or my whole SDCC collection of photos here.
I’ve said before that, despite liking to attend all flavors of fandom and comics conventions, including (clearly) the media guest-focused cons, I really love Baltimore Comic Con because it has stayed so focused on comics and comics creators. I’m happy to report that this has not changed.
