Tagged: Wonder Woman

Forry Ackerman Tributes

Forry Ackerman Tributes

Jim Warren worked with Forest J Ackerman since 1958 and they founded Famous Monsters of Filmland together. They last appeared in public at this summer’s Comic-Con International but Warren flew west to see him one final time this month. He provided us with the following:

Forrest J. Ackerman was in a class by himself.  You don’t have to tell this to anyone who knew him or his work. You don’t have to tell anyone Babe Ruth was a great hitter.

Our fifty-year relationship was also in a class by itself. I found Forry Ackerman the man was every bit as interesting as Forry ackerman the talent. Now he’s gone. But the talent still lives. The words he wrote for Warren Publishing will be read and savored for as long as memory and words exist.

The King is dead. No other King can take his place.

Harry Knowles, Ain’t it Cool News

Uncle Forry as many Ackermaniacs referred to him, was for me, my ghoulish Santa Claus. He didn’t live at the North Pole or even the South Pole, but at a magical place called the Ackermansion – and it was my visit there in 1993 changed the direction of my life. My father and I had been life long collectors and fans of all thing cinematic – but it was Forry’s Famous Monsters of Filmland issue 2 that forever put my father on the path to all things geeky cool. He found a load of 7500 issues of Famous Monsters of Filmland in San Antonio, that were in their original shipping bundles that the San Antonio PTA pressured the local distributor not to distribute. Well those 7500 issues were stacked against my far bedroom wall as a young child – the lurid photos convinced me that I had to know what the text said and my father would sit with me, reading Famous Monsters of Filmland to me as a child. Once I could read, I read every issue I could get my hands on. BUT it was that encounter at the Ackermansion that stuck with me. All at once I looked and thought… "What a life!" Looking at the ephemera, the mementos… this wasn’t a fictional Bat Cave or Fortress of Solitude… this was a truly real location, where I real life character invented wholly by himself created a lair more fantastic than any dreamt of in fiction.

I didn’t want to live in the Ackermansion, but I wanted to be in a lair of my own construction, surrounded by the sort of things I loved and I wanted to express that passion with the equal level of unabashed love that Forry did. I’m very different from Ackerman, and so not worthy, he is and always will be one of my fondest inspirations. That final conversation I had with Forry is a warm and sad memory that I will carry with me for the rest of my days.

Jessie Lilley, Mondo Cult

When I met Forry, back in 1990 or thereabouts, I was like a kid on Christmas Morning. Stammering and making a total ass of myself I’m sure. Over the years, he and I have laughed, chatted, sung duets at conventions, danced (!) and most exciting of all for me – we worked together.

I worked with Forry when I was still publishing Scarlet Street. When I left, he asked me if this was a Warren/Ackerman sort of thing, because if it was, he’d follow me and leave SS. I told him it was personal and between Richard Valley and myself and he should stick with SS ’cause it was a good book and had a damned good editor. He laughed and said, "Well, okay Wonder Woman. If that’s the way you want it." And he and Richard worked together for all these years. After one of his birthday parties, I went back to the house and schmoozed a bit with Richard and Tom and Forry beckoned me over after awhile to ask whether the hatchet had yet been buried…. "in Mr. Valley’s head?" I almost choked. "No Forrest," said I, "nor will it be. Richard only has one head and I think he should keep it whole and where it is." Or words to that effect. He patted my hand and said, "Now you know why I continue to refer to you as Wonder Woman. What is you name, anyway?"

I also have the good fortune to have worked with Forry on Mondo Cult. He gave Brad and me a wonderful piece on King Kong in issue 1 and of course, he’s all over issue 2 as well, in photographs from The Boneyard Collection and such.

Forry and I drove to Kelly Freas’ funeral together. We talked about everything under the sun there and back again. He asked me to lunch at the House of Pies and I had to decline as I was expected elsewhere very quickly. He sighed and said, "Jessie, you have to promise me something. When you drive home from my funeral, stop and have lunch at the House of Pies for me, will you? If you don’t I’ll come back and haunt you."

Other thoughts and comments can be found at the Classic Horror FIlm Board.
 

Director Lauren Montgomery Discusses ‘Wonder Woman’

Director Lauren Montgomery Discusses ‘Wonder Woman’

After her successful co-directorial debut on Superman Doomsday, Lauren Montgomery takes full command of the helm for Wonder Woman, the next entry in the popular series of DC Universe animated original PG-13 films. Warner Premiere. The video event is  due out on March 3, 2009.

Montgomery has directed an origin story for Wonder Woman that remains true to the title character’s various incarnations while setting the tale in more modern times to allow greater accessibility for a wider audience. Working alongside producer Bruce Timm, Montgomery has brought to life Michael Jelenic’s entertaining script with an impressive balance of explosive action and well-timed humor. A talented artist with a lifetime of experience devoted to drawing and animation, Montgomery is proud to give Wonder Woman her first feature film treatment.

Warner Premiere provided the following conversation with the director.

Question:  You’ve gone from directing one-third of Superman Doomsday to helming the entirety of Wonder Woman. What’s that progression been like for you?

Lauren Montgomery: It’s mostly in scale of responsibility. On Doomsday, it was all about my one section of the film. Now, it’s everything from background design and color to character design and camera angles, helping select the voices for the cast and approving every storyboard for the entire film. So (she laughs) it was all a lot harder. It’s been an incredible learning experience, it’s probably the most hands-on I’ve ever been on anything, and it’s really prepared me for more of those responsibilities in the future.
 
 

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Interview: Tim Pilcher Talks Erotica, Part 2

Interview: Tim Pilcher Talks Erotica, Part 2

Yesterday, Tim Pilcher, author of Erotic Comics, talked about the research into the second volume, coming out  here in March. Now we focus on the evolution. Speaking of sex, given the subject matter, we advise you that the art does the subject justice.

ComicMix: How different is erotica in America, Asia and Europe?

Tim Pilcher: Well, obviously Europe and Asia have had a more mature approach to comics for adult readers far longer than America or Britain, and consequently their erotica tends to be more prolific and explicit, and there is a greater acceptance of it, it’s no big deal there. I was in Spain and went in a shop to see the erotic monthly anthology, Kiss, racked alongside Asterix! Everybody there knows that the kids aren’t interested in Kiss and will pick up the Asterix instead. There’s a common sense which seems to have disappeared from US and UK cultures, where everybody is overly cautious and litigious. So there’s a more relaxed attitude to sex in general on the continent, particularly in France, Spain and Italy.

A small minority of Japanese Manga, I have to say, left me feeling uncomfortable as it was quite pernicious. But having said that, if it feeds a market that gets a release through reading the comics—rather than enacting their dubious fantasies — then all well and good. After all — unlike photography or video — there’s no models or actors being coerced or exploited. It’s simply an artist, a pen and their thoughts. And if you don’t agree with their thoughts, don’t buy or look at the Manga, it’s as simple as that.

CMix: Did any of that change through the years?

TP: I think, if anything, sadly the old maxim of “less is more” is well and truly dead when it comes to erotic comics. I would much rather artists were more sophisticated and subtle in their storytelling and less graphic with today’s trend of extreme genealogical close-ups. Having said that, there are some women who are doing great things with erotic sequential art, like Melinda Gebbie, Jess Fink, Lynn Paula Russell and Giovanna Casotto, who are creating very mature works. In fact the more I think about it, it’s more of the women’s work that I’m attracted to, and theirs tends to be a more cerebral approach.

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‘Wonder Woman’ DVD Details Released

‘Wonder Woman’ DVD Details Released

Warner Home Video has announced a March 3, 2009 release date for its direct-to-DVD Wonder Woman film. It will be released in what has rapidly become a standard pattern for genre offerings:a Single Disc DVD for $19.98, 2 Disc Special Edition DVD for $29.98 and Blu-ray Disc for $34.99. The animated original movie will also be available OnDemand and Pay-Per-View as well as available for download day and date. Originally, the DVD had been announced for February release but was delayed a few weeks for unspecified reasons.

From clips ComicMix was shown, it’ll be well worth the wait.

Produced by the multiple Emmy Award winning animation legend Bruce Timm, Wonder Woman is an origin story and features a stellar celebrity voice cast including Keri Russell (Waitress, Felicity), Nathan Fillion (Firefly), Alfred Molina (Spider-Man 2), Virginia Madsen (Sideways), Rosario Dawson (Sin City), Oliver Platt (The West Wing) and David McCallum (NCIS).

Wonder Woman begins on the mystical island of Themyscira, where a proud and fierce warrior race of Amazons resides.  They have raised Princess Diana, a daughter of stunning beauty, extraordinary strength and incredible fighting prowess. Diana possesses a host of super human powers granted to her by the gods and goddesses of Olympus and her strength and stamina are unparalleled. When Air Force fighter pilot Steve Trevor crash lands on the island, the rebellious and headstrong Diana defies Amazonian law by accompanying Trevor back to civilization. Meanwhile, Ares (the God of War) has escaped his imprisonment at the hands of the Amazons and has decided to exact his revenge by starting a world war that will destroy them all. It is up to Princess Diana to save her people and the world by using her gifts to become the ultimate Wonder Woman.

Wonder Woman: 2 Disc Special Edition and Blu-Ray versions will feature collectible packaging as well as 185 minutes of incredible bonus features such as:

•    Wonder Woman: A Subversive Dream – She is one of the pillars of DC Comics. We examine why Wonder Woman is important in the grand scheme of the DC Super Heroes and how her raw strength and power helped define a new generation of empowered women, who realized that their gifts of intellect and strength were just as powerful as their male counterparts.

•    Wonder Woman The Daughters of Myth – The riveting documentary historically defines the meaning of the Amazons and how this links in with the evolution of the Wonder Woman character from comics to screen.

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George Perez, Geoff Johns, Jim Lee Added as NY Comic-Con Guests of Honor

George Perez, Geoff Johns, Jim Lee Added as NY Comic-Con Guests of Honor

Two more notable comic book celebrities will be joining the festivities at New York Comic Con (NYCC) this year as Guests of Honor. Affording thousands of fans the opportunity to meet them in person, Geoff Johns, who is well-known as a comic book writer of a number of DC Comics characters, including Superman, Green  Lantern and the Flash as well as for his work as a screenwriter; and superstar artist Jim Lee, known for his acclaimed artistic runs on titles including BATMAN, ALL STAR BATMAN and WILDCATS, will be attending NYCC to help launch the new Massively Multiplayer Online Role-playing game, DC Universe Online (DCUO), produced by Sony Online Entertainment for PLAYSTATION 3 in collaboration with DC Comics and Warner Bros. Interactive Entertainment. 

Both Johns and Lee will be signing autographs and they will conduct a large DC Universe Online event on Saturday, February 7, 2009.  New York Comic Con will take place at the Jacob K. Javits Center in New York City, February 6 – 8, 2009.  

“Having both Jim Lee and Geoff Johns at our show is a great ‘get’ under any circumstance, but it’s especially cool to have them here to as part of DC Universe Online,” notes Lance Fensterman, Vice President and Con Manager for NYCC. “They will do a fabulous job entertaining our fans and I know that they will attract huge crowds, not only for autographs but also for their demonstration.  I am enormously grateful to them for participating in New York Comic Con and we’re pleased to have them as Guests of Honor.” 

“Jim and Geoff represent two of the top talents in comics, so it only makes sense that they’d transfer those skills to the gaming world,” said Dan DiDio, SVP and Executive Editor for DC Comics. “It’s a perfect fit to have them named Guests of Honor at New York Comic Con.”

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Colan: Visions of a Man without Fear Opens in San Francisco

Colan: Visions of a Man without Fear Opens in San Francisco

Gene Colan’s artistic career will receive the retrospective treatment as San Francisco’s Cartoon Art Museum presents Colan: Visions of a Man without Fear, opening November 15 and running through March 15, 2009.

On December 4, there will be a special opening reception with Gene and Adrienne Colan in attendance.

The exhibition will include over 40 examples from Colan’s long creative career, from his one and only story illustrated for legendary publisher EC Comics in 1952, through his career-defining work for Marvel Comics from the 1960s and 1970s on titles as diverse as Iron Man, Tomb of Dracula and Howard The Duck, to his notable run on DC Comics’ Batman in the 1980s, to his more recent efforts, including illustrations commissioned by his fans and his beautiful pencil artwork on titles such as Michael Chabon’s The Escapist, published by Dark Horse Comics.

Guest Curator Glen David Gold, author of the novel, Carter Beats the Devil, put the museum show together.  An exhibition catalog featuring high-quality reproductions of Colan’s artwork and essays from many of his most notable collaborators, including writers Stan Lee, Marv Wolfman, Roy Thomas and Steve Englehart, will be available at the Cartoon Art Museum prior to the exhibition’s opening reception on December 4.

For those unfamiliar with Gene “The Dean”, he was born in New York in 1926 and studied at the Art Students League of New York under illustrator Frank Riley and surrealistic Japanese painter Kuniashi. After a stint in the army, Colan’s official career in comics began in 1944 at Fiction House and Timely.

 

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‘Wonder Woman’ Movie Rumors

‘Wonder Woman’ Movie Rumors

Some Wonder Woman news popped up over the weekend.  First, there was Beyonce Knowles telling Geoff Boucher at the Los Angeles Times that she’d love to portray the Amazon Princess.

"I want to do a superhero movie and what would be better than Wonder Woman? It would be great. And it would be a very bold choice. A black Wonder Woman would be a powerful thing. It’s time for that, right?" she said.

She has appeared in Austin Powers in Goldmember, Dreamgirls, and Cadillac Records in addition to her pop music career.  Knowles indicated she has personally expressed her interest to both the studio and representatives at DC Comics.

The shapely and fit performer was ready for the revealing and tight tradition outfit as first designed by artist Harry G. Peters.  "I would definitely have to keep it right for that costume. The way that Lynda Carter wore it, she was sooo fine. She was amazing. I saw her costume at the Met. Her waist was unbelievable. It was pretty crazy, actually, her proportions. But I love Wonder Woman and it’d be a dream come true to be that character. It sure would be handy to have that lasso. To make everybody tell the truth? I need that. It would come in very handy."

The 27 year old also noted, "When you think about the psychology of the heroes in the films these days, they are still a lot of work, of course, and emotional. But there’s also an action element that I would enjoy."

IESB is reporting rumors that Warner Bros. may be circling back to McG to direct the long-stalled movie.  The man is currently in post-production on Terminator Salvation and was scheduled to direct the Superman reboot before walking off the project prior to Bryan Singer’s involvement. He was also interested in The Losers which went to Tim Story before the studio reassigned it to Sylvain White.

“Let me be very clear about this, I don’t know if he has been signed on or if his is just one of the names being circulated by the studio or if in fact it’s McG himself lobbying for the gig. Could be any of the three,” the site wrote.

“I double checked with a few other industry insiders and after a few phone calls they confirmed of hearing his name circling Wonder Woman as well.”
 

DC at the Movies

DC at the Movies

In keeping up with the comings and goings of DC’s comic book franchises that have plans to segue to the silver screen, here we have put together Warner Bros. more recent plans on making that adaptation for some of our favorite heroes, as well as some other characters and how close we are to seeing them in theaters.

Wonder Woman

In January 2001, producer Joel Silver approached Todd Alcott to write a Wonder Woman screenplay, with Silver Pictures backing the project. Early gossip linked actresses such as Mariah Carey, Sandra Bullock, Rachel Bilson, and Catherine Zeta-Jones to the role of Wonder Woman. Leonard Goldberg, speaking in a May 2001 interview, named Bullock as a strong candidate for the project. Bullock claimed that she was approached for the role, while Lucy Lawless and professional wrestler Chyna both expressed interest. Lawless indicated that she would be more interested if Wonder Woman was portrayed as a "flawed hero." The screenplay then went through various drafts written by Alcott, Jon Cohen, Becky Johnston, and Philip Levens. By August 2003, Levens was replaced by screenwriter Laeta Kalogridis (Birds of Prey).

In March 2005, Warner Bros. and Silver Pictures announced that Joss Whedon would write and direct the film adaptation of Wonder Woman. Since Whedon was directing Serenity at the time, and required time to research Wonder Woman’s background, he did not begin the screenplay until late 2005. According to Joel Silver, the script would cover Wonder Woman’s origin and include Steve Trevor: "Trevor crashes on the island and they go back to Man’s World." Silver wanted to film Wonder Woman in Australia once the script was completed. While Whedon stated in May 2005 that he would not cast Wonder Woman until he finished the script, Charisma Carpenter (Angel) and Morena Baccarin (Firefly) expressed interest in the role.

Despite telling people, "It was in an outline, and not in a draft, and they [studio executives] didn’t like it. So I never got to write a draft where I got to work out exactly what I wanted to do." Whedon is known to have actually finished a screenplay that was not met favorably by Warner Bros. or DC.

In February 2007, Whedon departed from the project, citing script differences with the studio. Whedon reiterated: "I never had an actress picked out, or even a consistent front-runner. I didn’t have time to waste on casting when I was so busy air-balling on the script." Whedon stated that with the Wonder Woman project left behind, he would focus on making his film Goners.

A day before Whedon’s departure from Wonder Woman, Warner Bros. and Silver Pictures purchased a script written by Matthew Jennison and Brent Strickland. Set during World War II, the script impressed executives at Silver Pictures. However, Silver has made clear that he purchased the script because he didn’t want it floating around in the industry; although it has good ideas, he doesn’t wish for the Wonder Woman film to be a period piece. By April 2008, Silver hired Jennison and Strickland to write a new (modern day) script that would not depict Wonder Woman’s origin, but explore Paradise Island’s history.

According to an August 2008 article in The Wall Street Journal, featuring Warner Bros. president Jeff Robinov speaking about their DC property films, a Wonder Woman film is among other super-hero films currently in "active development."
 

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Interview: Nate Powell on ‘Swallow Me Whole’

Interview: Nate Powell on ‘Swallow Me Whole’

Nate Powell hits upon some pretty heavy subject matter in his latest graphic novel Swallow Me Whole, now out frolm Top Shelf. We’re talking childhood schizophrenia, obsessive compulsive disorder, family breakdown, animal telepathy, and misguided love, just to name a few. The Indiana-based cartoonist traverses the familiar territory of teen angst and all the growing pains associated with it in his new work, but without the formulaic melodrama that so often saturates the topic. When he isn’t tackling the troubling madness of adolescence as an author and artist, Powell splits his time operating DIY punk label Harlan Records and works with adults with developmental disabilities.

Despite his oh-so busy schedule, ComicMix recently had the chance go catch up with Powell before he hits up the Alternative Press Expo this weekend in San Francisco. Here’s what he had to say about his new work, how he hooked up with publisher Top Shelf and what’s next on his plate:

ComicMix: First off, let’s start with some background material. You’ve lived in a number of locales, that’s for sure. Where have your travels taken you and where are you at now? As for comics, do you remember when you first discovered them and what led you to create your own.

Nate Powell: I’m from North Little Rock, Arkansas, and since early 2004 I’ve lived in Bloomington, Indiana. In between I’ve also lived in Montana, Alabama, DC, New York City, Kansas City, Michigan, western Massachusetts, and Rhode Island.

As for comics — when I was a toddler in Montana I read a lot of Spider-Man, Wonder Woman, and Hulk comics. Apparently I spontaneously began reading out of a Fantastic Four activity book when I was three years old.

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Nolan: Marvel’s Crossover Agenda Won’t Work For Batman

Nolan: Marvel’s Crossover Agenda Won’t Work For Batman

While The Dark Knight dominated the summer movie market, Marvel pulled off something incredible as well: creating the foundations for a Marvel movieverse. From Nick Fury mentioning The Avengers to Tony Stark’s cameo in The Incredible Hulk, Marvel Studios began a new era of crossover events that will culminate in The Avengers in 2011. Most fans are elated by this method, but there’s one guy who isn’t totally down with the concept, at least on his own franchise: Chris Nolan.

In the final portion of a three-part interview, The Dark Knight director Nolan tells The L.A. Times that "cross-fertilization" isn’t something that bodes well for his vision of the Caped Crusader.

"I don’t think our Batman, our Gotham, lends itself to that kind of cross-fertilization," says the filmmaker. "It goes back to one of the first things we wrangled with when we first started putting the story together: Is this a world in which comic books already exist? Is this a world in which superheroes already exist? If you think of Batman Begins and you think of the philosophy of this character trying to reinvent himself as a symbol, we took the position — we didn’t address it directly in the film, but we did take the position philosophically — that superheroes simply don’t exist. If they did, if Bruce knew of Superman or even of comic books, then that’s a completely different decision that he’s making when he puts on a costume in an attempt to become a symbol."

Nolan regards other super-hero films such as Superman Returns as coming from "a different universe. It’s a different way of looking at it. Now, it’s been done successfully, very successfully, in the comics so I don’t dispute it as an approach. It just isn’t the approach we took. We had to make a decision for Batman Begins."

  Warner Bros. unleashed the wrath of a million super-hero lovers when they unveiled their plans for Justice League: Mortal. The film would have been released prior to solo adventures for the majority of the team’s roster, including The Flash, Green Lantern and Wonder Woman. Another strike against the film was its alleged casting choices, pitting newcomers and undesired stars alike in the roles of fan favorite characters. Adam Brody (The O.C.) would’ve played Wally West, Common (Wanted) would’ve played John Stewart, and Megan Gale (Stealth) would’ve played Wonder Woman.

One of the biggest casting controversies came in the form of Armie Hammer. The 22-year-old actor, whose most high profile project to date is a guest stint on Desperate Housewives, was attached to the play Batman in Justice League. For fans of Nolan’s work, it was bad enough that Bale wouldn’t be involved in the team-up flick. Hammer’s involvement was the salt in the wound.

Some comfort can be taken in the fact that the WB announced a refocusing of their DC Comics properties, taking a cue from Marvel’s crossover agenda. To date, Green Lantern is moving forward with Hal Jordan as the hero and Green Arrow will headline the super-human prison escape flick Super Max. There’s already talk about a third Nolan-helmed Batman and active plans for a Superman relaunch, which Mark Millar is heavily lobbying for.

But despite all of this, the Justice League: Mortal actors are still attached to the project on IMDb, which is slated for a 2011 release date. Within the last few months, Armie Hammer has spoken about the film as if it’s still on the horizon. In the end, it might take a real life Justice League to ensure that Justice League the movie can match the inevitable success that The Avengers is poised to see.