Tagged: strip

Happy 144th birthday, Richard F. Outcault!

Happy 144th birthday, Richard F. Outcault!

Today in 1863, the very first Sunday comic artist was born.

Yes, we should all take pause today to acknowledge Richard Felton Outcault, who drew the world’s first color comic strip, "Origin of a New Species," in The New York World‘s Sunday edition.

His first regular strip was "Hogan’s Alley," but he later became known for Buster Brown and The Yellow Kid.  Where would we be without your first brave steps, Mr. Outcault? I’m not sure I would want to live in a Peanuts-less world, even if I were (perish the thought) ignorant to their very existence. We must all thank Outcault for paving the way. He died in 1928 having made his mark. In color.

Dave Sim and Captain America!

Dave Sim and Captain America!

The concept of a "silent" or pantomime comic strip isn’t exactly new (Little King anyone?) but creator Mark Tatulli has combined the concept with the wondrous imagination of a little boy in his daily Lio. ComicMix Radio lets Mark tell the story of where Lio came from and what’s coming up.

Plus:

  • Dave Sim is back and this sure ain’t Cerebus
  • Get ready for another Lost trailer
  • 24 lives in another new comic
  • We figured out what really happened to Captain America

And you won’t find out unless you Press The Button!

Or subscribe to our podcasts via iTunes or RSS!

 

Tumbleweeds Tumbles Its Last

Tumbleweeds Tumbles Its Last

Tom Ryan’s Tumbleweeds ends its 42 year run in the newspapers today, at the request of the artist.

The always entertaining big-foot western strip launched an animated teevee series, a musical and a theme-park, as well as appearing in hundreds of newspapers throughout the years. Ryan continues a trend of creators retiring their strips at the end of their careers instead of allowing the syndicates to turn their creations over to others, transforming their work into minor family annuities.

Man Fired By Drunken Lemurs

Man Fired By Drunken Lemurs

 

Well, the bad news is, a Fort Madison Iowa casino worker got fired for posting a Dilbert comic strip (above) on a company bulletin board.

David Steward told the local unemployment compensation judge that he felt the strip would help cheer people up after the casino dismissed 170 employees on its way to going out of business. No great long-term loss to Steward, as his job was going blooie as well. The casino’s human resources director said management was highly offended by Steward’s action. Evidently, they only had a short time to take umbrage.

The good news is, the unemployment compensation judge sided with Steward. It was a "good-faith error in judgment," the judge said. He’ll get his unemployment comp, along with the other employees who lost their jobs.

 

Slightly Belated 110th Birthday, Hans und Fritz

Slightly Belated 110th Birthday, Hans und Fritz

Our favorite role models, The Katzenjammer Kids, turned 110 years old yesterday. In case you weren’t aware, the newspapter strip is still being published each Sunday.

Created by Rudolph Dirks and first appearing in William Randolph Hearst’s New York Journal on December 12, 1897, the strip was among the very first to be regularly published and endure. It also helped establish the language and format of the comic strip and, therefore, the comic book.

The Katzenjammers also helped establish intellectual property copyright and trademark law. Dirks left Hearst to work for the even-scivvier Joe Pulitzer and his New York World, taking his characters with him. Hearst sued. The courts ultimatey ruled that Dirks had the right to continue his feature, but so did Hearst. However, only Hearst owned the name "The Katzenjammer Kids."

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For Better Or For Worse, Lynn Johnston Speaks!

For Better Or For Worse, Lynn Johnston Speaks!

For nearly three decades, artist Lynn Johnston has entertained millions with her daily For Better Or For Worse comic strip. Now, she has taken the already innovative property in a totally new direction – and she tells ComicMix Radio just what’s ahead. Plus

Superman gets a new artist

• Dale Keown returns to Darkness… for a bit

• Another sellout for The Sword

• Meet the group that eventually became The Archies. Anyone remember The Detergents?

Hey! Lynn’s waiting to speak to you… so Press The Button!

Li’l Abner Lost in Hollywood, by Michael H. Price

Li’l Abner Lost in Hollywood, by Michael H. Price

Sustained flashback to 1940, and to an early stage of confidence and high promise for Al Capp’s long-running comic strip, Li’l Abner. Conventional wisdom, bolstered by accounts from Capp his ownself, holds that the name Yokum is a combination of “yokel” and “hokum.” That would be Yokum, as in Abner Yokum and his rural Southern lineage.

Such an explanation also might seem to demean the resourceful gumption that Li’l Abner Yokum and his family represent. Capp established a deeper meaning for the name during a series of visits around 1965-1970 with comics historian George E. Turner and Yrs. Trly.

“There are many real-life Yokums around the South,” explained Capp. “Some spell the name like Abner’s, with variations including Yoakam and Yokom, and so forth. It’s phonetic Hebrew – that’s what it is, all right – and that’s what I was getting at with the name Yokum, more so than any attempt to sound hickish. That was a fortunate coincidence, of course, that the name should pack a backwoods connotation.

“But it’s a godly conceit, really, playing off a godly name – Joachim means “God’s determination,” something like that – that also happens to have a rustic ring to it,” Capp added. “When I came up with that ‘yokel-plus-hokum’ bit in some early interviews, I was steering clear of any such damned-fool intellectualism. It helps to keep things looking simple for the massed readership, when you’re trying to be subversive with a cartoon.” (One such “yokel/hokum” reference appears in an article on Capp’s success with Li’l Abner in the November 1942 issue of Coronet magazine.)

A.D. 1940 is a significant point, here, in that the year marked Abner’s first leap from the funnypapers onto the moving-picture screen.

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ComicMix Talks NASCAR!

ComicMix Talks NASCAR!

They are passionate about the industry, they meet in large numbers several times a year and they even have a ton of cool collectibles. There are a lot of similarities between NASCAR fans and comic fans and now two members of the ComicMix Family are helping to bridge the gap even more.

Robert Tinnell and Mark Wheatley from EZ Street also have a wacky, daily strip here dedicated to NASCAR fanatics. ComicMix Radio lets the guys tell the story in their own words plus we even give you a preview of their own theme song!

Plus we’ve got updates on:

• Another Image comic headed to Hollywood

• The possible return of The Lone Ranger to the movies

• A delay in the Sinestro Corps Saga

Kemo Sabe say Press The Button!

Graphic Novel Review: The Best American Comics 2007

Graphic Novel Review: The Best American Comics 2007

With two years of The Best American Comics down now, it’s clear just how much the individual editor can influence the choice of comics. Last year, Harvey Pekar leaned towards autobiographical comics and towards long, complete works. For this second year, Chris Ware similarly goes where we’d expect him to go and picks a lot of formalist stories — but also a lot of autobiography, particularly the overly-serious type. It’s dangerous to compare annuals in any case, especially when they change editors, but I have to admit that I thought 2006 was a stronger book than 2007; this year’s edition contains a batch of “experimental” comics that I found pointless and a pure waste of space.

And there’s also the meta-question of what are the “best comics,” since even the “100 Distinguished Comics” list in the back matter — from series editor Anne Elizabeth Moore, and which also apparently served as the first cut of stories from which Ware built this anthology — lists only a tiny handful of stories from the major comics publishers. So this series is essentially for the best American independent comics — not superheroes, or adventure stories of any type from the big companies. Perhaps future volumes will challenge that idea, but, for now, there’s no sign that Best American is open to anything more fantastic or adventurous than Charles Burns’s great horror comic Black Hole.

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COMIC BOOK REVIEW: The Biggest Comic Ever?

COMIC BOOK REVIEW: The Biggest Comic Ever?

Here’s a comic book so big it makes those old tabloid editions (Superman Vs. Muhammad Ali, Rudolph the Red-Nosed Reindeer) look like a Jughead Digest. It measures 16" by 21.25", but even if it’s not the biggest comic book ever published, it certainly is one of the best.

On November 24, 1918, a new newspaper comic strip debuted named Gasoline Alley.  It’s still around today, making it the longest continuously published continuity strip – an incredible achievement, as continuity strips have been anathema in the newspaper world for decades. Revolving around the adventures of nonagenarian Walt Wallet and his family and their friends, Gasoline Alley actually didn’t become a continuity strip until Valentine’s Day 1921, when Walt discovered baby Skeezix abandoned at his doorstep. The child wasn’t from Krypton.

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