Ed Catto is an entrepreneur and educator. As the founder of Agendae, Ed helps mid-size companies, start-ups and big brands with innovative strategy and marketing initiatives. As an educator, Ed teaches entrepreneurship at Ithaca College. In the world of Pop Culture, Ed wears many hats: a speaker at comic-conventions, a retropreneur for Captain Action and a manager for Ithacon, the nation’s second longest running comic-con. As an illustrator, he was named 2019 Interior Illustrator of the Year in the Pulp Factory Awards and named a 2019 CNY Emerging Artist. Ed and his family have recently returned to the Finger Lakes.
Mark Millar – creator of Kick-Ass, Jupiter’s Legacy, The Secret Service & Kingsman – has confirmed to retailer Forbidden Planet that Emerald Fennell – winner of the 2021 Oscar for Original Screenplay (Promising Young Woman) – will pen the script for Millar’s hotly-anticipated Warner Bros adaptation of his critically acclaimed comic book, Nemesis.
Speaking exclusively to Forbidden Planet TV, Millar said: “Emerald Fennell, who just won an Oscar for best screenplay for Promising Young Woman, has just delivered the latest draft of the Nemesis screenplay, which is extremely cool, especially after the initial development of the movie by the late Tony Scott, who established some amazing visual ideas for the movie!”
Nemesis is a tale of one man with a plan for vengeance! Who is Nemesis? He is a son of privilege, an inheritor of billions from his deceased parents. He owns a fleet of the finest cars and a hangar full of planes, and has countless technological gadgets at his command. He’s the ultimate super-villain fighting relentlessly for a nihilsitic cause in which he believes.
Forbidden Planet TV host Andrew Sumner said: “This interview with Mark Millar is another example of the pop culture status that enables Forbidden Planet to attract high-profile creatives from the comic book and entertainment industry, whether it’s for an interview for our newly-launched online TV show, a store signing or an exclusive edition. Fans won’t want to miss out on this special interview, as Millar introduces his new Netflix show Jupiter’s Legacy, chats about a new Netflix spy show he’s developing, previews the latest Kingsman movie and reveals an all-new anime adaption of his comic book Supercrooks.”
The new Forbidden Planet TV channel is available to watch on YouTube at https://www.youtube.com/c/Forbiddenplanetdotcom/videos – over 150 episodes are already available to view and four new episodes are posted every week featuring influential & creative guests from all spheres of the global entertainment industry.
The full interview with Mark Millar will be available on Forbidden Planet TV from May 19th, 2021. For more information about Forbidden Planet, visit https://forbiddenplanet.com/
Written by Mark Voger • TwoMorrows • 192 pp. • Hardcover, Full Color • ISBN-13: 978-1-60549-097-7 • $43.95
Every yuletide season I trot out my copy of The Battle For Christmas by Stephen Nissenbaum. For my money, that’s the best book out there to analyze and explain the many traditions that have shaped the way we celebrate Christmas. It’s clear to me that it’s time to make room on my coffee table this December for another impressive book. TwoMorrows newest, Holly Jolly is kind of the pop-culture counterpart to the Nissenbaum’s authoritative tome. I really enjoy Mark Voger’s writing. For example, I grooved on his Groovy: When Flower Power Bloomed in Pop Culture (also published by TwoMorrows) not too long ago.
“I can’t think of a single topic that has generated more art and culture,” says author Mark Voger of why he decided to do a Christmas book. “From music to movies, TV, cartoons, food and decor, everybody seems to have a favorite Christmas ‘something’ — a delicacy or a song or an animated special. I tried to cram everything in Holly Jolly.”
Available everywhere books are sold, and from the publisher.
By Giorgio Salati & Christian Cornia • Papercutz • 88 pp. • Paperback • ISBN-10 : 1545804265 • $9.99
I tend to like just about everything imported from Italy, and this book, the first in the Brina the Cat series, is no exception. This graphic novel is for everyone who’s ever had the slightest twinge of conflict in letting their cat out of the house. (Full disclosure: I’ve recently joined those ranks). Lots of fun and you can’t go wrong with gifting this book to an 8 to 12 year old, but the audience is for all ages (and all cat lovers).
Available at books stores. comic shops and directly from the publisher, Papercutz.
by David Gallaher and Steve Ellis • Papercutz • 72 pp. • Paperback • ISBN-10 : 1545802033 • $8.99
You really have to fasten your figurative seatbelt before jumping into The Only Living Girl adventures. These books are a delightful showcase for two talented creators, writer David Gallaher and artist Steve Ellis. They won DC’s ZUDA contest years ago with High Moon, but like fine wine, they get better with age.
This new series, The Only Living Girl, picks up right after their brilliant The Only Living Boy stories. Please note: reading all the prior books isn’t a must, and this fantastic book is the perfect jumping-on point for all age readers. In fact, there’s a page that gets everyone up to speed. And then… it’s off to the races!
Available at books stores, comic shops and directly from the publisher, Papercutz.
by Frank Cammuso • Viking, an imprint of Random House • 176 pp. • Hardcover • ISBN-10: 0425291960 • $17.99
Frank Cammuso is an amazing creator: he teaches at Syracuse University, he makes comics as part of the AHOY team, and he creates fantastic all ages graphic novels. I just love his Edison Beaker, Creature Seeker series for its wild and crazy, breakneck action. Cammuso is the real deal with story and art – he has both a clever sense of humor and a wonderful line.
I also love these books for the smiles that inevitably grow bigger with every page you turn!
by Cullen Bunn and assorted artists • AfterShock Comics • 496 pp. • Hardcover • ISBN-10: 1949028569 • $79.99
Prolific writer Cullen Bunn has created so many stories for Aftershock Comics. Now fan favorites like Knights Temporal, Brothers Dracul and Dark Ark are collected in this impressive hardcover. This also includes many short stories previously seen only in the Aftershock Anthologies.
Available at bookstores, comic shops, and at ComicsCity.
by Mariah McCourt, Soo Lee, Pippa Bowland and Jill Thompson • AHOY Comics • 120 pp. • Paperback • ISBN-10: 1952090008 • $16.99
Believe it or not, my mom (she’s in her late 70s) was flipping through some of my comics recently. (I had left some on her coffee table during a recent visit.) When she saw an ad for AHOY’s Ash & Thorn comic, she paused and really examined it. I think she was intrigued to see two protagonists who looked like her in a comic ad.
And yes, that’s the conceit of this series. To save the world this time, instead of Buffy the Vampire Slayer or young King Arthur, a retired art teacher is recruited. It’s wry fun served up in what is becoming that AHOY signature style. And that’s not all that’s served up; the heroine’s baking recipes are also included in this trade paperback collecting all five issues of the series.
by J. David Spurlock • Vanguard Publishing • 120 pp. • paperback • ISBN-10: 1934331813 • $39.95
Despite the calamitous nature of 2020, my wife and I were able to visit the Frank Frazetta Museum this summer. It was a wonderful trip, and I am still in awe of all of the amazing paintings we saw there. Reading this oversized coffee table book is like a V.I.P. guided tour in that museum. Spurlock provides just enough background and reference so that anyone can appreciate Frazetta’s talent and creativity. In fact, I wrote about this book earlier this year, and you can read that here.
by John Walsh • Titan Books • 120 pp. • Hardcover • ISBN: 978-1789095067 • $42.51
Way back in college, I had a great pal with a fantastic vinyl collection. Squeeze was one of his favorite bands and became one of my favorites too. When he learned that I liked comics, he pulled out this Flash Gordon soundtrack. He worshipped this album. And in those pre-DVD/streaming days, we kind of thought that listening to that album would be the closest I got to seeing the movie again.
Fast forward (a VHS term) to the 40th anniversary of the film, and UK publisher Titan delivers a wonderful new Flash Gordon book.
Film historian John Walsh discovered and presents many untold stories of this Flash Gordon film, including visions of the proposed sequels, that are bound to raise eyebrows – on both Earth and Mongo. And the author managed to engage in deep conversations with almost all of the original cast or surviving family members.
Flash Gordon isn’t only about Alex Raymond, you know.
This book just burst onto the scene at UK and US bookstores. Flash Gordon: The Official Story of the Film is also available directly from Titan Books.
Edited by Jim Beard • Crazy 8 Press • 206 pp. • Paperback • ISBN-13: 979-8621575373 • $12.99
Batman stuff and gifting have been going together like Christmas cookies and milk for as long as I can remember. Writer Jim Beard has gathered together a “rogue’s gallery” of writers and artists (and I was proud to be included) to celebrate the first season of the old Batman ’66 show. This collection of clever essays and illustrations have been so well received, in fact, that there’s a sequel in the works.
Available at comic shops, fine bookstores and online.
Trade HC ISBN13: 9781934331811 Retail $39.95 • 120 pgs
DX LE ISBN13: 9781934331828 Retail $69.95 • 138 pgs plus slipcase
When we were kids in the 70s, my pals and I hung around a great comic shop, Kim’s Collectible Comics & Records. Owner Kim Draheim loved comics, but he helped expand the horizons of our small worlds – letting us discover wonders beyond the standard Marvel and DC comics that defined our comfort zones. In his shop, we stumbled upon older comics, vinyl records and comic-adjacent artists…like Frank Frazetta. It was all pretty mind-blowing.
We quickly realized there was a time and place for each creator’s talents and gifts. When one of my gang was searching for a Fantastic Four issue illustrated by Frank Frazetta, we all chuckled. Even back then we knew that Frazetta was beyond all that.
When I took a college-level painting class while still in high school, there came that point to choose one artist for the term paper. I chose Frank Frazetta. My professor kind of frowned and suggested I instead research and write about Salvador Dali. I told my professor that Dali was a fine artist…but in my mind, Dali was no Frazetta.
If Spurlock was in my class, maybe he would have said the same thing.
Even back then I would have been excited by the new book, The Fantastic Paintings of Frazetta. This is another gem from J. David Spurlock’s Vanguard Publishing. It’s a thoughtful, loving celebration of a genre master that is both a first-class introduction to Frazetta and a long-awaited treat to every reader/fan/collector that has already has an appreciation for Frazetta.
From the first page, Spurlock takes the reader on a journey that includes “greatest hits” and “lost treasures”.
Well-loved paintings fill the pages – but often with a twist. Either there’s additional materials or alternate versions included. Spurlock includes great stories that pull back the curtain for us, illuminating the process behind Frazetta’s artistry.
I really enjoyed the many surprises. There’s Frazetta barbarian art from before Conan. There is a 60s spy movie poster. I was especially surprised to learn that in one case, when Frazetta got an original painting back, he made some changes. And although I’d seen the Luana piece many times, but I didn’t realize that there was more to it.It’s no secret that Frazetta inspired so many other creators. But I didn’t realize the extent of the George Lucas connections until reading this book. When I watch Star Wars movies, I’ll never look at Chewbacca or the Death Star the same way again.
Many of the paintings reproduced here are larger than they’ve been printed before. This allows us to really see the nuances – brush strokes, paint etc. on these beauties.
Here’s the official description:
Discover, or return to, the world’s greatest heroic fantasy artist, Frank Frazetta, in this landmark art collection entitled, Fantastic Paintings of Frazetta. The New York Times said, “Frazetta helped define fantasy heroes like Conan, Tarzan and John Carter of Mars with signature images of strikingly fierce, hard-bodied heroes and bosomy, callipygian damsels” Frazetta took the sex and violence of the pulp fiction of his youth and added even more action, fantasy and potency, but rendered with a panache seldom seen outside of major works of Fine Art. Despite his fantastic subject matter, the quality of Frazetta’s work has not only drawn comparisons to the most brilliant of illustrators, Maxfield Parrish, Frederic Remington, Norman Rockwell, N.C. Wyeth but, even to the most brilliant of fine artists including Rembrandt and Michelangelo and, major Frazetta works sell for millions of dollars, breaking numerous records.
And Spurlock has pulled out all the stops with this one. This book has definitely crossed the line to be a full-fledged celebration. Here’s the bells & whistles:
PAPER: Thicker, quality art-book paper than ever used in any prior Frazetta collection. This firmer paper helps achieve the highest quality of reproduction.
PROTECTIVE LAMINATION: Lavish combination of both matte & gloss cover laminations to dazzle the senses. While many top publishers scrimp by not providing ANY lamination, the new Frazetta collection doubles down to protect every cover smartly and with panache.
SIZE: 10.5 x 14.6 with spreads as wide as 21 inches: Larger pages and images than any previous Frazetta art book.
INDIVIDUALLY SIGNED: Even deluxe books rarely come signed but, this has not one, but TWO signatures; author J. David Spurlock and Frank Frazetta Jr, Director of The Frazetta Art Museum in East Stroudsburg PA.
VELUM PAGE “TIPPED-IN” BY HAND: When Vanguard does produce signed books, it is regularly on the front endpapers which is mounted to the inside front cover. But for Fantastic Paintings of Frazetta, the signature page was printed separately on a translucent velum parchment and bound, one at a time, into each book, by hand.
NEW LIGHTWEIGHT SLIPCASE: Vanguard’s new lighter-weight laminated slipcase keeps the deluxe book protected in style while conserving shelf space and minimizing shipping costs to retailers and Frazetta aficionados.
BONUS FOLIO: Sixteen extra pages of art including some very rare images, a newly discovered previously unknown and unpublished 1960s Frazetta movie poster run at a whopping 21 inches wide and, rare mid-1960s Creepy magazine art as never seen before, perfectly reproduced at full, Original Art Size!
Every year at San Diego Comic-Con, I tend to buy at least one book from the Vanguard booth. The at-the-booth conversations with J. David Spurlock are part of the fun. And if I miss him, I always get my pal Steve Rotterdam to do his Spurlock imitation. This year, of course, none of us will be stopping by San Diego Comic-Con. But there’s plenty of ways to buy this – and I always suggest going through your local comic shop or local indy book store. I was surprised to see that a book of this quality doesn’t have a $100+ price tag, and is reasonably priced at $39.95 The deluxe version, with extra pages and a slipcase, is $69.95.
The Fantastic Paintings of Frazetta would make any coffee table proud. And if your coffee table is too full, maybe it’s time to get another coffee table.
There’s a lot of change in the air, and in so many cases, it’s nice to see how the COVID crisis is bringing out our better angels – especially when it comes to publishers and retailers.
Inc. Magazine recently called Independent Bookstores “the baby seals of commerce–at once universally beloved and endangered.” The same could be said for comic shops, except for the universally loved part. Here’s an innovative ideas from forward-thinking entrepreneurs designed to create something positive for both these retailer channels.
Aftershock Comics has a program designed to help comic shops. It’s called S.O.S. which stands for “Support Our Shops”. This is a cool program that’s elegant in its simplicity. Aftershock created & printed a one-shot anthology comic, S.O.S., and is giving copies of it to comic shops that have been supporting their line, no strings attached! Comic shops can sell their copies at whatever price they set (it feels like at least a $5.99 comic to me), offer it as buy-one-get-one with other Aftershock comics, or just give it away to reward customers.
The comic itself is gorgeous! Painter David Mack delivers yet another hauntingly beautiful cover, full of hope and brightness, just like the comic itself. The issue is packed full of short stories from top creators wistfully celebrating fans’ interactions with and appreciation of comic shops.
Editor Joe Pruett has pulled together an impressive list of talents for this funny-book version of a charity concert. Contributors include Cullen Bunn, Steve Orlando, Leila Leiz, Stephanie Phillips, Marshall Dillon and more. In fact, I was pleasantly surprised to find Jerry Ordway’s story here, as I don’t associate him with Aftershock. But wow – he delivered in spades.
Look for S.O.S. at your local comic shop, ask them to get it for you if they don’t have it, and if they give it to you for free, give them a generous tip. It’s a fantastic book and worth every penny you can spare. And we want to encourage innovative thinking like this, as well as help comic shops and bookstores, don’t we?
If retailers don’t already have a relationship with Aftershock, they can go to the site where all the staff is listed. https://aftershockcomics.com
Most folks visiting this site know about Dr. Doom’s Time Machine, the Guardian of Forever from Star Trek or that little book written by Herbert George Wells called The Time Machine. Or at least they know about that fantastic DeLorean that Marty McFly drove.
Well, there’s one more Time Machine to add to the list – Gemstone Publishing’s The Overstreet Comic Book Price Guide #1 Facsimile Edition, a reproduction of the very first Overstreet’s Price Guide published in the fall of 1970. What a treat it is! This book is, at the core of it all, a snapshot of old comic book prices. But faster than you can say “Why, oh, why didn’t I buy multiple copies of Fantastic Four #1 for $30.00 back in 70?”, you realize it’s so much more.
This is also a celebration of fan-focused entrepreneurs (Fantropreneurs?) grabbing the reins of their industry. This was the time when fans, and especially one fan named Robert M. Overstreet, rolled up their sleeves, researched meticulously and published an industry bible that would become both a tradition and the foundation upon which a million collections were built.
There’s an important thing to remember. Back in the “old days”, when you finished with something, it was discarded. As a society, we didn’t collect or save magazines or comics. My Italian relatives would save bottles and paper bags, but comics didn’t quite fit into that category. There were collectors, but they were either breathing rarefied air (e.g. Art Collectors) or they were weirdos… who’s maturity was obviously stunted.
But the Guide, in assigning values to comics in such an authoritative way, publicly established economic value for comics. The outside world could respect that. Society back in the sixties or seventies might not have cared if Captain Marvel debuted in Whiz Comics #1 but they did care if an old funny book, with a newsstand value of 10 cents, was suddenly worth $235.00.
“Oh, if only my mother hadn’t thrown them out!” laments every non-collector.
(Note to my mom -thanks for never throwing out my comics. But I am still bummed you sold my Major Matt Mason Space Station at a garage sale.)
Beyond the prices, this facsimile edition also showcases ads that, once ubiquitous, have now morphed into curiosities. Passaic Book & Comic Center has the first ad in the book. And it’s fun to recall when Big Little Books were an adjacent collectible. (There don’t seem to be too many collectors any more, but I hope I am wrong.) And surely mail order legend Robert Bell deserves his time in the historical spotlight.
I’m so glad Gemstone’s VP of Publishing J.C. Vaughn and his team pushed for this delightful reproduction. Flipping through it sends me back in time, back when the world was shiny and new and full of potential. Or at least comic collecting was.
Beyond the toys, eggnog and family time, a nostalgic part the Yuletide season for me are books about comics. When I was growing up, there were just a few : Batman from the 30s to the 70s, Les Daniels’ Comix, Stan Lee’s Origins of Marvel Comics. But boy, did they make an impression on me. Today there’s a plethora of spectacular books available. Here’s a few of the best ones for your gift list consideration:
But there’s two sides to every story, and that’s the approach that John Morrow took in this brilliant book, STUF’ SAID. This book serves up a detailed step-by-step, quote-by-quote walk through the early days (and beyond) of the Marvel Universe. Morrow analyzes the roles of not only Stan Lee and Jack Kirby, but so many of the creators involved with the birth of Marvel.
For longtime fans, there’s a lot of nostalgia and new information. For new fans, it’s a balanced look at the real-life characters behind the fictional characters they love.
Books are great, but when you throw in a toy or two they are even better. Eaglemoss’ thorough book, STAR TREK SHIPYARDS is a chronological history (even though it’s all about the future) of the Starfleet starships. This edition includes a specially packaged with a die-cast collectible, the iconic U.S.S. Enterprise.
This book has it all – from the most obscure ships to the recent additions to the mythology from the STAR TREK: DISCOVERY series.
Written by Tom Peyer, Art by Chris Giarrusso and Richard Case. Cover by Richard Williams, AHOY! Comics
As Tom Peyer says, this collected edition is “Twice the colons! Half the Thrills”. HASHTAG: DANGER is a wickedly funny take on adventurer comics, like Fantastic Four or Challengers of the Unknown. Peyer, always acerbic and witty, starts at “11” and turns up the dial from there. At the same time, he is somehow able to let his authentic love of the source material shine though. The humor never seems mean-spirited.
Richard Williams, the celebrated MAD artist, brings an element of pseudo realism liberally mixed with kooky absurdity to the covers.
This trade paperback collects all the irreverent HASHTAG: DANGER stories from issues #1-5 of the AHOY! Comics series, plus the back-features from other AHOY! titles like HIGH HEAVEN and CAPTAIN GINGER.
Nick Parisi’s Rod Serling biography isn’t only for fans of The Twilight Zone. It’s also for fans of early television, scriptwriting and Planet of the Apes. And somehow, Parisi finds a way to celebrate Serling as a persistent entrepreneur – both winning and losing creative and economic battles. A great read!
Written by Phil Hester Art by Ryan Kelly, Aftershock
Phil Hester’s written a lot of great comics over the years, and Stronghold is another great one. It’s a quirky, creepy take on the Superman legend. This thriller reveals a clandestine organization that monitors the world’s most powerful man. This series blends a conspiracy feel mixed with an us-against-the-world vibe to create a compelling series.
FRESH HELL IN FITS
by Steve Cerio, Psychofon Records
Steve Cerio, a creative innovator and gallery artist who blossomed as part of the old NYC Comix scene, is back with another trippy book. His newest is subtitled “A False History of The Residents”, but the imaginative illustrations appeal to art lovers beyond that band’s fan base. Fresh Hell in Fits is also available as a special signed collector’s edition (only 33 copies) complete with extra goodies.
by Andrew Farago and Gina McIntyre, Insight Editions
This is the type of the book that you start in the morning, and when you look up again it’s getting close to bedtime. This lovingly thorough history of Batman touches all the bases, provides new information and is loaded with goodies. I must admit it’s a thrill to be reading about the Batman mobile from 1950s comics, and then to fold-out a set of blueprints.
$75.00 various levels 400 pp. • hardcover • ISBN-10: 1683834372
I’ve recently spent some time in the Syracuse University Archives researching old comic strips. It turns out they have an incredible collection of original artwork by top tier comic artists – everyone from Hal Foster to Frank Robbins. It’s quite a thrill and every time I view these originals I feel like a kid who’s successfully raided the cookie jar – and got away with it.
That’s how the new Monster Island book made me feel. You might remember Graham Nolan’s independent comic from about 20 years ago. It was a kick to follow along as two military folks fight their way across an island full of monsters. And it’s not Frankenstein or the Wolfman – these are monsters in the classic Kirby-Atlas Comics or Godzilla-TOHO studios mold. Big and scary and nutty and goofy and fun. My kinda monsters.
You’ve seen this format before. Scott Dunbier and IDW have essentially created the category we all call Artist’s Editions. These books are shot from the original pages complete with production notes, blemishes, corrections and handwritten scrawls. Reading one of these is the closest most of us will ever come to holding the original art in our hands for one sitting.
Graham Nolan is a strong artist, and he’s also a strong storyteller. He’s got a vibrant visual sense (I’ve been a fan since the old Hawkword series) and here, as the writer, he’s able to introduce big concepts and keep the story moving, all the while helping readers get to know the cute couple at the center of the story.
This volume is even more fun as it includes extras. Some as you’d expect, like the character sketches, are wonderful and whimsical. Of note are the comic strip versions of Monster Island. Years ago, Graham Nolan had repackaged the strip to sell to a newspaper syndication. His efforts never went anywhere (it’s a shame, as this thriller lends itself to this format), but it did lead to him getting the gig penciling the Phantom for several years.
The story is fun, but beyond that, I find Nolan’s efforts inspirational. He comes across as the kind of guy who has a vision and puts in the hours to see if he can make it a reality.
Kudos to him -and I am sure he has inspired up and coming creatives over the years.
Creepy and Engaging. To me, that’s the way every scary summertime story should be. Well, summer’s over but the latest from Aftershock, Midnight Vista, gave me that same type of feeling. I think that as I read this series during the fall, I’ll be able to keep that summertime vibe in the months ahead.
Up in the corner of every IDW cover, the corporate brand image has been temporarily modified to help celebrate the company’s (impressive) 20 years in business. The iconic IDW lightbulb icon implies a level of creativity and fresh ideas. And their new comic Mountainhead lives up to that – it’s fresh, different and gripping.
This series starts out telling the story of the Stubbs family – a father and son team who are always on the run and living off the grid. They break into houses and burglarize them. It’s not quite as straightforward as all that, though. One key tenet of their modus operandi is to not get sucked into the never-ending messaging of our consumer-focused society. The father reminds the son, Abraham, during a break-in, that “it’s all just stuff”. Additionally, the father reinforces the concept of not defining oneself by one’s possessions. That’s a great message, but when Abraham comes a across an electric guitar, the reader can see it gets more difficult to hang onto these highfalutin ideals.
For long-time comic readers, Summer also means Annuals. Clearly, they are no longer confined to only summer. The Star Wars Adventures Annual is full of all-ages adventures and is published by IDW. I love this idea and as a mature reader (i.e. older) I can both appreciate them… and then enjoy passing them along to younger readers. (I should use the hashtag #LetTheBrainwashingBegin).
Stan Sakai provides such a delightful cover that you might want to keep it in your collection. Oh, and look out for that other Star Wars character everyone loves to hate (I think he’s number 2 after Jar-Jar), Jaxxon the big green bunny.
It seems like yesterday to me when Marvel’s original Star Wars wrapped up, and the next story arc featured Han and Chewie on a Magnificent Seven-esque quest with various characters, including Jaxxon. He didn’t seem so bad back then, but, hey, what did we know?