From Metro Goldwyn Mayer (MGM) and Twentieth Century Fox Home Entertainment comes VIKINGS: SEASON 5 VOLUME 2, which will debut on Blu-rayTM and DVD October 8. Catch up on the latest of the popular franchise before the new season premieres later this year and enjoy special features including extended and unrated episodes, deleted scenes, audio commentary with series creator Michael Hirst and Vikings star Gustaf Skarsgard.
As the explosive second half of Vikings Season Five begins, Ivar the Boneless’ tyrannical reign as king of Kattegat ushers in a new Dark Age for Scandinavia. And while Bjorn and Lagertha flee Ivar’s murderous forces with Bishop Heahmund, Duke Rollo’s return brings even more upheaval. Meanwhile, Floki battles the elements-as well as his settlers’ thirst for revenge-in beautiful, desolate Iceland. Ultimately, the sons of Ragnar and old sworn enemies must become allies to challenge the despot Ivar, who has declared himself a god. The gut-wrenching action and dramatic plot twists reach a fever pitch as the season unfolds.
Vikings is an international Irish/Canadian co-production by World 2000 and Take 5 Productions. HISTORY broadcasts the series domestically in the U.S. MGM Television brought the series to the network and brings the series to the global audience, serving as the worldwide distributor outside of Ireland and Canada. Vikings is produced in association with Corus Entertainment.
Vikings: Season 5 Volume 2 Blu-ray™ Bonus Features:
Extended Versions of All 10 Episodes
The Creator’s Audio Commentary with Michael Hirst and Actor Gustaf Skarsgard
The Epic War of Ragnar’s Sons
The King and the Warrior Bishop
Vikings: Season 5 Volume 2 DVD Bonus Features:
Extended Versions Only of All 10 Episodes (does not contain broadcast episodes)
The Creator’s Audio Commentary with Michael Hirst and Actor Gustaf Skarsgard
The Epic War of Ragnar’s Sons
The King and the Warrior Bishop
Vikings: Season 5 Volume 2 Blu-ray™ Specifications Street Date: October 8, 2019 Run Time: 444 minutes Audio: English DTS-HD Master Audio 5.1, Spanish Dolby Digital 5.1, French DTS 5.1 Subtitles: English SDH, Spanish, French Aspect Ratio: Widescreen 1.78:1
Vikings: Season 5 Volume 2 DVD Specifications Street Date: October 8, 2019 Run Time: 444 minutes Audio: English Dolby Digital 5.1 Subtitles: English SDH, Spanish, French Aspect Ratio: Widescreen 1.78:1
One might easily assume “Tardi” means “Rene Tardi,” the chap who was a POW. But one would be wrong.
Rene died in 1986, and never drew comics. (There are some of his sketches in the frontmatter here, so I don’t want to say he didn’t draw anything. He could draw better than me, for one thing.)
This “Tardi” is his son Jacques, who originally used both of those names for his bandes dessinees until the weight of all of those other French cartoonists who only use one name got to be too much for him, and he succumbed to the lure of the single moniker.
Even in a case, like this one, where that creates confusion. Style is more important than anything else, eh mes amis?
Rene POW is a 2012 comic — translated into English for a 2018 publication in the US — based on a series of notebooks that Jacques made during conversations with his father in the early ’80s. One may presume that he had the idea for this book even then; Jacques Tardi had been a working cartoonist for over a decade at that point. But it took a few more decades for him to get around to it, during years when he told stories about The Great War
and Paris detectives
and Adele Blanc-Sec
and American crime
and steampunky super-science
and many more.
For a book that claims to be a memoir of WWII, Rene POW has some very odd elements. It starts off with an introduction by Dominique Grange, which is mostly about her father and only secondarily about Rene Tardi. Somewhat later in the book, the reader realizes that Grange is Jacques Tardi’s wife, but the book does not explain this explicitly anywhere. In honor of that connection, Rene meets Grange’s father in that POW camp later in the book — they didn’t actually meet then in real life, or at least didn’t remember it.
And then the book itself is framed as Rene telling the story to Jacques. Rene looks like he did at the time of the war, a strong, angry young man in his uniform, and he narrates the book — sometimes as a voice coming out of nowhere, sometimes as his young self in the scene. And then Jacques appears as a schoolboy, maybe ten or thirteen, who wanders through the scenes without being part of them, questioning his father in words that mostly seem to be post-Rene’s death but sometimes do turn into a conversation between the two men.
So this is neither exactly what Rene wrote nor a true collaboration between the two. It is instead based on notes made while Rene was alive, but full of questions and second thoughts that Jacques only had after his father was dead. But that’s the only way to collaborate with the dead: to take everything they did and said, and present it as honestly as possible, while also pointing out the things they didn’t do or say.
POW life in WWII was horrible, and the French had it nearly the worst. (The Russians probably had it the absolute worst, and the Americans probably the “best.”) Rene Tardi was in Stalag IIB for basically the entire war; he was captured just as France fell. So he has a long time of horrible events to cover here, and they are horrible and unpleasant and full of hideous details.
This is not quite as searing as Tardi’s books about World War One; this book is about his own father, who survived the war. But it’s still a war story, and it’s a reminder of how much war destroys — not just the people who are killed and the cities that are flattened, but also what’s broken in even the people who survive.
 Completely unconnected footnote: I realized, when putting together this post, that I don’t have a snarky tag for France. (England has There Will Always Be An England, for example, but I tend to use the vaguer Foreigners Sure Are Foreignfor the whole rest of the world, which may not be the best plan.) My first thought, since my tags tend to be super-sarcastic and borderline obnoxious, was Wogs Begin at Calais, but that’s vastly too offensive.
So, instead, I’m creating the slightly less offensive new tag 246 Kinds of Cheese, in honor of De Gaulle. I trust you will treat this with exactly as much seriousness as it deserves.
There seems to be no end to Lego films featuring pop culture’s greatest heroes and villains. Out now from Warner Home Entertainment is Lego Batman: Family Matters, featuring the Caped Crusader (Troy Baker), Robin (Scott Menville), Nightwing (Will Friedle), Batgirl (Alyson Stoner), and Batwoman (Tara Strong) facing off against the Red Hood (Jason Spisak), Scarecrow (Steve Blum), Wizard ((Ralph Garman), Penguin (Tom Kenny), Killer Croc (Nolan North), Riddler (André Sogliuzzo), Solomon Grundy (Fred Tatasclore) and Two-Face (Christian Lanz). What more could a kid want?
The movie is released in numerous packages but the target viewer will want the Blu-ray, DVD, Digital HD combo pack with the bonus Mini Ultimate Batmobiel (84 pieces).
Writer Jeremy Adams takes Under the Red Hood and modifies it for the younger audience. Given the title, you know there will be a lot of focus on the Batman Family, and these are the best moments in the 79-minute production. The action is fine, but overall, it’s a so-so production compared with the fresh, cheeky previous productions.
There are quips, asides, breaking the fourth wall, but it all feels too familiar. The story, directed by Matt Peters, moves along fine enough, but just doesn’t excite the viewer.
The movie looks fine in Blu-ray, at the 16×9 aspect ratio, with good colors and crisp images. The Dolby Digital soundtrack is up to the match, capturing the colorful biffs and pows. There are no special features given the target audience’s obvious lack of interest in such content.
Up in the corner of every IDW cover, the corporate brand image has been temporarily modified to help celebrate the company’s (impressive) 20 years in business. The iconic IDW lightbulb icon implies a level of creativity and fresh ideas. And their new comic Mountainhead lives up to that – it’s fresh, different and gripping.
This series starts out telling the story of the Stubbs family – a father and son team who are always on the run and living off the grid. They break into houses and burglarize them. It’s not quite as straightforward as all that, though. One key tenet of their modus operandi is to not get sucked into the never-ending messaging of our consumer-focused society. The father reminds the son, Abraham, during a break-in, that “it’s all just stuff”. Additionally, the father reinforces the concept of not defining oneself by one’s possessions. That’s a great message, but when Abraham comes a across an electric guitar, the reader can see it gets more difficult to hang onto these highfalutin ideals.
Finally, the return of the Death-Defying Doctor Mirage! It’s been over three years since Shan Fong has starred in her own mini-series. Sure, she’s appeared in the Valiant Universe in recent mini-series like Incursion, but she deserves a starring role. Previously in Doctor Mirage, the stories revolved around her deceased husband that Shan can see as a ghost, Hwen. Now not only can she not find Hwen, but her house is in shambles as a new character enters the scene by the name of Grace Lugo who seems to know more about what’s going on than Shan does.
Before you open up this new #1, you’ll notice at the bottom right hand corner the names Magdalene Visaggio (writer), Nick Robles (artist), Jordie Bellaire (colorist), and Dave Sharpe (letterer). This is a uniquely stellar creative team that any publisher right now should be proud to have put together, and is a testament to editor Lysa Hawkins’ insights into the industry. Magdalene is a rising star in the industry with two Eisner nominations under her belt already for Kim & Kim and Eternity Girl, Nick Robles’ career has been skyrocketing as he’s gone from Alien Bounty Hunter at Vault Comics to Euthanauts at IDW to this Valiant Entertainment mini-series in short time, Jordie Bellaire is an Eisner Award winning colorist and firmly established as one of the best in comics, with Dave Sharpe as the most seasoned member of the team having literally lettered thousands of comics. All of this comes together masterfully creating a one of the best visual experiences in comics on the stands right now.
This latest installment in Doctor Mirage feels more like the spiritual successor to Vertigo than anything else coming out now. Between the creators, the subject matter, the tone, everything. If you miss Vertigo, pick up Doctor Mirage.
Not familiar with Doctor Mirage? Don’t worry about it! This is a great introduction to the character. Not familiar with Valiant? Don’t worry about that either! This comic is laser focused on Shan Fong so you don’t have to worry about a lot of Valiant continuity. It’s a very welcoming read.
We don’t want to spoil too much for you, so if we haven’t convinced you yet you can check out the preview pages below. The first page alone is so expertly crafted that we could write an essay just breaking that down alone. You can go buy it today at your local comic shop or on ComiXology!
Oh, one last thing before you check out those preview pages. We’re going to predict right here right now that this will get Jordie Bellaire another Eisner nomination for Best Coloring.
There’s little original about John Wick the character or the film series, so the reason he is a smash success action hero is all due to Keanu Reeves’ performance. Derek Kolstad created the man in the black suit and his dog, overseeing the direction of the three films although the latest installment, John Wick: Chapter 3 – Parabellum, required four screenwriters: Kolstad, Shay Hatten, Chris Collins, and Marc Abrams. That’s never a good sign.
We pick up exactly ten minutes afterJohn Wick Chapter 2, with our hero on the outs with the High Table. He’s on the run with a $14 million bounty on his head and few willing to associate with the “excommunicado” man. Wick is not without resources and manages to get out of New York, using his sole “Get out of Jail” free card.
As he leaves the Big Apple, the Adjudicator (Asia Kate Dillon) arrives to admonish Winston (Ian McShane) and Bowery King (Laurence Fishburn) for their own culpability in Santino’s (Riccardo Scamarcio) death. They have a week to resign their posts or face the consequences.
Wick, meanwhile, winds up in Casablanca seeking guidance from an old friend, Sofia (Halle Berry), presents his marker, and is guided toward the Elder (Saïd Taghmaoui). There, promises are made, sacrifices made, and the tables are set for the action and mayhem to begin in earnest. Before long, we’re back in New York and the tension increases.
While there are shifting alliances throughout, you gain a greater sense of the loyalties Wick has earned through his career, finally allowing us some greater insight into his background. It’s always great to see Reeves and McShane together, such a cool vibe set against the New York City Continental.
By the film’s end, the status quo has shifted and the table is et for chapter four, which the current box office suggests is inevitable.
With Berry and Anjelica Houston (as the Director), the female quota has increased, just not sufficiently. This is an old school male dominated world of violence, with a dollop of spiritualism, that makes it feel antiquated. Things move briskly and the action set pieces are high-octane – and plenty of fun to watch. As we learn more about this world and the rules of engagement, we’re nicely drawn in deeper, making us want to learn more, a testament to Kolstad and director Chad Stahelski, who has now helmed all three films for a consistent look and feel.
John Wick: Chapter 3 is out now from Lionsgate Home Entertainment in a variety of formats including the Blu-ray, DVD, and Digital HD combo pack. The AVC encoded 1080p transfer in 2.40:1 is marvelous to watch, from the dim interiors to the brilliant desert. It has nicely captured the color palette, surpassed only by the superior Dolby Atmos audio track.
Given how cool Wick has become and the following he has earned, the Special Features could have been better. We have quite a collection, with some better than others. We start with Parabellum: Legacy of The High Table (10:57) as cast and crew talk the production, Excommunicado (9:44); Check Your Sights (9:55), all about the action; Saddle Up Wick (5:10); Bikes, Blades, Bridges, and Bits (6:35); Continental in the Desert (10:15); Dog Fu (8:04); House of Transparency (7:10); Shot by Shot (8:57) looks at the editing process. Theatrical Trailers, and Behind the Scenes of John Wick Hex (6:54
In a world where super-hero films rule the box office, you need something big and spectacular to attract attention. Legendary Pictures, which has cofinanced its share of heroic fare, has licensed the biggest monsters around: Godzilla and King Kong. They have dubbed it the Monsterverse and in Godzilla (2014) and King Kong: Skull Island (2017), they have sewn the seeds for these titans to mix it up for the first time in decades.
This summer’s Godzilla: King of the Monsters expanded that universe by giving us plenty of kaiju, introducing modern day audiences to Mothra, Rodan, and King Ghidorah. They are large and loud and ready to do battle with one another, sweeping mankind out of their way as mere impediments. It also sets up next spring’s Godzilla vs. Kong.
Given what we received, this never should have taken five years to make, ruining whatever momentum the reboot of the 1954 Toho classic, had. At least they acknowledge its’ been five years and we see where our characters have been.
Dr. Emma Russell (Vera Farmiga) remains with Monarch, working on locating and identifying the MUTOs, now called Titans. We find her now separated from her husband Mark (Kyle Chandler), who has isolated himself from the world, still mourning the death of their son Andrew. He remains a video chat away from daughter Madison (Millie Bobby Brown), who is with mom.
They’re on hand for not only the rebirth of Mothra, but the arrival of Alan Jonah (Charles Dance), an underdeveloped ecoterrorist with a fuzzy agenda. We know he wants control of the reborn Titans, but to what end is unclear throughout. Instead, Jonah is just a bad guy and casting Dance merely works as shorthand since he is given nothing to do.
When he abducts Emma and Maddie, Dr. Ishirō Serizawa (Ken Watanabe) and Dr. Vivienne Graham (Sally Hawkins) convince Mark to rejoin Monarch and help. Jonah is after Ghidorah, slumbering in Antarctica and we learn he was never intended to be part of the monster eco system of eons past. An alien alpha monster, he is threat to Titan and Human alike.
Thank goodness they have Godzilla on their side, even though he gets beaten a lot. The other kaiju have their own battles with the three-headed creature or one another or military aircraft. Now, while the script is wretched, the battles are swell. If you grew up with these monsters, then you’ll be pleased. If all you know is the Pacific Rim kaiju, then see how it should be done.
There’s human betrayal and self-sacrifice, heroic and noble deeds done alone with a dash of redemption. But it’s all too little to give this the emotional heft it needed. Forbes recently complained about the film’s disappointing box office, ascribing it to monster fatigue, which is nonsense. One good monster a movie a year should be part of a well-balanced film diet, just one that nourishes the soul. The 42% fresh rating at Rotten Tomatoes tells you far more about the film’s failure to connect.
Writer/director Michael Dougherty, who shared script credit with Zach Shields, clearly loves these characters and once he was brought in to replace Gareth Edwards, put in a lot of thought. It just didn’t translate to the script, wasting a rich cast in lead and supporting parts.
The film has been released in the usual assortment of packages including the Blu-ray, DVD, Digital HD combo pack. The 4K UHD version, not reviewed here, debuts HDR10+ along with Dolby Vision and HDR10 for improved dynamic rendering.
The 1080p high definition transfer is strong and crisp, capturing the scales and flames in their colorful glory. The Dolby TrueHD 7.1 audio soundtrack is up to the challenge, letting the roars and explosions surround you while still letting Bear McCreary’s fine score clearly come through.
The extras are plentiful but unspectacular, much like the film. There’s an audio commentary from Dougherty, who demonstrates his affection and goals.
We then have four almost useless and too-short Monsters 101 — Godzilla: Nature’s Fearsome Guardian (1:01), Mothra: Queen of the Monsters (2:02), King Ghidorah: The Living Extinction Machine (1:32), Rodan: Airborne God of Fire (1:15). You learn more for the somewhat better Evolution of the Monsters — Godzilla 2.0 (8:40), Making Mothra (7:01), Creating Ghidorah (6:24), Reimagining Rodan (5:19).
The various set pieces are covered with Monarch in Action — The Yunnan Temple (6:59), Castle Bravo (6:19), The Antarctic Base (6:26), The Isla de Mara Volcano (5:56), The Undersea Lair (7:19), reminding you of how strong the set design was.
We then finish with a profile on Stranger Things’ breakout star Millie Bobby Brown: Force of Nature (4:08) and Monster Tech: Monarch Joins the Fight (8:36).
Perhaps the most interesting piece, and the longest, is Monsters Are Real (14:09) with Stephen T. Asma, author of On Monsters, tracing our fascination with monsters back to Gilgamesh; Liz Gloyn, University of London, Barnaby Less, Monsterverse Development, and Richard Freeman, Zoological Director, Centre for Fortean Zoology adding their own two cents.
The least useful piece is Welcome to the Monsterverse (3:44), where Less talks about the worldbuilding but there’s too little content and too many clips from the film itself.
We finished with two Deleted Scenes (5:03), the first a Mark Russell moment as we see his tortured state of mind and continuing sense of loss. The second is a fight between Emma and Maddie, ending with her realizing how the rest of the world is suffering from kaiju attacks. Either could have helped the film.
Matt Murdock. Daredevil. The subject of our last six get togethers.
But not to worry, we shan’t be talking about him again. Ever. Daredevil #612 was the last part of a four-part story called “The Death of Daredevil.” So that’s it, isn’t it? Daredevil is dead.
I mean, it’s not like Marvel would kill off a character and then bring him or her back to life, is it?
In Daredevil #609, the start of the four-part story, Matt was hit by a truck while saving a kid. I don’t know if it was a Mack truck or a semi with a hemi or even a hemi-demi-semi-quaver, but it was big. Big enough to send Matt to the hospital and to reevaluate his lot in life. Lots.
And Matt decided what he was going to do, if it was the last thing he did, was to prove that Wilson (The Kingpin of Crime) Fisk rigged the election and wasn’t legally the mayor of New York City. So Matt gathered together a team who could help him assemble the proof he needed to take down Fisk.
Hochberg didn’t agree. Fisk was, after all, the Mayor. He was Hochberg’s boss and set the budget for Hochberg’s office. Hochberg didn’t want to risk rocking the boat by accusing Fisk of rooking the vote. But Matt prevailed on Hochberg with all the powers of persuasion that he could muster in all of five panels and Hochberg relented. He prosecuted Fisk for election fraud.
First Hochberg called Daredevil. Then he called the rest of Daredevil’s team; Cypher, Frank McGee, and Reader, supporting characters in the story that were so unimportant that I almost didn’t even mention them here. Then Hochberg called every character in the Marvel Universe from A-Bomb to Zzzax.
Oh yeah, and then, as the main event, Hochberg called as his final witness, Wilson Fisk.
Now I wish I could say, “not really,” again, but I can’t. Hochberg called the defendant as a prosecution witness.
But I’m not going to write about that; I already have. Several times. In earlier columns, I’ve covered the fact that the Fifth Amendment’s guarantee against self-incrimination means the prosecution can’t call the defendant as a prosecution witness about as many times as Vin Scully’s covered the Los Angeles Dodgers.
Beside which, it’s not like the trial actually happened. Because at the end of the story we learned that…
This is the place where I’d usually issue a SPOILER WARNING, but I’m not going to. If you’re like me and speak fluent cliché then there’s no way anyone can spoil…
…it was all a dream.
Matt was actually still in the ER after being hit by the truck. The whole four parts of “The Death of Daredevil,” including the trial and conviction of Wilson Fisk and his recall as mayor, was a dream Matt was having while the ER doctors were operating on him.
As endings go that one was a Ken Berry; a big F Trope.
So no, I’m not talking about calling the defendant as a witness.
On the other hand, I am going to talk about calling Thor as a witness, because that feat would have required almost as much legal legerdemain as calling the defendant.
Before witnesses can testify, they generally have to take the oath and swear “to tell the truth, the whole truth, and nothing but the truth, so help [them] God.” Generally, if a witness isn’t willing to take that oath, the witness is not permitted to testify.
Notice, I said, “generally.” Sometimes a witness doesn’t have to swear an oath before testifying. After all, how could Thor swear so help him God? Thor is a god. Okay, not the Judeo-Christian god name-dropped in the standard court oath, but he is the Norse god of thunder. An oath before the Judeo-Christian God would be meaningless to Thor as he doesn’t believe in that god.
In the same way, Thor couldn’t swear so help him some god in which he believed; say himself or Odin. The Anglo-American system of justice doesn’t recognize any of the gods in which Thor might believe as gods, so it wouldn’t allow a witness to swear so help him one of them.
Now, the Anglo-American system of justice does have a back-up. Witnesses who don’t happen to believe in the Judeo-Christian God, like Muslims; Buddhists; Hindus; or atheists who don’t happen to be in a foxhole, have an alternative. They can affirm under penalty of perjury that they will tell the truth, the whole truth, and yadda, yadda, yadda. But for Thor, even such an affirmation might be a whole yadda nothing.
Thor is, after all, the prince of Asgard. As such he might well have diplomatic immunity from prosecution for crimes committed in America. Even perjury. If that is the case, the affirmation would have no meaning to him and wouldn’t be sufficient to guarantee that he would tell the truth.
Sure Thor could spout off some pseudo-Shakespearean speech and assure the court that, “the word of the Son of Odin is ever my bond” and that he would no more tell defy the laws of man by lying in court than he would defy the laws of gravity by throwing a hammer then flying behind it as it dragged him through the sky.
And maybe the court would believe him and let Thor testify. Or maybe it wouldn’t.
It’s a puzzlement which, fortunately, I don’t have to puzzle over right now. Because I’m not really writing this column right now. It’s all a…
BURBANK, CA, August 22, 2019 – Warner Bros. Home Entertainment announced today that 1939’s acclaimed and beloved classic The Wizard of Oz will be released on Ultra HD Blu-ray Combo Pack and Digital on October 29th. Directed by Victor Fleming (Gone With the Wind) and starring Judy Garland as Dorothy Gayle, The Wizard of Oz is widely considered to be one of the most influential films in cinematic history.
Adapted from L. Frank Baum’s timeless children’s tale about a Kansas girl’s journey over the rainbow, The Wizard of Oz officially premiered at Grauman’s Chinese Theater on August 15, 1939. The film was directed by Victor Fleming (who that same year directed Gone With the Wind), produced by Mervyn LeRoy, and scored by Herbert Stothart, with music and lyrics by Harold Arlen and E.Y. Harburg. Ray Bolger appeared as the Scarecrow; Bert Lahr as the Cowardly Lion, Jack Haley as the Tin Woodman. Frank Morgan was seen in six different roles, including that of the “wonderful Wizard” himself. Dorothy was portrayed by a 4’11” sixteen year old girl who quickly earned her reputation as “the world’s greatest entertainer”– the incomparable Judy Garland.
The Wizard of Oz received five Academy Award nominations, including Best Picture, and captured two Oscars® — Best Song (“Over the Rainbow”) and Best Original Score — plus a special award for Outstanding Juvenile Performance by Judy Garland. The film was an overwhelmingly popular and critical success upon its initial release and repeated its ability to captivate audiences when MGM reissued the film in 1949 and 1955.
Released to wide acclaim and recognition, and with a long-lasting legacy in the film world, The Wizard of Oz owns a place in multiple AFI lists, including: 100 Years… 100 Movies (#6); 100 Years… 100 Thrills (#43); 100 Years… 100 Heroes and Villains (#4); 100 Years… 100 Songs (#1); 100 Years… 100 Movie Quotes (#4); and Greatest Movie Musicals (#3).
In 1989 The Wizard of Oz was part of the inaugural group of films selected for preservation in the National Film Registry by the Library of Congress for being culturally, historically, and aesthetically significant.
Using state of the art technology, a new 8K 16bit scan of the original Technicolor camera negative became the basis for the 4K UHD scan. The process was overseen by MPI colorist Janet Wilson, who has overseen every remaster of The Wizard of Oz for the past 20 years.
Ultra HD** showcases 4K resolution with High Dynamic Range (HDR) and a wider color spectrum, offering consumers brighter, deeper, more lifelike colors for a home entertainment viewing experience like never before.
The 4K Ultra HD Blu-ray disc of The Wizard of Oz will feature Dolby VisionTM HDR that dramatically expands the color palette and contrast range and uses dynamic metadata to automatically optimize the picture for every screen — frame by frame.
The Wizard of Oz will be available on Ultra HD Blu-ray Combo Pack for $41.99 SRP and features an Ultra HD Blu-ray disc with the feature film in 4K with HDR and a Blu-ray disc of The Wizard of Oz. Fans can also own The Wizard of Oz in 4K Ultra HD via purchase from select digital retailers beginning on October 29th.
Ultra HD Blu-ray and Blu-ray Elements
The Wizard of Oz Ultra HD Blu-ray contains the following previously released special features:
Commentary by John Fricke with Barbara Freed-Saltzman, Margaret Hamilton, Ray Bolger, Jack Haley, John Lahr, Jane Lahr, Hamilton Meserve, Dona Massin, William Tuttle, Buddy Ebsen, Mervyn LeRoy and Jerry Maren.
1990 CBS Special “The Wonderful Wizard of Oz: The Making of a Movie Classic.”
The Wizard of Oz Blu-ray contains the following previously released special features:
Commentary- Commentary by John Fricke with Barbara Freed-Saltzman, Margaret Hamilton, Ray Bolger, Jack Haley, John Lahr, Jane Lahr, Hamilton Meserve, Dona Massin, William Tuttle, Buddy Ebsen, Mervyn LeRoy and Jerry Maren
The Making of The Wonderful Wizard of Oz
The Wonderful Wizard of Oz Storybook (narrated by Angela Lansbury)
We Haven’t Really Met Properly…
We Haven’t Really Met Properly: “Frank Morgan”
We Haven’t Really Met Properly: “Ray Bolger”
We Haven’t Really Met Properly: “Bert Lahr”
We Haven’t Really Met Properly: “Jack Haley”
We Haven’t Really Met Properly: “Billie Burke”
We Haven’t Really Met Properly: “Margaret Hamilton”
We Haven’t Really Met Properly: “Charley Grapewin”
We Haven’t Really Met Properly: “Clara Blandick”
We Haven’t Really Met Properly: “Terry”
Music & Effects Track
Original Mono Track
Sing Along Tracks
Leo is on the Air Radio Promo
Good News of 1939 Radio Show
12/25/1950 Lux Radio Broadcast
Oz on Broadway
Sketches and Storyboards
Richard Thorpe’s Oz
Oz Comes to Life
Behind the Scenes
8/15/1939 Hollywood Premiere
8/17/1939 New York Premiere
2/29/1940 Academy Awards® Ceremony
BASICS Ultra HD Blu-ray $41.99 Standard Street Date: October 29, 2019
Ultra HD Blu-ray Languages: English, Castillian Spanish, Parisian French, Brazilian Portuguese, German, Italian, Japanese
Ultra HD Blu-ray Subtitles: English SDH, Latin Spanish, Parisian French, Brazilian Portuguese, Complex Chinese, Castilian Spanish, Danish, Dutch, Finnish, German SDH, Italian SDH, Japanese, Norwegian, Swedish
An all-star cast leads the electrifying action film, Anna, arriving on Digital September 10 and on 4K Ultra HD™ (plus Blu-ray™ and Digital), Blu-ray™ Combo Pack (plus DVD and Digital), DVD, and On Demand September 24 from Summit.
Street Date: 9/24/19 4K Ultra HD™ + Blu-ray™ + Digital SRP: $29.99 Blu-ray™ + DVD + Digital SRP: $24.99 DVD SRP: $19.98
PROGRAM DESCRIPTION An all-star cast leads the electrifying action film, Anna, arriving on Digital September 10 and on 4K Ultra HD™ (plus Blu-ray™ and Digital), Blu-ray™ Combo Pack (plus DVD and Digital), DVD, and On Demand September 24 from Summit.
Introducing Sasha Luss in the title role, Luke Evans, Cillian Murphy, and Oscar® winner Helen Mirren (2006, Best Actress, The Queen) kick ass in this stylized action-thriller about one of the world’s most feared government assassins, Anna Poliatova. Written and directed by Luc Besson (La Femme Nikita, Lucy, Valerian and the City of a Thousand Planets), the film is an action-packed thrill ride that will keep you on the edge of your seat from start to finish. Experience sensational fight sequences in four times the resolution of full HD with the 4K Ultra HD Combo Pack, which includes Dolby Vision, bringing the action to life through ultra-vivid picture quality. When compared to a standard picture, Dolby Vision can deliver spectacular colors never before seen on a screen, highlights that are up to 40 times brighter, and blacks that are 10 times darker. Additionally, the 4K Ultra HD Combo Pack features Dolby Atmos, which will transport viewers from an ordinary moment into an extraordinary experience with moving audio that flows all around them. Incuding never-before-seen featurettes, the Anna 4K, Blu-ray, and DVD will be available for the suggested retail price of $29.99, $24.99, and $19.98, respectively.
OFFICIAL SYNOPSIS Beneath Anna Poliatova’s striking beauty lies a secret that will unleash her indelible strength and skill to become one of the world’s most feared government assassins. An electrifying thrill ride unfolding with propulsive energy, startling twists and breathtaking action, Anna introduces Sasha Luss in the title role with a star-studded cast including Luke Evans, Cillian Murphy, and Academy Award® winner Helen Mirren.
4K ULTRA HD / BLU-RAY / DVD SPECIAL FEATURES • “Dressing a Doll: Costumes of Anna” Featurette • “Anatomy of a Scene: Restaurant Fight” Featurette • “Unnesting a Russian Doll: Making Anna” Featurette • “Constructing the Car Chase” Featurette
CAST Sasha Luss – Valerian and the City of a Thousand Planets, Kanye West: Wolves Luke Evans – Dracula Untold, Beauty and the Beast, Fast & Furious 6 Cillian Murphy – Inception, Red Eye, Sunshine Helen Mirren – The Queen, Hitchcock, Gosford Park