Author: Tommy Hancock

NEW RELEASES FROM ALTUS PRESS!

When the Death-Bat Flies: The Detective Stories of Norvell Page
Norvell W. Page (Author), Will Murray (Introduction), Chris Kalb (Cover Design)
Best known for his Spider pulp stories, scribe Norvell Page was a master mystery writer as well. This 800-page book collects over 30 of Page’s detective stories from the pages of DETECTIVE TALES, THE SPIDER, DETECTIVE FICTION WEEKLY and STRANGE DETECTIVE MYSTERIES, most of which have never been reprinted before. Includes an all-new
introduction by Will Murray.
796 pages, $39.95 sc, hc TBD

The Man in Purple
Johnston McCulley (Author), Phil Latter (Introduction), Tom Johnson (New Story)
Fresh off the creation of Zorro, writer Johnston McCulley created a fantastic follow-up masked hero: The Man in Purple! Nearly forgotten today and never before reprinted in its entirety, The Man in Purple series has been restored to its original glory! As a bonus, this collection has been augmented by an all-new adventure of The Man in Purple by pulp writer Tom Johnson.
274 pages, $24.95 sc, $34.95 hc

AND AVAILABLE SOON FROM ALTUS PRESS!!

Dime Detective Companion
by James L. Traylor, with Monte Herridge, Marvin Lachman, Will Murray,
William E. Barrett, Carroll John Daly, Frederick C. Davis, T.T. Flynn,
and John Lawrence

Dime Detective Magazine was second only to Black Mask as the dean of detective/P.I./hard boiled pulp magazines, and was the home of Carroll John Daly, Frederick Nebel, John D. MacDonald, Cornell Woolrich, Erle Stanley Gardner, and many other top-notch scribes. This book indexes all 274 issues of Dime Detective, contains several articles on the series and its writers, and as a bonus, the fifth anniversary round-robin story from the November 1936 issue, “The Tonguess Men,” by William E. Barrett, Carroll John Daly, Frederick C. Davis, T. T. Flynn, and John Lawrence.

242 pages, $24.94 sc, $34.95 hc

The Secret 6 Classics: League of the Grateful Dead: Featuring The Suicide Squad
Authored by Emile C. Tepperman

Klaw, Murdoch and Kerrigan… the FBI’s Suicide Squad return in this collection of six classic Suicide adventures from the pages of ACE-G-MEN STORIES from 1939-43:
Mr. Zero and the F.B.I. Suicide Squad: One for all, and all for one–even in death–was the fighting creed of the three wildest, gun-swinging law aces of the F.B.I.!
The Suicide Squad Pays Off: The Black Sheep of the F.B.I. turn a terror-ridden town upside down in a finish-fight with a gang that had decreed death for all G-men!
The Suicide Squad’s Murder Lottery: Kerrigan and Klaw came to mourn at the grave of their murdered comrade… and stayed to follow a fighting ghost to war–against the Twentieth Century Nero who held a third of the nation in abject slavery!
The Suicide Squad in Corpse-Town: America’s new air arm, the keystone in her vast defense program: cornered on the brink of destruction! …Only three men–Kerrigan, Murdoch and Klaw–could prevent disaster, and that grim trio of Death’s Volunteers was already living on
borrowed, bartered time!
The Tunnel Death Built: Who had the power, the resourcefulness, and the organization to steal thousands of priceless weapons from Uncle Sam, and ship them secretly abroad? The mystery was a job for the inimitable Suicide Squad-Kerrigan, Murdoch and Klaw. But they were
already waging a private, unofficial battle against Nicodemus Largo-the most invulnerable crime-king of them all!
The Suicide Squad and the Twins of Death!: When Blond Otto The Hangman and his Nazi aides told Murdoch that he would soon join the dead Kerrigan and Klaw, he waited until he did–then added the roar of a dead man’s weapon to the blazing guns of his ghostly pals!
324 pages, $29.95 sc, $39.95 hc

NOTED PULP HISTORIAN CRUNCHES CLASSIC PULP CIRCULATION NUMBERS!!

NOTED PULP HISTORIAN CRUNCHES CLASSIC PULP CIRCULATION NUMBERS!!

NUMBERS BY NEVINS!!!! 
This tidbit of Pulp News was courtesy of two or three interested readers who are members of mailing lists along with noted pulp historian/fact gatherer/etc., Jess Nevins!! 

According to the email sent to at least one of these groups by Nevins,

 “On the off-chance that someone here might find the following
entertaining or useful….

I’ve been compiling statistics on the pulps for a while now, and
have begun posting them on my blog (
http://ratmmjess.livejournal.com)
under the tag Pulp data (so
http://ratmmjess.livejournal.com/tag/pulp%20data).

So far I’ve done an overall breakdown of number of titles in individual
genres (including detective/mystery, of course) as a percentage of the
whole, an analysis of the German pulps, a couple of spreadsheets listing
the titles of all European pulps and all European detective pulps,
and most recently an analysis of the market share of all American
pulps by genre for 1936, 1921, 1922, and 1923–I intend to
eventually cover 1921-1949.

Jess Nevins”

DAWN OF THE MYSTERY MEN (& Women) from Airship 27 Productions!!

Airship 27 Productions & Cornerstone Book Publishers are thrilled to present the next wave in all out action pulp avengers as created by today’s finest pulp writers. During the golden days of American pulps hundreds of masked avengers were created to battle evildoers around the globe. The Black Bat, Moon Man, Domino Lady, and the Purple Scar to name only a few of these amazing pulp heroes. Now Airship 27 Productions introduces pulp readers to brand new pulp heroes cast in the mold of their 1930s counterparts. Get ready for high octane thrills and adventure with…

THE BAGMAN by B.C. Bell – A former street thug, Frank “Mac” MaCullough now fights the very gang bosses her grew up admiring in defense of the poor and helpless in his Chicago neighborhood. RED VEIL by Aaron Smith – When her beloved cop husband is gunned down and the police refuse to investigate, Irish immigrant Alice Carter downs red widow’s garb and dishes out her own brand of justice. GRIDIRON by David Boop – Crippled by the mob for not throwing a game, star football player Gordon “Gory” Burrell is tragically transformed into a bizarre metal man. Accepting his fate, he vows to destroy those who prey on the weak. DUSK by Barry Reese – Haunted by a brutal past, Sue Timlin dons a mask and becomes judge, jury and executioner to those villains the law cannot touch, all the while maintaining a unique secret that gives her the upper hand in her war on crime.

Here are four brand new action-packed pulp thrillers starring bizarre, original heroes to thrill and excite pulps fans everywhere. Features a cover by the amazing Ingrid Hardy, with interior illos and design by Rob Davis and edited by Ron Fortier. All brought to you by Airship 27 Productions – Pulps for a new generation!
 ISBN: 1-934935-79-4
ISBN 13: 978-1-934935-79-8
Produced by Airship 27
Published by Cornerstone Book Publishers
Release date: 11-12-10
Retail Price: $21.95
Available at on-line store (http://www.airship27.com/)

ALL PULP THANKS VETERANS ON THEIR DAY!

ALL PULP tips all of its hats to the Veterans of our Armed Forces on this Day of Veterans. 

No greater sacrifice does a man or woman make than the chance they may die for countless faces they’ll never see. 

No greater mission is there to undertake than the protection of the freedom and democracy the many have because of the few who fight for it.

No greater honor do the Spectacle Seven and ALL PULP have than to be able to say…Thank you for wearing the uniform.  Thank you for picking up the gun.  Thank you for standing between them and us and keeping us safe.

If you have memories, comments, images, stories (fiction or true life) that you would like to share, please email them throughout today to allpulp@yahoo.com and they will be posted on our main page in honor of our Veterans.  Of course, the pulpier the better, but even if it’s just a comment or a single sentence…send it on, won’t you? 

FROM TOM JOHNSON-



Tom Johnson (knelt on right)

 No war story, but sooner or later someone always asks the question, “Where were you when President Kennedy was assassinated?” For me, that’s an easy answer. I was working the evening shift on patrol (MPs) in France when we heard that he had been assassinated. As people are want to do, the enlisted clubs became violent with pro and anti Kennedy arguments, and we were kept busy that night breaking up fights. It is a night that I will never forget. A time when the world should have been in mourning, the soldier still found something to fight about.
Tom Johnson (1958 to 1971)

FROM TOMMY HANCOCK

The wall my Dad guarded

I’m not a veteran, but I’m the son of one.   I used to ask my father what he did in the Army and all he ever said was, “I was a guard.”  When asked what he guarded, his response was always, “One side of a wall.”  My response as a kid was always, “Just a wall?? One wall?”  And he would say, “Not even the whole thing.  Just one side.”

It was years later when we watched President Ronald Reagan talking about tearing that wall down that I looked at my father and saw the tears in his eyes and the smile on his face.

We don’t get along most of the time, but that is one of the many moments I love him for.

CASING THE CON-Convention Reports and Reviews by Bobby Nash

Convention Review: Memphis Comic And Fantasy Convention

On November 5 – 6, 2010 I was proud to be one of the guests on hand for the first Memphis Comic And Fantasy Convention in Memphis Tennessee. First year conventions are always a mystery when deciding whether to do the show as a guest. Like most first time shows, this one had a few first year bugs to work out, but they were minor. The guest list was impressive and I had a wonderful time. The set up was well done although I would have preferred to see more events happening in the main hall of the Cook Convention Center. Along with the open main hall there was a dealer’s room, artist alley (where I was set up), and a panel room.

The convention was very family friendly and I was excited to see a lot of kids on hand. Which brings me to the highlight of my weekend. The show opened to the public at 1 p.m. on Friday. However, before that, from 10 a.m. until 1 p.m. the convention, in conjunction with local schools brought kids to the show on a field trip. There were Q & A sessions with actors, artists, and writers as well as demonstrations, cartoons, video games, movies, and costumed heroes and villains all signing autographs. I was excited to see all of the kids on hand. Not only was their enthusiasm infectious, but it was great to see them looking over the comic books and art. If I had known about the field trip beforehand I would have made sure to bring some Life In The Faster Lane cards to pass out. Still, everyone who stopped by my table got a Lance Star: Sky Ranger postcard, which the kids seemed to enjoy.

Guests for the weekend included Star Trek: The Next Generation’s Denise Crosby, wrestler and comic book artist Jerry (The King) Lawler, Actor and comic book artist Arne Starr, along with artists such as Billy Tackett, Martheus Wade, Gary Friedrich, Mitch Brietwiester, Jason Craig, Mitch Foust, and more. Also on hand were writers like myself, Sean Taylor, Allan Gilbreath, Kimberly Richardson, and more.

I had a great time at the first Memphis Comic And Fantasy Convention. I certainly hope there is a second show in 2011 and that they invite me back again. You can learn more about the convention at http://www.memphiscfc.com/. http://www.facebook.com/album.php?aid=573923&id=625160511&l=b22ef141ce (photos can be viewed even if you don’t have a Facebook account).

Photos from the weekend can be found on my Facebook page at
Bobby

Bobby Nash, conventions, Memphis Comic And Fantasy Convention, Memphis, Tennessee

BLACK COAT PRESS ANNOUNCES 2011 PROGRAM


An Earthman falls in love with a Venusian woman via interplanetary radio… Super-smart mastodons rule mankind… Travel to other worlds in 19th century rockets… Explore the Microverse and the Hollow Earth… Behold lei-powered planes and extra-dimensional entities… Discover a world where electricity has suddenly vanished… See how men in 1878 pictured the world of 2000…

These themes and more will be explored in a new series of translations of classic novels of French science fiction and fantasy, spearheaded by award-winning writer and translator Brian Stableford, under the editorship of Jean-Marc and Randy Lofficier.

After the publication in 2010 of high profile works, such as the novels of Maurice Renard, J.-H. Rosny Aîné and the first Goncourt Award-winner J.-A. Nau, Black Coat Press will be releasing a new series of French classics in 2011.
Among these will be the ground-breaking 18th century novels Lamekis, Giphantia and Amilec. At the top of the list are Albert Robida with Chalet in the Sky (1925), Achille Euyraud with Voyage to Venus (1865), Jules Lermina with The Secret of Zippelius (1893), Henri Allorge with The Great Cataclysm (1927), Renée Dunan with Baal (1924), Jean Richepin with Wings (1911), as well as works by Charles Cros, André Bleunard, Alphonse Brown, Gabriel de Lautrec, Han Ryner, Paul Vibert and more.

In total, over 20 new translations will be released during 2011, the continuation of an unprecedented and award-winning effort in the history of genre publishing. A complete list of authors and titles is available on the Black Coat Press website at:

Since its inception in the summer of 2003, Black Coat Press has been the foremost publisher of French science fiction and crime thrillers in the English-language.

A division of Hollywood Comics.com, LLC, Black Coat Press, named after Paul Féval’s seminal 19th century crime thriller saga The Black Coats, which it also publishes, is an Encino, CA-based small press publisher whose products are listed on the Bowker’s Books in Print â index and Publishers Authority Database. Its books are produced by Lightning Source, a subsidiary of Ingram Industries, Inc.

Black Coat Press e-mail: info@blackcoatpress.com
P.O.Box 17270 website: www.blackcoatpress.com
Encino, CA 91416 contact: Jean-Marc Lofficier

GUEST REVIEW THIS WEEK FROM PERCIVAL CONSTANTINE!!

Percival Constantine http://percivalconstantine.wordpress.com/2010/10/25/dracula-lives/

 


Dracula Lives!

25 10 2010


I’m going to admit something here and now, something which I’m sure my fellow horror fans will probably want to flay me alive for even thinking, let alone giving voice to:
I’m not a fan of Bram Stoker’s Dracula.


I’m not sure what it is, but something about the book just doesn’t appeal to me. I’ve tried reading it a few times and each time I do, I just can’t get into it (although interestingly enough, the other horror classic, Mary Shelley’s Frankenstein, is in my eyes one of the greatest books ever written).


But that’s quite different from the character of Dracula. I love the character of Dracula, I just don’t care much for his first outing. He is, without a doubt, one of the best villains ever created. So popular that even now, over a century after his creation, he still manages to raise hairs on the back of your neck. That’s nothing to scoff at.


One of the best things about Dracula is also one of the worst. Since Bram Stoker’s Dracula is in the public domain, anyone can use one of literature’s greatest villains in their story. The downside to this is that…well, anyone can use one of literature’s greatest villains in their story. This has led to some truly awful renditions of the character (if you’ve seen Dracula 2000 or Blade: Trinity, you know what I’m talking about).


Dracula has transcended the medium of literature. He’s been depicted in film, television, comic books, video games, stage (including a puppet musical in Forgetting Sarah Marshall), and so on. There are some very iconic Dracula renditions, my personal favorite being Christopher Lee’s portrayal in the classic Hammer films.


Of course, this is all just rambling and for that I’m sorry. I’m supposed to be talking about Joshua Reynolds’ latest book, Dracula Lives! And I should devote some time to it, because remember how I mentioned lesser writers who completely abused Dracula’s character?
Josh isn’t one of those guys.


Josh’s Dracula is menacing, imposing, monstrously vicious and savage, but also with a certain charm and elegance. And the amazing thing about Dracula Lives? For the most part, Dracula’s not in it. He remains an imposing figure in the background, and the build-up and tension to his first appearance is handled with masterful subtlety and suspense. By the time Dracula does show his face, you might think it’d be a let-down. But no, not at all — Dracula’s debut in this novel is well-worth the wait.


Of course, you won’t be doing much waiting. The book’s not very long and there’s plenty to keep you entertained up until the titular character stands revealed. Dracula’s been portrayed in gothic romances, slasher flicks, comedies, but it’s not often you see him in a tale of espionage and mystery. And that’s exactly what this is — an espionage thriller, complete with backstabs, shady characters from shady organizations, and some femme fatales for added bonus.


The book centers around an assassin named Jonas Cream. And if you’re like me, you may have chuckled a little when you first read that name. But fortunately, Josh doesn’t give you much time to mock the character and quickly, you’re shown that Cream is the kind of guy you don’t want to mess around with. Unless of course you’re part of one of the shady organizations pulling his strings or trying to kill him.


The thrills never let up, and the veil of mystery over why Cream is so important to these people is handled masterfully. But even better than that, even better than Cream’s development through the book, is the growing menace that casts a shadow over every page. So by the time the last page hits, you are left dumbfounded.


This is only the first of a series of Dracula novels Josh is working on. The second one is titled Dracula Unbound! which if the preview at the end of this book is any indication, hopefully won’t be too far off.


180 pages, available from Pulpwork Press
 
NEW COLUMN-IDEAS LIKE BULLETS!!! TAKE ONE, WON’T YOU??

NEW COLUMN-IDEAS LIKE BULLETS!!! TAKE ONE, WON’T YOU??

Logo created by Ali
Extra Pulp From the Mind of Tommy Hancock

It’s a great thing as a writer to be able to have ideas. I’m very fortunate to have many of them. Sometimes too many. One of the other Spectacled Seven and a longtime friend of mine, Derrick Ferguson, once commented that I have “ideas like bullets”, the basic concept being that I fire off story concepts, beginnings, or mostly complete outlines of tales to tell like street thugs dispensing rounds in an old pulp mag. Alas, this is true and the darndest part of it is I produce way too many inklings to ever write about them all beyond a few summary lines or maybe a half detailed synopsis.

So, why not spread the wealth? Hence that is where the idea…and title for this column sprang from.
Every week ’round about this time I’ll be posting some semblance of an idea that I’ve had for a story, series of stories, book, whatever. It will be here for you to read, to comment on if you want, but if it ends up in this column, then it is also available for you to write. Yup, you heard me. I’m wanting to take these little jewels I manufacture like an overactive oyster and let them see life from the pen of someone who actually has time to write them. So, please feel free.

What do I want in return? Not much, actually. Most of the time, I will simply post an outline or discussion of the idea I’m offering with no provisos. When I do that, all I want is credit given for the concept if and when you do write it. There will be some ideas, though, that I throw out there looking for a co-writer on or even maybe wanting to be the plot guy while you do all the heavy lifting. In those instances, I’ll be sure to say so.

So, yeah, these ideas sprout from my brain fodder, but I’m not stingy. If they sit here long enough for me to
have time to write ‘em, then I might…but I saw my calendar today…these will sit unwritten by me for some time to come. Have at it.

That jake with you? Good.

Now, the first concept to be shared is one I’ve had in my reserve pile for some time. Although every column won’t have a neat little tale already written, this one does. Read this as if the writer were a man who was alive in the era the character is placed in and lived in a world where heroes and villains were common place.

Now, stand back. I’m going to fire the first of my IDEAS LIKE BULLETS…

Take the little colored girl from Arkansas, born the daughter of a wise man in an ignorant time. She saw her father, a man of God and the people, take the Lord’s word into the shacks of his own heritage and right into the front doors of parlors and city halls where ‘his kind’ only served or swept up. She watched as he shepherded both his own congregational flock and the entire citizenry of the small town they lived in toward what would be Dr. King’s dream. She looked on in terror that crisp May night in 1929 when a man wearing a flour sack made into a mask over his face sped past her home, a shotgun out the window. She watched her father die before he hit the ground as her own blood filled her eyes. Those images were the last things she saw for seven years.

Left for dead by the supposed avenging angel of Anglo pride that felled her father, she clung onto life long enough for her mother to find her. Thanks to her father’s many supporters on both sides of the color line, she made her way to a hospital in Tennessee. Doctors determined that even though she was not dead, she might as well have been. Carrying the faith of her husband, that little girl’s mother refused to believe that and carried her daughter back to Arkansas. In the home she was born in, she lay comatose until the day after her twentieth birthday. Never a twitch or a mumble. Not until that day.

She awoke to a new world. A world where her mother had found new love. A world where people with strange gifts now populated the skylines and news headlines. And a world where a young woman still had the last memories of a thirteen year old witness to her father’s murder. As well as something more.

That little girl, as she lay drifting toward death in her front yard, had looked up enough to see her father’s killer return to see if either of them remained alive. He reached up, laughing, and pulled the sack from his head. The newspapers and courts had ruled the preacher’s murder the handiwork of a white man ‘protecting his heritage’. But what she had seen that night was the face of a black man. The businessman her mother now called husband.

That memory did not come easily to her, only in fits and flashes. And with it came something else. Horrible images in her sleep at night began manifesting themselves before her eyes in the light of day. At first afraid she was still trapped in her coma, she began doubting her own sanity as her dreams literally walked around her more and more every day. Until in the confines of the room that had been her home for seven years, she watched the scene play out in front of her. A solid image of the man who killed her father and meant to kill her. Standing over her, pulling his mask away. And revealing her stepfather. She cried out, desperate for answers, knowing she had lost all grip on reality.

Then, behind her, on her shoulder with the softness of baby’s breath was her father’s hand. Not her father, but another bit of imagination come alive. Somehow, she never understood the reason, she’d been given something in exchange for her seven years. Abilities like no other. And she used it, first for her own purposes. The costume was a necessity in the beginning, a way to keep her mother safe until she had enough to hang the man who killed her father. A loose fitting multicolored collection of rags and remnants with strands of cloth attached at her arms to the sides of her clothing. And when she spread her arms, the cloth opened like wings. And that little girl lost became Daydream and flew into history on her own angel’s wings.

OK, there you have it. This character could very easily be taken several directions pulp wise. The original concept has her powers being basically able to make images from her dreams hard and real for anywhere from a matter of seconds to up to an hour. You’ll understand when you read it.

Now, remember the rules as laid out above. If you take this one and run with it, just remember to credit where the idea came from. And please, let me know either via the comments page here at ALL PULP or at allpulp@yahoo.com if you are going to try your hand. I’m having to farm them out to see them live beyond the meager beginning I give them, but it doesn’t mean they’re not still my kids. Take care of ‘em, will ya?
Tommy Hancock
11/8/10
  

INTERVIEW WITH WRITER ROBERT KENNEDY!!!

ROBERT KENNEDY –  Soldier/Writer/Editor
Zorro bested by Robert Kennedy!
AP –  Hi Bob, and thanks for joining us here at All Pulp HQ.  I know you’ve got a fine military background and have done lots of writing in the pulp action field.  Let’s get started with your telling us a little about yourself, background history, education etc.  Where do you call home these days?
RK –I was born an Army Brat, but became a Charter Air Force Brat about six months later. At the time I was five my family settled in the St. Louis area. But, after college and the military, I ended up living here in Kansas City, Missouri for the past thrity-five years.
I got started loving adventures stories, and their heroes, even before I reached the Show-Me state. I listened to the radio versions of the Lone Ranger, Sgt. Preston, and Sky King in the evenings. Plus Big John & Sparky and Space Patrol on Saturday morning. The first movie I can remember seeing is Disney’s live-action Robin Hood staring Richard Todd. And the heroes weren’t all human. The first comic I really remember is my sister’s copy of Uncle Scrooge #1. Still love those Ducks! My family read to me things like Kipling’s The Jungle Books and Just So Stories and Swiss Family Robinson, and so much else.
I hold degrees in old fashioned paper drafting and Communication Studies.
About 1979 I got involved with Mystery Forum, a mystery book review group trying to get newspaper syndication. When that didn’t work out we produced a TV version on the Kansas City Public Access cable channel. Later some of us started the show Entertainment Spectrum that ran over 500 episodes. Until about 1997 all my creative energy and time went into those productions. When that dried up I got back into writing via Tom & Ginger Johnson’s Fading Shadows publications.
My wife and I are empty nesters who just celebrated our 40th wedding anniversary. We have two grown children, but no grandchildren, yet. Just a grand-cat.
AP –  Before anything else, let me thank you for your service to your country.  Tell us, when and how did you first get the writing bug? 
RK –Like a large number of college gads of the late 1960’s I joined the Army at Draft-Point. (In fact I used my very negative experiences with my local Draft Board as the background for a Green Hornet story I have pending at Moonstone.) I don’t like to make all that much of my service. After all, in twenty-four years of full and part-time duty, I never spent a day in a combat zone. You (Ron Fortier) only did three years, but that included a tour in Viet Nam. At about the same time I spent a year twiddling my thumbs in Korea.
I’ve always leaned toward the creative side of things. Back in grade school I used old drop cloths and planks to turn the backyard swing set into a two level spaceship.
The ideas came easy. Getting the material on paper was a huge struggle. I tend to tweak and rearrange. Only since word processing came along have I been really comfortable writing. (And I just restructured that last paragraph.  ;^} )
AP – Now some AP investigating has turned up an interesting fact.  You have an alias. Who exactly is Erwin K. Roberts and how did he appear on the scene.
RK –Just imagine: You are twelve years old. You live in a town that is composed of over 85% rabid Democratic Party families. You don’t fit in too well because you don’t like what “everybody” likes. And your name is George W. Bush.
Well, that’s sort of what happened to me. My given name is Robert Kennedy. And I was about twelve when JFK started running for the Presidency. Even then I was thinking about writing. Comic books, mostly. I decided I needed a pen-name. Erwin was my grandfather’s first name. So Erwin K. Roberts appeared. (Later, when RFK died I didn’t want to be seen as exploiting his name.)
I’ve used Erwin’s name on some letters-of-comment, in print for fact and fiction, and on cable TV here in the Kansas City area. The one place I was not allowed to use it was in Starlog. They had a no pen-name policy so I was credited as R. Erwin Kennedy.
When our family needed a second phone line I had it put under Erwin’s name. And he began to get credit card offers and other junk mail.
The second of my two “cousins” is Major A. D. Venture. The Major hosted the Action Theater movie show on the very short lived WBE-TV network.
AP – What was the first fiction you ever had published and where?
RK- Like most comics fans I had my own pantheon of super-hero creations. I wrote a couple of origin stories and shopped them to a fanzine or three. No luck there. I even entered a barely half decent Captain Atom script in the Charlton contest that Roy Thomas won.
I went to college at what is now called the University of Central Missouri. There was an off-campus magazine that wanted to break up all the very serious civil rights, Viet Nam, and students’ rights material. The editor liked the origin story of a super martial artist I’d written. He decided to run it as a serial. The first part appeared in about spring 1967. Then the magazine changed editors between issues and I never even got my copy of the manuscript back.
AP –In your career, you’ve created multiple pulp style heroes.  Who are they and where did they appear?
RK –I picked up some hero pulps in high school and college. The Phantom Detective, The Masked Rider, a couple of Doc Savage digests early on. Then I began to buy first The Shadow, then The Spider and Captain Future at conventions. Plus the paperbacks featuring Doc, Secret Agent X, Operator 5, and The Phantom Detective. My own characters began to reflect those influences.
The Voice grew out of this. I first called him the Veil for the sniper’s veil combat mask he sometimes wears. He sort of floated around my head only partly formed. Then one day I sat in front of a desk with a nameplate. The name was very similar to that of an existing character. Suddenly things fell into place. That’s the instant the Voice became the son of a retired pulp hero. After I came up with his vocal implant that gives him Twilight Zone sounding speech I renamed him The Voice.
In 1979 my wife was pregnant with our second child. Most nights she went to bed very early. I used the late evenings to write the Voice novel “Plutonium Nightmare.” This was the time of the second wave of “let’s clone Mack Bolan” paperbacks. I wanted to break into that market. Didn’t happen. In 2003 the story was serialized in three issues of Fading Shadows’ “Double Danger Tales.” A few years back I self-published the book with a cover I created using Lightwave 3D.
Before this century I only wrote one short story of the Voice. Grand Opening – Under Fire first appeared in “Mystery Forum Magazine” in 1992. A slightly different version was in Double Danger Tales #57 in 2002.  You can read the story at: http://www.planetarystories.com/VoiceGrand.htm
Two more Voice shorts appeared in Double Danger Tales before the title folded. One can be read at: http://www.planetarystories.com/voice.htm Recently new stories of the Voice have begun appearing in Pro Se’s “Masked Gun Mystery.” All together I’ve written nearly 100,000 words about him.
My other pulpish series is called The Journey of Freedom’s Spirit & Samuel. I’d been thinking about the old Quality Comics character Uncle Sam. Back around 1940 he was even more powerful than the Superman of that day. But the only non-white WASP characters were the Japanese villains. I decided there needed to be an inclusive series. Where every race/color/creed played a part.
I used the name of the man first referred to as Uncle Sam: Samuel Wilson. Then I decided that my Samuel -Adams- Wilson would just happen to look like a hardhat version of Uncle Sam. I gave him all white hair and van dyke beard. He generally wears blue jeans, with a red and white checked shirt, and a stars and stripes hard hat. And travels the country with a Bald Eagle. He is not a “crime fighter,” or even an adventure seeker. But he will not turn away when people need help.
The events of September 11th, 2001, catalyzed my ideas into final form. But Samuel does not go after the terrorists. He races to Ground Zero to be a part of the rescue effort. When he moves on from that his adventures really begin.
The Johnsons accepted the first two stories of the series, but only managed to publish one. Samuel appeared in Double Danger Tales #58, January 2003.
From that story came Argus – the Blue Eagle, a masked horseman from around 1860. The spirit of Argus now roams a region of southern California. His most recently recorded adventure can be found at: http://www.planetarystories.com/talons.htm
AP –  It’s obvious with characters like the Voice and the others, you were heavily influenced by the pulps?  Were you a pulp fan before you started reading and when did you first discover pulps?
RK –I think I covered the hero/character pulps above. But I read a lot of Burroughs and some other adventure writers and a ton of science fiction, plus many mysteries series, growing up. Being the type of person who reads copyright pages I understood that much/most of what I read first appeared in magazines.
Early comic fanzines would sometimes mention the pulps. And the first convention I went to, an S-F con with some comics, I was offered a copy of Captain Hazard #1 for the huge sum of five dollars. I opted instead for Ed April’s first volume of Buck Rogers strip reprints.
AP –What is it about writing pulps that appeals to you?
RK –While the pulps, as newsstand magazines, have vanished, the breakneck story telling of the pulps never does. It just finds other venues. Certain movies, TV shows, comics, and books are the pulp’s successors. How many out there read Clive Cussler? Or love Indiana Jones? While some of Indy’s roots are in movie serials, he is definitely very pulp.
Those are the kind of stories I like to watch and read. And they are generally the kind I want to write. Stories with heroes of one kind, or another. A hero doesn’t have to look like Jim Anthony. Or even Bruce Willis. Sometimes a hero doesn’t even realize he is a hero. But that doesn’t mean he isn’t. When my first child was born heroes were in very short supply. In film real heroes seemed limited to John Wayne and James Bond movies. Was I ever glad that things like Star Wars, the Dukes of Hazard, Knight Rider, and Duck Tales came along to entertain my kids. I like to hope that my adventure stories entertain. And just maybe help keep the idea of  the hero in front of folks. If pulp can be said to have a mission, that’s it.
AP –Have you ever written established pulp characters and where did these stories appear?
RK –Earlier in this century I joined an on-line role playing game set in December 1939. For that I played MLJ Comics’ Bob Phantom. The only super-hero ever named Bob. I wrote him more pulp than costumed hero. That was the first time I wrote about somebody else’s character. That game gave me connections that helped get me on with Airship-27. (And got me the gig of writing up Bob Phantom’s history for the Mighty Crusader’s website.)
For Airship-27 I’ve written two stories of Jim Anthony. One appeared in the anthology Jim Anthony – Super Detective vol.1 The second will probably be in vol. 3. I’m also working with artist Pedro Cruz on the first ever Jim Anthony comic strip. Stories starring the Moon Man and the Masked Rider are also in the hopper at Airship-27.  To fill what I humorously call my free time I’ve written the first ever solo story of the Masked Rider’s partner, Blue Hawk. Read it at: http://www.planetarystories.com/bluehawk.htm – And I put George Chance on a case before he ever became the Green Ghost.
http://www.planetarystories.com/unionStation.htm
AP – What else do you have coming out in the future?
RK –What’s got me on pins and needles waiting is “Dr. Watson’s American Adventure.” This short novel is due out in the near future from Airship-27. There the good doctor shares the action with Theodore Roosevelt.
AP –  You recently became the editor of an e-pulp mag originally conceived by pulp fan supreme, Shelby Vick.  Tell us about this gig and where can fans find it on-line?
RK – That’s overstating it a bit. I recently became an Assistant Editor to Shelby and longtime editor, anthologist, and writer Jerry Page. Those two were running the on-line pulps Planetary Stories and Wonderlust when I came across the site. http://www.planetarystories.com
Planetary Stories is a recreation, or homage, or something, to the old time space opera pulps like Startling Stories and Thrilling Wonder Stories. Wonderlust is a home for fantasy of all kinds.  Planetary had a feature called Pulp Spirit. For it they ran a single story of some other pulp  genre. About the time I happened by stories for Wonderlust were getting scarce. Who knows why. So they decided to make Wonderlust a department of Planetary and launch Pulp Spirit as a new e-zine title covering any other kind of genre fiction. So long as there some action to it.
I offered them the Voice’s origin story that had appeared in Double Danger Tales. They liked it. Long story short, (no pun extended) various stories of mine have been in every issue of Pulp Spirit except #2. And I’ve appeared on Planetary once. Some stories were from deep in the Culture Vault(tm). And some I’d written with other venues in mind. Others have been shameless self-promotion. Like the self-contained excerpt from “Dr. Watson’s American Adventure.” ( http://www.planetarystories.com/watson.htm )
Anyway, Shelby and Jerry asked me to help out with proofing, checking how the HTML looks on different platforms and browsers, and giving my opinion on some of the stories. (BTW, Wonderlust now is sometimes a full blown magazine again, if enough good stories come in.)
AP –  Have you any plans for attending any pulp cons next year?
RK –I’m signed up for Pulp-Ark. That’s a relatively easy drive. (Major Venture might just pop up there, too.) Depending on what gets into print, I’m looking at Kansas City’s Planet Comicon. Especially if Pedro Cruz’s & my Jim Anthony strip is out. Rob Davis usually makes that show, too. And, I’m open to suggestions.
AP –Last question.  What major writing goal have you set for yourself in the coming year.  Feel free to promote anything else you might have in the works as well.
RK –Goal? To finish things! I’ve got four projects I want to finish up.
In 2010 I completed two stories involving the Voice for Pro Se Productions. One of them had been gathering electronic dust for most of a decade. I currently have no unfinished Voice stories. But if you’ve read the Voice’s origin in Pulp Spirit you know there are three to five more tall tales to be spun to his nurse while he convalesces. One of those stories will feature a haunted house and an elderly Ravenwood. (Plot originally intended for Charlton Bulleye, just like Mr. Jigsaw was.) Another story will finally present the very first idea I ever had for the character that evolved into the Voice. It involves something halfway between a Burroughs planet adventure and flat out sword and sorcery. And a disbelieving Voice caught up in the action.  Those stories will sit at the back of the cue.
For Airship-27 I need to get going on a 30,000 word story to fill out a Moon Man anthology. I’ve outlined the story a lot more thoroughly than I generally do. Some key scenes are done. Now I need to fill in the blanks. About 24,000 words to go.
Next I need to complete what has become something of a Frankin-Novel. Meaning built out of parts. Actually, it’s sort of a villain pulp. Various heroes all take on the same organization. “Sons Of Thor” features stories of 2nd Lieutenant Richard Curtis Van Loan fighting in the skies of World War One and as the Phantom Detective. Jim Anthony spans the 48 states to prevent germ warfare. Plus Jim and the Phantom join with the Black Bat for the rousing finale. All the stories have guest stars including a British pulp hero never before seen on this side of the pond. One set of guest stars were very real: The Men of Bronze. “Sons of Thor” looks like it will have about 75,000 words. That’s less than 10K to go.
Finally comes my 21st century series The Journey of Freedom’s Spirit & Samuel.  With the finished third story I’ll have 60,000 words. Then I’ll try shopping it around to some of the new pulp publishers.  Stuffed in the cracks should be something for the three new issues of Pulp Spirit.
AP –Thanks ever for your time.  It was great getting to know you better and continued success in all your future pulp projects.
RK – Thanks. This was a bit different. For almost thirty years I’ve been on the other side of the interviews.