Monthly Archive: May 2008

‘Snoopy For President’ Gallery

‘Snoopy For President’ Gallery

Campaign season always brings me down. Rather than choosing the lesser of evils, just once I’d like to be presented with a candidate I can really support. Just once I’d like a candidate who embodies the ideals of… Snoopy?

Over at Fanboy.com, Michael Pinto directs readers’ attention to the old Peanuts premiums issued decades ago as incentives to purchase certain brands of bread and other products. Several of the premiums feature Snoopy in full campaign mode, trumpeting the famous beagle’s  candidacy and providing illustrated proof that he is "loyal," "fearless" and "prepared."

Now if only we could get a real candidate who has all those qualities, right?

For the full gallery of premiums, check out Dan Goodsell’s blog, sampler of things.

‘Wanted’ Making-Of Video, Viral Marketing Debut

‘Wanted’ Making-Of Video, Viral Marketing Debut

Universal Pictures recently stepped up the promotional efforts for their upcoming adaptation of Wanted, the creator-owned Mark Millar/J.G. Jones miniseries published by Top Cow, with a pair of online items worth noting.

In addition to a behind-the-scenes video that premiered on Empire Online this week and features some interesting thoughts from Millar about the project, a new "Fraternity of Weavers" website has also popped up on the ‘Net. According to reports regarding the film, the "Fraternity of Weavers" is the name of an organization of assassins into which the main character is inducted.

In order to access the website, users must enter a "secret phrase" (last we checked, "every life hangs by a thread" seems to work nicely). The site then features a "fraternity bible" that readers can page through, revealing the tricks and tools of the trade, among other elements. There have been reports of other tie-in elements to the online marketing push, but after signing up a few days ago I haven’t seen a sign of anything else related to the campaign.

Wanted hits theaters June 27.

 

My Week Without Comics, by Martha Thomases

My Week Without Comics, by Martha Thomases

You may have noticed that my quick wit and adorable charm were missing from this site for a few days last week. From May 11 through May 19, I was away on vacation. It was the first time my sweetie and I have been away alone together for more than a few days since our son was born.

Not that we haven’t been on any vacations. We’ve had great times with the boy (who, riding horses with Holly Gaiman at Walt Disney World, sang the entire soundtrack to The Lion King), and with family and friends. But I hadn’t had any time alone to roll in my sweet baby’s arms, and we needed it.

To be a real vacation, a trip should totally take you away from your regular life. It should provide experiences that are different from the day-to-day, and that help you look at the world anew. We had a few days to ourselves on our tenth wedding anniversary, in 1990, when we biked through the Finger Lakes area in New York. It was so much fun that we explored doing something like that again. Spending a week on a bicycle, riding through small towns and countryside with a group of strangers, seemed about as foreign to crowded Manhattan as it was possible to get. We decided to take the train back and forth, so we kept our energy use down and kept the money in the USA. Less guilt!

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Wil Wheaton Goes Webcomic With ‘1981’

Wil Wheaton Goes Webcomic With ‘1981’

Actor and InterWebs celebrity Wil Wheaton informed fans today that "Blue Light Special," a story he wrote in 2006, has been adapted into an episode of the collaborative webcomic BlogJam.

In the strip, Wheaton relates a story about the toy that "defined his childhood" — in this case, Star Wars action figures. Wheaton helped write the strip, titled "1981," and BlogJam’s Greg Williams provided the art.

There’s a stable link to "1981" accessible via Flickr, while the BlogJam submission guidelines and archive of past webcomics are available on the BlogJam website. BlogJam takes submissions for story ideas from readers, and selected stories are adapted into webcomic form by Williams.

Review: ‘Burnout’ by Rebecca Donner

[EDITOR’S NOTE: This is the first in a series of reviews of the five books coming out from DC’s Minx imprint this year.]

There is something almost daringly simplistic about Burnout ($9.99), as the central character Danni directly narrates her own story of teenage love and angst. No surprise, then, that fire is the central imagery to the book, unapologetic flames that do nothing but burn.

The first comics work of Rebecca Donner, who’s published work in nearly every other medium, Burnout finds Danni and her mom relocating to a remote locale, a forresting town. It’s quiet, aside from the drunken shouting of her mom’s new boyfriend.

The boyfriend’s son, Haskell, is the smoldering love interest, a young man angry at the world and especially at loggers, whom he attacks with near-thoughtless contempt. As Danni falls into a crush on Haskell she also falls into his world of ecoterrorism, and Donner turns the heat up even more.

A few times, the story becomes overly cute and childish, but by and large it is a stern book, as self-serious as the teenagers it describes. That’s not meant as criticism — Donner very effectively translates the caged sensation of youth, and the struggles (often misguided) to break free.

Minx books are at their best when they speak honestly with their intended audience of adolescent girls, and while the message of Burnout isn’t a happy-go-lucky one, it is honest. For that and much more, it’s a story that lingers in the mind, like the sharp pain of a burn.

[NOTE: I recently chatted with Donner about the book over at CBR.]

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) gmail (dot) com.

 

‘Iron Man’ Easter Eggs, ‘Captain America’ and ‘Thor’ Movie Details

‘Iron Man’ Easter Eggs, ‘Captain America’ and ‘Thor’ Movie Details

Marvel Studios president Kevin Feige was full of details about current and future projects during a recent screening of new footage from The Incredible Hulk, according to various reports from the event.

Among the juiciest of the news was info related to two highly anticipated Marvel Studios films, The First Avenger: Captain America (When did this film get slapped with the "First Avenger" portion of the title, by the way? Did I miss something?) and the big-screen debut of Marvel’s favorite Norse god, Thor.

According to Feige, Captain America will be a period piece, with a story that occurs during World War II, while the plot of Thor will rely heavily on scenes occurring in Asgard, the mythic Norse realm where the gods go about their godly business.

From Sci Fi Wire:

"The film is not all Asgard, but it will be a big chunk in Asgard, yeah," Feige said.

Feige promised an announcement about a director for Thor "later this summer." Mark Protosevich (The Cell) is drafting a script, which should be submitted in a couple of weeks, he added.

Feige also confirmed that a familiar object in the background of a scene in Iron Man was indeed Captain America’s shield. As the sleuths over at io9 report, the object was absent in the film’s trailer, which happened to include the very same scene — making me that much more impressed with Marvel Studios’ willingness to include these types of Easter Egg elements.

Head over to SciFi Wire for more on Marvel Studios’ slate of films and information from the Hulk screening, and check out the before-and-after screenshots from Iron Man (featuring a glimpse of Cap’s shield) posted over at io9.

Webcomic News Roundup: Anders Loves Maria, Wigu, Octopus Pie…

Webcomic News Roundup: Anders Loves Maria, Wigu, Octopus Pie…

Confession time: I’ve been remiss in my attention to the webcomics scene lately, as evidenced by my failure to note a few news items from the world of digital comics. In no meaningful order, you should be aware of the following:

After a brief hiatus, Rene Engström resumed work on her wonderful webcomic Anders Loves Maria last week. From the first batch of episodes following the break, I think it’s safe to assume that Engström spent some portion of her time off reacquainting herself with Mario, Princess Peach and the Nintendo family.

Yesterday marked the return of Wigu, Jeffrey Rowland’s fantasy webcomic that provides a great complement to Overcompensating, the personal journal-style webcomic he’s produced for quite some time now. Rowland mentioned that he’d be returning to Wigu in my interview with him a few months back, so it’s nice to see the plan come together. Oh, and it was also Rowland’s birthday yesterday, so belated wishes from the crew here at ComicMix, Jeffrey.

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More Gene Colan Fundraisers and Announcements

More Gene Colan Fundraisers and Announcements

Updating our earlier coverage of efforts to raise money for industry legend Gene Colan, Marvel and Hero Initiative recently announced plans for a series of limited print sales and auctions of Colan’s Iron Man art, among other offerings.

From the Hero Initiative announcement:

The Hero Initiative in conjunction with Marvel Comics is launching a series of Gene Colan-themed products, starting with a limited edition print of Gene’s cover art to Invincible Iron Man #1, available at Wizard World Philadelphia, May 30-June 1. Only 200 prints will be available at the show at a cost of $25 each. Net proceeds from sales of these prints by The Hero Initiative will benefit Gene Colan. Another 50 prints will be available at a later date, with plans to have them autographed by both Gene Colan and Stan Lee.

Also at Wizard World Philadelphia, guest writers and artists at the Marvel Comics booth will be signing and sketching two large poster-sized boards, which Hero will auction benefiting Gene at a later date.

And that’s just the start. Wizard World Chicago, June 26-29, will see the release of a second print featuring the cover art to Daredevil #47, the legendary “Brother, Take My Hand” story by Stan Lee and Gene Colan. A third print will be available later in the year, along with other products.

For August, a Gene Colan Tomb of Dracula poster will be available for order via Marvel Previews with proceeds routed to Gene; and in September, a special book reprinting some of Gene’s greatest stories will be made available. In addition to these items, The Hero Initiative will take additional steps to help Gene in his convalescence.

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Happy Birthday: Mike Deodato

Happy Birthday: Mike Deodato

“Mike” Deodato Taumaturgo Borges Filho was born in 1963 in Campina Grande, Brazil. His father, also an artist, first introduced him to the work of people like Will Eisner and Alex Raymond, and taught young Deodato how to draw.

They worked together on several Brazilian small-press projects in the 1980s, and in 1991 an agency formed to represent Brazilian artists in the American market. They landed Deodato a gig drawing Santa Claws for Malibu Comics. Next he drew the comic-book adaptation of the movie Beauty and the Beast for Innovation.

His work caught the attention of DC, and they offered him Wonder Woman. Next Deodato penciled Thor for Marvel and Glory for Extreme Studios. He has worked on The Incredible Hulk, Amazing Spider-Man, The New Avengers, Squadron Supreme, Thunderbolt, and many others, and manages all that while still living in Brazil.

 

The Weekly Haul: Reviews for May 23, 2008

Kudos to Marvel, who blew the pants off the competition in this week’s batch of issues, with an unprecedented four books being so good I have to list them all as tied for the top spot. And, surprise surprise, none of them were Skrullapalooza ’08 tie-ins.

Superheroes aside, a good mix of indies came out as well, making for a well rounded week that I’ll count as an early birthday present to yours truly.

Book(s) of the Week — While these four Marvel books are all essentially equals, the pole position goes to Black Panther #36. Now, I’ve long been something of a Reggie Hudlin hater, but he packs so much story into this issue without making it feel overloaded that it reads like a pre-Bendis Era comic. Killmonger – who makes a surprisingly good villain – rallies a destitute African nation around him in a way that truly captures the continent’s actual unrest. Meanwhile, we finally see the Storm-BP marriage addressed in a believable way, some intense fighting and the line of the week: "He’s already the Mole Man! What more could we do to him?"

Over in Ghost Rider #23, Jason Aaron follows last issue’s big buildup with a huge explosion (literally), and a storyline that perfectly depicts just how tortured Johnny Blaze really is. The art, by Roland Boschi, continues to shine, all scratchy and intense.

Captain America #38 makes the cut as another flawless entry from Ed Brubaker and Steve Epting, with special credit for an entirely plausible and non-Skrullish explanation to the mysterious Steve Rogers that Sharon found last go-round. Meanwhile, Bucky continues to gain his sea legs as the new Cap and the Red Skull’s plans meet political reality.

Lastly but not leastly, Peter David wraps up his Arcade storyline in X-Factor #31, which pulls readers deeply into the looming destruction of Mutanttown with the little emotional moments David is so good at. He also lets Arcade continue to be a relentlessly entertaining villain and makes this team of non-heroes truly heroic.

The Runners Up:

Scalped #17 — I’ve always been on the fence about this series, which has gone back and forth between too action-heavy and too slow. This issue strikes a solid balance as the community buries Dash’s mother and he finally lets himself mourn.

Robin #174 — The best from DC this week, as Robin and Batman figure out the identity of the new hero muddying Gotham’s waters. I won’t spoil it here, but it’s a true surprise that doesn’t seem TOO contrived. The real highlight is the realistic way Chuck Dixon captures everyone’s emotional response to the big news.

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