Monthly Archive: November 2014

Mike Gold: The Fifth of November

v for vendettaThis is a special day at La Casa del Oro. It’s my daughter’s birthday. Adriane Nash, also a ComicMixer (if you wonder how she got that job, I strongly suspect years and years of working at and managing comic book stores played a significant part), turns… ah, it’s not my place to say. But she’s one year older than she was yesterday.

Adriane was born on November 5th due, in no small part, to her mother Linda’s fantastic sense of humor. In case you didn’t know, November 5th is also Guy Fawkes Day.

If you’re not an anarchist you might not know about Guy Fawkes. According to Wiki (as well as a couple dozen books in my library, just in case you’re uncertain of my politics) he was a member of a group of English Catholics who planned the failed Gunpowder Plot of 1605. This was a somewhat complicated plan to assassinate King James I on November 5 1605, blow up the House of Lords, and put a Catholic monarch on the throne. Make no little plans, as Daniel Burnham liked to say. Guy was in charge of the gunpowder they stockpiled in Westminster Palace. Somebody ratted him out and the government did what they did in those days: they spent several days questioning and torturing the malcontent, and ultimately he fessed up.

On January 31, the day of his execution, Fawkes jumped from the scaffold where he was to be hanged and broke his neck, a far, far, far less painful death than being drawn and quartered and semi-hanged and disemboweled and all that stuff you saw Mel Gibson go through in Braveheart. Brits just can’t let go of this one: on this date, Guy Fawkes Day, he is routinely hanged in effigy or tossed on a bonfire (his effigy, not his bones). Fireworks and frivolity ensue.

   Remember, remember!

   The fifth of November,

   The Gunpowder treason and plot;

   I know of no reason

   Why the Gunpowder treason

   Should ever be forgot!

   Guy Fawkes and his companions

   Did the scheme contrive,

   To blow the King and Parliament

   All up alive.

   Threescore barrels, laid below,

   To prove old England’s overthrow.

   But, by God’s providence, him they catch,

   With a dark lantern, lighting a match!

   A stick and a stake

   For King James’s sake!

   If you won’t give me one,

   I’ll take two,

   The better for me,

   And the worse for you.

   A rope, a rope, to hang the Pope,

   A penn’orth of cheese to choke him,

   A pint of beer to wash it down,

   And a jolly good fire to burn him.

   Holloa, boys! holloa, boys! make the bells ring!

   Holloa, boys! holloa boys! God save the King!

   Hip, hip, hooor-r-r-ray!

Oh, yes. Guy Fawkes and his story served as the inspiration for the truly classic Alan Moore / David Lloyd graphic novel V For Vendetta, which also happens to be my all-time favorite graphic novel. The likeness David employed became synonymous with the contemporary anarchist movement, the anti-World Trade Organization movement, and was also adopted by many in the Occupy movement three years ago.

Last Friday, I had one trick-or-treater wearing a V mask. Then again, I had another trick-or-treater dressed up as Ebola.

Both received extra candy.

 

101 Dalmatians Gets Diamond Edition Treatment in February

101 DamlmatiansPick your favorite spot to watch—anytime and anywhere—and get ready for a fun-filled adventure with the Diamond Edition of 101 Dalmatians! Pongo, Perdita and their super-adorable puppies are in for thrills, hilarious spills and an epic action-packed adventure when they face off with Cruella De Vil, Disney’s most fabulously outrageous villainess. When Cruella dognaps all of the Dalmatian puppies in London, brave animal heroes launch a daring plan to save all puppies from Cruella’s clutches! Unleash all the excitement and suspense of Disney’s 101 Dalmatians, a beloved classic you’ll want to share with your family again and again!

Cast:                                      Rod Taylor (Inglorious Bastards, The Birds) as Pongo, J. Pat O’Malley (The Jungle Book, Alice in Wonderland) as Jasper and Betty Lou Gerson (The Fly, Cats Don’t Dance) as Cruella de Vil

Producer:                   Walt Disney
 
Directors:                            Wolfgang Reitherman, Hamilton S. Luske and Clyde Geronimi
 
Writers:                               Story by Bill Peet. Based on the book “101 Dalmatians” by Dodie Smith
 
Release Date:                    February 10, 2015 (Direct Prebook: 12/16; Distributor Prebook: 12/30)
 
Product SKUs:                        Digital HD & SD, Blu-ray Combo Pack, Disney Movies Anywhere & On-Demand
 
 


Ratings:                                G in US & Canada (bonus materials are not rated)
 
Feature Run Time:          Approximately 79 Minutes
 
Aspect Ratio:                     1:33:1
 
Audio:                                  Blu-ray: 7.1 DTS-HDMA / 1.0 Dolby Digital (English); 5.1 DTS-HDHR (French) & 5.1 Dolby Digital (Spanish)
 
Languages:                         English, French and Spanish
 
Subtitles:                            English (ESL/SDH), French and Spanish

Your Guide to the Owning the Keys to the Batcave

Batman_10Warner Bros. Home Entertainment (WBHE) sets a new standard for accommodating Bat-fans from the uber-avid to caped-casual with the upcoming release of Batman: The Complete Television Series on November 11, 2014. The most anticipated home entertainment release of all time will be available in several distinct packaging choices with varying content and bonus materials. These offerings include multiple national physical options – most notably, the Limited Edition Blu-ray™ box set – as well as varying digital selections, and a few specialty alternatives.

Riddler_Pie“We understand the widespread demand for Batman: The Complete Television Series, and we also appreciate the varying degrees of fandom surrounding this release,” said Rosemary Markson, WBHEG Senior Vice President, TV Brand Management and Retail Marketing  “To that end, Warner Bros. Home Entertainment has created an option for virtually every fan’s level of interest, whether that be basking in the highly collectable Limited Edition Blu-ray set or simply enjoying this landmark series in its beautifully re-mastered exhibition on Blu-ray™, DVD or Digital HD.”

EggheadAs the ultimate collector’s pièce de résistance, the Limited Edition box set (SRP $269.97) is a numbered, beautifully packaged set and spotlights all 120 episodes in spectacularly-re-mastered footage on Blu-ray™. The package comes complete with an exclusive Hot Wheels® Replica Batmobile, 44 vintage replica trading cards, the Adam West Photobook with never-before seen images from Adam West’s private archives, an extensive Episode Guide and Ultraviolet Digital Copy of all 120 episodes. Also included is more than three hours of extended content with featurettes such as “Hanging with Batman,” a true slice of life in the words of Adam West; “Holy Memorabilia, Batman!” a journey into the most sought-after collectibles through the eyes of three extraordinary collectors; “Batmania Born! – Building the World of Batman,” which explores the art and design behind the fiction; “Bats of the Round Table,” a candid conversation with Adam West and celebrity friends like director Kevin Smith, DC Entertainment Co-Publisher Jim Lee, radio personality Ralph Garman and actor Phil Morris, chatting all things Bat ’66; “Inventing Batman in the words of Adam West,” a rare treat for the fans as Adam discusses his script notes on bringing Batman to life in the first and second episodes; and “Na Na Na Batman!” where some of Hollywood favorite’s stars and producers recount their favorite Batman memories.  Bonus features also contain a few goodies from the archives including Burt Ward’s original screen test with Adam West, the Batgirl pilot and more!

Penguin_21Also coming to retail stores on November 11 are the Batman: The Complete Television Series DVD set (18 DVDs, extensive Episode Guide, more than three hours of enhanced content, SRP $199.70) and Batman: The Complete First Season DVD set (5 DVDs, SRP $39.98).

DC Entertainment has also created a limited time only offer exclusive to comic book retailers that includes the Limited Edition Blu-ray set packaged with BATMAN: THE TV STORIES HC, a hardcover Batman ’66 comic book.

Fans hoping to add the Caped Crusader’s classic TV series to their digital collection will be pleased to find a trio of options available on November 11. When purchased as a bundle, the digital version of Batman: The Complete Television Series includes all three seasons of the series in either HD or standard definition, as well as the entire slate of enhanced content features from the physical complete series offerings.

In addition, individual seasons of the landmark series will be available digitally in either HD or SD. “Batman: Season 1” offers all 34 first-season episodes; “Batman: Season 2, Part 1” and “Batman: Season 2, Part 2” offer the first and second 30 episodes of that season, respectively; and “Batman: Season 3” has the final 26 episodes of the series.

In late October, there will also be a special Direct Response promotional program seen on television that will feature a few specialty editions of the series on Blu-ray and DVD. These include: the Complete Classic Batman Collection on Blu-ray (SRP $174.95) and on DVD (SRP $149.95), both of which include over 50 hours of entertainment, starting with all 120 episodes from the landmark series; and the Classic Batman Collection (SRP $99.95), featuring 64 of your favorite original broadcast episodes fully remastered in a 12-DVD set. These sets will be available to purchase via telephone or on batmanondvd.com.  All three options also come with:

  • Over 3 Hours of ALL NEW bonus materials (identical to Limited Edition box set)
  • Adam West Naked on DVD: Watch as Adam takes you behind the scenes of your favorite episodes!
  • The Original 1966 Batman Movie DVD starring Adam West and Burt Ward
  • Detailed Episode Guide
  • Your Own Show Script from the Episode ‘The Joker is Wild’
  • A Personal Letter from Adam West to you!
Michael Davis: The Milestone Contract

Michael Davis: The Milestone Contract

As luck would have it I now know why I’m not mentioned as a co-creator of Static, although I created the Static universe from my own life story. I’ve just found the original Static Shock TV deal Milestone did with Warner Bros. and it explains everything.

Here, in its entirety, is the 1993 Milestone television deal for Static:

In the unlikely event that someone here in Hollywood decides it’s a good idea to develop a live action Static show, said show can ONLY be broadcasted on B.E.T.

The show must air after Sanford & Son but before Good Times. It is to be broadcasted at 2am every MLK Day, but only during leap year. 

The role of Arnold Hawkins AKA Static must go to Gary Coleman and the role of Willis (formally Richie) must go to Todd Bridges. If one of those fine actors is dead or in rehab the network will wait until they are both available.

All the Milestone partners, save one, will receive credit. 

Let the name of Davis be stricken from every book and tablet, stricken from all press and news, stricken from every mention of Static.

Let the name of Davis be unheard and unspoken, erased from the memory of Milestone, for all time.

So let it not be written, so let it be done.

Bruce Seti I, V.P. Business Affairs, Jan.15, 1993

Yeah, we signed that deal. We were young, what can I say?

 

The Point Radio: Gavin MacLeod’s TV Love Affair

From classic character roles to MARY TYLER MOORE to the bridge of THE LOVE BOAT, Gavin MacLeod has entertained TV audiences for decades and his stint as Captain Stubbing is one he is especially proud of. Gavin talks about his favorite moments on the show and why it is so beloved even today. Plus we wind up our look at THE LEAGUE by talking with the brainy couple who started it all, Jeff and Jackie Schaffer.

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just  get the free app, iNet Radio in The  iTunes App store – and it’s FREE!  The Point Radio  – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE  – and follow us on Twitter @ThePointRadio.

REVIEW: The Newsroom The Complete Second Season

the-newsroom-season-2-dvd-351_500We’re now in the first sweeps period of the current television season and its fair to say that while several new series are entertaining, few are measuring up to our increased expectations. As a result, it’s refreshing to see that in one week, one of the smartest shows is returning albeit for a truncated final season.

Aaron Sorkin’s The Newsroom debuted on HBO in June 2012 and was immediately declared better than Studio 60 but stilnewsroom S2 1l no West Wing. It has remained, though, a riveting series that reminds us that serious journalism remains an elusive ideal on television. The series is set in the immediate past, using real world events so the audience can focus on how the noble, flawed characters react and cover the stories.

The second season, out tomorrow (Election Day appropriately enough) in a three-disc box set from HBO Home Entertainment, has a major arc showing how the team ran a story after doing their due diligence only to have it blow up in their face. Using flash forewards and flashbacks, we see how things unfolded to the point where  ANC’s lawyer (Marcie Gay Harden) interviews the key players to figure out how things really happened and what to do. In the meantime, several of the core characters also have their own trials and tribulations, enriching each episode.

news room grace-gummerWe pick up the season later in 2012 as the nation readies itself for Election Day and we see producer Jim Harper (John Gallagher Jr.), unable to get over his fractured relationship with Maggie (Alison Pill), assign himself aboard Mitt Romeny’s press bus, giving us a fresh look at the tedium of campaign coverage and the risks one takes when asking the hard questions the road-weary veterans refuse to ask. Along the way, a budding friendship with rival reporter Hallie Shea (Grace Gummer) begins.

The-Newsroom-Unintended-Consequences-Alison-Pill3jtMaggie, meanwhile, pitches a story in Africa and travels to a Ugandan orphanage where horrific things happen, emotionally and psychologically scaring her. Already broken up with Don (Thomas Sadoski) because of her enduring affection for Jim, she’s on the verge of a major breakdown.

the_newsroom_2-8The big story, though, is Operation Genoa, brought to MacKenzie Hale’s (Emily Mortimer) attention by Jim’s fill-in, Jerry Dantana (Hamish Linklater). As they investigate it, we see Charlie Skinner (Sam Waterston) insist the Red Team vet the story time and again before everyone is comfortable with going live with the story of US Marines using Sarin gas in Afghanistan.

The most frustrated member of the staff may be Neal (Dev Patel) who is trying to get Will McAvoy (Jeff Daniels) to take the Occupy Wall Street movement seriously.

newsroom-embed1The season unfolds across nine densely packed episodes covering August through November but at its heart is the romance between Will and Mac, so their engagement is a satisfying high point as the season draws to a close. It’s more strongly written while remaining optimistic about the noble profession of journalism, imbuing the entire ANC staff from owner Leona (Jane Fonda) down to the lowliest intern (Riley Voelkel) with high-minded ideals. If only more dramas aimed so high.

The-Newsroom-The-112th-Olivia-Munn-and-Jeff-Daniels4jtThe discs are crisp and fine to watch with good sound. We get four audio commentaries that are largely disappointing as creator Aaron Sorkin, producer Alan Poul and some of the cast meander about everything under the sun rather than enlighten the audience with the whys and wherefores of the season. The most interesting revelation is that during production, Sorkin realized he had written himself into a corner and revised upwards of 60% of the first three episodes and HBO allowed them to reshoot. Among the handful of deleted scenes is one from the first version of the season opener, spotlighting Oliva Munn’s Sloan, who emerges as the strongest character of the season. Each episode comes with the previously broadcast Inside the Episode, with Sorkin providing some good insights.

REVIEW: Maleficent

maleficent-dvd-coverGregory Maguire had no idea what he was unleashing when he wrote Wicked: The Life and Times of the Wicked Witch of the West in 1995. Since then, a tremendous amount of energy has been spent on revisiting the antagonists from fairy tales to modern fiction in an effort to explain their motivations. Quite often, the opponent is more interesting than the protagonist so there’s an appetite to understanding what made them “evil”.

Another trend has been taking the classic fairy tales and first making them into palatable Disney animated fare followed by live-action adaptations and stage editions. By combining the above, we arrive this year with Maleficent. Perhaps the single most arresting visual in the Disney rogues gallery, this cunning sorcerer has given generations nightmares since the cartoon version arrived in 1959.

Maleficent-2With Angelina Jolie as the title character, this had the making of a fascinating character story hidden under layers of action, adventure, and humor as she cursed young Aurora who went on to become known as Sleeping Beauty.  The pedigree both before and behind the camera promised a grand experience which is why the final product, out Tuesday as a DVD Combo Pack, is so disappointing.

aurora-maleficent-poster-articleLinda Woolverton, who has virtually lived writing fairy tales for Disney since Beauty and the Beast in 1991, seemed a perfect choice for the project. She dutifully did her homework and found a key to understand why Maleficent was evil. In the Charles Perrault and Brothers Grimm retelling of the story, she was a fairy and fairies, after all, have wings. Once she asked, “where are Maleficent’s wings?” that he story was found.
Maleficent-3The film tells of young Maleficent (Ella Purnell and Isobelle Molloy), an orphan fairy, who is somehow the leader of the mystic realm known only as the Moors. When an orphan human, Stefan (Michael Higgins, later Sharlto Copley), wanders from his adjoining lands, an unlikely friendship develops. But then he vanishes and the next time we see him he is a servant to King Henry (Kenneth Cranham) and we’re told, but never shown, he had become greedy. Instead, Henry leads a vast army towards the Moors where he is repelled by Maleficent and her enchanted allies where he is mortally wounded.

Stefan renews his acquaintance with Maleficent in order to kill her and become heir to the throne. When he drugs her, after forgiving him his absence, he finds he cannot end her life but instead steals her wings, effectively ruining her and winning him the throne. Now she’s pissed and seethes and rages and summons heretofore unseen occult energies and becomes the recognizable evil power.

Maleficent 1Woolverton is so busy building up Maleficent and making her sympathetic that she’s forgotten to make the humans anything more than one-dimensional beings. Why does Henry want to conquer the Moors? There is no apparent enmity between them nor reason to gain the land? Why is Stefan so ambitious, forgetting his friendship? Everything the humans robs the film of being a well-rounded story.

Similarly, the three fairies who arrive to first bless then care for Stefan’s daughter Aurora (Vivienne Jolie-Pitt, Eleanor Worthington Cox and finally Elle Fanning) are played for comedic effect but fail at being funny, just inept, wasting the talents of Imelda Staunton (Knotgrass), Juno Temple (Thistlewit), and Lesley Manville (Flittle). The crow Diaval (Sam Riley) is enchanted by the witch and is at least interesting to watch. Memorable supporting players would have made this a far stronger film.

The most interesting development Woolverton and director Robert Stromberg bring to the story is the quasi-mother/daughter relationship between Maleficent and Aurora, who is gifted with such a kind soul that she mistakes Maleficent not as the bane of her existence but as her fairy godmother. This leads a fine twist in the retelling of this classic tale.

Aurora-costume-designThe effects are swell, the dragon transformation and climax strong but the underlying motivations are so weak that it really robs the film of the strength of its themes. As a result, this 97 minute story disappoints more than it thrills. Clearly, though, I am in the majority since its worldwide box office is over $750 million.

The film comes as a Blu-ray, DVD, Digital HD combo pack and the high definition transfer is rich and wonderful to watch. The 7.1 DTS-HD Master Audio is a fine companion so young girls everywhere should enjoy it time and again.

For the adults, there are some nice Bonus Features, notably the five Deleted Scenes, at least two of which address the issues I raise above. Aurora: Becoming a Beauty is a lightweight look at how much Elle Fanning enjoyed becoming a princess. From Fairy Tale to Feature Film features Woolverton talking about the process without anywhere near enough time tracing the source material. Building an Epic Battle looks at the cinemagic involved in this particular action sequence while Maleficent Revealed looks at the rest of the digital effects but does so without much in the way of explanation o you just stare at before and after images as they speed by. Classic Couture examines the fine apparel worn by the characters (and probably deserves an Oscar nomination).

Our Ostrander Update!

John OstranderArtist Mary Mitchell informs us our pal ComicMix columnist, noted comics writer, actor, playwright and all-around swell fellow came through his triple bypass surgery with flying colors (or maybe that part was the anesthesia). Within 24 hours, he was walking with only minor assistance, having meals with Mary, making the hospital staff laugh their asses off, and thinking as clearly as before. At least.

I can’t even begin to tell you how happy we are. Continue your speedy recovery, John! We-all love you and miss you.

New Who Review – “Dark Water”

Some will say they knew all along, and some are still scraping their jaws off the floor  A big surprise, a BIG surprise.

DARK WATER
By  Steven Moffat
Directed by Rachel Talalay

Deciding to come clean with her boyfriend Danny, Clara begins to bear all to him over the phone, only to have the call, and his life, cut short as Danny is struck fatally by a passing car.  Clara passes through the five stages of grief off camera, and advances to step six – Plan To Get Him Back.  She attempts to threaten The Doctor into saving him, but learns quickly that it’s not necessary.  As they arrive in a bizarre mausoleum, Danny awakens on the other side of the equation, in the same office where we’ve seen several people arrive, having it explained to him that he’s dead.  The Doctor and Clara are told a wild story – a discovery about the afterlife that has caused a change in the mortuary industry.  But in fact, the bodies are not being protected from harm, but harvested for organic base materials by the Cybermen.  But it turns out there’s not one old foe to face, there’s two – the enigmatic Missy is in fact The Doctor’s old foe The Master, back again, in a new form, and clearly playing the long game.

As thrilling as the reveals were in the episode (especially the final one), not a great deal happens. We finally learn about the background of Danny Pink, in a series of very good scenes, played well by Samuel Anderson.  But largely, the episode is set-up for next week’s finale – we learn who the foe is (are), we learn about the plot, and that’s about it.  Lots of good acting between Capaldi and Coleman, not to mention a welcome return from Sheila Reid as Clara’s Gran.

Given the nature of this story, we must note the SPOILER ALERT. Proceed with caution.

GUEST STAR REPORT –

Rachel Talalay (Director) started her genre career right at the start, directing the Nightmare on Elm Street sequel Freddy’s Dead: The Final Nightmare, a title that managed to lie twice.  She directed the…divisive…Tank Girl, and Ghost in the Machine, a film with a story somewhat thematically linked to this one.  The majority of her career has been in television, both here in the US and the UK.  She directed two episodes of Randall and Hopkirk (Deceased), some Ally McBeal, and more recently Kyle XY and the…divisive…Flash Gordon series from Syfy.

THE MONSTER FILES – The Cybermen have had quite a few appearances in the new series,  most recently in this new design in Neil Gaiman’s Nightmare in Silver. Our universe’s version of the cyborg monsters came from the planet Mondas, a tenth planet in the solar system that was ripped from orbit.  The denizens of the world slowly replaced their body parts to survive, and eventually became a race that saw what we call the Singularity as the logical progression of life.  The version of the Cybermen we’ve seen in the new series are from a parallel dimension colloquially known as Pete’s World, after Rose Tyler’s father.  Inventor John Lumic created them as a new step in evolution, but as happens, his invention got out of hand.  There’s been a question all along of whether the Cybermen we’ve seen in recent years are some amalgamation of the Pete’s World and Mondasian Cybermen.  Considering one of the promo shots for this adventure featured The Doctor holding the head of a classic series Cyberman, we may finally see the question at least addressed.

The Master was created simply to be the Moriarty to The Doctor’s Sherlock.  Played originally by the late Roger Delgado, The Master remained a threat to the universe through the original and new series, and even the TV movie, played by Eric Roberts.  His history kept under wraps, it’s known that he and The Doctor knew each other from the Time Lord Academy, being members of the student think tank The Deca.  Rumors have bubbled about that before Delgado’s passing, there was to be an adventure where it would be revealed The Doctor and The Master were brothers – of course, since it was never written, one could claim it never happened.  The Master has always had a habit of working in the background, often behind the thin veil of a play on words pseudonym.  Even the name used when John Simm played him, “Mister Saxon” was an anagram of “Master No. Six”, as in the sixth actor to play the role.

BACKGROUND BITS AND BOBS

DWDarkWater3PLEASING PETER TO PLAY PAUL’S – The scene of the Cybermen streaming out of St. Paul’s is a clear hat-tip to the iconic scene from the lost Troughton adventure The Invasion, which featured among other things, the first appearance of UNIT, who will feature heavily in the next episode.

“Shut up – stay Shut Up” – More examples of Clara becoming more like The Doctor – this is is a reflection of how The Doctor asked everyone for a bit of shush in Time Heist.

“All of the stuff that I did wrong” – The Post-Its all over Clara’s bookshelves have references to adventures from this season, with a couple of interesting unseen references – I don’t recall an adventure with a “Miniature Clara,” and there’s only on Jenny I can recall, and if she’s shown up again off camera, a lot of people are going to demand we go back and get a look.

“The car – it just came out of nowhere” – This is a very good description of how Pete Tyler was killed in Father’s Day. After Rose brashly decides to save him, thus bollixing up the time line the car that was to have hit him keeps passing the same point on the road, giving Pete the chance to put thins right by letting happen what has happened already.

“I am owed” – Clara has literally saved The Doctor’s life an incalculable number of times by stepping into his timeline and fixing the havoc wrought by The Great Intelligence.  It’s not clear exactly how much time has passed since the accident, but it can’t be more than a couple days – the flowers are still fresh in her kitchen.  It’s hard to know how long she’s been planning this little gambit of hers, or how long she’s been letting that phone ring.

“You told me what it would take to destroy a TARDIS key” – Let the mash-ups between this scene and the end of Lord of the Rings commence.

“All seven” – Between the Pertwee and Baker years, there was a stage play called Doctor Who and the Daleks in Seven Keys to Doomsday, for which the number of keys is surely a hat-tip. And in case you missed it, one of the keys was hidden in a copy of The Time Traveler’s Wife.

“If I change the events that brought you you here, you will never COME here and  ask me to change those events” – This is a textbook description of the Grandfather Paradox.  As Isaac Asimov explained it once on Cosmos, “If I go back and kill my grandfather, I will never be born, which means I will never go back to kill him, which means he’s not dead, which means I CAN go back and kill him”.  While every sci-fi fan can think of dozens of ways to get around that little catch-22, it always seems inviolate in the context of a story…until it isn’t, of course.

A big question might be why Clara saw the need to go straight to threats and chicanery to get this sorted.  Likely she’s seen The Doctor go on about the laws of time so many times she knew what he’d say, but as we see, she’s clearly and obviously wrong.

“Remember we did this before” – Clara found Danny accidentally in Listen – here they’re doing it again, but on purpose. And once again, they show up at a moment important to Danny’s life, namely the bit at the end.  There’s a question of exactly when they’ve arrived, though.  Based on what we’ve seen in past episodes, people’s exit interviews, for lack of a better term, seem to occur immediately after passing.  This would mean they are in fact a few days in Clara’s past, immediately after the accident.  But if there’s the chance that the process of scanning and encoding of the mind onto the Nethersphere takes some time, they may be in her present, or a bit more.

“White Noise off the telly” – in the world of parapsychology, this is known as Electronic voice phenomenon, the idea that the background noise on broadcasts and recording are supernatural in nature.  The movement also sparked a horror film starring Michael Keaton.  The idea of voices coming out of the TV was also touched on in modern Clara’s first adventure, The Bells of St. John.

“I feel like I’m missing something…obvious” – Well, yes, but it’s hardly the first time.  He failed utterly to recall the Madame DePompadour in Deep Breath (although in fairness, he didn’t actually learn the name of the ship) and he completely forgot the existence of the Great Intelligence a year before that.  Well, you have a couple thousand years of memories, a few are going to slip through the cracks.  That’s surely why he keeps a diary.  And BTW, as fun as the moment was then the penny dropped, I can only imagine how great it would have been if we hadn’t all already known the Cybermen were in the episode.

“My Birthday, when is it?”  – November 23 is not only Clara Oswald’s Birthday, it’s the birthday of Clara Oswin Oswald from The Snowmen, and presumably that of Oswin Oswald in Asylum of the Daleks. And yes, it’s the date that Doctor Who was first broadcast in 1963.

That’s a Matrix dataslice – a Gallifreyan hard drive” – The Matrix, also referred to as the APC net, was a massive repository of the memories and personalities of past and passed Time Lords.  The Doctor entered the Net in The Deadly Assassin, and experienced it as a virtual world.  So yes, there was a computer-based virtual world called The Matrix several decades before those two fellows decided to put Keanu Reeves in one.

“Imagine you could upload dying minds into that – edit them, re-arrange them” – Oh, you mean like The Library did for CAL in Silence in the Library / Forest of the Dead? A computer that houses the mind of River Song? A story written by Steven Moffat? Odd that there’s a similarity there, eh?

“We can help with all these difficult feelings” – Have you caught the similarity for all the people who’ve appeared in the Nethersphere?  They’re all military – The half-faced man was in charge of his ship, Gretchen was a soldier, the policeman had at least regimental police training, and Danny served in the Middle East.  Perfect fodder for warriors, once you get rid of the emotions.  The goal for the minds in the Nethersphere is to be downloaded into Cybermen.  In the past, an emotional inhibitor would prevent the human portions of the system from going mad from the experience.  Similarly, the trauma of having the emotions forcibly erased would likely damage the psyche, rendering them unusable.  But if you could get the person to delete the emotions willingly, a la Eternal Sunshine of the Spotless Mind, that would result in a clean slate to build on the trained military base mind.  Chilling and efficient.

“I’m Missy…short for Mistress” – As in his appearance in The Sound of Drums, The Master has clearly been setting up this plan for a long time, enough to set up the fake “white noise” discovery, get the multiple 3W institutes built, no to mention harvest the dying minds.  Indeed, considering the first ones we saw collected were from the Victorian era and centuries in the future, one wonders if she’s been grabbing minds for centuries, or somehow able to pluck them from across time. And if you want to have one more recurring idea, The master is once again taking the human race, putting them in metal casings, and using them as an army.  Last time he was doing it to living humans and calling them the Toclafane, and now it’s with dead ones and making them Cybermen, but largely it’s a very similar plan.

“You know the key strategic weakness of the Human Race…the dead outnumber the living” – So yeah, basically this is a zombie movie with sci-fi trappings.  We got a mummy a few weeks back, we’ve had vampires and werewolves, so why not?

BIG BAD WOLF REPORT

LORDS AND LADIES – People have clamored for a female Doctor for years; surely a female Master is progress?  After a few teasing mentions that it was possible for a Time Lord to switch gender during regeneration, this is the first time we’ve seen it on screen.

The last time we saw The Master was at the end of The End of Time, being sent back into the time lock with the rest of Gallifrey and the high council of the Time Lords.  Since then we have learned that the entire planet Gallifrey was spun sideways out of the universe entirely, giving the impression that it had been destroyed in the Time War with the Daleks (who of course have not been seen since).  The Time Lords were able to slip enough energy to reset The Doctor’s regeneration cycle, so one must presume that there might have been enough space to let one Time Lord pass through as well.  One must hope we’ll here more about how he came back, and became a she, in the coming week.

“Clearly you have not received the official 3W greetings package” – Theories about the exact relationship between The Doctor and The Master are manifold.  But considering Missy described The Doctor as “my boyfriend” at the beginning of the season, and the fervor of the Louisiana Lip Lock she slaps on him here, one could be forgiven for suggesting that this new gender permutation affords The Master some latitude in her attitude.

“Have you ever killed anybody?” – One of Danny’s students asks him this in the first scene we meet him, and here the question is at the end of the series getting answered.  The event is clearly something that affected him seriously – it’s likely the event that made him leave the military.

“Be strong, even if it breaks your heart” – Surely the latest lesson in How To Be The Doctor.

DWDarkWater2“I love you” – Some are claiming that this is a clue that this isn’t really Danny, or an incomplete simulation of him.  I think it’s more obvious than that – Danny is sacrificing himself for Clara.  It’s not that he can’t remember the little details about their life, he just can’t believe she’s testing him at this very stressful moment. So when she threatens to end the call if all he can say is “I love you”, he’s pushing her away so she won’t come to this horrific place and risk getting trapped there.

NEXT TIME ON DOCTOR WHO – UNIT fights the Cybermen again, and The Doctor has a great fall.  Death in Heaven is a week away.

John Ostrander: So How Was It For You?

We’re now well into the new TV season and there were a number on new shows to which I was looking forward as well as some returning ones. I’ve now seen at least one of each and have formed some opinions. Since that’s what this column is all about, off we go.

On the returning shows, let’s start with The Blacklist. I was wondering if it could maintain momentum but so far it has, anchored by James Spader’s mesmerizing performance as Raymond “Red” Reddington. Terrifically charming, utterly lethal, ready with a quip, a story, or a bullet, Spader gives a wonderful performance.

I also wondered about Castle and the “cliffhanger” with which they left last season. They aren’t explaining things right away, making what happened part of the overall mystery for this season. It’s working. It feels as if there’s new steam in the engine and I’m enjoying the ride.

Arrow remains a little sudsy for me. I mainly tune in to see if Amanda Waller shows up; no sightings so far but she’s mentioned a fair amount. They’ve made Green Arrow (here just called “Arrow”) very dark and grim ‘n’ gritty. It’s like it wants to be Batman, without having Batman.

Marvel’s Agents of S.H.I.E.L.D. is a show I came to enjoy last season and it’s better this year. It’s throwing in some supervillains and characters known from the Marvel Universe and I look forward to it each week. There are some characters I would drop (buh-bye Sky) but it’s a good series.

On to the new shows. Let’s start with Gotham, the other non-Batman Batman show. I’ve long felt that the city is as important a character in the Batman mythos as any of the other characters but I don’t know if it works as the central character. It’s not helped by Ben McKenzie’s performance as Detective James Gordon. He plays everything stone faced and one note; he’s the only one who is like that in the show. Robin Lord Taylor as Oswald Cobblepot {the Penguin) is far more animated, almost over the top, and more fun to watch. To be honest, I’m not sure I’ll be sticking with this show.

I was really looking forward to Constantine and, by and large, I’m pleased. It looks right, it sounds right, it keeps largely to the mythos in the comic book. My main caveat so far is that Matt Ryan’s John Constantine is a little too guilt ridden and tortured. He could use more snark and be a bit more of a bastard. It’s as if the show runners want to make sure that we like Constantine and find him sympathetic. They should take a look at Peter Capaldi’s Doctor on Doctor Who or, again, James Spader on The Blacklist. You don’t have to love them but it’s hard not to watch them.

And then there’s The Flash, my fave among the new shows. DC seems to be about gloom, doom, and grim in order to show how serious they are. The Flash is light, bright, has fun, and makes good use of the comic’s backstory and the Rogues Gallery while adding their own characters and adding new slants on so much. It makes everything feel fresh.

I like Grant Gustin as Barry Allen/The Flash. His Barry is younger than in the comics but I think that works to the series’ advantage. The character is learning how to use his new found ability – its limitations and applications. And he enjoys being The Fastest Man Alive and he wants to be a hero. That is also refreshing in this day and age of tortured, self-doubting characters.

He also has a good supporting cast and some are stand-outs. It’s a pleasure to see John Wesley Shipp (who played The Flash in the earlier TV version) cast as Barry’s Dad who is in prison for a crime he didn’t commit: the murder of Barry’s mother. It’s a nice tip of the hat by the producers; they didn’t have to do it but they did and that’s classy, in my book. And Shipp does a good job.

The other stand-out in the supporting cast is Jesse L. Martin as Detective Joe West, father of Iris West, Barry’s great love and wife in the comics and here just a friend… so far. Martin has always been a good actor; I remember him especially on Law & Order where he was a favorite of mine among the cops, right behind Jerry Orbach and Chris Noth. Here he’s a mentor and father figure to young Barry. I hope they keep him around.

So – that’s my scorecard so far this season. I don’t know how they’re doing in the ratings but I hope most of them stick around. There will be more comics related shows a-coming on both the big screen and the little one until it exhausts the genre and maybe goes the way of the Western.

Or the vampire.