Tagged: True Blood

Casting Notes

Casting Notes

  • News
  • December 20, 2008

Mark Hamill reprises his vocal work as The Joker for Eidos and Warner Bros’ video game Batman: Arkham Asylum.  The actor, of course, had a memorable turn as the Clown Prince of Crime on Batman: The Animated Series back in the 1990s. He’ll once more be working opposite Kevin Conroy, who also returns.

HBO’s second season of True Blood will introduce Anna Camp (Equus) as the wife of Fellowship of the Sun president Steve Newlin, played by Michael McMillain. As outlined by Alan Ball, Jason Stackhouse will get caught up with the anti-vampire church for much of the season, which debuts next summer.

Casting notes describe Sarah as “an example of the new ‘hip’ evangelical movement, hates vampires with a passion, deeply believes in her mission, her marriage, her country and her church. very feminine, but down-to-earth, also with a healthy appetite for life’s many pleasures… as she sees it, it’s all part of God’s gift to us. No actual nudity, but implied…”

Merlotte will gain a new waitress to replacer dearly departed Amy. Daphne will be played by Ashley Jones (Bold and the Beautiful). She is described as “sexy and down to earth, a real country girl, not the greatest waitress, but Sam Merlotte (Sam Trammell) couldn’t care less, once he gets to know her better. Common sense, no-nonsense, funny, definitely not neurotic. Nudity is preferable in this role…6 episode arc beginning with this episode.”

Kristen Chenoweth did take long to find work.  The Pushing Daisies star has landed the lead in David E. Kelley’s new legal drama, Legally Mad, for NNBC.  The series is expected to make the 2009-2010 schedule, when the network announcements are made in May.

‘True Blood’ Updates

‘True Blood’ Updates

  • News
  • December 6, 2008

HBO has announced a May 12 DVD release for the first season of True Blood, the acclaimed series based on the Sookie Stackhouse novels. The five-disc set will retail for $59.99 with no extras announced.

True Blood chronicles the backwoods Louisiana town of Bon Temps…where vampires have emerged from the coffin, and no longer need humans for their fix. Sookie Stackhouse (Anna Paquin) works as a waitress at the rural bar Merlotte’s. Though outwardly a typical young woman, she keeps a dangerous secret: she has the ability to hear the thoughts of others.

Sookie’s situation is further complicated when the bar gets its first vampire patron – 173-year old Bill Compton (Steven Moye) — and the two outsiders are immediately drawn to each other.

Adapted from Charlaine Harris’ The Southern Vampire Mysteries by creator and executive producer Alan Ball the series proved to be a growing phenomenon, just the sort of thing HBO has needed.

Meantime, production on the second season is already underway with a summer return being eyed, confirmed in part by the May release of the DVD set. Entertainment Weekly’s Michael Ausiello wrote this week, “Not only is there fresh Blood on the way, there’s also fresh… um, blood. The vamp hit is on the hunt for a new series regular to play Sarah, the pleasure-seeking missus of Steve Newlin, the Fellowship of the Sun’s big kahuna. New semi-regulars are also being sought for six-episode arcs as Daphne, Merlotte’s new waitress (and Sam’s likely new love interest), and Luke, a burly twentysomething who’s as dedicated to religion as Jason is to sex.”

Michelle Forbes (Battlestar Galactica), has been upped to series regular.

Finally, Mr. Skin named Lizzy Caplan (Cloverfield) top nude actress on television for 2008 given her character Amy’s frequent naked moments.

‘True Blood’ Concludes First Season Tonight

‘True Blood’ Concludes First Season Tonight

  • News
  • November 23, 2008

HBO’s adaptation of Charlaine Harris’ Sookie Stackhouse novels, True Blood, reaches its first season finale tonight.  A second season has already been green-lit and in production for fall 2009.

With vampires all the rage, as witnessed by this weekend’s explosive box office for Twilight and other vamp tales getting optioned, the timing seemed serendipitous for the premium channel, which needed a hit.

The series, starring Anna Paquin, has seen its viewership rise by 66 percent since its debut in September, now averaging 6.8 million viewers.

"After Six Feet Under, where as an artist and a person I got to explore my whole relationship with grief for about five years, I just felt, OK, I don’t really need to spend any more time staring into the abyss," series creator Alan Ball told the Associated Press.

His pitch was readily accepted by HBO and the series quietly went into production. A viral marketing campaign, centering on Tru Blood, the synthetic blood substitute that allows vampires to come out of the closet, so to speak, launched over the summer and got mild buzz.

The series aired to good reviews but smaller than anticipated audiences. Yet, the numbers have been slowly but steadily growing with execs noting that despite airing throughout the week, the peak numbers have skewed towards the Sunday at 9 p.m. debut. This is the first series to generate that sort of attention in the timeslot since Sex and the City and The Sopranos.

Since then, the network has failed to create a show with similar cache.

"You start worrying," Michael Lombardo, HBO’s chief of West Coast operations said. "You see other networks putting on important programs on Sunday nights and you worry, `can you bring them back?’ What has been fantastic is to see the subscribers have been waiting for a Sunday night show they can make appointment viewing again."

Fortunately, the first season largely adapted the first novel with six more in print and another on the way. All feature Sookie, a southern girl who possesses ESP, making her unique in a world with vampires trying to integrate into society. The world also features shape-shifters and humans sipping on vampire blood get a better high than from any pharmaceutical. The core of the series revolves around the romance between Sookie and Bill Compton, a vampire returning to his homestead and played by Stephen Moyer.

HBO Orders ‘Game of Thrones’ Pilot

HBO Orders ‘Game of Thrones’ Pilot

  • News
  • November 12, 2008

The trades are reporting that HBO has finally given a pilot order to A Game of Thrones, the first in George R.R. Martin’s bestselling A Song of Fire & Ice series. The television version will be executive produced by David Benioff (X-Men Origins: Wolverine) and D.B. Weiss (Halo).

HBO picked up the rights on January 17, 2007 with Variety describing the series as "an epic struggle for power set in a vast and violent fantasy kingdom." Which is putting things mildly. Martin, called by Time as an American Tolkien, has created a sprawling saga with dozens of characters currently projected to be seven volumes long and is a modern day epic fantasy which would be challenging for even premium cable to adapt.

 “Fantasy is the most successful genre in terms of feature films given the incredible popularity of Lord of the Rings and Harry Potter movies,” Benioff told The Hollywood Reporter. “High fantasy has never been done on TV before and if anybody can do it, it’s HBO. They’ve taken tired genres and reinvented them — mobsters in The Sopranos and Westerns with Deadwood.

“It’s not a story with a million Orcs charging across the plains,” Weiss said. “The most expensive effects are creature effects and there’s not much of that.”

Ever since the option was announced, the producers have insisted that each season would adapt just one of the thick novels.  Martin was also committed to writing at least one episode per season.  He began working on the pilot in 2007, completing a first draft in August.  A second draft was announced as being completed in June 2008. HBO exercised their option on the series in September before yesterday’s announcement.

A Game of Thrones was released in 1996 and won critical acclaim, earning the Locus Award for Best Novel (Fantasy) while earning nominations at the World Fantasy and Nebula Awards.

The other books in the series are A Clash of Kings (1998), A Storm of Swords (2000), and A Feast for Crows (2005). Announced but not yet delivered, written or scheduled are A Dance with Dragons, The Winds of Winter, and A Dream of Spring.  The saga has also led to three novella and act as prequels to the first novel.

Martin actually was at work on Dragons when he realized things were not working and he tossed out much of the work and announced at the Millennium Philcon in 2001 that he was writing a different book to continue the story before resuming Dragons. That became Crows which tightened its focus on a handful of characters while the next book would shift the spotlight to others. An anticipated 2008 publication date came and went and Bantam is hopeful it will receive the manuscript in time for a spring 2009 release.

The one obstacle left is being better than the ten other projects in development at the cable network. Although six are expected to get the series go-ahead, HBO can be choosy under its new regime which jettisoned several other projects already, including Preacher.

Martin plans seven books in the series. The producers intend for each season to span one novel.

THR notes, “Combined with True Blood, this also suggests an interesting, AintItCoolNews-targeted direction for the network. Less edgy-PBS, more R-rated Comic Con.”
 

Alan Ball Talks ‘True Blood’

Alan Ball Talks ‘True Blood’

  • News
  • October 12, 2008

Director Alan Ball spoke with Moviehole about the reaction to his adaptation of True Blood, now about halfway through its first season on HBO.

He was drawn to the book series because it “seems like such an original mix. There’s so much in there that I really enjoyed. There’s a gothic-romance element, and I probably wouldn’t have enjoyed it if that’s all it had been about, but there was also sex, violence and this serial murderer, all set in this crazy world where vampires are struggling for equal rights. And then there’s this cliffhanger old Saturday-afternoon matinee feel. It’s just really, really fun to work on.”

The show, recently picked up for a second season, stars Anna Paquin as a telepath in a small southern town who develops a relationship with a vampire who recently moved in nearby.

“She’s good casting,” he said. “Thank god she wanted to do TV! When the casting director said ‘Are you interested in Anna Paquin?’ I shot back ‘Well, yeah, but is she interested in this?’ She says ‘Yeah, she is’. Anna pursued this role, and thank god she did because… she really gives the show heart… soul. It’s a great cast, lets not discount anyone else in the cast, but playing someone whose been hearing someone else’s thoughts their entire life isn’t easy – and she makes it look easy.”

His adaptation of Towelhead is currently in theaters, having received largely negative reviews and he’s now at work on the second season. “I’m working with the writers on Monday. And I have two screenplays that I’ve written over the years, both original, that I may do. I think I’d like to direct one and I think I’d like to produce one. I’m playing with the idea of becoming a production company. But there’s nothing definite on the horizon besides True Blood.”

He added that actors he’s worked with elsewhere will be found on the series including Towelhead’s Lena Collins and Six Feet Under’s Chris Messina. “I tend to do that – work with actors again, especially if I feel they’re really good and are a pleasure to work with. If something is right for them, I’ll look them up.”

As for the future, he said, “I’ve found that after Six Feet Under, and now Towelhead, that the things I’m not drawn to seem to be genre – which was never the case for me before. I certainly have ideas for films that seem to be more science-fiction – that’s the label that best describes them – even though these two new scripts I’ve written both take place in the real world, one being a period piece. In terms of what I’m reading, and are interested in though, I sort of feel like I’ve had my fill of angst.”
 

Mike Newell Sinks Teeth into Patricia Brigg’s Mercy Thompson

Mike Newell Sinks Teeth into Patricia Brigg’s Mercy Thompson

  • News
  • October 4, 2008

Vampires remain popular as noted by the success of HBO’s True Blood series and the enduring appeal of Dracula.  It’s with little surprise to see that Mike Newell’s 50 Canon Entertainment has optioned Patricia Briggs’ Mercy Thompson character for development.

Mercy’s adventures take place in Washington state’s Tri-Cities area.  She’s a VW mechanic living in a world where vampires and werewolves are neighbors and not necessarily nasty threats. There are three Mercy Thompson novels in print, all from Ace Books and include Moon Called (2006), which is the story of a vampire-hunter who has the ability to shape shift into a coyote, Blood Bound (2007), and Iron Kissed (2008). Bone Crossed is due out in February 2009.

Brigg’s also told Publisher’s Weekly that the Dabel Brothers will be adapting her works for a series of graphic novels to be released as part of their deal with Random House. She will write the original story for the initial four-issue miniseries. The Dabels gained attention with their work adapting Laurel K. Hamilton’s Anita Blake vampire novels.

Newell is no stranger to genre entertainment having directed Harry Potter and the Goblet of Fire, and is currently directing an adaptation of Terry Brooks’ The Elfstones of Shannara.

The 43-year old author has also started a spin-off series set in the same universe starting with 2007’s Alpha and Omega, which was a novella and was followed this year with Cry Wolf.
 

‘True Blood’ ups 4 to Regular Roles

‘True Blood’ ups 4 to Regular Roles

  • News
  • September 27, 2008

With True Blood earning good ratings and second season order, the producers are expanding the cast with the addition of four new regulars.

Mehcad Brooks, Todd Lowe, Deborah Ann Woll, and Michelle Forbes have already appeared as occasional participants this season and the quartet has been upgraded to series regulars.

Brooks will debut as Benedict "Eggs" Talley, a mellow, guitar-strumming refugee from a hard life in the season finale later this fall.

Forbes is best known for her work on Star Trek: The Next Generation as Ensign Ro and as Admiral Cain in the revamped Battlestar Galactica.
 

Early Review: True Blood

True BloodFor too long, paranormal dramas have been restricted to basic cable where they become weighed down with melodrama and morals that everyday teens can take away from each episode. I’d like to say that [[[True Blood]]] breaks that trend, but, sadly, it does not and with the exception of a few expletives and some exposed body parts, this show could certainly be made for ABC or the oh-so-hip CW.

From the Alan Ball, the creator of the acclaimed HBO series [[[Six Feet Under]]] comes the TV series based on [[[The Southern Vampire Mysteries]]] book series by Charlaine Harris about a southern telepathic waitress named Sookie Stackhouse who solves mysteries involving vampires, werewolves, and other such creatures. Keep in mind, this series was written four years before the nation’s newfound interest in vampires was peaked with Stephanie Meyer’s [[[Twilight]]] series. That said, this still isn’t safe from being called a watered down version of [[[Buffy The Vampire Slayer]]].

There were only a few scenes that were of interest to any fan of the vampire mythos, the rest establishing the faux racism storyline that seems to be the backbone of the show. In a world where vampires have “come out of the coffin” (not my turn of phrase) and are now publicly known, they become the new racial scapegoat for the scared and angry citizens of Southern America to abuse. This storyline borders didacticism by using “vampire” as a replacement for words like “black” or “gay” or even “cylon”. In a world where these immortal creatures walk the earth, why should they care what the clerk at the Quik-N-Stop has to say to them? Unanswered questions like these makes one realize why this series needs to be looked at like a Vampire Romance novel, instead of a replacement for something like Buffy or [[[Angel]]], much like watching [[[The New Adventures of Lois & Clark]]].

Outside of plot holes like that, the other two issues with the pilot were the pacing and acting. The pacing seems to be almost at a torturous level, leaving entire chunks of time where nothing more than a lot of pensive staring goes on. We understand that there is a lot of animosity between the vampires and the “mortals”, but they can rip your throats out, so stop looking like a pissed off toddler. The acting  (I won’t go into how bad the southern accents are) and motivation of characters just came across as inconsistent, as many of them were either set as “angry girl” or “delusional grandmother”. There was hardly any reasoning behind these emotions, and they felt unnecessary and distracting.

The ending left for a good cliffhanger and a want to pursue the next episode, which I encourage. This series will hopefully improve and become slightly more watchable, but this doesn’t seem like another Buffy the Vampire Slayer or even a Twilight, instead just a watered down amalgam of the two.  Rating 6/10

True Blood debuts on HBO Sunday evening at 9 p.m. and has a twelve episode season.

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