Monthly Archive: October 2008

Review: ‘The Night of Your Life’ by Jessie Reklaw

Review: ‘The Night of Your Life’ by Jessie Reklaw

The Night of Your Life
By Jessie Reklaw
Dark Horse, September 2008, $15.95

For the last thirteen years, Jessie Reklaw has been turning dreams – mostly those of strangers – into comics, on his website and in a growing number of alternative weeklies nationwide. (Not to derail my own train of thought, but are there any non-alternative weeklies, to which those “alternative weeklies” are the actual alternative?)

Each comic is a four panel grid, two over two: distilling a dream to its essential elements and telling however much of a story there is to tell. The stories are all bizarre and strange – they’re all dreams, after all – but, boiled down to four panels, they also have a lot of similarities. There’s a reason people call it “dream logic;” that’s the way the human mind organizes itself, so the same kind of transitions and imagery come up in many different people’s dreams.

[[[The Night of Your Life]]] collects about two hundred and forty of those “[[[Slow Wave]]]” strips, in black and white. The strips are printed one to the page – large enough to be clear and readable, but only slightly larger than on the web, so they don’t look blown up in the book. The strips are divided into ten parts, each part named for the first line of text in the first cartoon in that part…but the strips don’t otherwise seem to be organized. It’s clearly not by theme or imagery, and the strips aren’t dated, so there’s no way to tell if they’re in chronological order.

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Webcomics You Should Be Reading: Saturday Morning Breakfast Cereal

I recommended this comic to a friend of mine. She wrote back that her office’s content filter blocked it as "tasteless and offensive."

This is an entirely accurate statement about Saturday Morning Breakfast Cereal. What they fail to mention, however, is that it’s also hilarious.

SMBC is a daily single-panel comic, in the vein of an R-rated The Far Side. The humor is primarily based on taking the punchline in a completely different direction than expected. It’s not suitable for kids. (Or adults who want any claim to maturity, for that matter.) It’s also not suitable for people who are sensitive about sex, death, religion, fetishes, cheesecake, herpes, dolphins, politics, or your mom.

There’s a SMBC store, though it’s currently closed for renovations and expected to reopen in November.

Notable moments:

Drama: Nope. Black comedy, maybe. Not the slightest hint of drama.

Humor: Imagine Gary Larson’s sense of humor melded with Kevin Smith’s potty mouth and you’ll pretty much have Zach Weiner. As noted, what lesser cartoonists would use as the entire joke, he uses as a set-up to something unexpected and much more disturbing.

Continuity: None. There’s a "random" strip button on the site, and it’s one of the few comics where that’s actually a worthwhile idea.

Art: Reasonable; it gets the job done. All the people look pretty much alike, and Weiner probably won’t be winning any awards, but he’s conscious enough of his own skill that you never find yourself missing a joke because you can’t figure out what that blue thing is.

Archive: Six years, about 1325 single-panel or two-panel strips. (Don’t let that scare you, though: There is absolutely no need for an archive trawl. You can read as many or as few strips as you want.)

Updates: Daily, consistently.

Risk/Reward: Reading too many of these in a row may make you realize you’re a horrible person. (There’s no ongoing storyline, so there’s no risk should the comic suddenly cut off.)
 

3 More ‘Star Trek’ Pics Beam Down

3 More ‘Star Trek’ Pics Beam Down

Three more stills from Star Trek have appeared in the United Kingdom’s Empire magazine.  The current issue, now on sale, has a cover story on the making of the film.  Since not everyone stateside can easily find the magazine, we present the images for your viewing pleasure.


 

Review: ‘Captain Action’ #1

Review: ‘Captain Action’ #1

I know way too much about comics. Far more than is healthy. But there are, understandably, a few characters here and there that I either know very little about, either because I never really came across them or I did but found them terribly uninteresting and so dismissed them, soon forgetting what I had learned.

[[[Captain Action]]] happens to be such a character. I remembered he first appeared in the 1960s, wore a costume that resembled a futuristic police officer’s with a chest symbol that reminded me to recycle, and was based on an action figure. And that was it. I remembered nothing else. So when I was asked to review the first issue of the new Captain Action series, on sale today, I thought “Perfect. I can truly look at this as a first-time fan and objectively judge if this would be interesting to someone who has no previous knowledge of the character.”

I read it and found it to be a strange mix of too much information at once and not enough.

We begin with a [[[Superman]]]-like character called Savior. His narration explains who he is and reveals that he secretly blew up a place called A.C.T.I.O.N. Directorate. On page two, we find out that half of what we just read is a lie. This is not Savior, but a person disguised as Savior. This is our hero, Captain Action, who crashes into a statue of his father and proceeds to unleash a massive information dump on the readers in a very awkward monologue.

Apparently, there was once a hero called Captain Action (the original guy from the 1960s). The shape-shifter we’ve just met is his son, the new Captain Action, who has the ability to look like other people and copy their abilities, but only for a short time. Exactly how long he can disguise himself and how long afterward he has to wait before he mimics someone again is not made clear.

The new Captain Action wanted nothing to do with the life of a super-hero, despite his powers, but now feels forced to act since his father was killed by a group of super-heroes that an organization called A.C.T.I.O.N. had “created” to defend the Earth. What “created” means is not fully explained. The new Captain Action informs us that these heroes, Savior included, were somehow turned into sleeper agents, thus why they went rogue later. Exactly how they became sleeper agents is not explained, though a group called Red Crawl is blamed. Apparently, Red Crawl was defeated long ago and everyone believed they were dead, except for the original Captain Action. Now they’re back and causing trouble.

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Who is the Iron Patriot?

Who is the Iron Patriot?

Marvle this morning released a teaser for a new event in the Marvel Universe.  No creators, timing or content was released with the teaser. We’re going to guess that it maybe a part of the 2009 Dark Reign event spinning out of the end of Secret Invasion.  It does not resemble the future Iron Men seen in last week’s New Warriors.  Any guesses?

Marvel ‘Irons’ Out ‘Avengers’ Trio

Marvel ‘Irons’ Out ‘Avengers’ Trio

While Tony Stark is drunk on booze, Robert Downey Jr. is drunk on Tony Stark. Marvel has announced that the actor will once again don the superheroic lush’s iron clad boots for Iron Man 2, Iron Man 3 and The Avengers. While it was widely assumed that RDJ would return, this is the first official word from Marvel Studios themselves. It’s also the first casting decision made for The Avengers, insuring that at least some continuity will carry over in the Marvel movie-verse.

Additionally, Jon Favreau and Don Cheadle have also made deals with Marvel. Favreau is officially announced as the director for Iron Man 2 and will serve as executive producer on The Avengers. Favreau had publicly declared his hopes to direct The Avengers, but conceded that it was an unlikely scenario given the close proximity to working on Iron Man 2.

Cheadle, meanwhile, has officially dotted the i’s and crossed the t’s to play Jim "Rhodey" Rhodes for Iron Man 2. Marvel notes that "Cheadle is also signed on to perform the same role in The Avengers and subsequent installments of the Iron Man franchise." It’s almost a sure thing that War Machine will pop up in Iron Man 2 so that he can team up with Stark and the other heroes in The Avengers. Cheadle’s official casting is sure to crush some spirits that were hoping for a last minute Terrence Howard revival.

Interestingly enough, Favreau is the only one of the three not officially signed for Iron Man 3. Months ago, Marvel was reportedly set to drop the director from Iron Man 2 due to financial disagreements. That, as it later turned out, was Terrence Howard’s downfall instead. Still, it appears that the studio is keeping Favreau’s involvement at a slight arm’s length in case the money problems pop up once again.

Either way, it’s exciting to have some official movement on Iron Man 2 and The Avengers. The next few years should be pretty solid for comic book fans.

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Happy Landings and Happy Endings, by Elayne Riggs

This past weekend I was in California to attend my brother’s wedding. It was a lovely afternoon; they held the ceremony in the upstairs loft apartment attached to the back of their house, and the reception in their back yard. I still can’t figure out how they fit 120+ people in that space, but they did. And my brother looked so ecstatic, and my new sister-in-law so beautiful, and I remember thinking, “He’s finally paired off the way Robin and I are! Another happy ending!”

On the plane ride back to New York, JetBlue’s satellite TV reception wasn’t working properly on many of their channels (aside from that our flights were terrific, and I highly recommend JetBlue — there’s no first class to fight through and get sneered at, the seats were comfy with plenty of leg room, it’s the first time I haven’t had to ask for a seat belt extender, and the new T5 terminal at JFK is spiffy indeed) so the crew arranged for us to see the normally-charged second-run films for free. Comics geek that I seem to be less and less, I opted not to watch The Incredible Hulk, in favor of back-to-back viewings of Get Smart and Baby Mama.

I enjoyed both movies more than I thought I would. I like how Get Smart was updated for the 21st century just enough to have Maxwell Smart be internally believable as mostly competent but just a little accident-prone. Lots of identification there, you betcha! And although the age discrepancy between Steve Carell and Anne Hathaway saddened me, at least there was a decent in-story explanation for it. Besides, they’re both fun actors to watch, and easy to root for as they follow the formulaic plot to its climax and wind up (as did the characters in the original series) together, set to have further open-ended adventures.

Baby Mama was a terrific vehicle for all the main actors involved, wasn’t anywhere near as cringeworthy as the ads made it seem, and had a Happy Ending. Multiple Happy Endings, in fact, all featuring the apparently ultimate goal of all women — to give birth. The premise had Tina Fey’s character unable to conceive, but (and I don’t think I’m spoiling something which was pretty heavily telegraphed throughout the film) she winds up pregnant towards the end after, of course, having established a Real Relationship with a guy (is it my imagination or is Greg Kinnear always cast as the thinking woman’s love interest?) who doesn’t hesitate to call her a dick when she acts like one (probably my favorite bit of dialogue). Anyway, amid the smiles and occasional chuckles there’s even a running gag about how fertile a decidedly middle-aged Sigourney Weaver is. It seems in Hollywood every woman gets pregnant right away, preferably after she’s fallen in love with the right guy — a pretty tortuous theme for someone like me who’s wanted a kid as much as Fey’s character did but lives in the real world.

But there’s something inherently appealing about pairing off, whether with your True Love or a Mini-You, signifying completion. Hey, I’m a sucker for happy endings too. I often lament that more comics don’t have happy endings or, for that matter, endings of any kind. Most Big Two stories prefer to go the serial route, like soap operas and, well, life.

So maybe comics have the right idea after all, concentrating on happy voyages rather than happy destinations.

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‘Total Drama Action’ Joins Cartoon Network

‘Total Drama Action’ Joins Cartoon Network

Total Drama Island is getting a spinoff as the Cartoon Network has announced the addition of Total Drama Action.  According to Variety, the new series, debuting in 2009, will also satirize reality television and was created by Tom McGillis and Jennifer Pertsch of Canada’s Fresh TV.

TDI first debuted on the network July 8, 2007 and mocks the Survivor-style shows with contestants seen on a deserted island.  They have to form teams and complete challenges to win prizes. Since its start, the 27 episodes have been the anchor for the channel’s "Har Har Tharsdays" comedy block.

In December, The Total Drama Island Season 1 Movie is expected on DVD from Sony Pictures Home Entertainment.

Total Drama Action is actually the second season of the series from the producer’s point of view. This time, the contestants will be placed within an empty studio lot. Plans calling for Total Drama the Musical! in its third season followed by Total Drama Comedy. Cartoon Network has yet to pick up the last two seasons as yet.

Total Drama Island Interactive
is an online game tied to the Flash-animated series, produced by Xenophile Media. Players can register for a free account and earn points by competing in events based on that week’s episode for marshmallows. The top 22 players will be placed in a drawing and the winner will have their TDII avatar added to the 27th and final episode of the series.
 

The Ex ‘Ex-List’

The Ex ‘Ex-List’

After poor reviews and worse ratings, CBS has given up on the Elizabeth Reaser-starring vehicle The Ex List.  The Friday night dramedy, based on an Israeli television series, was a creative problem for the network.  Show runner Diane Ruggiero left the series when it was clear she and CBS couldn’t agree on a direction. Rick Eid replaced her but his efforts hadn’t aired in time to change its fortunes.

The series averaging just 5.3 million viewers, according to Variety, driving viewers away after its more successful lead in, The Ghost Whisperer, and keeping people away from Numbers. As a result, the show has been removed from the schedule with a rerun of NCIS in its place this week.

With only four episodes aired but ten filmed, the network may bring the series back at a later time.  This is the first hour-long dramatic series to be canceled after the failures of two reality series, Fox’s Hole in the Wall and ABC’s Opportunity Knocks. The first sitcom to go was Fox’s Do Not Disturb.

It is not a good season for the freshman series with most receiving tepid ratings and none being a clear breakout hit or pop culture sensation. Several such as 90210, The Mentalist, and Knight Rider have already received full season pick ups showing patience and faith on the part of the networks.
 

Fox Takes ‘Electric Kool-Aid Acid Test’

Fox Takes ‘Electric Kool-Aid Acid Test’

At long last, the 1968 written The Electric Kool-Aid Acid Test from Tom Wolfe is heading to film. Fox Searchlight has picked up the rights for the novel, with director Gus Van Sant and writer Dustin Lance Black attached to the project. Richard Gladstein and his Film Colony banner will produce.

The Electric Kool-Aid Acid Test is a drug-addled new journalism epic in the vein of Hunter S. Thompson. The novel follows the hallucinogenic exploits of One Flew Over the Cuckoo’s Nest novelist Ken Kesey and his band of Merry Pranksters, proponents of psychedelic drugs, as they drive across the country. Their vehicle of choice is a DayGlo painted school bus named "Furthur." Some prominent figures featured in the novel include The Grateful Dead, Jefferson Airplane, Allen Ginsberg, Bob Dylan and Timothy Leary. Sadly, the Kool-Aid man does not play a prominent role.

Gus Van Sant and Dustin Lance Black recently collaborated on the upcoming Milk starring Sean Penn and Josh Brolin. The film debuts on November 26, 2008 in limited release.

Van Sant has directed high quality films such as Good Will Hunting and Finding Forrester, one of Sean Connery’s final films before retiring. Black is a writer on HBO’s successful Big Love, a series about a Mormon polygamist and his very large family.

Producer Richard Gladstein originally enlisted Van Sant and Black for Kool-Aid with an eye for a 2009 release, but he was unable to find financing. Now that Fox Searchlight is backing the film, development should move much quicker.