Tagged: strip

‘Diesel Sweeties’ Does ‘Iron Man’

‘Diesel Sweeties’ Does ‘Iron Man’

With all of the Iron Man hype fading, I thought it would be worth pointing out one of my new favorite shout-outs to the film that popped up in my daily reading list.

In this strip, Diesel Sweeties mastermind R. Stevens manages to take a jab at both Stan Lee and everyone’s favorite drunken industrialist turned armor-plated superhero. Titled "Radical to the Extremis," it’s another example of why I enjoy DS so very much: not only does Stevens have some traditional comics savvy, but he’s also honest-to-jeebus hilarious.

You can read this strip and others at dieselsweeties.com, and be sure to check out my Diesel Sweeties interview with R. Stevens that ran previously on ComicMix.

Happy Birthday: Barbara Slate

Happy Birthday: Barbara Slate

Born in 1947, Barbara Slate started out in greeting cards before moving to comics. In 1974, she met with a greeting card buyer from Bloomingdales and showed him 24 feminist greeting cards she had designed. Thus, the "Ms. Liz" line was born.

Ms. Liz then became a comic strip in Cosmopolitan, and then an animated feature on The Today Show. Next, Slate spoke to Jenette Kahn of DC Comics, who hired her to create Angel Love. From there, Slate moved to Marvel to create Yuppies from Hell and Sweet XVI (which won a Forbie Award in 1991), and then began working on Barbie and Barbie Fashion (which won the Parent’s Choice Award in 1992 and 1993).

Slate has also written for Disney Comics (Pocahontas and Beauty and the Beast) and Archie Comics, among others. Currently Slate writes for Archie Comics, teaches graphic novel and sequential art workshops, and has a syndicated column called “You Can Do A Graphic Novel.”

Happy Birthday: Jerry Scott

Happy Birthday: Jerry Scott

Born in Elkhart, Indiana in 1955, Jerry Scott initially went into advertising. He got his start in comics by submitting gag strips to magazines in the mid-1970s—and sold one of his first ones to the Saturday Evening Post.

In 1983, he was asked to take over the Nancy comic strip, which he worked on for the next twelve years. In 1990 Scott and longtime friend Rick Kirkman created a new strip, Baby Blues. In 1997, Scott and Jim Borgman collaborated to produce Zits. Both Baby Blues and Zits are still running, and combined appear in over 2000 newspapers around the world.

Zits won the National Cartoonists Society prize for best newspaper comic strip in 1998 and 1999—Baby Blues won the award in 1997. In 2002 Scott received the Reuben Award for Outstanding Cartoonist of the Year.

Interview: Paul Southworth on ‘Ugly Hill’

Interview: Paul Southworth on ‘Ugly Hill’

  • News
  • April 25, 2008

Paul Southworth’s webcomic Ugly Hill is about, well… monsters.

At least, that’s how he usually describes it.

If I were to describe it, I’d write that the five-day-a-week strip features a brightly colored cast of creatures who experience the trials and tribulations of life in a bleak, consumer-driven world not entirely unlike our own — except that it’s full of monsters. That’s how I’d describe it.

I’d also write that Ugly Hill is part of the Blank Label Comics collective, and at the end of the month, the multiple Web Cartoonists Choice Award-winning strip will celebrate its third year on the InterWebs.

Oh, and I’d also mention that Paul Southworth recently became a new daddy.

But the thing is, I don’t want to put words in his mouth, so I’ll just let the following interview I conducted with Paul explain everything about his wildly successful webcomic.

COMICMIX: First off, congratulations on the new addition to the family! What’s your schedule like these days?

PAUL SOUTHWORTH: Rigorous. I thought I was busy before, but it turns out I was living a life of spoiled luxury, concerned only for myself and my own ridiculous pursuits. Now my life is consumed with filling bottles, mixing just the right amount of orange mush with just the right amount of pale green mush, and having long, detailed conversations about the size, frequency, and consistency of another human being’s feces. Somewhere in there I manage to work a day job for nine hours and draw a comic strip on the side.

To be fair, sometimes I can draw and hold a conversation about human waste simultaneously, but only when I’m pressed for time.

CMix: Well, I’ll try to keep this short, then. How did you prepare for keeping the strip active when the baby came home?

PS: I always try to keep at least 2-3 weeks ahead of publication. When I started the strip, I was six weeks ahead, but I squandered that away somehow.

So I just tried to work ahead as much as possible. I was also able to line up two weeks’ worth of wonderful guest artists to fill in for me directly after the birth, which was so helpful. I don’t think there has been a time in my life that I have thought less about drawing than those 3 or 4 panicky weeks after my son was born, so not having to worry too much about it was a blessing. Otherwise, after the guest strips had run their course and my buffer had dwindled, I didn’t know what I was going to do. I’m sure glad it worked out, though!

(more…)

Happy Birthday: Howie Schneider

Happy Birthday: Howie Schneider

  • News
  • April 24, 2008

Born in the Bronx, NY in 1930, Howie Schneider is best remembered for Eek & Meek, the comic about two mice (later two men) he created for the Newspaper Enterprise Association (NEA) in 1965 and ran for 35 years.

Schneider also published several cartoon books, wrote a daily cartoon called Unschucked for the Provincetown Banner after he moved there in the mid-1970s, and in 2003 launched a new daily syndicated strip, The Sunshine Club. Schneider served on the Newspaper Features Council board for 20 years, and on the National Cartoonists Society board for eight.

He won the New England Press Association award for Best Editorial Cartoon twice. Schneider died in 2007 from complications after heart surgery.

Why ‘Little Lulu’ Works

Why ‘Little Lulu’ Works

  • News
  • April 6, 2008

Over at Comixology, Shaenon K. Garrity offers up her thanks to Dark Horse Comics for publishing Little Lulu reprint volumes en masse, and provides a great analysis of what made the comic strip work.

Simply put, I’m quite certain this is a quality piece of commentary because it actually made me want to hunt down a few volumes of Little Lulu, a strip that never really piqued my interest in the past.

The thing about the Little Lulu reprint project is that, brilliant as Little Lulu is, no one really needs 19 volumes of it. It’s a very repetitive comic. The adventures of Lulu Moppet, Tubby Tompkins, and their many small neighbors were published in a time when kids read their comics and threw them away; a month later, they were ready for more of the same. John Stanley and his nameless assistants worked out a series of reliable formulas which play out, often with only slight variations, in issue after issue after issue:

Garrity goes on to describe each of those "reliable formulas" in detail, explaining the typical set-up inherent to each formula, the payoffs readers could expect to see, and why the strips kept readers coming back. The author also provides examples of the small slices of zen served up by many of the strips:

Although Tubby was unable to carry his own spinoff comic for long, the Tubby-centric stories in Little Lulu are some of the best, and many of them feel autobiographical. When Tubby saves up his pennies to eat at a diner on the outskirts of town because real live truck drivers eat there, and he eagerly asks every man at the counter if he’s a truck driver until—joy of joys!—a bunch of truck drivers come in and sit down right next to him, the story transcends the formulas of kids’ gag comics and becomes a perfect moment drawn from life.

 

 

(via Journalista)

‘Cul de Sac,’ the Comic Strip You Need to Read

  • News
  • April 1, 2008

I had all but given up on newspaper comic strips in recent years. My favorites (Calvin and Hobbes, The Far Side, Peanuts, etc.) had disappeared and every new innovative comic appeared online, not in the funny pages.

Then a friend pointed me to Cul de Sac by Richard Thompson of the Washington Post. Like many of the great strips, Cul de Sac features a young central character (Alice, in this case) who simultaneously looks at the world with the dreamy innocence of youth and the cynical sensibilities of an adult.

That balancing act is consistently funny on a daily basis, as Thompson finds the most creative ways to point out the lunacy of the world from both children’s and adult’s perspective. My favorite strip might be the one below, in which Alice’s brother opines on the world of comic books:

So, I have a new newspaper comics strip. Maybe the "funnies" page isn’t dead yet. Or maybe it is: I read Cul de Sac online.

The Guest Strip Project Recruits Fill-Ins For Charity

The Guest Strip Project Recruits Fill-Ins For Charity

  • News
  • March 23, 2008

The fill-in artist is a staple of comics and webcomics alike, but Michael Rouse-Deane is making a year-long event out of the practice — and for a good cause.

April 1 is the scheduled start of The Guest Strip Project, in which a different webcomic creator will provide a strip each week, with proceeds from the advertising, store and donations headed to the Make-A-Wish Foundation. The project is described as follows:

One artist can only do one guest strip, they won’t be asked back, once their page is completed it’ll go into the archives and they can never return. This means its much more complicated but also allows other talented people out there to have a chance of making an impact.

At the side of each page are banners and also donation buttons where people can donate money to the Make-A-Wish Foundation. There’s also the store which will every so often have exclusive merchandise as well as spin-off books, posters, t-shirts and artwork up for grabs all donating to the Make-A-Wish Foundation.

Keep in mind that the project will be presented in the standard, no-charge webcomic format, so it will be interesting to see how successful a unique campaign like this, which relies upon advertising, merchandise sales and donations, will end up. Although the roster of creators currently expected to provide strips hasn’t been posted at this point, the "Links" page could provide some indication of the talent tapped for the kick-off.

 

(via Fleen)

Interview: Jeffrey Rowland on TopatoCo and ‘Overcompensating’

Interview: Jeffrey Rowland on TopatoCo and ‘Overcompensating’

Jeffrey Rowland, the creator behind popular webcomics Wigu and OverCompensating, has a new, full-time job these days — and it just might make him one of the most important people to watch in the world of webcomics.

Late last year, Rowland officially expanded TopatoCo, the online store where he sold shirts, stickers and other merchandise related to his webcomics, bringing several other popular webcomics’ stores under the TopatoCo banner and consolidating their merchandise operations. By doing so, fans of many of the most popular webcomics are now able to mix and match their orders among different creators’ designs, and TopatoCo has evolved from a basement business to a staffed, international operation Rowland runs out of an office building in Easthampton, MA.

According to Wikipedia, Rowland "can be considered one of the small number of professional webcartoonists, as running Overcompensating and Wigu, in addition to his merchandise company TopatoCo, is his full time job and source of income."

I spoke with Rowland about the growth of TopatoCo and the first few months of becoming a webcomic merchandising hub, as well as the status of his own webcomics, OverCompensating and Wigu. From the lure of running off to Mexico on a motorcycle to the Snakes on A Plane experience, Rowland shares his thoughts on making a living in the world of webcomics.

COMICMIX: You sound busy, Jeff. What’s going on at TopatoCo HQ today?

JEFFREY ROWLAND: Well, I’m just trying to get a handle on this whole business arrangement here.

CMix: Yeah, it sounds like you’re pretty deep into it these days…

JR: Well, the way we were doing it before was, everyone had their own individual sites up. Dinosaur Comics would have its little store, and then [Dinosaur creator Ryan North] would collect the orders throughout the week and send them to us in a file once a week or so. It wasn’t that bad, because everyone was doing a pretty good amount of business, but when I put them all together… Well, all of a sudden, it just exploded. It was bigger than I thought it was going to be. I think we’ve been up for about a month now, and we’re over 2000 products sold. Over 1000 transactions. Basically, it’s just two of us here working – sometimes three. I have one full-time employee — she’s "Tallahassee" in OverCompensating.

(more…)

South Korean Comic Labeled Anti-Semitic

  • News
  • March 17, 2008

The international comics scene is always interesting to keep an eye on, with bizarre stories cropping up every now and again. In that vein comes the news that the U.S. State Department made a report criticizing a South Korean comic book for being anti-Semitic.

According to the report, which was later presented to Congress, the book is the American volume of the Far Country, Neighbor Country series, according to this story in the Chosun newspaper. The series is intended for South Korean children, and it gives brief histories in comic book form of various countries around the world.

In the article, the anti-Semitic passages are listed as explaining the Sept. 11 terrorist attacks being caused by Muslims who hate the United States because "Jews use money and public discussion as weapons to make WASPs do what they want."

Here’s a few panels:

The article continued:

The series, written by Rhie Won-bok, a professor at Duksung Women’s University, was designed to teach youngsters the history and culture of other countries in comic book format. The "best-selling" children’s book series sold more than 10 million Korean-language copies, according to the report.

The report cited two examples of anti-Semitism in the book. One comic strip shows a newspaper, a magazine, a television, and a radio, each with a Star of David, and is captioned, "In a word, American public debate belongs to the Jews, and it’s no exaggeration to say that [U.S. media] are the voices of the Jews."

Another strip shows a man climbing a hill and then facing a brick wall inscribed with a Star of David and a STOP sign. The caption reads, "The final obstacle [to success] is always a fortress called Jews."

The author later acknowledged his mistake and pledged to write "in a more responsible way," the report said. In March 2007, the book’s publisher agreed to pull the controversial book from stores, the report added.

Like I said, lots of strange stuff here. For instance, it strikes me as strange to see anti-Semitism appear somewhere like South Korea. Also, I had no idea that the State Department’s duties include keeping tabs on anti-Semitism.

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