Monthly Archive: February 2012

You Can Help Save The Universe Of Super Heroes!

The Universe Of Super Heroes has been serving Jacksonville, Florida for twenty years this year. We want to stick around for at least 20 more! Come make sure that happens! This Friday from 11 AM to a very late closing time, they will be doing a large sale and fundraiser. Manager Stephen Ezell writes:

We will be having fun at the shop! There will be a full size Tardis, and the best “Doctor Who” ever will be up here fixing things with his wit and sonic screwdriver!

11ish AM We open and will be having a back issue sale! The sale will last all day! All Back issues Buy 4 issues get one free (equal or lesser value of the lowest priced issue bought.)

5:00 to 6:00 PM CASH MOB! Spend more than $20 CASH within this hour and get a prize!

7:00 PM We will have a Raffle so be sure to buy a ticket for only $2.
Prizes will be revealed the day of.

9:30 PM we will start the Show! Jackie Stranger, DigDog, Tuffy, and Ghostwitch will be rocking in the stacks! BYOB, and stick around for some fun!

Remember folks, that’s the  SAVE THE UNIVERSE PARTY!at Universe of Super-Heroes, 2724 Park Street, Jacksonville, FL 32205. Tell ’em ComicMix sent you.

MIKE GOLD: Important Advice For Comics Artists

Hardly a day goes by without my asking myself “How did all this crappy art get published?”

Now, before all you upstarts get bent out of shape, please appreciate the fact that I’ve been asking this question since about the time Freedom 7 was launched. (Note to self: After gawking at Brian Bolland’s Blog, please don’t look at anybody’s comics art for at least three hours. You’re not giving them a chance.) The difference is, there are a hell of a lot more comic books being published these days. Whereas I think the comics medium beats out Sturgeon’s Law, there’s a hell of a lot of crappy art out there, and much of it is below what I consider to be professional standards.

Over my career I’ve spent a great deal of time evaluating newbie portfolios, and while I feel doing this at the larger, crowded conventions generally gives the young wannabe short shrift, like most geriatric editors I’ve developed a mental go-to list of comments that, if followed, will likely give direction to the newcomer. Since I’ve grown anti-social of late, I’ll share some of these points with you.

Stare at something other than the comics you grew up with. And don’t spend all that much time staring at comic books published before your birth – yeah, study the classics like Toth, Kubert, Kirby, Kane, Maneely, Wood, Adams, Barks and Toth, but learn from the great newspaper strip creators like Milton Caniff, Frank Robbins, Floyd Gottfriedson, Alex Raymond, and Frank Godwin. Spend some time gawking at the great illustrators like J.C. Leyendecker, Maxfield Parrish, Norman Rockwell, Howard Pyle, and NC Wyeth. Go to a few art museums. There is no more enjoyable way to pay your dues.

Get a large jar and label it “Photoshop Copy Machine.” Every time you use Photoshop or any other graphics program to copy your art so that you can use it later in lieu of drawing something new, put $20.00 in the jar. When you fill it up, donate the money to The Hero Alliance or CBLDF. The eye tires of the same old stuff, particularly when you repeat the same image within a few pages. Sometimes there is a solid storytelling reason to rerun your work within the same story, but like all dramatic effects these are few and far between and should only be used sparingly.

Get a smaller jar and label it “Son Of Photoshop Copy Machine.” Every time you use Photoshop or any other graphics program to copy somebody else’s art, put $10,000 in the jar. Then find some other fulfilling way to make a living. I suggest procuring a domino mask, a striped shirt, and a gun.

There’s an old adage that proclaims “color will save it.” More often than not, this statement is attributed to the late DC Comics production whiz Sol Harrison, who got his start as an engraver on Superman #1 and in his spare time did watercolors. Unfortunately, Sol was wrong. Color will not save bad art. Not even the most heavy-handed computer color. Bad art is bad art. Or, to be less subtle, shit stinks.

Go buy a copy of [[[Gray’s Anatomy]]]. Not the teevee show, silly, the book written and drawn by Henry Gray first published 154 years ago. Whereas the book has been updated frequently, the human body has not. I am not concerned with your religious predilection, but no matter which hoary thunderer or cosmic muffin you might worship, if you intend to draw the human figure for a living this is your new bible. I cannot stress this more highly.

Study storytelling. As the artist, you carry the burden of telling the story. You are not an illustrator illuminating somebody else’s story: you’re the person putting it across the plate. Your friend over there should be able to get a good sense of the story by looking at your unlettered original art. Go get Will Eisner’s Graphic Storytelling and Visual Narrative, and Will Eisner’s Comics and Sequential Art: Principles and Practices from the Legendary Cartoonist and Scott McCloud’s Understanding Comics. Take these three books, add the aforementioned Gray’s Anatomy, and don’t pick up the pencil or the Wacom tablet until you have studied and thought about each and every word in these four books.

Do not stop drawing. Question your alleged need to watch television, play video games, associate with people, eat, and bathe. Each of these activities takes valuable time away from your perfecting your craft. Trust me; once you get an assignment with a deadline, you won’t have time to watch television, play video games, associate with people, eat, or bathe.

Don’t give up. A newbie comic book artist who had just blown a couple deadlines once told me “If I can’t do this, I might as well flip burgers.” Well, today this guy is not flipping burgers. He became a comic book writer.

Drawing comics is no different than any other vocation: you’ve got to learn your stuff. Don’t look at the worst people being published and say “I can do better than that.” We’ve got enough crap. Aim high and don’t jump into the water until you know you can swim to the other side.

THURSDAY: Dennis O’Neil

WEIRDNESS, ADVENTURE, AND AN EXCLUSIVE STORY FROM WHITE ROCKET BOOKS! ALL IN PRO SE PRESENTS #7!

Pro Se Productions announces the latest issue in its Award Winning Magazine line!   Recognized as the Best Pulp Magazine for 2011 by the Pulp Ark 2012 Awards, Pro Se Presents #7 Brings Thrills and Chills Like None You’ve Ever Seen! Fan Favorite The Silver Manticore returns for another story! Noted New Pulp Author Van Allen Plexico debuts his latest novel character, HAWK, in a story exclusive for Pro Se! And Frank Schildiner’s newest Weird Hero, Lee Cohen, Monster Mobster, debuts and is featured on this stunning cover by Sean E. Ali! Get Scared, Spaced, and Masked all in this issue of PRO SE PRESENTS! 

Pro Se Presents #7 is now available in print for $6.00 at Amazon, at https://www.createspace.com/3807811, and at www.prosepulp.com!  Also available for $1.99 as an Ebook on Kindle via Amazon, on the Nook via Barnes & Noble, and in all formats at www.smashwords.com!

Featuring the fantastic Formatting and Design work of Sean E. Ali, including a stunning cover spotlighting Schildiner’s story, as well as interiors by Ali and Rowell Roque,  Pro Se Presents #7 continues the Pro Se Mission of Puttin’ The Monthly Back Into Pulp!

Production Finally Begins on Disney’s The Lone Ranger

lone-ranger_clayton-moore-mask1-300x178-1762115BURBANK, Calif. (February 28, 2012) — Production has commenced on location in New Mexico, Arizona, Utah and Colorado on Disney and Jerry Bruckheimer Films’ epic adventure “The Lone Ranger.” The film reunites the filmmaking team of the first three “Pirates of the Caribbean” blockbusters—producer Jerry Bruckheimer and director Gore Verbinski—with Johnny Depp, who created Captain Jack Sparrow in his iconic, Academy Award®-nominated performance and contributed the voice of the title character of Verbinski’s Academy Award-winning “Rango.”

Depp plays spirit warrior Tonto in “The Lone Ranger,” with Armie Hammer (“The Social Network,” “J. Edgar”) starring in the title role. Depp and Hammer are joined by a prestigious international cast which includes Tom Wilkinson, two-time Academy Award nominee (“Michael Clayton,” “In the Bedroom”) and Golden Globe® and Emmy® winner (“John Adams”); William Fichtner (Jerry Bruckheimer’s productions of “Armageddon,” “Pearl Harbor” and “Black Hawk Down”); Emmy Award-winner Barry Pepper (TV’s “The Kennedys,” “True Grit,” “Saving Private Ryan”); James Badge Dale (“The Grey,” TV’s “The Pacific” and “Rubicon”); Ruth Wilson (television’s “Jane Eyre” and “Luther”); and two-time Academy Award nominee and six-time Golden Globe nominee Helena Bonham Carter (“The King’s Speech,” “Alice in Wonderland”). The film is slated to open on May 31, 2013.

disney-logo-300x72-7170628“The Lone Ranger” is a thrilling adventure infused with action and humor, in which the famed masked hero is brought to life through new eyes. Native American spirit warrior Tonto (Johnny Depp) recounts the untold tales that transformed John Reid (Armie Hammer), a man of the law, into a legend of justice—taking the audience on a runaway train of epic surprises and humorous friction as the two unlikely heroes must learn to work together and fight against greed and corruption.

“The Lone Ranger” is written by Ted Elliott & Terry Rossio of “Pirates of the Caribbean,” Eric Aronson and Justin Haythe. The executive producers are Mike Stenson, Chad Oman, Ted Elliott, Terry Rossio, Eric Ellenbogen and Eric McLeod.

Jerry Bruckheimer and Gore Verbinski are joined by a remarkable team of behind-the-scenes artists, including director of photography Bojan Bazelli (Verbinski’s “The Ring,” “Mr. and Mrs. Smith”); visual consultant Mark “Crash” McCreery (production designer of Verbinski’s “Rango); costume designer Penny Rose (“Pirates of the Caribbean” films); film editor James Haygood (“Panic Room,” “Fight Club”); visual effects supervisor Tim Alexander (“Rango,” three “Harry Potter” films); Academy Award®-winning special effects supervisor John Frazier, a 10-time nominee whose previous collaborations with Jerry Bruckheimer have included “Armageddon,” “Pearl Harbor” and, with Verbinski as well, “Pirates of the Caribbean: At World’s End”; and stunt coordinator Tommy Harper (“Iron Man,” “Iron Man 2”).

Academy Award®-winning filmmaker Gore Verbinski has enjoyed tremendous box office success as the innovative director of both character-driven franchises and thoughtful genre-bending fare.  Most recently, Verbinski released his first animated film, the smash hit “Rango,” starring Johnny Depp. Grossing over $240 million worldwide, the film won the Academy Award for Best Animated Feature Film, as well as BAFTA and Annie awards, and received Golden Globe® and PGA nominations. Verbinski previously helmed the hit franchise “Pirates of the Caribbean,” directing the first three films starring Johnny Depp and Keira Knightley. The films have collectively grossed nearly $3 billion worldwide since release. He made his directorial debut with “Mouse Hunt,” starring Nathan Lane, followed by the road movie “The Mexican,” starring Julia Roberts, Brad Pitt and James Gandolfini. He also directed the smash horror film “The Ring,” starring Naomi Watts.

Verbinski is also a successful award-winning commercial director, having been honored with four Clio Awards and a Cannes Silver Lion Award for his work on an assortment of memorable advertising spots. In addition, he directed music videos for bands including Bad Religion and Crystal Method.

First in partnership with Don Simpson, and then as the chief of Jerry Bruckheimer Films, Bruckheimer has produced an unprecedented string of worldwide smashes, impacting not only the industry, but mass culture as well. Bruckheimer’s films include (producing with Don Simpson) “Top Gun,” “Beverly Hills Cop,” “Beverly Hills Cop 2,” “American Gigolo,” “Flashdance,” “Bad Boys,” “Dangerous Minds,” “Crimson Tide,” “The Rock,” and (producing solo) “Con Air,” “Armageddon,” “Enemy of the State,” “Gone in 60 Seconds,” “Coyote Ugly,” “Remember the Titans,” “Pearl Harbor,” “Black Hawk Down,” “Pirates of the Caribbean: The Curse of the Black Pearl,” “Bad Boys II,” “Veronica Guerin,” “King Arthur,” “National Treasure,” “Pirates of the Caribbean: Dead Man’s Chest,” “Pirates of the Caribbean: At World’s End,” “National Treasure: Book of Secrets” and the 2011 blockbuster “Pirates of the Caribbean: On Stranger Tides.”

On television, Bruckheimer had an unprecedented 10 television series airing in the 2005-6 season, a record in the medium for an individual producer. JBTV’s series include “C.S.I.: Crime Scene Investigation” and its spinoffs “C.S.I.: Miami,” “C.S.I.: NY” and “Without a Trace,” “Cold Case” and the eight-time Emmy® Award-winner “The Amazing Race.”

Jerry Bruckheimer Films and Television have been honored with 41 Academy Award® nominations, six wins, eight GRAMMY® Award nominations, five wins, 23 Golden Globe® nominations, four wins, 105 Emmy® Award nominations, 21 wins, 30 People’s Choice nominations, 15 wins, numerous MTV Awards, including one for Best Picture of the Decade for “Beverly Hills Cop.”

“The Lone Ranger” will film exteriors and studio work in New Mexico, followed by locations in Arizona, Utah and Colorado.

The Point Radio: NBC’s AWAKE Is Engaging TV

NBC’s new series AWAKE tells the story of a man who survives a horrible traffic accident,. only to find himself living in two alternate worlds – where a different family member has survived in each. We begin our exclusive coverage as series star Jason Issacs explains why this is truly engaging television. And Bendis on X-MEN? Can it be real?

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.

Smallville star Michael Rosenbaum reprises role of Flash for JUSTICE LEAGUE: DOOM

flash-mirrormaster-300x168-6903310Michael Rosenbaum makes his triumphant return as the beloved voice of The Flash in JUSTICE LEAGUE: DOOM, the next entry in the popular, ongoing series of DC Universe Animated Original PG-13 Movies. The film will be available everywhere on Tuesday.

Rosenbaum brought his own playful, gregarious, sometimes sarcastic personality to Flash for the Justice League and Justice League Unlimited animated television series, setting the standard as the voice behind the “fastest man alive.” Rosenbaum is one of eight actors returning to their original animated voice from the Justice League series.

Fanboy crowds also hold Rosenbaum in high esteem for his impressive performance as Lex Luthor for seven seasons of Smallville. He’ll soon be seen opposite Bradley Cooper and Kristen Bell in ‘Outrun,” and he’s currently in production on “Old Days,” a triple threat for Rosenbaum as he is writer, director and star of the film

Justice League: Doom finds Superman, Wonder Woman, Flash, Green Lantern, Martian Manhunter, Cyborg and Batman on their heels when a team of super villains discover and implement the Dark Knight’s “contingency plans” for stopping any rogue Justice League member. The story is inspired by Mark Waid and Howard Porter’s much-heralded JLA: Tower of Babel.

Produced by Warner Premiere, DC Entertainment and Warner Bros. Animation, the all-new Justice League: Doom arrives today from Warner Home Video as a Blu-Ray™ Combo Pack and DVD, On Demand and for Download. Both the Blu-Ray™ Combo Pack and DVD will include an UltraViiolet™ Digital Copy.

Any interview with Rosenbaum is well worth the price of admission, as you just don’t know which direction the answer might come from. (more…)

Lord of the Louisiana Jungle Website Debuts!

From www.tarzanlordlajungle.com

Welcome to our website dedicated to the documentary film Tarzan: Lord 
of the Louisiana Jungle and the original silent motion picture classicTarzan 
of the Apes. Please take a few moments to visit the entire site.

The character of Tarzan™ turns 100 years old 
this year. In celebration of that milestone, Bossier 
City’s Al Bohl and his daughter, filmmaker Allison Bohl 
now of Lafayette have teamed up to produce a 
feature-length documentary entitled, Tarzan: 
Lord of the Louisiana Jungle.
In August of 1917 an eclectic band of filmmakers, 
actors and circus acrobats fought malaria, unbearable 
heat and the swamp of the Louisiana Atchafalaya River 
Basin to bring to the silver screen the best-selling book 
Tarzan of the Apes by Edgar Rice Burroughs. It was an
 instant hit with audiences, considered one of the top six motion pictures of the
 silent era, and one of the first 10 films to earn over one million dollars at the 
box office. The film was shot in Morgan City, Louisiana.
Over a period of four years, Al 
and his daughter combed through 
hundreds of photos and documents
and videotaped up to seventy hours 
of interviews and locations. They 
interviewed scholars, authors, 
historians, fans, experts in merchandise, 
actors, an expert in primates, 
the curator of the Burroughs’ collection and 
the family of Edgar Rice Burroughs. Their travels in Louisiana included 
Morgan City, New Orleans, Patterson and Baton Rouge. They also 
gathered interviews in Los Angeles and Tarzana, California. More footage 
was taped in Ohio, Kentucky and Chicago, Illinois.
In addition, the Bohls re-edited the
 original Tarzan of the Apes silent film 
and added an entirely new orchestral 
musical score written by Kermit Poling 
of Shreveport. The success of the movie 
Tarzan of the Apes spawned over 40 
authorized sequels and 6 television shows.

For behind-the-scenes articles, click here.

MICHAEL DAVIS: Get a Clue

I don’t get it.

The San Diego Comic Con is a yearly event.

Every year for almost 20 years (since I was 5, Jean) like clockwork I give a party at Comic Con.

Every year like clockwork I host a dinner at Comic Con.

Every year like clockwork I host The Black Panel at Comic Con.

Every year like clockwork I hear from people I have not heard from since last year looking for an invite to my party.

Every year like clockwork I hear from people I have not heard from since last year looking for an invite to my dinner.

Every year like clockwork I hear from people I have not heard from since last year looking for me to put them on The Black Panel.

Every year like clockwork I hear from people I have not heard from since last year looking for me to get them a hotel room or a pass to Comic Con.

Comic Con is in July. It’s only February. The requests don’t usually start until a couple of weeks before Comic Con so I’m a few months ahead of the game.

Well, this year I’m nipping all that bullshit in the bud.

No.

The answer is no.

No.

No. No. No.

NONONONONONONON0NONONONNONONONO.

Hell, no.

No, if I don’t know you, you cannot come to my party or my dinner and you certainty cannot not be on the Black Panel.

Regarding the party and dinner, I don’t care who told you they could get you in. You can’t.

They lied.

Let me explain something to those who are among the many who ask of me the above. Like I said in last week’s article, the Comic book industry is a business. It’s part of the entertainment business. Comic Con is not a place where those who are serious about business come just to hang out.

Comic Con is where deals get done, relationships are cemented, partnerships are explored, opportunities are exploited and money is made.

When you operate at a certain level Comic Con is not a place where you hang out with friends and look for that copy of Spider-Man you had as a kid.

No, Comic Con is a place where you come to solidify and grow your business.

So, no, you cannot come to my annual party, person I don’t know, because it’s business.

Do you think the club my party is at is free?

No, no it’s not. So why, person I don’t know, should I grant you admittance when you don’t even know what I do? What possible reason is there for me to do that?

Do you think the dinner I have is free?

No, it’s not. That dinner costs thousands of freakin’ dollars.

Do you think that the ash can book you drew makes you worthy to sit on The Black Panel?

Really?

Go to www.theblackpanel.com and check out the alumni. Once you do, ask yourself if you really think you belong in that group.

I’ll help you out with that one, no.

Like I said last week, comics are a business. Yes, I have fun at Comic Con. That fun is usually at around midnight while sitting at the bar at the top of the Hyatt with 30 or so other hard working comic professionals getting blazed on shots of tequila.

But before I can have that fun I have to spend months setting up the party, the dinner and the panel and that is not fun.

That’s business.

So the answer is no.

However, if Mark Turner (Yes you, Mark) is at Comic Con this year he is invited to anything I’m doing because he gets it.

WEDNESDAY: Mike Gold Stays Put